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The Euro-American Cinema (Texas Film and Media Studies Series)
by Peter LevWith McDonalds in Moscow and Disneyland in Paris and Tokyo, American popular culture is spreading around the globe. Regional, national, and ethnic cultures are being powerfully affected by competition from American values and American popular forms. This literate and lively study explores the spread of American culture into international cinema as reflected by the collision and partial merger of two important styles of filmmaking: the Hollywood style of stars, genres, and action, and the European art film style of ambiguity, authorial commentary, and borrowings from other arts. Peter Lev departs from the traditional approach of national cinema histories and discusses some of the blends, overlaps, and hegemonies that are typical of the world film industry of recent years. In Part One, he gives a historical and theoretical overview of what he terms the "Euro-American art film," which is characterized by prominent use of the English language, a European art film director, cast and crew from at least two countries, and a stylistic mixing of European art film and American entertainment. The second part of Lev&’s study examines in detail five examples of the Euro-American art film: Contempt (1963), Blow-Up (1966), The Canterbury Tales (1972), Paris, Texas (1983), and The Last Emperor (1987). These case studies reveal that the European art film has had a strong influence on world cinema and that many Euro-American films are truly cultural blends rather than abject takeovers by Hollywood cinema.
Euro Horror: Classic European Horror Cinema in Contemporary American Culture (New Directions in National Cinemas)
by Ian OlneyBeginning in the 1950s, "Euro Horror" movies materialized in astonishing numbers from Italy, Spain, and France and popped up in the US at rural drive-ins and urban grindhouse theaters such as those that once dotted New York's Times Square. Gorier, sexier, and stranger than most American horror films of the time, they were embraced by hardcore fans and denounced by critics as the worst kind of cinematic trash. In this volume, Olney explores some of the most popular genres of Euro Horror cinema—including giallo films, named for the yellow covers of Italian pulp fiction, the S&M horror film, and cannibal and zombie films—and develops a theory that explains their renewed appeal to audiences today.
Europe Dancing: Perspectives on Theatre, Dance, and Cultural Identity
by Andree Grau Stephanie JordanEurope Dancing examines the dance cultures and movements which have developed in Europe since the Second World War. Nine countries are represented in this unique collaboration between European dance scholars. The contributors chart the art form, and discuss the outside influences which have shaped it. This comprehensive book explores: * questions of identity within individual countries, within Europe, and in relation to the USA * the East/West cultural division * the development of state subsidy for dance * the rise of contemporary dance as an 'alternative' genre * the implications for dance of political, economic and social change. Useful historical charts are included to trace significant dance and political events throughout the twentieth century in each country. Never before has this information been gathered together in one place. This book is essential reading for everyone interested in dance and its growth and development in recent years.
Europe Speaks Arabic
by Dr V. Abdur RahimArabic gave Europe cotton to wear, candy to eat, coffee to drink, chess to play, magazine to read, mattress to sleep on, and sugar to sweeten with. This book is a lucid exposition of these and a host of other Arabic words that have become part and parcel of English and other European languages. It is not a catalogue of words, but a lively discussion based on linguistic evidence, enriched with copious literary quotations and characterized by profound regard and respect for each other's culture and views. The book opens up new worlds of fascinating information in the domains of etymology, phonetic change and semantic development. It uses English, French, Spanish, German and other languages to show how words have been derived from Arabic.
European Cinema and Television
by Ib Bondebjerg Eva Novrup Redvall Andrew HigsonThis book offers comparative studies of the production, content, distribution and reception of film and television drama in Europe. The collection brings together scholars from the humanities and social sciences to focus on how new developments are shaped by national and European policies and practices, and on the role of film and television in our everyday lives. The chapters explore main trends in transnational European film and television fiction, addressing issues of co-production and collaboration, and of how cultural products circulate across national borders. The chapters investigate how watching film and television from neighbouring countries can be regarded as a special kind of cultural encounter with the possibility of facilitating reflections on national differences within Europe and negotiations of what characterises a national or a European identity respectively.
