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Documentary Storytelling: Creative Nonfiction on Screen
by Sheila Curran BernardDocumentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the growing global documentary marketplace: storytelling. This practical guide reveals how today's top filmmakers bring the tools of narrative cinema to the world of nonfiction film and video without sacrificing the rigor and truthfulness that give documentaries their power. The book offers practical advice for producers, directors, editors, cinematographers, writers and others seeking to make ethical and effective films that merge the strengths of visual and aural media with the power of narrative storytelling. In this new, updated edition, Emmy Award-winning author Sheila Curran Bernard offers: New strategies for analyzing documentary work New conversations with filmmakers including Stanley Nelson (The Black Panthers), Kazuhiro Soda (Mental), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms) Discussions previously held with Susan Kim (Imaginary Witness), Deborah Scranton (The War Tapes), Alex Gibney (Taxi to the Dark Side), and James Marsh (Man on Wire).
Documentary Storytelling: Creative Nonfiction on Screen
by Sheila Curran BernardFor nearly two decades, Documentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the global documentary marketplace: storytelling. As this revised, updated fifth edition makes clear, nonfiction storytelling is not limited to character-driven journeys, but instead encompasses the diverse ways in which today’s top documentarians reach audiences with content that is creative, original, and often inspirational, all without sacrificing the integrity that gives documentary its power. This book is filled with practical advice for writers, producers, directors, editors, cinematographers, and others committed to reality-based filmmaking that seeks to reach audiences, raise awareness, address social issues, illuminate the human condition, and even entertain. In this new edition, Emmy Award-winning filmmaker and author Sheila Curran Bernard offers: a closer look at the way ethical nonfiction filmmakers take creative, authorial leaps while also remaining transparent with audiences; new tools for understanding how documentaries are structured, how they may rearrange time for storytelling effect, and how a simple narrative throughline can convey complexity without being a conventional "hero’s journey"; new conversations with filmmakers and educators including Dawn Porter, Madison Hamburg, Tracy Heather Strain, June Cross, Heidi Gronauer, and Julie Casper Roth, and another look at conversations with Stanley Nelson and Orlando von Einsiedel. Please visit the book’s website, available at www.documentarystorytelling.com, for further information, related articles, and more.
Documentary Superstars: How Today's Filmmakers Are Reinventing the Form
by Marsha MccreadieMcCreadie (documentary film, Fordham U.) explores changing trends in documentary filmmaking, and notes how current documentarians such as Michael Moore and Morgan Spurlock are becoming "glamorous Hollywood figures." Written for film students and fans of documentaries, this volume profiles leading figures in the field to show how the art form now employs rabble-rousing, charisma, humor and a visionary attitude in order to cross boundaries and become more accessible to mainstream audiences.
Documentary Testimonies: Global Archives of Suffering (AFI Film Readers)
by Bhaskar Sarkar Janet WalkerDocumentary Testimonies examines documentary films that compel us to bear witness, move us to anger or tears, and possibly mobilize us to action. Comprising ten new essays and a substantive introduction, this interdisciplinary volume examines audiovisual testimonial practices, forms, and institutions. Topics include: technologies of capture, storage and circulation; problems of historical veracity/frail memory; generation of video archives--official, renegade, and ephemeral; limits and potentialities of documentary as public record; architectonics of memory; ethics of witnessing and commemoration; human rights and activist publics. The essays provide in-depth analysis of archives of social suffering tied to particular locales: Cambodia, Chiapas, Darfur, India, Indonesia, Korea, New Orleans, Norway, Rwanda, South Africa, and Washington, DC. The contributors focus on the generation and use of testimony by public administrators and institutions, human rights activists, documentary filmmakers, and others with interest in environmental justice, human rights, social advocacy, and the commemoration/prevention of genocide. Thus, this volume aims to investigate, from a critical and translocal perspective, testimony as social practice.
