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Everything You Ever Wanted to Know About Zombies
by Matt MogkThe most comprehensive zombie handbook ever published--with a foreword by Max Brooks! In one indispensable volume, Matt Mogk busts popular myths and answers all your raging questions about the living dead.*Q. How can I increase my chances of survival? A. One simple step is to keep away from other people. Without people there can be no zombies. Q. What is the connection between the Voodoo zombie and the flesh-eating zombie of popular culture? A. Other than a shared name, absolutely nothing. Q. Will zombies actually eat me, or will they just bite and chew? A. Research suggests the neuromuscular activity required for swallowing may be too complex for a zombie. Q. Will we see any warning signs before the dead rise? A. Unfortunately, entire populations could be infected with the zombie sickness before anyone even knows there's a problem. Q. How come Zombie Awareness Month is in May and not October? A. Unlike witches and vampires, zombies are not otherworldly creatures. They are made of flesh and blood. Don't forget to wear your gray ribbon. * Many more questions about zombies--including why not all of them are undead--are answered inside the book.
Everything You Ever Wanted to Know About Zombies
by Matt MogkTHE MOST COMPREHENSIVE ZOMBIE HANDBOOK EVER PUBLISHED In one indispensable volume, Matt Mogk, founder and head of the Zombie Research Society, busts popular myths and answers all your raging questions about the living dead.* Q. How can I increase my chances of survival? A. One simple step is to keep away from other people. Without people there can be no zombies. Q. What is the connection between the Voodoo zombie and the flesh-eating zombie of popular culture? A. Other than a shared name, absolutely nothing. Q. Will zombies actually eat me, or will they just bite and chew? A. Research suggests the neuromuscular activity required for swallowing may be too complex for a zombie. Q. Will we see any warning signs before the dead rise? A. Unfortunately, entire populations could be infected with the zombie sickness before anyone even knows there's a problem. Q. How come Zombie Awareness Month is in May and not October? A. Unlike witches and vampires, zombies are not otherworldly creatures. They are made of flesh and blood. Don't forget to wear your gray ribbon. * Many more questions about zombies--including why not all of them are undead--are answered inside the book.
Everything You'd Better Know About The Record Industry
by Kashif Gary A. GreenbergFor everyone from the serious musician to parents who have kids that have an interest in becoming professionals in the record industry. It's easy to read and understand. Written to give producers, artists, performers, and music entrepreneurs an inspiring view into the way things should be done in the record industry. Everything You'd Better Know About the Record Industry is about how to find success in the music business and how to make money doing it. It answers all the questions one would have about making it, but more importantly, its answers questions about the record industry that you don't even know to ask.
Everywhere an Oink Oink: An Embittered, Dyspeptic, and Accurate Report of Forty Years in Hollywood
by David MametAward-winning playwright, screenwriter, and director David Mamet shares scandalous and laugh-out-loud tales from his four decades in Hollywood where he worked with some of the biggest names in movies.David Mamet went to Hollywood on top—a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself. In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set. He depicts the ever-fickle studios and producers who piece by piece eat the artist alive. And he ponders the art of filmmaking and the genius of those who made our finest movies. With the bravado and flair of Mamet&’s best theatrical work, this memoir describes a world gone by, some of our most beloved film stars with their hair down, and how it all got washed away by digital media and the woke brigade. The book is illustrated throughout with three-dozen of Mamet&’s pungent cartoons and caricatures.
Everywhere Blue
by Joanne Rossmassler FritzA brother's disappearance turns one family upside down, revealing painful secrets that threaten the life they've always known. When twelve-year-old Maddie's older brother vanishes from his college campus, her carefully ordered world falls apart. Nothing will fill the void of her beloved oldest sibling. Meanwhile Maddie's older sister reacts by staying out late, and her parents are always distracted by the search for Strum. Drowning in grief and confusion, the family's musical household falls silent. Though Maddie is the youngest, she knows Strum better than anyone. He used to confide in her, sharing his fears about the climate crisis and their planet's future. So, Maddie starts looking for clues: Was Strum unhappy? Were the arguments with their dad getting worse? Or could his disappearance have something to do with those endangered butterflies he loved . . .Scared and on her own, Maddie picks up the pieces of her family's fractured lives. Maybe her parents aren't who she thought they were. Maybe her nervous thoughts and compulsive counting mean she needs help. And maybe finding Strum won't solve everything--but she knows he's out there, and she has to try. This powerful debut novel in verse addresses the climate crisis, intergenerational discourse, and mental illness in an accessible, hopeful way. With a gorgeous narrative voice, Everywhere Blue is perfect for fans of Eventown and OCDaniel.
