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Detroit: Ragtime and the Jazz Age
by Jon MilanDetroit has always been at the forefront of American popular music development, and the ragtime years and jazz age are no exception. The city's long history of diversity has served the region well, providing a fertile environment for creating and nurturing some of America's most distinctly indigenous music. With a focus on the people and places that made Detroit a major contributor to America's rich musical heritage, Detroit: Ragtime and the Jazz Age provides a unique photo journal of a period stretching from the Civil War to the diminishing years of the big bands in the early 1940s.
The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023
by Vincent HaddadDetroit has an essential relationship to genre in American literature and popular culture. The contemporary formations of the suburban sitcom, the post-apocalyptic genre, the sci-fi dystopia, crime fiction, the superhero genre, and contemporary horror would not exist in the way they do today without the aesthetic material and racial history of Detroit. When DC Comics wanted to compete with Marvel and market “socially relevant” comics, especially ones dealing with issues of race, they swapped Gotham and Metropolis for Detroit. What about vampires concerned with de-industrialization, heritage conservation, and impending water wars? Must be Detroit. A story about a half-man, half-robot wrestling with what it means to be human by fighting crime? Improbably, Detroit has two. Author Vincent Haddad’s The Detroit Genre provides the first comprehensive literary and cultural investigation of the representations of Detroit in popular and literary culture. The book first establishes the concept of the “Detroit genre” that emerged in late 1960s and traces the tropes of this white-centric narrative genre in popular culture, touching on key texts including Blue Collar, Robocop, The Crow, It Follows, and Barbarian. The second part shows how Black writers, including Alice Randall, adrienne maree brown, Stephen Mack Jones, and Angela Flournoy, reclaimed and revised the Detroit genre by un-fixing Detroit narratives of dispossession, criminality, and industrial and social failure through formal experimentations on genre itself. Where Detroit has typically been painted in the news as one of three things—the center of the automotive industry; crime-ridden and in ruins; or as a “blank canvas” with limitless potential of entrepreneurship—Vincent Haddad shows that the Detroit genre in literature and film can be far more powerful than news media in narrating Black dispossession as a pragmatic, even liberal consensus. The texts studied here condition forgetfulness about Detroit’s history or expose it to a full reckoning, direct attention toward or away from the city’s agents of injustice, fetishize resilience or model resistance, and foreclose or imagine a future of Black liberation. Appealing to scholars of popular literature, media, race, and American studies, The Detroit Genre is an accessible and engaging study of the city’s influence on a wide array of genres in pop culture.
Detroit Opera House (Images of America)
by Marianne Weldon Michael HauserThe theater known today as the Detroit Opera House has been an integral part of the city's culture and history as well as the live entertainment industry. Its existence has been threatened in the past, but it has survived wars, the Great Depression, civil unrest, economic meltdowns, the abandonment of downtown, and, most recently, a pandemic. Generations of patrons have fond, vivid memories of attending films, stage presentations, or events with family and friends as it transitioned from the Broadway Capitol to the Paramount to the Grand Circus to the Detroit Opera House. The reason for building these "temples of amusement" was to literally transport a guest into another world, and the Detroit Opera House has valiantly fulfilled that task. What began as an idea by David DiChiera, founder of Michigan Opera Theatre, the owner and operator of today's Detroit Opera House, blossomed into a magnificent performing arts center with its formal opening in 1996.