Documentary Vision: Notes from Behind the Camera
by Richard ChisolmThis book is a collection of personal essays that address critical elements involved in the production of nonfiction films. Written by an experienced documentary filmmaker and cinematographer, the book draws upon practical wisdom to explore the nuances and challenges faced by filmmakers and viewers alike. Included in the text are rarely discussed ethical issues, best practices in the field, filmmaker etiquette, and a detailed analysis of interview techniques. The book also provides a candid view of how decisions are made in production that are consequential to a finished film’s meaning and fidelity. Drawing on a wide range of subject matter, it will enhance the reader's understanding of the tremendous power and potential of the documentary medium. The book offers an invaluable insight into documentary filmmaking for professionals who work in the medium and students who are learning the trade and honing their skills.
Documentary Voice & Vision: A Creative Approach to Non-Fiction Media Production
by Kelly Anderson Martin LucasLearn the creative and technical essentials of documentary filmmaking with Documentary Voice & Vision. This comprehensive work combines clear, up-to-date technical information, production techniques and gear descriptions with an understanding of how technical choices can create meaning and serve a director’s creative vision. Drawing on the authors’ years of experience as documentary filmmakers, and on interviews with a range of working professionals in the field, the book offers concrete and thoughtful guidance through all stages of production, from finding and researching ideas to production, editing and distribution. Documentary Voice & Vision will help students and aspiring filmmakers think though research and story structure, ethics, legal issues and aesthetics, as well as techniques from camera handling to lighting, sound recording and editing. The book explores a full range of production styles, from expository to impressionistic to observational, and provides an overview of contemporary distribution options. Documentary Voice & Vision is a companion text to Mick Hurbis-Cherrier’s Voice & Vision: A Creative Approach to Narrative Film and DV Production, and employs a similar style and approach to that classic text. This text is written from the perspective of documentary filmmakers, and includes myriad examples from the world of non-fiction filmmaking. A robust companion website featuring additional resources and interactive figures accompanies the book.
Documentary's Awkward Turn: Cringe Comedy and Media Spectatorship (Routledge Research in Cultural and Media Studies)
by Jason MiddletonDespite the prominence of "awkwardness" as cultural buzzword and descriptor of a sub-genre of contemporary film and television comedy, it has yet to be adequately theorized in academic film and media studies. Documentary’s Awkward Turn contributes a new critical paradigm to the field by presenting an analysis of awkward moments in documentary film and other reality-based media formats. It examines difficult and disrupted encounters between social actors on the screen, between filmmaker and subject, and between film and spectator. These encounters are, of course, often inter-connected. Awkward moments occur when an established mode of representation or reception is unexpectedly challenged, stalled, or altered: when an interviewee suddenly confronts the interviewer, when a subject who had been comfortable on camera begins to feel trapped in the frame, when a film perceived as a documentary turns out to be a parodic mockumentary. This book makes visible the ways in which awkwardness connects and subtends a range of transformative textual strategies, political and ethical problematics, and modalities of spectatorship in documentary film and media from the 1970s to the present.
Documenting Cityscapes
by Iván Villarmea ÁlvarezFilm studies has traditionally addressed the presence of the city in film as an urban text inside a cinematic text, but this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by non-fiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits and metafilmic strategies. Through formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to those institutions and corporations responsible for recent major transformations. Thus, Documenting Cityscapes reveals the extent to which cinema has ultimately become an agent of urban change, where certain films not only challenge the most controversial policies of late-capitalism but also are able to produce spatiality themselves.
Documenting Cityscapes: Urban Change in Contemporary Non-Fiction Film (Nonfictions)
by Iván Villarmea ÁlvarezWhile film studies has traditionally treated the presence of the city in film as an urban text operating inside of a cinematic one, this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by nonfiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits, and metafilmic strategies. Through the formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to the institutions and corporations responsible for recent major transformations. Documenting Cityscapes therefore reveals the extent to which cinema has become an agent of urban change, in which certain films not only challenge the most controversial policies of late capitalism but also are able to produce spatiality themselves.
Documenting Socialism: East German Documentary Cinema
by Sebastian Heiduschke Seán AllanMore than 30 years after the collapse of the German Democratic Republic, its cinema continues to attract scholarly attention. Documenting Socialism moves beyond the traditionally analyzed feature film production and places East Germany’s documentary cinema at the center of history behind the Iron Curtain. Covering questions of gender, race and sexuality and the complexities of diversity under the political and cultural environments of socialism, the specialist contributions in this volume cohere into an introductory milestone on documentary film production in the GDR.