Everywhere You Want to Be
by Christina JuneFrom author Christina June comes Everywhere You Want to Be, a modern retelling of the Red Riding Hood story.Matilda Castillo has always done what she was told, and as a result she watched her dreams of becoming a contemporary dancer slip away. So when Tilly gets a once-in-a-lifetime opportunity to spend the summer with a New York dance troupe, nothing can stop her from saying yes—not her mother, not her fears of the big city, and not the commitment she made to Georgetown. Tilly’s mother allows her to go on two conditions: one, Tilly will regularly visit her abuela in New Jersey, and two, after the summer, she’ll give up dancing and go off to college. <P><P>Armed with her red vintage sunglasses and her pros and cons lists, Tilly strikes out, determined to turn a summer job into a career. Along the way she meets new friends … and new enemies. Tilly isn’t the only one desperate to dance, and fellow troupe member Sabrina Wolfrik intends to succeed at any cost. But despite dodging sabotage and blackmail attempts from Sabrina, Tilly can’t help but fall in love with the city, especially since Paolo, a handsome musician from her past, is also calling New York home for the summer.As the weeks wind down and the competition with Sabrina heats up, Tilly’s future is on the line. She must decide whether to follow her mother’s path to Georgetown or leap into the unknown to pursue her own dreams.
The Evil Dead (Cultographies)
by Kate EganSam Raimi's The Evil Dead (1981) has been celebrated as a rollercoaster ride of terror and a classic horror hit, a defining example of the tongue-in-cheek, excessively gory horror films of the 1980s. It is also the film that introduced the now-iconic character of Ash (played by Bruce Campbell). This study considers the factors that have contributed to the film's evolving cult reputation. It recounts its grueling production, its journey from Cannes to video and DVD, its playful recasting of the genre, and its status, for fans and critics alike, as one of the grungiest, gutsiest, and most inventive horror films in movie history.
The Evil Dead
by Kate EganSam Raimi's The Evil Dead (1981) has been celebrated as a rollercoaster ride of terror and a classic horror hit, a defining example of the tongue-in-cheek, excessively gory horror films of the 1980s. It is also the film that introduced the now-iconic character of Ash (played by Bruce Campbell). This study considers the factors that have contributed to the film's evolving cult reputation. It recounts its grueling production, its journey from Cannes to video and DVD, its playful recasting of the genre, and its status, for fans and critics alike, as one of the grungiest, gutsiest, and most inventive horror films in movie history.
Evita, Inevitably: Performing Argentina's Female Icons Before and After Eva Perón
by Jean Graham-JonesEvita, Inevitably sheds new light on the history and culture of Argentina by examining the performances and reception of the country's most iconic female figures, in particular, Eva Perón, who rose from poverty to become a powerful international figure. The book links the Evita legend to a broader pattern of female iconicity from the mid-nineteenth century onward, reading Evita against the performances of other female icons: Camila O'Gorman, executed by firing squad over her affair with a Jesuit priest; Difunta Correa, a devotional figure who has achieved near-sainthood; cumbia-pop performer Gilda; the country's patron saint, the Virgin of Luján; and finally, Argentina's president, Cristina Fernández de Kirchner. Employing the tools of discursive, visual, and performance analysis, Jean Graham-Jones studies theatrical performance, literature, film, folklore, Catholic iconography, and Internet culture to document the ways in which these "femicons" have been staged.
The Evolution of Black Women in Television: Mammies, Matriarchs and Mistresses (Routledge Focus on Television Studies)
by Imani M. CheersThis book seeks to interrogate the representation of Black women in television. Cheers explores how the increase of Black women in media ownership and creative executive roles (producers, showrunners, directors and writers) in the last 30 years affected the fundamental cultural shift in Black women’s representation on television, which in turn parallels the political, social, economic and cultural advancements of Black women in America from 1950 to 2016. She also examines Black women as a diverse television audience, discussing how they interact and respond to the constantly evolving television representation of their image and likeness, looking specifically at how social media is used as a tool of audience engagement.
Evolution on British Television and Radio: Transmissions and Transmutations (Palgrave Studies in Science and Popular Culture)
by Alexander HallThis book charts the history of how biological evolution has been depicted on British television and radio, from the first radio broadcast on evolution in 1925 through to the 150th anniversary of Charles Darwin’s Origin of the Species in 2009. Going beyond science documentaries, the chapters deal with a broad range of broadcasting content to explore evolutionary themes in radio dramas, educational content, and science fiction shows like Doctor Who. The book makes the case that the dominant use in science broadcasting of the ‘evolutionary epic’, a narrative based on a progressive vision of scientific endeavour, is part of the wider development of a standardised way of speaking about science in society during the 20th century. In covering the diverse range of approaches to depicting evolution used in British productions, the book demonstrates how their success had a global influence on the genres and formats of science broadcasting used today.
