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The Documentary Handbook (Media Practice)
by Peter Lee-Wright'The Documentary Handbook is mandatory reading for those who want a critical understanding of the place of factual formats in today’s exploding television and media industry, as well as expert guidance in complex craft skills in order to fully participate. The practical advice and wisdom here is second to none.' – Tony Steyger, Principal Lecturer, Southampton Solent University, UK The Documentary Handbook is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programme and its current emergence in forms of new media. It analyses those pathways and the transformation of means of production through economic, technical and editorial changes. The Documentary Handbook explains the documentary process, skills and job specifications for everyone from industry entrants to senior personnel, and shows how the industrial evolution of television has relocated the powers and principles of decision-making. Through the use of professional Expert Briefings it gives practical pointers about programme-making, from research, developing and pitching programme ideas to their production and delivery through a fast-evolving multi-platform universe.
Documentary in the Digital Age
by Maxine BakerIf you want to learn from the leading lights of today's revolution in documentary filmmaking Maxine Baker has written the guide you need to own. You'll discover the many different and innovative approaches to documentary form and style arising from the use of innovative new technology. A tribute to the mavericks of creativity, inside you will find interviews and advice from groundbreaking documentary makers from the UK, USA and Europe as well as extensive listings of useful worldwide contacts and organisations. Any and every fan of the documentary will experience anew the passion and wonder of the Factual Film.Published review:"This is a must-have insight into modern documentary; the principles that govern it and the conventions it often breaks. It deserves a place on the shelves of film commissioners, film students and documentary consumers as prominent as the place these documentary filmmakers have carved for themselves on our screens." - www.shootingpeople.org
Documentary Making for Digital Humanists
by Darren R. Reid and Brett SandersThis fluent and comprehensive field guide responds to increased interest, across the humanities, in the ways in which digital technologies can disrupt and open up new research and pedagogical avenues. It is designed to help scholars and students engage with their subjects using an audio-visual grammar, and to allow readers to efficiently gain the technical and theoretical skills necessary to create and disseminate their own trans-media projects. <p><p> Documentary Making for Digital Humanists sets out the fundamentals of filmmaking, explores academic discourse on digital documentaries and online distribution, and considers the place of this discourse in the evolving academic landscape. The book walks its readers through the intellectual and practical processes of creating digital media and documentary projects. It is further equipped with video elements, supplementing specific chapters and providing brief and accessible introductions to the key components of the filmmaking process. <p> This will be a valuable resource to humanist scholars and students seeking to embrace new media production and the digital landscape, and to those researchers interested in using means beyond the written word to disseminate their work. It constitutes a welcome contribution to the burgeoning field of digital humanities, as the first practical guide of its kind designed to facilitate humanist interactions with digital filmmaking, and to empower scholars and students alike to create and distribute new media audio-visual artefacts.
Documentary Media: History, Theory, Practice
by Broderick FoxIn a digital moment where both the democratizing and totalitarian possibilities of media are unprecedented, the need for complex, ethical, and imaginative documentary media—for you, the reader of this book to think, question, and create—is vital. Whether you are an aspiring or seasoned practitioner, an activist or community leader, a student or scholar, or simply a curious audience member, author Broderick Fox opens up documentary media, its changing forms, and diversifying social functions to readers in a manner that is at once rigorous, absorbing, and practical. This new edition updates and further explores the various histories, ideas, and cultural debates that surround and shape documentary practice today. Each chapter engages readers by challenging traditional assumptions, posing critical and creative questions, and offering up innovative historical and contemporary examples. Additionally, each chapter closes with an "Into Practice" section that provides analysis and development exercises and hands-on projects that will assist you in generating a full project prospectus, promotional trailer, and web presence for your own documentary.
Documentary Storytelling: Creative Nonfiction on Screen
by Sheila Curran BernardDocumentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the growing global documentary marketplace: storytelling. This practical guide reveals how today's top filmmakers bring the tools of narrative cinema to the world of nonfiction film and video without sacrificing the rigor and truthfulness that give documentaries their power. The book offers practical advice for producers, directors, editors, cinematographers, writers and others seeking to make ethical and effective films that merge the strengths of visual and aural media with the power of narrative storytelling. In this new, updated edition, Emmy Award-winning author Sheila Curran Bernard offers: New strategies for analyzing documentary work New conversations with filmmakers including Stanley Nelson (The Black Panthers), Kazuhiro Soda (Mental), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms) Discussions previously held with Susan Kim (Imaginary Witness), Deborah Scranton (The War Tapes), Alex Gibney (Taxi to the Dark Side), and James Marsh (Man on Wire).