Documenting Taiwan on Film: Issues and Methods in New Documentaries (Routledge Research on Taiwan Series)
by Sylvia Li-chun Lin Tze-lan D. SangTo date, there is but a handful of articles on documentary films from Taiwan. This volume seeks to remedy the paucity in this area of research and conduct a systematic analysis of the genre. Each contributor to the volume investigates the various aspects of documentary by focusing on one or two specific films that document social, political and cultural changes in recent Taiwanese history. Since the lifting of martial law, documentary has witnessed a revival in Taiwan, with increasing numbers of young, independent filmmakers covering a wide range of subject matter, in contrast to fiction films, which have been in steady decline in their appeal to local, Taiwanese viewers. These documentaries capture images of Taiwan in its transformation from an agricultural island to a capitalist economy in the global market, as well as from an authoritarian system to democracy. What make these documentaries a unique subject of academic inquiry lies not only in their exploration of local Taiwanese issues but, more importantly, in the contribution they make to the field of non-fiction film studies. As the former third-world countries and Soviet bloc begin to re-examine their past and document social changes on film, the case of Taiwan will undoubtedly become a valuable source of comparison and inspiration. These Taiwanese documentaries introduce a new, Asian perspective to the wealth of Anglo-American scholarship with the potential to serve as exemplar for countries undergoing similar political and social transformations. Documenting Taiwan on Film is essential reading for all those interested in Taiwan Studies, film studies and Asian cinema.
Documenting the American Student Abroad: The Media Cultures of International Education
by Kelly Hankin1 in 10 undergraduates in the US will study abroad. Extolled by students as personally transformative and celebrated in academia for fostering cross-cultural understanding, study abroad is also promoted by the US government as a form of cultural diplomacy and a bridge to future participation in the global marketplace. In Documenting the American Student Abroad, Kelly Hankin explores the documentary media cultures that shape these beliefs, drawing our attention to the broad range of stakeholders and documentary modes involved in defining the core values and practices of study abroad. From study abroad video contests and an F.B.I. produced docudrama about student espionage to reality television inspired educational documentaries and docudramas about Amanda Knox, Hankin shows how the institutional values of “global citizenship,” “intercultural communication,” and “cultural immersion” emerge in contradictory ways through their representation. By bringing study abroad and media studies into conversation with one another, Documenting the American Student Abroad: The Media Cultures of International Education offers a much needed humanist contribution to the field of international education, as well as a unique approach to the growing scholarship on the intersection of media and institutions. As study abroad practitioners and students increase their engagement with moving images and digital environments, the insights of media scholars are essential for helping the field understand how the mediation of study abroad rhetoric shapes rather than reflects the field’s central institutional ideals.
Documenting the Documentary: Close Readings of Documentary Film and Video, New and Expanded Edition
by Barry Keith Grant Jeannette SloniowskiOriginally released in 1998, Documenting the Documentary responded to a scholarly landscape in which documentary film was largely understudied and undervalued aesthetically, and analyzed instead through issues of ethics, politics, and film technology. Editors Barry Keith Grant and Jeannette Sloniowski addressed this gap by presenting a useful survey of the artistic and persuasive aspects of documentary film from a range of critical viewpoints. This new edition of Documenting the Documentary adds five new essays on more recent films in addition to the text of the first edition. Thirty-one film and media scholars, many of them among the most important voices in the area of documentary film, cover the significant developments in the history of documentary filmmaking from Nanook of the North (1922), the first commercially released documentary feature, to contemporary independent film and video productions like Werner Herzog's Grizzly Man (2005) and the controversial Borat (2006). The works discussed also include representative examples of many important national and stylistic movements and various production contexts, from mainstream to avant-garde. In all, this volume offers a series of rich and revealing analyses of those "regimes of truth" that still fascinate filmgoers as much today as they did at the very beginnings of film history. As documentary film and visual media become increasingly important ways for audiences to process news and information, Documenting the Documentary continues to be a vital resource to understanding the genre. Students and teachers of film studies and fans of documentary film will appreciate this expanded classic volume.
