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Fatherhood: Stories about being a dad
by William McInnesWilliam McInnes, one of Australia's best-known storytellers and actors, has turned to a subject that is close to his heart. Fatherhood is about family, about memories of his father and the memories he's creating as a dad himself, with his own son and daughter.Warm, witty and nostalgic, these tales are just like a friendly chat over the back fence, or the banter of a backyard BBQ. They will stir your own memories: of hot summer days and cooling off under the sprinkler while Dad works in the garden with the radio tuned to the sports results; that time Dad tried to teach you to drive - and then got out of the car and kissed the ground; or taking your own kids on a family road trip.Fatherhood is full of memories: the happy, the hilarious, the sad, bad, and the unexpectedly poignant moments. You will laugh, you may even cry - but you will recognise yourself and those you love somewhere in these pages.
Father's Chinese Opera
by Rich LoThe Chinese opera is anything but boring. Songs, acrobatics, acting, and costumes make the opera a truly spectacular show to behold. Spending a summer backstage at his father's Chinese opera, a young boy is instantly enamored with the performers and works hard to be a part of the show. Rehearsing the moves day and night with the show's famous choreographer, the boy thinks he is soon ready to perform with the others. But the choreographer doesn't agree. In fact, he laughs at the boy when asked to join the others in the acrobatics part of the opera. Upset, the boy runs home to sulk. What will he do next? Will he give up, or will he persevere and work his way up in the show? <p><p> In an exotic and intriguing story that draws on author Rich Lo's personal life, and features his own bright, mesmerizing illustrations, Father's Chinese Opera teaches children about hard work, patience, and the commitment needed to achieve an important goal, while introducing them to an important part of Chinese culture.
A Father's Son: Family, football and forgiveness
by Mat Rogers'A book about humanity as much as sport. It&’s like sitting at the kitchen table with your best mate and he&’s pouring his heart out – about his life, his loss, his triumphs and his faults … and the love that got him through. Honest, generous, and most of all, courageous.' Markus Zusak, bestselling author of The Book Thief Mat Rogers is an Aussie footy legend and TV star who has triumphed over hardship, loss and heartache. He is finally ready to share his powerful life story. He is one of the most talented footballers of the modern era and a dual international in rugby league and rugby union. But for a long time, Mat Rogers lived in both the shadow and the thrall of his famous father, and their complex relationship shaped him in ways he couldn&’t fathom. Craving paternal acceptance while determined to carve out his own identity and, later, to avoid repeating the sins of the father, he veered between periods of jubilation and depression, fulfilment and despair. Now, in his majestic, evocative autobiography, Rogers tells the story of a life framed by triumph and tragedy, a life in which, ultimately, he finds purpose and contentment in a harsh world. With its cracking pace and unvarnished frankness, A Father&’s Son will be widely read and difficult to forget. Though by and about a celebrated footballer, it is so much more than another athlete&’s memoirs. In spare, vivid prose, Rogers reveals how his teenage years were marked by periods of rebellion and self-destructive behaviour. Then, at age 20, he became a father to son Jack before he had finished his own journey into adulthood. By 22, he was married to first wife Michelle with another child, daughter Skyla, following shortly after. As well as discussing the experience of having a family while still a young man, Rogers also recounts the challenges that have defined his life off the sports field – the impact of losing both his parents in tragic circumstances and the experimental neck surgery he underwent in 2007, ending years of debilitating pain. Rogers&’ story is one of a man who rises to the difficulties life sends his way. The discovery that his son Max is autistic prompted him and second wife Chloe to co-found charity 4 ASD Kids – and he talks passionately about the work he has done to raise awareness of a subject so close to home. That fighting spirit introduced Rogers to an even greater number of Australians who watched the sporting legend thrive on Australian Survivor. Across two memorable appearances on the reality TV series, he impressed viewers with his ability to combine his competitive spirit with his desire to play with heart. That duality, which defines Rogers' life, shines through in A Father&’s Son. 'I couldn&’t put this down. Mat shares his story with so much honesty and openness. I was overcome with emotion and such deep respect for Mat and the person, father and role model that he is.' Sally Obermeder, author and presenter
Fathomless Riches: Or How I Went From Pop to Pulpit
by Reverend Richard ColesThe memoir of popular BBC Radio 4 SATURDAY LIVE presenter and former member of the Communards, the Reverend Richard Coles.'I love @RevRichardColes SO MUCH' Caitlin MoranFATHOMLESS RICHES is the Reverend Richard Coles's warm, witty and wise memoir in which he divulges with searing honesty and intimacy his pilgrimage from a rock-and-roll life of sex and drugs in the Communards to one devoted to God and Christianity. The result is one of the most unusual and readable life stories of recent times, and has the power to shock as well as to console.