Documentary Storytelling: Creative Nonfiction on Screen
by Sheila Curran BernardFor nearly two decades, Documentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the global documentary marketplace: storytelling. As this revised, updated fifth edition makes clear, nonfiction storytelling is not limited to character-driven journeys, but instead encompasses the diverse ways in which today’s top documentarians reach audiences with content that is creative, original, and often inspirational, all without sacrificing the integrity that gives documentary its power. This book is filled with practical advice for writers, producers, directors, editors, cinematographers, and others committed to reality-based filmmaking that seeks to reach audiences, raise awareness, address social issues, illuminate the human condition, and even entertain. In this new edition, Emmy Award-winning filmmaker and author Sheila Curran Bernard offers: a closer look at the way ethical nonfiction filmmakers take creative, authorial leaps while also remaining transparent with audiences; new tools for understanding how documentaries are structured, how they may rearrange time for storytelling effect, and how a simple narrative throughline can convey complexity without being a conventional "hero’s journey"; new conversations with filmmakers and educators including Dawn Porter, Madison Hamburg, Tracy Heather Strain, June Cross, Heidi Gronauer, and Julie Casper Roth, and another look at conversations with Stanley Nelson and Orlando von Einsiedel. Please visit the book’s website, available at www.documentarystorytelling.com, for further information, related articles, and more.
Documentary Superstars: How Today's Filmmakers Are Reinventing the Form
by Marsha MccreadieMcCreadie (documentary film, Fordham U.) explores changing trends in documentary filmmaking, and notes how current documentarians such as Michael Moore and Morgan Spurlock are becoming "glamorous Hollywood figures." Written for film students and fans of documentaries, this volume profiles leading figures in the field to show how the art form now employs rabble-rousing, charisma, humor and a visionary attitude in order to cross boundaries and become more accessible to mainstream audiences.
Documentary Testimonies: Global Archives of Suffering (AFI Film Readers)
by Bhaskar Sarkar Janet WalkerDocumentary Testimonies examines documentary films that compel us to bear witness, move us to anger or tears, and possibly mobilize us to action. Comprising ten new essays and a substantive introduction, this interdisciplinary volume examines audiovisual testimonial practices, forms, and institutions. Topics include: technologies of capture, storage and circulation; problems of historical veracity/frail memory; generation of video archives--official, renegade, and ephemeral; limits and potentialities of documentary as public record; architectonics of memory; ethics of witnessing and commemoration; human rights and activist publics. The essays provide in-depth analysis of archives of social suffering tied to particular locales: Cambodia, Chiapas, Darfur, India, Indonesia, Korea, New Orleans, Norway, Rwanda, South Africa, and Washington, DC. The contributors focus on the generation and use of testimony by public administrators and institutions, human rights activists, documentary filmmakers, and others with interest in environmental justice, human rights, social advocacy, and the commemoration/prevention of genocide. Thus, this volume aims to investigate, from a critical and translocal perspective, testimony as social practice.
Documentary Vision: Notes from Behind the Camera
by Richard ChisolmThis book is a collection of personal essays that address critical elements involved in the production of nonfiction films. Written by an experienced documentary filmmaker and cinematographer, the book draws upon practical wisdom to explore the nuances and challenges faced by filmmakers and viewers alike. Included in the text are rarely discussed ethical issues, best practices in the field, filmmaker etiquette, and a detailed analysis of interview techniques. The book also provides a candid view of how decisions are made in production that are consequential to a finished film’s meaning and fidelity. Drawing on a wide range of subject matter, it will enhance the reader's understanding of the tremendous power and potential of the documentary medium. The book offers an invaluable insight into documentary filmmaking for professionals who work in the medium and students who are learning the trade and honing their skills.