Documenting the World: Film, Photography, and the Scientific Record
by Gregg Mitman Kelley WilderImagine the twentieth century without photography and film. Its history would be absent of images that define historical moments and generations: the death camps of Auschwitz, the assassination of John F. Kennedy, the Apollo lunar landing. It would be a history, in other words, of just artists' renderings and the spoken and written word. To inhabitants of the twenty-first century, deeply immersed in visual culture, such a history seems insubstantial, imprecise, and even, perhaps, unscientific. Documenting the World is about the material and social life of photographs and film made in the scientific quest to document the world. Drawing on scholars from the fields of art history, visual anthropology, and science and technology studies, the chapters in this book explore how this documentation--from the initial recording of images, to their acquisition and storage, to their circulation--has altered our lives, our ways of knowing, our social and economic relationships, and even our surroundings. Far beyond mere illustration, photography and film have become an integral, transformative part of the world they seek to show us.
Documents of Utopia
by Paolo MagagnoliThis timely volume discusses the experimental documentary projects of some of the most significant artists in today's global art world: Hito Steyerl, Joachim Koester, Tacita Dean, Matthew Buckingham, Zoe Leonard, Jean-Luc Moulène, Ilya & Emilia Kabakov, Jon Thomson & Alison Craighead, and Anri Sala. Their films, videos, and photographic series address the history of failed utopian experiments and counter-hegemonic social practices. This study illustrates the political significance of these artistic practices and offers a crucial contribution to the debate on the conditions of utopian thinking in late capitalist society, arguing that contemporary artists' interest in the past is the result of a shift within the temporal organization of the utopian imagination from its futuristic pole toward the pole of remembrance. The book therefore provides one of the first critical examinations of the recent turn towards documentary in the field of contemporary art.
Documents of Utopia: The Politics of Experimental Documentary (Nonfictions)
by Paolo MagagnoliThis timely volume discusses the experimental documentary projects of some of the most significant artists working in the world today: Hito Steyerl, Joachim Koester, Tacita Dean, Matthew Buckingham, Zoe Leonard, Jean-Luc Moulène, Ilya and Emilia Kabakov, Jon Thomson and Alison Craighead, and Anri Sala. Their films, videos, and photographic series address failed utopian experiments and counter-hegemonic social practices. This study illustrates the political significance of these artistic practices and critically contributes to the debate on the conditions of utopian thinking in late-capitalist society, arguing that contemporary artists' interest in the past is the result of a shift within the temporal organization of the utopian imagination from its futuristic pole toward remembrance. The book therefore provides one of the first critical examinations of the recent turn toward documentary in the field of contemporary art.
Dodin and the Maly Drama Theatre: Process to Performance
by Maria ShevstovaIncluding a foreword by Simon Callow, a dedicated admirer of the Maly, Dodin and the Maly Drama Theatre provides both a valuable methodological model for actor training and a unique insight into the journeys taken from studio to stage. This is the first ever full-length study of internationally-acclaimed theatre company, the Maly Drama Theatre of St. Petersburg, and its director, Lev Dodin.Maria Shevtsova provides an illuminating insight into Dodin's directorial processes and the company's actor 4raining, devising and rehearsal methods, which she interweaves with detailed analysis of the Maly's main productions. Dodin and the Maly Drama Theatre: Process to Performance demonstrates how the impact of Dodin's work extends far beyond that of his native Russia, and gives the reader unparalleled access to the company's practice.
The Dog Dialed 911: A Book of Lists from the Smoking Gun
by William Bastone Andrew Goldberg Daniel Green Joseph JesselliThe most hilarious and outrageous true stories collected in 10 years (almost) of the world's funniest investigative reporting. Proof that truth really is stranger than fiction! This wildly entertaining book features excerpts from a wide array of public documents--court transcripts, FBI files, contract riders, morgue and police reports, etc.--that hilariously illuminate some of the most important, scandalous, or bizarre news stories to make headlines in recent years. The brilliant creators of the highly popular Web site TheSmokingGun.com have combed their archives to produce a book that will make readers laugh, and laugh again, on virtually every page.