Evolving Synergies: Celebrating Dance in Singapore (Celebrating Dance in Asia and the Pacific)
by Stephanie Burridge Caren CariñoA comprehensive overview of the dance culture of Singapore, this book embodies storytelling, personal reflections, memories, and histories of the artists. The extensive calendar of events encompassing companies and soloists from diverse dance practices, such as Indian, Malay and Chinese and a variety of Western contemporary dances, underline Singapore as a vibrant player in the evolution of Asian culture.
Evvie Drake Starts Over: the perfect cosy season read for fans of Gilmore Girls
by Linda HolmesWhen you get a second chance, will you be brave enough to take it? You don't always get to start your life over. Sometimes, life starts itself over for you. One morning, Eveleth 'Evvie' Drake got up, packed her suitcase, and got ready to leave her life - and her perfect husband - behind. But before she walked out of the door, she received a phone call asking her to come to the hospital. That day, Evvie's new life as a widow began. Now wrestling with her guilt and grief, Evvie has found her independence, but not the way she planned. Unable to leave the house she once dreamed of escaping, it's clear to her best friend Andy that Evvie needs a change. And Andy might just have the answer. . . Dean Tenney was a big-shot baseball star, until a bad case of the 'yips' meant he couldn't play anymore - or understand why. An invitation from his childhood friend Andy to stay in Maine for a few months seems like the perfect chance to hit the reset button. When Dean moves into the apartment at the back of Evvie's house, the two make a deal: Dean won't ask about Evvie's late husband, and Evvie won't ask about Dean's baseball career. But rules have a funny way of being broken sometimes, and as a friendship evolves into something more, will Evvie and Dean be brave enough to let go of the past and start over again?'Charming, hopeful, and gently romantic . . . Evvie Drake is great company.' Rainbow Rowell(c)2019 Penguin Random House Audio
Ex-Centric Migrations: Europe and the Maghreb in Mediterranean Cinema, Literature, and Music
by Hakim AbderrezakEx-Centric Migrations examines cinematic, literary, and musical representations of migrants and migratory trends in the western Mediterranean. Focusing primarily on clandestine sea-crossings, Hakim Abderrezak shows that despite labor and linguistic ties with the colonizer, migrants from the Maghreb (Morocco, Algeria, and Tunisia) no longer systematically target France as a destination, but instead aspire toward other European countries, notably Spain and Italy. In addition, the author investigates other migratory patterns that entail the repatriation of émigrés. His analysis reveals that the films, novels, and songs of Mediterranean artists run contrary to mass media coverage and conservative political discourse, bringing a nuanced vision and expert analysis to the sensationalism and biased reportage of such events as the Mediterranean maritime tragedies.
Ex-Cinema
by Akira Mizuta LippitWhat does it mean for film and video to be experimental? In this collection of essays framed by the concept "ex-"--meaning from, outside, and no longer--Akira Mizuta Lippit explores the aesthetic, technical, and theoretical reverberations of avant-garde film and video. Ex-Cinema is a sustained reflection on the ways in which experimental media artists move outside the conventions of mainstream cinema and initiate a dialogue on the meaning of cinema itself.
Exactly as You Are: The Life and Faith of Mister Rogers
by Shea TuttleWelcome to the spiritual neighborhood of Fred Rogers“I like you as you are Exactly and precisely I think you turned out nicely And I like you as you are.”Fred Rogers fiercely believed that all people deserve love. This conviction wasn’t simply sentimental: it came directly from his Christian faith. God, he insisted, loves us just the way we are. In Exactly as You Are, Shea Tuttle looks at Fred Rogers’s life, the people and places that made him who he was, and his work through Mister Rogers’ Neighborhood. She pays particular attention to his faith—because Fred Rogers was a deeply spiritual person, ordained by his church with a one-of-a-kind charge: to minister to children and families through television. Tuttle explores this kind, influential, sometimes surprising man: the neighborhood he came from, the neighborhood he built, and the kind of neighbor he, by his example, calls all of us to be. Throughout, Tuttle shows how he was guided by his core belief: that God loves children, and everyone else, exactly as they are.
Exactly as You Are: The Life and Faith of Mister Rogers
by Shea TuttleWelcome to the spiritual neighborhood of Fred Rogers&“I like you as you are Exactly and precisely I think you turned out nicely And I like you as you are.&”Fred Rogers fiercely believed that all people deserve love. This conviction wasn&’t simply sentimental: it came directly from his Christian faith. God, he insisted, loves us just the way we are. In Exactly as You Are, Shea Tuttle looks at Fred Rogers&’s life, the people and places that made him who he was, and his work through Mister Rogers&’ Neighborhood. She pays particular attention to his faith—because Fred Rogers was a deeply spiritual person, ordained by his church with a one-of-a-kind charge: to minister to children and families through television. Tuttle explores this kind, influential, sometimes surprising man: the neighborhood he came from, the neighborhood he built, and the kind of neighbor he, by his example, calls all of us to be. Throughout, Tuttle shows how he was guided by his core belief: that God loves children, and everyone else, exactly as they are.