Documentary Voice & Vision: A Creative Approach to Non-Fiction Media Production
by Kelly Anderson Martin LucasLearn the creative and technical essentials of documentary filmmaking with Documentary Voice & Vision. This comprehensive work combines clear, up-to-date technical information, production techniques and gear descriptions with an understanding of how technical choices can create meaning and serve a director’s creative vision. Drawing on the authors’ years of experience as documentary filmmakers, and on interviews with a range of working professionals in the field, the book offers concrete and thoughtful guidance through all stages of production, from finding and researching ideas to production, editing and distribution. Documentary Voice & Vision will help students and aspiring filmmakers think though research and story structure, ethics, legal issues and aesthetics, as well as techniques from camera handling to lighting, sound recording and editing. The book explores a full range of production styles, from expository to impressionistic to observational, and provides an overview of contemporary distribution options. Documentary Voice & Vision is a companion text to Mick Hurbis-Cherrier’s Voice & Vision: A Creative Approach to Narrative Film and DV Production, and employs a similar style and approach to that classic text. This text is written from the perspective of documentary filmmakers, and includes myriad examples from the world of non-fiction filmmaking. A robust companion website featuring additional resources and interactive figures accompanies the book.
Documentary's Awkward Turn: Cringe Comedy and Media Spectatorship (Routledge Research in Cultural and Media Studies)
by Jason MiddletonDespite the prominence of "awkwardness" as cultural buzzword and descriptor of a sub-genre of contemporary film and television comedy, it has yet to be adequately theorized in academic film and media studies. Documentary’s Awkward Turn contributes a new critical paradigm to the field by presenting an analysis of awkward moments in documentary film and other reality-based media formats. It examines difficult and disrupted encounters between social actors on the screen, between filmmaker and subject, and between film and spectator. These encounters are, of course, often inter-connected. Awkward moments occur when an established mode of representation or reception is unexpectedly challenged, stalled, or altered: when an interviewee suddenly confronts the interviewer, when a subject who had been comfortable on camera begins to feel trapped in the frame, when a film perceived as a documentary turns out to be a parodic mockumentary. This book makes visible the ways in which awkwardness connects and subtends a range of transformative textual strategies, political and ethical problematics, and modalities of spectatorship in documentary film and media from the 1970s to the present.
Documenting Cityscapes
by Iván Villarmea ÁlvarezFilm studies has traditionally addressed the presence of the city in film as an urban text inside a cinematic text, but this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by non-fiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits and metafilmic strategies. Through formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to those institutions and corporations responsible for recent major transformations. Thus, Documenting Cityscapes reveals the extent to which cinema has ultimately become an agent of urban change, where certain films not only challenge the most controversial policies of late-capitalism but also are able to produce spatiality themselves.
Documenting Cityscapes: Urban Change in Contemporary Non-Fiction Film (Nonfictions)
by Iván Villarmea ÁlvarezWhile film studies has traditionally treated the presence of the city in film as an urban text operating inside of a cinematic one, this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by nonfiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits, and metafilmic strategies. Through the formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to the institutions and corporations responsible for recent major transformations. Documenting Cityscapes therefore reveals the extent to which cinema has become an agent of urban change, in which certain films not only challenge the most controversial policies of late capitalism but also are able to produce spatiality themselves.
Documenting Socialism: East German Documentary Cinema
by Sebastian Heiduschke Seán AllanMore than 30 years after the collapse of the German Democratic Republic, its cinema continues to attract scholarly attention. Documenting Socialism moves beyond the traditionally analyzed feature film production and places East Germany’s documentary cinema at the center of history behind the Iron Curtain. Covering questions of gender, race and sexuality and the complexities of diversity under the political and cultural environments of socialism, the specialist contributions in this volume cohere into an introductory milestone on documentary film production in the GDR.
Documenting Taiwan on Film: Issues and Methods in New Documentaries (Routledge Research on Taiwan Series)
by Sylvia Li-chun Lin Tze-lan D. SangTo date, there is but a handful of articles on documentary films from Taiwan. This volume seeks to remedy the paucity in this area of research and conduct a systematic analysis of the genre. Each contributor to the volume investigates the various aspects of documentary by focusing on one or two specific films that document social, political and cultural changes in recent Taiwanese history. Since the lifting of martial law, documentary has witnessed a revival in Taiwan, with increasing numbers of young, independent filmmakers covering a wide range of subject matter, in contrast to fiction films, which have been in steady decline in their appeal to local, Taiwanese viewers. These documentaries capture images of Taiwan in its transformation from an agricultural island to a capitalist economy in the global market, as well as from an authoritarian system to democracy. What make these documentaries a unique subject of academic inquiry lies not only in their exploration of local Taiwanese issues but, more importantly, in the contribution they make to the field of non-fiction film studies. As the former third-world countries and Soviet bloc begin to re-examine their past and document social changes on film, the case of Taiwan will undoubtedly become a valuable source of comparison and inspiration. These Taiwanese documentaries introduce a new, Asian perspective to the wealth of Anglo-American scholarship with the potential to serve as exemplar for countries undergoing similar political and social transformations. Documenting Taiwan on Film is essential reading for all those interested in Taiwan Studies, film studies and Asian cinema.