Fathomless Riches: Or How I Went From Pop to Pulpit
by Reverend Richard ColesA parish priest in Northamptonshire; a former rock-star whose number-one hit with The Communards was the biggest-selling single of 1986; the regular host of BBC Radio 4's SATURDAY LIVE - these three people are not usually embodied in one person. The Reverend Richard Coles' memoir offers his rich and personal insights into one of the most diverse of lives, encompassed with the wit and humour he brings to his popular radio show. Richard Coles gives the phrase 'time management' a new emphasis. From conducting the funeral of a cross-dressing farmer and recording an interview with a Californian who believes he was abducted by aliens, to a lunch meeting with the Mothers Union, then making an after-dinner speech to a roomful of thoughtful actuaries, his work has taken him from food-fights in a Swiss hotel with the Beastie Boys to propitiating the gods of the sea as Deputy Chaplain to the Admiral of the Wash on his annual inspection of the Beacons and Buoys.Mirroring the Christian calendar with its narrative of birth, death and renewal, from Advent to Christmas, from Lent to Easter, Richard Coles gives an honest and lighthearted account of the drama that comes with fulfilling so many roles, and the daily challenges that accompany it.Fathomless Riches - a phrase characteristic of St Paul and his followers - is the indescribable generosity, love and sheer surprise that Richard Coles encounters through a life of faith. The result is one of the most readable and illuminating autobiographies of the year.Read by the author(p) 2014 Orion Publishing Group
Fathomless Riches: Or How I Went From Pop to Pulpit
by Richard ColesThe Reverend Richard Coles is a parish priest in Northamptonshire and a regular host of BBC Radio 4's Saturday Live. He is also the only vicar in Britain to have had a number 1 hit single: the Communards' 'Don't Leave Me This Way' topped the charts for four weeks and was the biggest-selling single of its year. Fathomless Riches is his remarkable memoir in which he divulges with searing honesty and intimacy his pilgrimage from a rock-and-roll life of sex and drugs to a life devoted to God and Christianity. Music is where it began. Richard Coles was head chorister at school, and later discovered a love of saxophone together with the magic of Jimmy Somerville's voice. Against a backdrop of intense sexual and political awakening, the Communards were formed, and Richard Coles's life as a rock star began. Fathomless Riches - a phrase characteristic of St Paul and his followers - is a deeply personal and illuminating account of a transformation from hedonistic self-abandonment to 'the moment that changed everything'. Funny, warm, witty and wise, it is a memoir which has the power to shock as well as to console. It will be hailed as one of the most unusual and readable life stories of recent times.
Fatih Akin's Cinema and the New Sound of Europe (New Directions in National Cinemas)
by Berna GueneliIn Fatih Akın’s Cinema and the New Sound of Europe, Berna Gueneli explores the transnational works of acclaimed Turkish-German filmmaker and auteur Fatih Akın. The first minority director in Germany to receive numerous national and international awards, Akın makes films that are informed by Europe’s past, provide cinematic imaginations about its present and future, and engage with public discourses on minorities and migration in Europe through his treatment and representation of a diverse, multiethnic, and multilingual European citizenry. Through detailed analyses of some of Akın’s key works—In July, Head-On, and The Edge of Heaven, among others—Gueneli identifies Akın’s unique stylistic use of multivalent sonic and visual components and multinational characters. She argues that the soundscapes of Akın’s films—including music and multiple languages, dialects, and accents—create an “aesthetic of heterogeneity” that envisions an expanded and integrated Europe and highlights the political nature of Akın’s decisions regarding casting, settings, and audio. At a time when belonging and identity in Europe is complicated by questions of race, ethnicity, religion, and citizenship, Gueneli demonstrates how Akın’s aesthetics intersect with politics to reshape notions of Europe, European cinema, and cinematic history.