European Cinema in the Streaming Era: Policy, Platforms, and Production (Palgrave European Film and Media Studies)
by Christopher Meir Roderik SmitsThis collection examines the impact of streaming platforms on European cinema. It is structured from three distinct points-of-view: the policy issues related to streaming platforms, equally at the European level and in individual countries; the impact of platforms on the circulation of European films, including some of the global players, multi-national and single-nation platforms operating in Europe; and the production activities of the platforms in the form of specific ‘original’ films. By bringing together scholars working on various national cinemas, including those of France, Spain, Britain and other countries, this collection illuminates the many ways in which the European film industry is responding to the digital revolution.Chapter 5 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
European Cinema in the Twenty-First Century: Discourses, Directions and Genres
by Ingrid Lewis Laura CanningThis book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Importantly, this collection is the first of its kind to apply a transversal approach to European Cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning’s collection effectively addresses some of the most pressing questions in contemporary European film, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international frameworks which underpin them. Combining accessible original research with a thorough grounding in recent histories and contexts, each chapter includes key definitions, reflective group questions, and a summative case study. Overall, this book makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.
European Civil War Films: Memory, Conflict, and Nostalgia (Routledge Advances in Film Studies)
by Eleftheria Rania KosmidouThis book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. Exploring a range of films about the Spanish, Irish, former Yugoslavia, and Greek civil wars, this comparative and interdisciplinary study engages with contemporary debates in cultural memory and investigates the ways in which cinematic postmemory is problematic. Many of the films present an idealized past that glosses over the reality of these civil wars, at times producing a nostalgic discourse of loss and longing. Other films engage with the past in a melancholic fashion. These cinematic discourses articulate contemporary concerns, especially the loss of ideology and a utopian political horizon in the aftermath of the collapse of the Soviet bloc in 1989, a date that marks a significant break in European history and an accompanying paradigm shift in European cultural memory. Filmmakers examined include Trueba, Cuerda, Loach, Jordan, Kusturica, Dragojević, and Angelopoulos.
European Dance since 1989: Communitas and the Other
by Joanna SzymajdaThis edited collection charts the development of contemporary dance in Central and Eastern Europe since the literal and symbolic revolutions of 1989. Central Europe and the former Soviet Bloc countries were a major presence in dance – particularly theatrical dance – throughout the twentieth century. With the fragmentation of traditional structures in the final decade of the century came a range of aesthetic and ideological responses from dance practitioners. These ranged from attempts to reform classical ballet to struggles for autonomy from the state, and the nature of each was influenced by a set of contexts and circumstances particular to each country. Each contribution covers the strategies of a different country’s dance practitioners, using a similar structure in order to invite comparisons. In general, they address: Historical context, showing the roots of contemporary dance forms The socio-political climates that influenced emerging companies and forms The relationships between aesthetic exploration and institutional patronage The practitioners who were central to the development of dance in each country A diagnosis of the current state of the art and how it has come about The book’s main through-line is the concept of community, and how all of the different approaches that it documents have in some way engaged with this notion, consciously or otherwise. This can take the form of oppositional relationships, institutional formations, or literally, in identifiable communities of dancers and choreographers.
European Film and Television Co-production: Policy and Practice (Palgrave European Film and Media Studies)
by Julia Hammett-Jamart Petar Mitric Eva Novrup RedvallThis volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions—Eurimages, the European Audiovisual Observatory and the European Commission—and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production that is information-rich, complex and stimulating, making this volume a valuable companion for students, scholars, and industry professionals.
European Film Theory (AFI Film Readers)
by Temenuga TrifonovaEuropean Film Theory explores the ‘Europeanness’ of European film theory, its philosophical origins, the ‘culture wars’ between ‘Continental’ and ‘Analytical’ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory. Writing from a range of disciplines and perspectives, the contributors to this new volume in the AFI FILM READERS series offer fresh interpretations of European film theorists and illuminate the political potential of European film theory.
European Nightmares: Horror Cinema in Europe Since 1945
by Patricia Allmer Emily Brick David HuxleyThe first edited collection of essays focusing on European horror cinema from 1945 to the present.
European Nightmares: Horror Cinema in Europe Since 1945
by Allmer Patricia David Huxley Brick Emily Eds.This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a major resource on post-war European horror cinema, with in-depth studies of such classic films as Seytan (Turkey, 1974), Suspiria (Italy, 1977), Switchblade Romance (France, 2003), and Taxidermia (Hungary, 2006).