Documenting the American Student Abroad: The Media Cultures of International Education
by Kelly Hankin1 in 10 undergraduates in the US will study abroad. Extolled by students as personally transformative and celebrated in academia for fostering cross-cultural understanding, study abroad is also promoted by the US government as a form of cultural diplomacy and a bridge to future participation in the global marketplace. In Documenting the American Student Abroad, Kelly Hankin explores the documentary media cultures that shape these beliefs, drawing our attention to the broad range of stakeholders and documentary modes involved in defining the core values and practices of study abroad. From study abroad video contests and an F.B.I. produced docudrama about student espionage to reality television inspired educational documentaries and docudramas about Amanda Knox, Hankin shows how the institutional values of “global citizenship,” “intercultural communication,” and “cultural immersion” emerge in contradictory ways through their representation. By bringing study abroad and media studies into conversation with one another, Documenting the American Student Abroad: The Media Cultures of International Education offers a much needed humanist contribution to the field of international education, as well as a unique approach to the growing scholarship on the intersection of media and institutions. As study abroad practitioners and students increase their engagement with moving images and digital environments, the insights of media scholars are essential for helping the field understand how the mediation of study abroad rhetoric shapes rather than reflects the field’s central institutional ideals.
Documenting the Documentary: Close Readings of Documentary Film and Video, New and Expanded Edition
by Barry Keith Grant Jeannette SloniowskiOriginally released in 1998, Documenting the Documentary responded to a scholarly landscape in which documentary film was largely understudied and undervalued aesthetically, and analyzed instead through issues of ethics, politics, and film technology. Editors Barry Keith Grant and Jeannette Sloniowski addressed this gap by presenting a useful survey of the artistic and persuasive aspects of documentary film from a range of critical viewpoints. This new edition of Documenting the Documentary adds five new essays on more recent films in addition to the text of the first edition. Thirty-one film and media scholars, many of them among the most important voices in the area of documentary film, cover the significant developments in the history of documentary filmmaking from Nanook of the North (1922), the first commercially released documentary feature, to contemporary independent film and video productions like Werner Herzog's Grizzly Man (2005) and the controversial Borat (2006). The works discussed also include representative examples of many important national and stylistic movements and various production contexts, from mainstream to avant-garde. In all, this volume offers a series of rich and revealing analyses of those "regimes of truth" that still fascinate filmgoers as much today as they did at the very beginnings of film history. As documentary film and visual media become increasingly important ways for audiences to process news and information, Documenting the Documentary continues to be a vital resource to understanding the genre. Students and teachers of film studies and fans of documentary film will appreciate this expanded classic volume.
Documenting the World: Film, Photography, and the Scientific Record
by Gregg Mitman Kelley WilderImagine the twentieth century without photography and film. Its history would be absent of images that define historical moments and generations: the death camps of Auschwitz, the assassination of John F. Kennedy, the Apollo lunar landing. It would be a history, in other words, of just artists' renderings and the spoken and written word. To inhabitants of the twenty-first century, deeply immersed in visual culture, such a history seems insubstantial, imprecise, and even, perhaps, unscientific. Documenting the World is about the material and social life of photographs and film made in the scientific quest to document the world. Drawing on scholars from the fields of art history, visual anthropology, and science and technology studies, the chapters in this book explore how this documentation--from the initial recording of images, to their acquisition and storage, to their circulation--has altered our lives, our ways of knowing, our social and economic relationships, and even our surroundings. Far beyond mere illustration, photography and film have become an integral, transformative part of the world they seek to show us.
Documents of Utopia
by Paolo MagagnoliThis timely volume discusses the experimental documentary projects of some of the most significant artists in today's global art world: Hito Steyerl, Joachim Koester, Tacita Dean, Matthew Buckingham, Zoe Leonard, Jean-Luc Moulène, Ilya & Emilia Kabakov, Jon Thomson & Alison Craighead, and Anri Sala. Their films, videos, and photographic series address the history of failed utopian experiments and counter-hegemonic social practices. This study illustrates the political significance of these artistic practices and offers a crucial contribution to the debate on the conditions of utopian thinking in late capitalist society, arguing that contemporary artists' interest in the past is the result of a shift within the temporal organization of the utopian imagination from its futuristic pole toward the pole of remembrance. The book therefore provides one of the first critical examinations of the recent turn towards documentary in the field of contemporary art.