Faubourg Psychédélique: David Bowie et le Beckenham Arts Lab
by Mary FinniganCeci est la traduction française de Psychédélic Suburbia - traduit par Faubourg Psychédélique, écrit par Mary Finnigan, relatant sa relation avec le chanteur David Bowie et les premières étapes de sa carrière à Beckenham (banlieue sud de Londres) avant qu’il ne devienne une des pop stars mondiales le plus emblématiques.
Faust-Ikonologie: Stoff und Figur in der Bildkultur des 19. Jahrhunderts
by Carsten RohdeDie Geschichte des Faust-Stoffes seit Goethe ist lange Zeit vor allem unter ideologischen Gesichtspunkten gedeutet worden. Die vorliegende Studie untersucht erstmals tiefergehend die populärkulturellen Resonanzen von Faust in der sich formierenden Medienmoderne des 19. Jahrhunderts. Die ‚Explosion der Bilder‘ sorgt dafür, dass Stoff und Figur in einer nie dagewesenen Vielfalt und Breite als visuelles Phänomen in Erscheinung treten. Faust wird zu einer populären Projektions- und Identifikationsfigur, die mit ganz unterschiedlichen Formen, Funktionen und Kontexten in Verbindung steht. Ihre Omnipräsenz in der Bildkultur des Jahrhunderts ist sowohl Spiegel als auch Katalysator dieser Entwicklungen.
Faustus
by David MametHaving put his personal stamp on the contemporary theater, David Mamet now performs the supremely audacious feat of reinventing the theater of the past. He does so by telling his own ingenious and eerily moving version of the tragedy of Dr. Faustus. Mamet's Faustus--like Marlowe's and Goethe's before him--is a philosopher whose life's work has been the pursuit of "the secret engine of the world." He is also the distracted father of a small, adoring son. Out of the clash between love and intellect and the fatal operation of Faustus' pride, Mamet fashions a work that is at once caustic and heart-wrenching and whose resplendent language marries metaphysics to conman's patter. A meditation on reason and folly, fathers and sons, and a breathtaking display of magic both literal and theatrical, Faustus is a triumph.
Fawlty Towers
by Graham McCannFawlty Towers was only on our screens for 12 half-hour episodes, but it has stayed in our lives ever since. The Major; 'Don't mention the war!'; 'He's from Barcelona'; Basil the Rat -- everyone has a favourite line, moment or character. In this, the first biography of the show, Graham McCann holds up to the light each of the unpredictable elements - the demented brilliance of John Cleese, his creative partnership with Connie Booth - that added up to an immortal sitcom, beloved all over the world, even in Barcelona.
Fawlty Towers
by Graham MccannFawlty Towers was only on our screens for 12 half-hour episodes, but it has stayed in our lives ever since. The Major; 'Don't mention the war!'; 'He's from Barcelona'; Basil the Rat -- everyone has a favourite line, moment or character. In this, the first biography of the show, Graham McCann holds up to the light each of the unpredictable elements - the demented brilliance of John Cleese, his creative partnership with Connie Booth - that added up to an immortal sitcom, beloved all over the world, even in Barcelona.