European Performative Theatre: The issues, problems and techniques of crucial masterpieces
by Annamaria CascettaPerformative theatre is one of the most important trends of our time. It is emblematic of the work of many European theatrical artists in the early twenty-first century. Annamaria Cascetta does not propose a model or a historical overview, but rather strives to identify the salient features of a significant trend in the theatrical research and transformation of our time by analysing some crucial examples from outstanding works, of great international resonance. She draws on work by artists from different generations, all active between the late twentieth century and the first decades of the twenty-first, and in various European countries, performed in a number of European theatres in recent years. The aim is to apply a method of analysis in depth, bringing out the technical elements of contemporary "performative theatre" in the field, and above all to highlight the close links between it and the urgent and troubled issues and problems of history and society in the phase of cultural and anthropological transition we are experiencing.
European Radio Documentary: A History of the Format and Its Festivals
by Tereza RekováThis book studies the history and significance of radio documentaries in Europe, and the institutions that are specialized on this genre. Focused on the 50-year history of the International Feature Conference (an annual gathering of radio documentarians from around the world), the book discusses the Prix Europa, Prix Italia, the Third Coast International Audio Festival, and the HearSay Audio Arts Festival. The book tells the story of people who chose sound as their lifestyle and who spread their passion worldwide.
European Television Crime Drama and Beyond (Palgrave European Film and Media Studies)
by Kim Toft Hansen Steven Peacock Sue TurnbullThis book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are prevalent in society. This extensive volume explores a wide range of countries, from the US to European countries such as Spain, Italy, the Scandinavian countries, Germany, England and Wales, in order to reveal the very currencies that are at work in the global production and circulation of the TV crime drama. The chapters, all written by leading television and crime fiction scholars, provide readings of crime dramas such as the Swedish-Danish The Bridge, the Welsh Hinterland, the Spanish Under Suspicion, the Italian Gomorrah, the German Tatort and the Turkish Cinayet. By examining both European texts and the ‘European-ness’ of various international dramas, this book ultimately demonstrates that transnationalism is at the very core of TV crime drama in Europe and beyond.
The Europeanization of Cinema: Interzones and Imaginative Communities
by Randall HalleIn this innovative study, German and film studies scholar Randall Halle advances the concept of "interzones"--geographical and ideational spaces of transit, interaction, transformation, and contested diversity--as a mechanism for analyzing European cinema. He focuses especially on films about borders, borderlands, and cultural zones as he traces the development of interzones from the inception of central European cinema to the avant-garde films of today. Throughout, he shows how cinema both reflects and engenders interzones that explore the important questions of Europe's social order: imperialism and nation-building in the late nineteenth and early twentieth centuries; "first contact" between former adversaries (such as East and West Germany) following World War II and the Cold War; and migration, neo-colonialism, and cultural imperialism in the twenty-first century. Ultimately, Halle argues that today's cinema both produces and reflects imaginative communities. He demonstrates how, rather than simply erasing boundaries, the European Union instead fosters a network of cultural interzones that encourage cinematic exploration of the new Europe's processes and limits of connectivity, tolerance, and cooperation.
The Eurovision Song Contest as a Cultural Phenomenon: From Concert Halls to the Halls of Academia (Routledge Research in Cultural and Media Studies)
by Antonio ObregónDrawing from the wealth of academic literature about the Eurovision Song Contest (ESC) written over the last two decades, this book consolidates and recognizes the ESC's relevance in academia by analysing its contribution to different fields of study. The book brings together leading ESC scholars from across disciplines and from across the globe to reflect on the intersection between their academic fields of study and the ESC by answering the question: what has the ESC contributed to academia? The book also draws from fields rarely associated with the ESC, such as Law, Business and Research Methodologies, to demonstrate the contest's broad utility in research, pedagogy and in practice. Given its interdisciplinary approach, this volume will be of interest to scholars and students working in cultural, media, and music studies, as well as those interested in the intersections between these areas and politics, law, education, pedagogy, and history.