Dog Diaries: Big Top Bonanza (Dog Diaries #7)
by James PattersonThis laugh-out-loud funny illustrated book in James Patterson&’s New York Times bestselling series finds our favorite dog Junior on a high-flying circus adventure! Imagine my WAG-NIFICENT excitement when I found out the circus was coming to town! I&’d do anything to join those muscly mastiffs, tumbling toy poodles, and clowning corgis. Read my latest diary to discover: How my pack-pals and I caused carnival chaos! The way I reunited with the most-wanted escapee from pooch prison. My show-stealing PAW-formance. It&’s going to be a RE-BARK-ABLE show! With my whole pooch pack alongside me—and, of course, my favorite pet human, RUFF!—what could possibly go wrong?
A Dog Named Toe Shoe (Bad News Ballet #10)
by Jahnna N. Malcolm[from the back cover] "Doggone! Okay, so the stray mutt that the gang finds near their dance school isn't the cutest dog they've ever seen... but the girls fall in love with him anyway. And they decide to make Toe Shoe their mascot. Only problem is, none of the gang's parents will let them have a dog. And then their enemy, Courtney, gets poor Toe Shoe thrown in the pound. Rocky, Zan, McGee, Mary Bubnik, and Gwen may be known for messing things up--but they're going to get their dog back if it's the last thing they do right!" There are more funny situations in store for these ballet school friends who like each other more than they like ballet. The Bookshare collection has the whole series. Catch up on any of the books in this series you've missed. Check out #1 The Terrible Try outs, #2 Battle of the Bunheads, #3 Stupid Cupids, #4 Who Framed Mary Bubnik, #5 Blubberina, #6 Save D.A.D., #7 The King and Us, #8 Camp Clodhopper, #9 Boo Who?, and #10 A Dog Named Toe Shoe.
The Dog Of My Nightmares
by David LieberStories and columns ranging from serious to hilarious written by a popular Texas columnist. Read about the woman of his dreams, the psycho dog of his nightmares, neighbors, thoughts of prejudice, and pride in the strength of our people.
Dog Whisperer with Cesar Millan: The Ultimate Episode Guide
by Jim Milio Melissa Jo Peltier Cesar MillanIf you have a dog, if you love Dog Whisperer with Cesar Millan, if you love compelling reality TV, you must have the companion guide to the phenomenally popular television show starring dog behavior expert Cesar Millan. Cesar Millan has become the household name in dog rehabilitation. His #1-ranked National Geographic television show Dog Whisperer with Cesar Millan has become appointment television for fans with dogs and often those without them, too. Millions of viewers tune in every week, host Cesar-watching parties at their homes, and marvel over last week's episode at their local dog parks. Now, following his bestselling books, Cesar's Way and Be the Pack Leader, this episode guide will help newcomers and fans alike relive every moment from the show's first three seasons and learn some crucial dog behavior secrets in the process. Dog Whisperer with Cesar Millan: The Ultimate Episode Guide features 150 compelling stories of the dogs Cesar has met and mastered -- from NuNu the demon Chihuahua to Wilshire the firehouse Dalmatian. Easy to use and packed with Cesar's trademark wisdom, Dog Whisperer with Cesar Millan features: organization by behavioral problem (i. e. , aggression, phobias, obsessions) notable quotes, advice, and tips from Cesar photos of Cesar, the dogs he has met, and the people whose lives he's changed production secrets from behind the scenes of the show updates on how the dogs and their owners are getting along today Readers will be fascinated to learn how Cesar diagnosed and treated each dog's problem behavior and how he coached the owner to rectify it. The book's accessible format also includes indexes organized by breed and dog name. Dog Whisperer with Cesar Millan is an essential addition to any dog lover's library.
Doggy Day Care
by Doreen Mulryan Marts Aj SternWhen Frannie notices her aunt's dog limping, she sees it as her big break to be a vet, so it's off to the veterinarian's office, where she can showcase her doggy-diagnostic skills. But in true Frannie form, all she can pull off is a doggy disaster . . .