Fay Wray and Robert Riskin: A Hollywood Memoir
by Victoria RiskinA Hollywood love story, a Hollywood memoir, a dual biography of two of Hollywood’s most famous figures, whose golden lives were lived at the center of Hollywood’s golden age, written by their daughter, an acclaimed writer and producer.Fay Wray was most famous as the woman—the blonde in a diaphanous gown—who captured the heart of the mighty King Kong, the twenty-five-foot, sixty-ton gorilla, as he placed her, nestled in his eight-foot hand, on the ledge of the 102-story Empire State Building, putting Wray at the height of New York’s skyline and cinematic immortality. Wray starred in more than 120 pictures opposite Hollywood's biggest stars—Spencer Tracy, Gary Cooper (The Legion of the Condemned, The First Kiss, The Texan, One Sunday Afternoon), Clark Gable, William Powell, and Charles Boyer; from cowboy stars Hoot Gibson and Art Accord to Ronald Colman (The Unholy Garden), Claude Rains, Ralph Richardson, and Melvyn Douglas. She was directed by the masters of the age, from Fred Niblo, Erich von Stroheim (The Wedding March), and Mauritz Stiller (The Street of Sin) to Leo McCarey, William Wyler, Gregory La Cava, “Wild Bill” William Wellman, Merian C. Cooper (The Four Feathers, King Kong), Josef von Sternberg (Thunderbolt), Dorothy Arzner (Behind the Make-Up), Frank Capra (Dirigible), Michael Curtiz (Doctor X), Raoul Walsh (The Bowery), and Vincente Minnelli.The book’s—and Wray’s—counterpart: Robert Riskin, considered one of the greatest screenwriters of all time. Academy Award–winning writer (nominated for five), producer, ten-year-long collaborator with Frank Capra on such pictures as American Madness, It Happened One Night, Mr. Deeds Goes to Town, Lost Horizon, and Meet John Doe, hailed by many, among them F. Scott Fitzgerald, as “among the best screenwriters in the business.” Riskin wrote women characters who were smart, ornery, sexy, always resilient, as he perfected what took full shape in It Happened One Night, the Riskin character, male or female—breezy, self-made, streetwise, optimistic, with a sense of humor that is subtle and sure.Fay Wray and Robert Riskin lived large lives, finding each other after establishing their artistic selves and after each had had many romantic attachments—Wray, an eleven-year-long difficult marriage and a fraught affair with Clifford Odets, and Riskin, a series of romances with, among others, Carole Lombard, Glenda Farrell, and Loretta Young.Here are Wray’s and Riskin’s lives, their work, their fairy-tale marriage that ended so tragically. Here are their dual, quintessential American lives, ultimately and blissfully intertwined.
Fear and Nature: Ecohorror Studies in the Anthropocene (AnthropoScene: The SLSA Book Series #8)
by Christy Tidwell Carter SolesEcohorror represents human fears about the natural world—killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman. Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. As such, ecohorror is a genre uniquely situated to address life, art, and the dangers of scientific knowledge in the Anthropocene.Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro. This range highlights the significance of ecohorror as a mode. In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily "other."A foundational text, this volume will appeal to specialists in horror studies, Gothic studies, the environmental humanities, and ecocriticism.In addition to the editors, the contributors include Kristen Angierski, Bridgitte Barclay, Marisol Cortez, Chelsea Davis, Joseph K. Heumann, Dawn Keetley, Ashley Kniss, Robin L. Murray, Brittany R. Roberts, Sharon Sharp, and Keri Stevenson.
Fear and Nature: Ecohorror Studies in the Anthropocene (AnthropoScene)
by Christy Tidwell Carter SolesEcohorror represents human fears about the natural world—killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman. Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. As such, ecohorror is a genre uniquely situated to address life, art, and the dangers of scientific knowledge in the Anthropocene.Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro. This range highlights the significance of ecohorror as a mode. In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily “other.”A foundational text, this volume will appeal to specialists in horror studies, Gothic studies, the environmental humanities, and ecocriticism.In addition to the editors, the contributors include Kristen Angierski, Bridgitte Barclay, Marisol Cortez, Chelsea Davis, Joseph K. Heumann, Dawn Keetley, Ashley Kniss, Robin L. Murray, Brittany R. Roberts, Sharon Sharp, and Keri Stevenson.