Eva Palmer Sikelianos: A Life in Ruins
by Artemis LeontisThe first biography of a visionary twentieth-century American performer who devoted her life to the revival of ancient Greek cultureThis is the first biography to tell the fascinating story of Eva Palmer Sikelianos (1874–1952), an American actor, director, composer, and weaver best known for reviving the Delphic Festivals. Yet, as Artemis Leontis reveals, Palmer’s most spectacular performance was her daily revival of ancient Greek life. For almost half a century, dressed in handmade Greek tunics and sandals, she sought to make modern life freer and more beautiful through a creative engagement with the ancients. Along the way, she crossed paths with other seminal modern artists such as Natalie Clifford Barney, Renée Vivien, Isadora Duncan, Susan Glaspell, George Cram Cook, Richard Strauss, Dimitri Mitropoulos, Nikos Kazantzakis, George Seferis, Henry Miller, Paul Robeson, and Ted Shawn.Brilliant and gorgeous, with floor-length auburn hair, Palmer was a wealthy New York debutante who studied Greek at Bryn Mawr College before turning her back on conventional society to live a lesbian life in Paris. She later followed Raymond Duncan (brother of Isadora) and his wife to Greece and married the Greek poet Angelos Sikelianos in 1907. With single-minded purpose, Palmer re-created ancient art forms, staging Greek tragedy with her own choreography, costumes, and even music. Having exhausted her inheritance, she returned to the United States in 1933, was blacklisted for criticizing American imperialism during the Cold War, and was barred from returning to Greece until just before her death.Drawing on hundreds of newly discovered letters and featuring many previously unpublished photographs, this biography vividly re-creates the unforgettable story of a remarkable nonconformist whom one contemporary described as “the only ancient Greek I ever knew.”
El evangelio según Breaking Bad
by Blake Atwood Manuel Bento FalcónEl responsable de Breaking Bad, Vince Gilligan quiere creer que existe el cielo, pero "no puede no creer" que exista un infierno. A través de esta fascinante serie que muestra la impactante y trágica vida y momentos de Walter White, Gilligan ofrece su singular visión en un universo moralmente amoral, un lugar que no se diferencia mucho del mundo en que vivimos. Esta serie de televisión aclamada por la crítica busca responder a la pregunta: "En un mundo aparentemente en caos, ¿Puede prevalecer finalmente la justicia?" El evangelio según Breaking Bad ofrece una completa perspectiva cristiana del éxito de público y crítica de la AMC. Cubriendo temas teológicos profundos como la identidad, la muerte, la justicia, el poder, el destino, el libre albedrío y el mismo Evangelio, los lectores se verán obligados a pensar con más profundidad en las preguntas universales que Breaking Bad plantea. En las secciones que cubren los colores y metáforas de Breaking Bad, los fans también llegarán a una mayor apreciación de la serie de televisión mejor realizada de la historia reciente. Más que simplemente ofrecer un entretenido viaje en furgoneta a través del desierto de Albuquerque, Breaking Bad presenta dos personajes únicos: Walter White y Jesse Pinkman. Cada uno de ellos tiene trayectorias notablemente distintas en sus vidas. ¿Será redimido alguno de ellos al final de la serie? ¿Qué nos dicen de nosotros mismos nuestras reacciones a sus historias? A través de estas historias y más, El evangelio según Breaking Bad busca contarnos la más antigua de las historias a través de una de la historias más viscerales y atrayentes del presente. Como la autora Madeline L'Engle escribió: "Quizás has de conocer la oscuridad antes de poder apreciar la luz".
Evel: The High-flying Life of Evel Knievel - American Showman, Daredevil, and Legend
by Leigh MontvilleFrom New York Times bestselling author Leigh Montville, this riveting and definitive new biography pulls back the red, white, and blue cape on a cultural icon--and reveals the unknown, complex, and controversial man known to millions around the world as Evel Knievel. Evel Knievel was a high-flying daredevil, the father of extreme sports, the personification of excitement and danger and showmanship . . . and in the 1970s Knievel represented a unique slice of American culture and patriotism. His jump over the fountains at Caesar's Palace led to a crash unlike anything ever seen on television, and his attempt to rocket over Snake River Canyon in Idaho was something only P. T. Barnum could have orchestrated. The dazzling motorcycles and red-white-and-blue outfits became an integral part of an American decade. Knievel looked like Elvis . . . but on any given Saturday afternoon millions tuned in to the small screen to see this real-life action hero tempt death. But behind the flash and the frenzy, who was the man? Bestselling author Leigh Montville masterfully explores the life of the complicated man from the small town of Butte, Montana. He delves into Knievel's amazing place in pop culture, as well as his notorious dark side--and his complex and often contradictory relationships with his image, the media, his own family, and his many demons. Evel Knievel's story is an all-American saga, and one that is largely untold. Leigh Montville once again delivers a definitive biography of a one-of-a-kind sports legend.From the Hardcover edition.