Dogland: Passion, Glory, and Lots of Slobber at the Westminster Dog Show
by Tommy Tomlinson&“Extraordinary...Tomlinson&’s book is a gem.&” —Minneapolis Star Tribune * &“Delightful.&” —Town & Country * &“This book wants to lick your face. Let it.&” —Kirkus Reviews From Pulitzer Prize finalist Tommy Tomlinson comes an inside account of the Westminster Dog Show that follows one dog on his quest to become a champion—and explores the bond between dogs and their people.Tommy Tomlinson was watching a dog show on television a few years ago when he had a sudden thought: Are those dogs happy? How about pet dogs—are they happy? Those questions sparked a quest to venture inside the dog-show world, in search of a deeper understanding of the relationship between dogs and humans that has endured for thousands of years. Dogland shares his surprising, entertaining, and moving adventures. Tomlinson spends three years on the road and goes behind the scenes at more than one hundred competitions across the country, from Midwestern fairgrounds to Madison Square Garden. Along the way he is licked, sniffed, and rubbed up against by dogs of nearly every size, shape, and breed. Like a real-life version of the classic mockumentary Best in Show, Dogland follows one champion show dog—a Samoyed named Striker—as well as his handler, Laura King, and his devoted entourage of breeders and owners as he competes in the 2022 Westminster Dog Show. Striker&’s whole career has been leading up to this moment. As Tomlinson writes, picking a top show dog is like drafting an NFL quarterback when they&’re still in elementary school. Now Striker has made it to the Super Bowl. Tomlinson takes readers on the long road to glory, bringing the dog-show circuit to life as he witnesses teams scrambling from town to town in search of championship points and large, colorful ribbons. (Striker and his crew travel in a custom-built RV named after Betty White.) Tomlinson&’s limitless curiosity about people and dogs reaches far beyond the show tents and into the ordinary lives of dogs. We hear from experts who have discovered new insights into how dogs and humans formed their bond—and how that bond has changed over the centuries. We discover the fascinating origins of different dog breeds, learn about the elaborate breed standards that determine an ideal show dog, and consider the health issues that can arise in purebred dogs. We also meet dog lovers who applaud every dog, regardless of breed, simply for being themselves, such as WeRateDogs, the social media phenomenon with millions of followers, all for posts celebrating the day-to-day goofiness in most dog owners&’ lives. Engaging, charming, and insightful, Dogland is an irresistibly appealing read that invites us on a rollicking backstage tour through the rituals, tricks, and wonders of the dog-show world—and reveals what matters most for the happiness of dogs and dog lovers everywhere.
Dogs Rough and Smooth: Foreword By Susan Orlean
by Lucy DawsonForeword by Susan OrleanA charming facsimile edition of celebrated British illustrator Lucy Dawson’s 1937 classic collection of highly detailed and loveable drawings of dogs, complete with a cloth spine and ribbon marker—the companion volume to the acclaimed Dogs As I See Them.Lucy Dawson, also known as "Mac," was a preeminent British illustrator in the 1930s and 1940s revered for her paintings and etchings of dogs, from sporting and non-sporting breeds to hounds and herders. Though she worked in numerous mediums—pencil, pen, ink, and oil—her pastels set her work apart. Noted for her commercial dog postcards and her delightful "Tailwagger" series, she also created a "Puppies" series of 40 cigarette cards during World War II—produced in a limited quantity due to wartime restrictions on paper—which have become a rare collector’s item today. One of her most famous works is her portrait of "Dookie," the British Royal Family’s favorite Corgie, which was later reproduced as a Royal Family Christmas card.Dawson also published several books, including the beloved Dogs As I See Them, and its follow-up, Dogs Rough and Smooth. Now, Dogs Rough and Smooth is available in a lovely facsimile edition for a new generation discovering her superb craftsmanship. Printed on an uncoated stock that simulates the look and feel of a sketchbook, this delightful volume is filled with her beautiful, endearing drawings of a range of breeds. The illustrations are accompanied by notes in Dawson’s own handwriting as well as a short anecdotal text that provides amusing insight into the personalities of her canine models and the experience of drawing each.A stunning reproduction of this classic work filled with full-color and black-and-white complete drawings and sketches, Dogs Rough and Smooth features a foreword by acclaimed writer Susan Orlean, and is packaged in a three-piece case with a beautiful cloth spine and long ribbon bookmark. Dogs Rough and Smooth is sure to be a collector's item treasured by dog lovers of all ages and art connoisseurs for years to come.