Deutsche Kino-Wochenschau und der wirtschaftliche Aufschwung in West und Ost: Audiovisuelle Gestaltung und Vermittlungsstrategie in Fallanalysen (1950-1965)
by Sigrun LehnertIn der Zeit des wirtschaftlichen Aufschwungs Deutschlands nach dem Zweiten Weltkrieg waren die Wochenschauen im Vorprogramm jeder Kinovorstellung eine bedeutende Informationsquelle. Mit eindrucksvollen Bildern auf einer großen Leinwand – begleitet von gesprochenem Kommentar, Musik und Geräusch – gaben sie Orientierung und prägten die Erinnerung. In zahlreichen dokumentarischen Film- und Fernsehformaten werden bis heute einzelne Bilder oder kurze Sequenzen aus der Kino-Wochenschau als historische Belege, als Illustrationen oder zur Dramatisierung verwendet. Die außergewöhnlichen Prinzipien der Informationsvermittlung kommen dabei jedoch nicht mehr zur Geltung. Um das Publikum zu erreichen, war damals eine Mischung aus informativen Berichten und unterhaltenden Beiträgen unerlässlich. Die in diesem Buch vorgenommenen Fallanalysen spiegeln elementare Themenbereiche der Zeit des wirtschaftlichen Aufschwungs beider deutscher Staaten (1950-1965) wider. Neben den Prinzipien der audiovisuellen Gestaltung wird auch die zentrale Vermittlungsstrategie herausgearbeitet. Transmediale und transnationale Aspekte, die hierbei eine Rolle spielen, weisen die Wochenschau als Teil eines (internationalen) Mediensystems aus.
Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945 (Studien zu Kinder- und Jugendliteratur und -medien #3)
by Petra Josting Marlene Antonia Illies Matthias Preis Annemarie WeberMit der Erforschung der deutschsprachigen Kinder- und Jugendliteratur und ihrer Medienverbünde im Zeitraum von 1900 bis 1945 sowie der Erfassung sämtlicher Daten in einem Onlineportal zur Recherche und visuellen Analyse liegt ein innovativer Beitrag zur Geschichtsschreibung der Kinder- und Jugendliteratur vor. Die Einleitung gibt Auskunft über Aufnahmekriterien, zentrale Quellen, theoretische Rahmungen sowie das Spektrum der eruierten Medienverbünde. Teil I versammelt drei Überblicksartikel zu den Medien Hörfunk, Film und Theater für Kinder und Jugendliche sowie einen Beitrag zur Konzeption und Entwicklung des Onlineportals. Im zweiten Teil werden 18 ausgewählte Medienverbünde vorgestellt, sortiert in die Kategorien Pioniere erobern die neuen Medien – Bühnenkinder wandern zum Rundfunk und/oder Film – Märchen im Film und Rundfunk – Klassiker in allen Medien – Schulgeschichten im Theater, Buch und auf der Leinwand – Verbrechen und Skandalöses auf der Leinwand – Politisches erobert Buch und Film.
Developer's Digital Media Reference: New Tools, New Methods
by Curtis Poole Janette BradleyDesigned for media professionals working across a broad range of formats, Developer's Digital Media Reference is an excellent reference guide for those keeping pace with this dynamic industry. As "convergence" between the World Wide Web, multimedia, and television production communities continues, there is an increased demand for professionals to familiarize themselves with the many new delivery contexts, including hybrid DVD (where digital video content and computer data live on the same disc), interactive TV, and streaming media. Developer's Digital Media Reference covers essential technologies such as SVG (scalable vector graphics), SMIL (Synchronized Multimedia Integration Language, a markup language for creating animations on the web), MPEG-4 (compression standard for streaming audio/video), and Dynamic Web Applications. In addition to serving as a quick-look-up guide, this text is organized to explain today's major media: server-based architectures, disc-based architectures, distribution architectures, and merging/shared architectures. Each topic is discussed in terms of the technological background-evolution, current tools, and production tips and techniques.
Developing Digital Short Films
by Sherri SheridanThe film market is shifting toward traditional desktop technology to create productions. . . digitally. Unlike traditional film production, though, digital films require producers to employ a different pre-production process. Developing Digital Short Films explores how unique character and set designs, bluescreen ideas, special effects, and simple 2D character animation techniques can be used as narrative devices for telling stories. Part One focuses on generating visual ideas that are ideal for digital production and creating a short film script. Part Two focuses on the visual pre-production of a short film and the issues that go through a filmmaker's mind as they struggle with how best to present their stories; this includes topics like 101 camera shots, frame composition, developing a visual look and feel, color maps, and creating storyboards and animatics. Part Three explores the different production environments of DV, 2D and 3D, and how they shape the telling of stories based upon the technological strengths of each style.