Evel Knievel: An American Hero
by Ace CollinsRobert "Evel" Knievel is one of the most unique heroes to earn a place in the collective psyche of this country. A high school dropout, an award-winning athlete, a petty thief, a motorcycle racer, and a political activist, Knievel earned his nickname because of his unlawful activities early in his life but rode that name to fame by consistently tempting death in the public eye. With a showman's panache and a madman's daring, he has risen-along with the likes of James Dean and Marilyn Monroe-past mere celebrity to the exalted level of American icon. Today, at sixty-two years of age, Evel still makes headlines, proving that the appeal of daredevil never dies. From his recent liver transplant to his son Robbie's jump off the Grand Canyon to his very public support of mandatory helmet laws, Knievel remains foremost in the minds of his millions of fans. Evel Knievel stands as a truly perfect example of a certain uniquely American aesthetic, one in which pride and heart can overcome any circumstances at all.
Even on Days when it Rains: A True Story of Hardship and Maternal Love
by Julia O'DonnellIrish singing star Daniel O'Donnell's mother, Julia, grew up on a remote island off the northwest coast of Ireland, going barefoot and doing hard labour as as child during the poverty-stricken 1920s.The hard work continued through her teenage years as she picked potatoes in the fields and travelled to Scotland to gut fish in the ports. After she married, Julia's beloved husband, Francie, was forced to work away from home for months on end. Physically demanding, the work eventually took its toll and Julia found herself widowed and penniless with five children while still in her forties.In this classic and inspiring story of triumph over adversity, Julia tells how she battled through this dark period by knitting sweaters into the early hours of the morning to support her family. Then, in an amazing twist of fate, this hard-working woman and dedicated mother watched from the wings as her offspring flourished. Her daughter Margaret and son Daniel went on to achieve fame and fortune as chart-topping singers.Poignant, warm and laced with great humour, The Mother's Story is a tale of maternal love, hardship and sacrifice, and a fascinating insight into this remarkable Irish family's life.'I was six when my father died so my mother has been everything to me. Wherever I go I tell the world about my wonderful mother. I'm a singer today because of my mother's encouragement. She has been the biggest influence in my life.' Daniel O'Donnell
Even This I Get to Experience
by Norman Lear"This is, flat out, one of the best Hollywood memoirs ever written... An absolute treasure." --Booklist (STARRED)In my ninety-plus years I've lived a multitude of lives. In the course of all these lives, I had a front-row seat at the birth of television; wrote, produced, created, or developed more than a hundred shows; had nine on the air at the same time; founded the 300,000-member liberal advocacy group People For the American Way; was labeled the "no. 1 enemy of the American family" by Jerry Falwell; made it onto Richard Nixon's "Enemies List"; was presented with the National Medal of the Arts by President Clinton; purchased an original copy of the Declaration of Independence and toured it for ten years in all fifty states; blew a fortune in a series of bad investments in failing businesses; and reached a point where I was informed we might even have to sell our home. Having heard that we'd fallen into such dire straits, my son-in-law phoned me and asked how I was feeling. My answer was, "Terrible, of course," but then I added, "but I must be crazy, because despite all that's happened, I keep hearing this inner voice saying, 'Even this I get to experience.'"Norman Lear's work is legendary. The renowned creator of such iconic television programs as All in the Family; Maude; Good Times; The Jeffersons; and Mary Hartman, Mary Hartman, Lear remade our television culture from the ground up. At their peak, his programs were viewed by 120 million people a week, with stories that dealt with the most serious issues of the day--racism, poverty, abortion --yet still left audiences howling with laughter. In EVEN THIS I GET TO EXPERIENCE, Lear opens up with all the candor, humor, and wisdom to be expected from one of America's greatest living storytellers.But TV and politics are only a fraction of the tale. Lear's early years were grounded in the harshness of the Great Depression, and further complicated by his parents' vivid personalities. The imprisonment of Lear's father, a believer in the get-rich-quick scheme, colored his son's childhood. During this absence, Lear's mother left her son to live with relatives. Lear's comic gifts were put to good use during this hard time, even as they would be decadeslater during World War II, when Lear produced and staged a variety show for his fellow airmen in addition to flying fifty bombing missions.After the war, Lear tried his hand at publicity in New York before setting out for Los Angeles in 1949. A lucky break had a powerful agent in the audience the night Danny Thomas performed a nightclub routine written by Lear, and within days his career in television began. Before long his work with Dean Martin and Jerry Lewis (and later Martha Raye and George Gobel) made him the highest-paid comedy writer in the country, and he was spending his summers with the likes of Carl Reiner and Mel Brooks. Movies followed, and soon he was making films starring Frank Sinatra, Dick Van Dyke, and Jason Robards. Then came the '70s, and Lear's unprecedented string of TV hits.Married three times and the father of six children ranging in age from nineteen to sixty-eight, Lear's penetrating look at family life, parenthood, and marriage is a volume in itself. A memoir as touching, funny, and remarkable as any of Lear's countless artistic creations, EVEN THIS I GET TO EXPERIENCE is nothing less than a profound gift, endlessly readable and characteristically unforgettable.ey Parker "Fantastic stories from one of the wisest, most subversive, and most beautiful human beings the comedy world has ever known. Like the man himself, this book is charming, awe-inspiring, and hilarious."