Exalted
by Geoff Grabowski Christopher MoellerIt is the second Age of Man, the age before the world turned. The Empire of the Dragon-Blooded -- an invincible colossus -- stands astride the ruins of the First Age. For millennia, the scarlet Empress held the world in her steel grip. But the empress is no more, and the Realm spirals toward chaos and civil war. Its enemies descend -- demon princes, deathlords, skin-changing barbarians and the twisted and inscrutable Fair Folk hammer at the gates. In this time of darkness are reborn the solar Exalted, heroes of legend once slain by the Dragon-Blooded. Will these living legends herald the return of the Golden Age. . . or the end of creation? Exalted is the latest hardcover rulebook addition to the World of Darkness -- -- but not the one you think you know. You've never seen or even dreamed of this land before, yet it's hauntingly familiar. Become one of the Exalted, one of the heirs to an Age of Heroes, now cast down and disparaged. Will you rail against the tyranny of the oppressive Realm, seek your destiny,in the dangerous Threshold, or throw in with the bizarre creatures of the wilds? The fate of this new world is in your hands.
Examining The Wire: Authenticity and Curated Realism
by Ryan TwomeyThis book examines The Wire’s authenticity and its establishment of the series realism. Along with tracing creator David Simon’s onscreen critique of numerous failed American institutions, the book focuses on the connection between authenticity and realism in three distinct areas: language, character, and location. While it is shown that The Wire is indeed authentic, the study examines occasions where the language, characters, and even the location are ‘curated’. Yet, while we can witness these moments of curation, it is The Wire’s unflinching focus on authentic dialogue, authentic characterisation, and an authentic location that makes the series the most realistic, and arguably the best, television show of all time.
Excelsior Amusement Park: Playland of the Twin Cities (Landmarks)
by Greg Van GompelMinneapolis roared into the 1920s as a major metropolis, but it lacked the kind of outdoor amusement facilities common elsewhere across the country. In 1925, Fred W. Pearce introduced the Twin Cities to his “Picnic Wonderland.” Crowds eagerly poured onto the shores of Lake Minnetonka by the trolley load. Luckily, Excelsior Park survived the Great Depression and World War II on the strength of its celebrity acts. Changes in the forms of transportation, combined with innovations in the outdoor entertainment industry such as Disneyland and an aging infrastructure, eventually forced the park to close its gates.
Excelsior, You Fathead!: The Art and Enigma of Jean Shepherd
by Eugene B. BergmannComprehensive biography of Jean Shepherd, radio personality and raconteur.
Exception Taken: How France Has Defied Hollywood's New World Order
by Jonathan BuchsbaumIn Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization.Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema” that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema.
Exception Taken: How France Has Defied Hollywood's New World Order (Film and Culture Series)
by Jonathan BuchsbaumIn Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization.Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema" that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema.
The Exception to the Rulers: Exposing Oily Politicians, War Profiteers, and the Media That Love Them
by Amy Goodman David GoodmanHer comments turned Charlie Rose red in the face. Bill Clinton called her 'hostile, combative, and even disrespectful.' Newt Gingrich said to her, 'You're the kind of reporter I warned my mother about.' Meet Amy Goodman, award-winning journalist and host of the daily hour-long talk show that is a beacon for passionate, critical, and hard-hitting news. On subjects ranging from the deceptions of the George H. W. Bush administration to the corruption of media monopolies and corporate influence over the government, Amy Goodman attacks and exposes the lies and hypocrisy that put democracy at risk. Goodman has traveled the world reporting and speaking out in defense of human rights and offers no apologies for her advocacy. At lectures, rallies, and other public appearances, thousands turn out to hear her speak the truth. Now, in her first book, she offers her no-holds-barred perspective on world events.
The Executive Chair: A Writer's Guide to TV Series Development
by Kelly Edwards“To make compelling television, our industry depends on enthusiastic new voices with fresh ideas. While there are plenty of books about the mechanics of writing, this is the first time an insider has detailed the invaluable TV executive perspective. As key pieces of the entertainment puzzle, executives hold institutional wisdom that seldom gets disseminated outside network walls. The Executive Chair breaks down the business from the gatekeeper’s point of view, illuminating the creative process used by those who ultimately make the decisions. Whether developing a project for the entertainment marketplace or merely probing the executive mindset, The Executive Chair dispels myths about the creative process and takes the reader through the development of a pilot script.” Provided by publisher.