Developing Story Ideas: The Power and Purpose of Storytelling
by Michael RabigerThe vast majority of screenplay and writing books that focus on story development have little to say about the initial concept that inspired the piece. Developing Story Ideas: The Power and Purpose of Storytelling, Third Edition provides writers with ideational tools and resources to generate a wide variety of stories in a broad range of forms. Celebrated filmmaker and author Michael Rabiger demonstrates how to observe situations and themes in the writer's own life experience, and use these as the basis for original storytelling. This new edition has been updated with chapters on adaptation, improvisation, and cast collaboration's roles in story construction, as well as a companion website featuring further projects, class assignments, instructor resources, and more. Gain the practical tools and resources you need to spark your creativity and generate a wide variety of stories in a broad range of forms, including screenplays, documentaries, novels, short stories, and plays Through hands-on, step-by-step exercises and group and individual assignments, learn to use situations and themes from your own life experience, dreams, myth, and the news as the basis for character-driven storytelling; harness methods of screenplay format, dialogue, plot structure, and character development that will allow your stories to reach their fullest potential
Developing Story Ideas: The Power and Purpose of Storytelling
by Michael RabigerThe vast majority of screenplay and writing books that focus on story development have little to say about the initial concept that inspired the piece. Developing Story Ideas: The Power and Purpose of Storytelling, Third Edition provides writers with ideational tools and resources to generate a wide variety of stories in a broad range of forms. Celebrated filmmaker and author Michael Rabiger demonstrates how to observe situations and themes in the writer’s own life experience, and use these as the basis for original storytelling. This new edition has been updated with chapters on adaptation, improvisation, and cast collaboration’s roles in story construction, as well as a companion website featuring further projects, class assignments, instructor resources, and more. Gain the practical tools and resources you need to spark your creativity and generate a wide variety of stories in a broad range of forms, including screenplays, documentaries, novels, short stories, and plays Through hands-on, step-by-step exercises and group and individual assignments, learn to use situations and themes from your own life experience, dreams, myth, and the news as the basis for character-driven storytelling; harness methods of screenplay format, dialogue, plot structure, and character development that will allow your stories to reach their fullest potential
The Development of African Drama (Routledge Revivals)
by Michael EthertonOriginally published in 1982, this book explores concepts such as ‘traditional performance’ and African theatre’. It analyses the links between drama and ritual, and drama and music and diagnoses the confusions in our thought. The reader is reminded that drama is never merely the printed word, but that its existence as literature and in performance is necessarily different. The analysis shows that literature tends to replace performance; and drama, removed from the popular domain, becomes elitist. The book’s richness lies in the constantly stimulating analysis of ‘art’ theatre, as exemplified in protest plays, in African adaptations and transpositions of such classical subjects as the Bacchae and Everyman, in plays on African history, on colonialism and neo-colonialism. The final chapters argue that the form of African drama needs to evolve as the content does.
The Development of Popular Music Function in Film: From the Birth of Rock ‘n’ Roll to the Death of Disco (Palgrave Studies in Audio-Visual Culture)
by Anthony HoggThis book offers a unique examination of the development of popular music function in film. It assesses the contribution of popular music to the interpretation of the most significant films, covering the period from rock ‘n’ roll’s initial introduction at the opening of Blackboard Jungle, to the backlash against disco, which followed soon after the release of Saturday Night Fever. By dividing this period into five phases—The Classical American Musical Phase, The British Invasion Phase, The New Hollywood Alienation Phase, The Disco Phase and The Post-Disco Conservative Phase—the book pinpoints key moments at which individual developments occurred and lays out a path of expansion in popular music function. Each chapter offers close analyses of this period’s most innovative films; examines the cultural, historical, technical and industrial factors peculiar to each phase and considers the influence of these upon the specific timing of functional advances.