Documents of Utopia: The Politics of Experimental Documentary (Nonfictions)
by Paolo MagagnoliThis timely volume discusses the experimental documentary projects of some of the most significant artists working in the world today: Hito Steyerl, Joachim Koester, Tacita Dean, Matthew Buckingham, Zoe Leonard, Jean-Luc Moulène, Ilya and Emilia Kabakov, Jon Thomson and Alison Craighead, and Anri Sala. Their films, videos, and photographic series address failed utopian experiments and counter-hegemonic social practices. This study illustrates the political significance of these artistic practices and critically contributes to the debate on the conditions of utopian thinking in late-capitalist society, arguing that contemporary artists' interest in the past is the result of a shift within the temporal organization of the utopian imagination from its futuristic pole toward remembrance. The book therefore provides one of the first critical examinations of the recent turn toward documentary in the field of contemporary art.
Dodin and the Maly Drama Theatre: Process to Performance
by Maria ShevstovaIncluding a foreword by Simon Callow, a dedicated admirer of the Maly, Dodin and the Maly Drama Theatre provides both a valuable methodological model for actor training and a unique insight into the journeys taken from studio to stage. This is the first ever full-length study of internationally-acclaimed theatre company, the Maly Drama Theatre of St. Petersburg, and its director, Lev Dodin.Maria Shevtsova provides an illuminating insight into Dodin's directorial processes and the company's actor 4raining, devising and rehearsal methods, which she interweaves with detailed analysis of the Maly's main productions. Dodin and the Maly Drama Theatre: Process to Performance demonstrates how the impact of Dodin's work extends far beyond that of his native Russia, and gives the reader unparalleled access to the company's practice.
The Dog Dialed 911: A Book of Lists from the Smoking Gun
by William Bastone Andrew Goldberg Daniel Green Joseph JesselliThe most hilarious and outrageous true stories collected in 10 years (almost) of the world's funniest investigative reporting. Proof that truth really is stranger than fiction! This wildly entertaining book features excerpts from a wide array of public documents--court transcripts, FBI files, contract riders, morgue and police reports, etc.--that hilariously illuminate some of the most important, scandalous, or bizarre news stories to make headlines in recent years. The brilliant creators of the highly popular Web site TheSmokingGun.com have combed their archives to produce a book that will make readers laugh, and laugh again, on virtually every page.
Dog Diaries: Big Top Bonanza (Dog Diaries #7)
by James PattersonThis laugh-out-loud funny illustrated book in James Patterson&’s New York Times bestselling series finds our favorite dog Junior on a high-flying circus adventure! Imagine my WAG-NIFICENT excitement when I found out the circus was coming to town! I&’d do anything to join those muscly mastiffs, tumbling toy poodles, and clowning corgis. Read my latest diary to discover: How my pack-pals and I caused carnival chaos! The way I reunited with the most-wanted escapee from pooch prison. My show-stealing PAW-formance. It&’s going to be a RE-BARK-ABLE show! With my whole pooch pack alongside me—and, of course, my favorite pet human, RUFF!—what could possibly go wrong?
A Dog Named Toe Shoe (Bad News Ballet #10)
by Jahnna N. Malcolm[from the back cover] "Doggone! Okay, so the stray mutt that the gang finds near their dance school isn't the cutest dog they've ever seen... but the girls fall in love with him anyway. And they decide to make Toe Shoe their mascot. Only problem is, none of the gang's parents will let them have a dog. And then their enemy, Courtney, gets poor Toe Shoe thrown in the pound. Rocky, Zan, McGee, Mary Bubnik, and Gwen may be known for messing things up--but they're going to get their dog back if it's the last thing they do right!" There are more funny situations in store for these ballet school friends who like each other more than they like ballet. The Bookshare collection has the whole series. Catch up on any of the books in this series you've missed. Check out #1 The Terrible Try outs, #2 Battle of the Bunheads, #3 Stupid Cupids, #4 Who Framed Mary Bubnik, #5 Blubberina, #6 Save D.A.D., #7 The King and Us, #8 Camp Clodhopper, #9 Boo Who?, and #10 A Dog Named Toe Shoe.
The Dog Of My Nightmares
by David LieberStories and columns ranging from serious to hilarious written by a popular Texas columnist. Read about the woman of his dreams, the psycho dog of his nightmares, neighbors, thoughts of prejudice, and pride in the strength of our people.