Even This I Get to Experience
by Norman Lear"This is, flat out, one of the best Hollywood memoirs ever written... An absolute treasure." --Booklist (STARRED)<P> In my ninety-plus years I've lived a multitude of lives. In the course of all these lives, I had a front-row seat at the birth of television; wrote, produced, created, or developed more than a hundred shows; had nine on the air at the same time; founded the 300,000-member liberal advocacy group People For the American Way; was labeled the "no. 1 enemy of the American family" by Jerry Falwell; made it onto Richard Nixon's "Enemies List"; was presented with the National Medal of the Arts by President Clinton; purchased an original copy of the Declaration of Independence and toured it for ten years in all fifty states; blew a fortune in a series of bad investments in failing businesses; and reached a point where I was informed we might even have to sell our home. Having heard that we'd fallen into such dire straits, my son-in-law phoned me and asked how I was feeling. My answer was, "Terrible, of course," but then I added, "but I must be crazy, because despite all that's happened, I keep hearing this inner voice saying, 'Even this I get to experience.'" <P> Norman Lear's work is legendary. The renowned creator of such iconic television programs as All in the Family; Maude; Good Times; The Jeffersons; and Mary Hartman, Mary Hartman, Lear remade our television culture from the ground up. At their peak, his programs were viewed by 120 million people a week, with stories that dealt with the most serious issues of the day--racism, poverty, abortion --yet still left audiences howling with laughter. In EVEN THIS I GET TO EXPERIENCE, Lear opens up with all the candor, humor, and wisdom to be expected from one of America's greatest living storytellers. <P> But TV and politics are only a fraction of the tale. Lear's early years were grounded in the harshness of the Great Depression, and further complicated by his parents' vivid personalities. The imprisonment of Lear's father, a believer in the get-rich-quick scheme, colored his son's childhood. During this absence, Lear's mother left her son to live with relatives. Lear's comic gifts were put to good use during this hard time, even as they would be decadeslater during World War II, when Lear produced and staged a variety show for his fellow airmen in addition to flying fifty bombing missions. <P> After the war, Lear tried his hand at publicity in New York before setting out for Los Angeles in 1949. A lucky break had a powerful agent in the audience the night Danny Thomas performed a nightclub routine written by Lear, and within days his career in television began. Before long his work with Dean Martin and Jerry Lewis (and later Martha Raye and George Gobel) made him the highest-paid comedy writer in the country, and he was spending his summers with the likes of Carl Reiner and Mel Brooks. Movies followed, and soon he was making films starring Frank Sinatra, Dick Van Dyke, and Jason Robards. Then came the '70s, and Lear's unprecedented string of TV hits. <P> Married three times and the father of six children ranging in age from nineteen to sixty-eight, Lear's penetrating look at family life, parenthood, and marriage is a volume in itself. A memoir as touching, funny, and remarkable as any of Lear's countless artistic creations, EVEN THIS I GET TO EXPERIENCE is nothing less than a profound gift, endlessly readable and characteristically unforgettable. ey Parker "Fantastic stories from one of the wisest, most subversive, and most beautiful human beings the comedy world has ever known. Like the man himself, this book is charming, awe-inspiring, and hilarious."