Development of the Global Film Industry: Industrial Competition and Cooperation in the Context of Globalization (China Perspectives)
by Qiao LiThe global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional production companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a "big picture" view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated development of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world.
Deviant Leisure and Events of Deviance: A Transgressive Compendium (Leisure Studies in a Global Era)
by Ian R. Lamond Rosie GarlandThis volume is the first to draw together theoretical reflection, empirical research, and critical reflection on practice occurring at the juncture of critical approaches in leisure studies and event studies within diverse explorations of deviance. It includes chapters on games and gaming; performing queerness; events around being kinkster; drugs and sex, LGBTQ+ events and activism, and goth subculture. These are combined with poetry, personal reflection and artwork, much of which has been created by contributors. The compendium draws on inquiry undertaken by contributors from a wide spectrum of academic disciplines, as well as deviant leisure practitioners/event organisers. It seeks to expand the cultural and academic articulation of deviance into other disciplines and to develop new perspectives on deviant leisure and deviant leisure practice. It speaks to students, researchers, and practitioners working or interested in critical leisure and event studies, queer theory, cultural theory, burlesque/circus studies, media studies, and discourse studies.
Deviations in Contemporary Theatrical Anthropology: New Myths and Performative Rituals between XR, Robots and AI (ISSN)
by Ester FuocoThis book refers to the artistic deviation from dominant goals in a social system or from means considered legitimate in that system.This book explores a "New Humanism" in the performing arts, unique in the sense of human's ability to co-create and communicate beyond spatial and temporal boundaries, wars, and pandemics, through artistic deviations carried out by machines and through the Extended Reality. Through the lens of anthropology and aesthetics, this study selects useful case studies to demonstrate this phenomenon of performative symphonises, in which the experimentation of AI-driven creativity and the new human-robot interaction (HRI) lead to philosophical inquiries about the nature of creativity, intelligence, and the definition of art itself. These shifts in paradigms invite us to reconsider established concepts and explore new perspectives on the relationship between technology, art, and the human experience.This book will be of great interest to students and scholars in theatre and performance studies, anthropology, and digital humanities.
The Devil and His Boy
by Anthony HorowitzThe English Ladder is a four-level course designed to help pupils take their first steps in English. Join the Fantastic family for fun, adventure and lively language learning through engaging stories, challenging songs, games, tongue twisters, and communication activities. This Level 3 Pupil's Book features topic-based units introducing new vocabulary, phonics activities for enjoyable pronunciation practice, a CLIL feature in every unit, focusing on core subjects such as science and maths, and clear grammar targets for each unit.
The Devil and Philosophy
by Robert ArpIn The Devil and Philosophy, 34 philosophers explore questions about one of the most recognizable and influential characters (villains?) of all time. From Roman Polanski's The Ninth Gate to J.R.R. Tolkien's The Silmarillion to Bram Stoker's Dracula to Darth Vader to Al Pacino's iconic performance in The Devil's Advocate, this book demonstrates that a little devil goes a long way. From humorous appearances, as in Kevin Smith's film Dogma and Chuck Palahniuk's novels Damned and its sequel Doomed, to more villanous appearances, such as Gabriel Byrne's cold outing as Satan in End of Days, The Devil in Philosophy proves that the Devil comes in many forms.Through the lenses of Jung, Kant, Kundera, Balkan, Plato, Bradwardine, Aristotle, Hume, Blackburn, Descartes, Lavey, Thoreau, and Aquinas, The Devil and Philosophy take a philosophical look at one of time's greatest characters. Are there any good arguments for the actual existence of the Devil? Does demonic evil thrive in Gotham City? Can humans really be accountable for all evil? Which truths about the Devil are actual facts? Is Milton correct, in that the Devil believes he is doing good?
The Devil and Winnie Flynn
by Micol Ostow"A love letter to all your favorite horror movie classics . . . Micol Ostow's razor sharp writing and David Ostow's wonderful illustrations combine for an unforgettable reading experience."—Courtney Summers, author of This Is Not a Test and All the RageWinnie Flynn doesn&’t believe in ghosts. (Though she wouldn&’t mind a visit from her mom, explaining why she took her own life.) When her mysterious aunt Maggie, a high-profile TV producer, recruits Winnie to spend a summer working as a production assistant on her current reality hit, Fantastic, Fearsome, she suddenly finds herself in the one place her mother would never go: New Jersey.New Jersey&’s famous Devil makes perfect fodder for Maggie&’s show. But as the filming progresses, Winnie sees and hears things that make her think that the Devil might not be totally fake after all. Things that involve her and her family. Things about her mother&’s death that might explain why she&’s never met Aunt Maggie until now.Winnie soon discovers her family&’s history is deeply entwined with the Devil&’s. If she&’s going to make it out of the Pine Barrens alive, she might have to start believing in what her aunt is telling her—and find out what she isn&’t.
The Devil Finds Work: An Essay (Vintage International #1)
by James BaldwinFrom "the best essayist in this country&” (The New York Times Book Review) comes an incisive book-length essay about racism in American movies that challenges the underlying assumptions in many of the films that have shaped our consciousness. Baldwin&’s personal reflections on movies gathered here in a book-length essay are also an appraisal of American racial politics. Offering a look at racism in American movies and a vision of America&’s self-delusions and deceptions, Baldwin considers such films as In the Heat of the Night, Guess Who&’s Coming to Dinner, and The Exorcist.Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained and shaped us. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change.
The Devil Rides Out: Wickedly funny and painfully honest stories from Paul O’Grady
by Paul O'GradyTHE SUNDAY TIMES NUMBER ONE BESTSELLER'Far and away the best writer of the lot . . . his turn of phrase is a joy.' The Sunday TimesBirkenhead, 1973. The eighteen-year-old Paul O'Grady gets ready for a big Saturday night out on the town. New white T-shirt, freshly ironed jeans, looking good. As he bids farewell to his mum, who's on the phone to his auntie, and wanders off down the street in a cloud of aftershave, he hears her familiar cry: 'Oh, the devil rides out tonight, Annie. The devil rides out!'The further adventures of Paul O'Grady - following on from the million-copy-selling At My Mother's Knee - are, if anything, even more hilarious and outrageous than what has come before. To say that The Devil Rides Out is action-packed is an understatement. Its extraordinary cast of characters includes lords and ladies, the legendary Vera, a serial killer, more prostitutes than you can shake a stick at and drag queens of every shape and size. Wickedly funny, often moving, and searingly honest, Paul's tales of the unexpected will make your jaw drop and your hair stand on end. And you'll laugh like a drain. The Devil Rides Out is one hell of a read!Readers love The Devil Rides Out:'At times heart-breaking but . . . incredibly funny.' *****'A powerful story of the man behind the persona . . . the most fabulous and modest tart with a heart of gold.' *****'Very down to earth, heart-breaking at times but Paul always comes back making you laugh.' *****
The Devil You Dance With: Film Culture in the New South Africa
by Audrey MccluskeySouth African film culture, like so much of its public life, has undergone a tremendous transformation during its first decade of democracy. Filmmakers, once in exile, banned, or severely restricted, have returned home; subjects once outlawed by the apparatchiks of apartheid are now fair game; and a new crop of insurgent filmmakers are coming to the fore. Compiled and edited by Audrey Thomas McCluskey, this extraordinary volume presents twenty-five in-depth interviews with established and emerging South African filmmakers such as Zola Maseko, Teboho Mahlatsi, Ntshaveni wa Luruli, and many more. The interviews capture the filmmakers' spirit, energy, and ambition as they attempt to give birth to a film culture that reflects the heart and aspirations of their diverse and emergent nation.
The Devils (Devil's Advocates)
by Darren ArnoldUndoubtedly the most notorious title in director Ken Russell’s controversial filmography, The Devils (1973) caused a real furor on its initial theatrical release, only to largely disappear for many years. This Devil’s Advocate considers the film’s historical context, as the timing of the first appearance of The Devils is of particular importance, its authorship and adaptation (Russell’s auteur reputation aside, the screenplay is based on John Whiting’s 1961 play of the same name, which was in turn based on Aldous Huxley’s 1952 book The Devils of Loudun), and its generic hybridity. Darren Arnold goes on to examine the themes prevalent in the film—this is the only film of Russell’s which the director considered to be political—and considers the representation of gender and sexuality, gender fluidity, and how sex and religion clash to interesting and controversial effect. He concludes by revisiting the film’s censorship travails and the various versions of The Devils that have appeared on both big and small screens, and the film’s legacy and influence.
Devil's Advocates: Halloween
by Murray LeederA bold and provocative study of Carpenter's film, which hopes to expose qualities that are sometime effaced by its sequels and remakes
The Devil's Candy: The Anatomy Of A Hollywood Fiasco
by Julie Salamon"A definitive portrait of the madness of big-time moviemaking" (Newsweek), now the basis for the new season of TCM's hit podcast, "The Plot Thickens" and featuring a new afterword by the authorWhen Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities, both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade. She shadowed the film from its early stages through the last of the eviscerating reviews, and met everyone from the actors to the technicians to the studio executives. They'd all signed on for a blockbuster, but there was a sense of impending doom from the start--heart-of-gold characters replaced Wolfe's satiric creations; affable Tom Hanks was cast as the patrician heel; Melanie Griffith appeared mid-shoot with new, bigger breasts. With a keen eye and ear, Salamon shows us how the best of intentions turned into a legendary Hollywood debacle.The Devil's Candy joins John Gregory Dunne's The Studio, Steven Bach's Final Cut, and William Goldman's Adventures in the Screen Trade as a classic for anyone interested in the workings of Hollywood. With a new afterword profiling De Palma ten years after the movie's devastating flop (and this book's best-selling publication), Julie Salamon has created a riveting insider's portrait of an industry where art, talent, ego, and money combine and clash on a monumental scale.
The Devil's Charter: A Tragedie, Conteining The Life And Death Of Pope Alexander The Sixt (classic Reprint) (Globe Quartos)
by Barnabe BarnesFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
The Devil's Guide to Hollywood: The Screenwriter as God!
by Joe EszterhasIn The Devil's Guide to Hollywood, bestselling author and legendary bad-boy screenwriter Joe Eszterhas tells everything he knows about the industry, its players and screenwriting itself—from the first blank sheet of paper in the Olivetti to the size of the credit on the one-sheet. "There's just one hunk of funny anecdote after another, quotes from everyone who ever mattered in the movie biz, and the thing is jam-packed with screenwriterly advice. Plus it's hilariously funny, ribald, sexy and brilliant."—Liz SmithOften practical and always entertaining, The Devil's Guide to Hollywood distills everything one of Hollywood's most accomplished screenwriters knows about the business, from writing advice to negotiation tricks, from the wisdom of past players to the feuds of current ones. Eszterhas has selected his personal pantheon of the most loved and loathed players in the business and treats the reader to a treasure trove of stories, quotes and wisdom from those luminaries, who include William Goldman (loathes) and Zsa Zsa Gabor (loves). The Devil's Guide to Hollywood could only have been written by someone who loves the business as much as Eszterhas does—but who also has its number."Eszterhas delivers a dishy, catty mix of reminiscences and Hollywood trivia…his forte is skewering sycophants and phonies in this opinionated showcase of the underside of Hollywood life."—Publishers Weekly