Fearless (Fearless Series #1)
by Mandy GonzalezBetter Nate than Ever meets Love Sugar Magic in this spooky middle grade novel from Hamilton and Broadway star Mandy Gonzalez about a group of young thespians who must face the ghost haunting their theater.Twelve-year-old Monica Garcia has arrived in NYC with her grandmother and a few suitcases to live her dream on Broadway. She&’s been chosen as understudy to the star of Our Time, the famed Ethel Merman Theater&’s last chance to produce a hit before it shutters its doors for good. Along with her fellow castmates—a.k.a. &“the squad&”—Monica has a big and very personal reason to want this show to succeed. But rumors of a long-running curse plague the theater. And when strange and terrible things start to threaten their hopes for a successful opening night, Monica and the rest of the squad must figure out how to reverse the curse before their big Broadway debuts. With the help of her new friends, her family, and a little magic, can Monica help save the show—and save their dreams? From Broadway and television star Mandy Gonzalez comes a story about what it means to dream, be yourself, and be fearless.
Fearless Faith: 100 Devotions for Girls (Faithgirlz)
by Melanie ShankleFrom popular blogger and New York Times bestselling author Melanie Shankle comes Fearless Faith: 100 Devotions for Girls. An interactive devotional, each day&’s reading encourages girls to be confident in their faith as well as grow in that faith and the knowledge they can impact the world around them.Each devotional speaks directly to tween and teen girls with:Reader-friendly &“Day 1,&” &“Day 2&” format, allowing girls to start at any time of yearEasy-to-read and relatable textA Scripture verse, an encouraging message, and a corresponding activity or set of questions to frame the day&’s takeaway in the real worldUnique challenges and engaged questions such as: What are three things that make you happy? What do you worry about? What do you think God wants for your life?Fearless Faith is a devotional perfect for birthdays, holiday gift giving, or as a token of encouragement.
Fearless Genius
by Kurt Andersen Elliot Erwitt Doug MenuezAn eye-opening chronicle of the Silicon Valley technology boom, capturing key moments in the careers of Steve Jobs and more than seventy other leading innovators as they created today's digital world In the spring of 1985, a technological revolution was under way in Silicon Valley, and documentary photographer Doug Menuez was there in search of a story--something big. At the same time, Steve Jobs was being forced out of his beloved Apple and starting over with a new company, NeXT Computer. His goal was to build a supercomputer with the power to transform education. Menuez had found his story: he proposed to photograph Jobs and his extraordinary team as they built this new computer, from conception to product launch. In an amazing act of trust, Jobs granted Menuez unlimited access to the company, and, for the next three years, Menuez was able to get on film the spirit and substance of innovation through the day-to-day actions of the world's top technology guru. From there, the project expanded to include the most trailblazing companies in Silicon Valley, all of which granted Menuez the same complete access that Jobs had. Menuez photographed behind the scenes with John Warnock at Adobe, John Sculley at Apple, Bill Gates at Microsoft, John Doerr at Kleiner Perkins, Bill Joy at Sun Microsystems, Gordon Moore and Andy Grove at Intel, Marc Andreessen at Netscape, and more than seventy other leading companies and innovators. It would be fifteen years before Menuez stopped taking pictures, just as the dotcom bubble burst. An extraordinary era was coming to its close. With his singular behind-the-scenes access to these notoriously insular companies, Menuez was present for moments of heartbreaking failure and unexpected success, moments that made history, and moments that revealed the everyday lives of the individuals who made it happen. This period of rapid, radical change would affect almost every aspect of our culture and our lives in ways both large and small and would also create more jobs and wealth than any other time in human history. And Doug Menuez was there, a witness to a revolution. In more than a hundred photographs and accompanying commentary, Fearless Genius captures the human face of innovation and shows what it takes to transform powerful ideas into reality.
A Feast of Ice and Fire: The Official Game of Thrones Companion Cookbook
by Chelsea Monroe-Cassel Sariann Lehrer George R. R. MartinEver wonder what it's like to attend a feast at Winterfell? Wish you could split a lemon cake with Sansa Stark, scarf down a pork pie with the Night's Watch, or indulge in honeyfingers with Daenerys Targaryen? George R. R. Martin's bestselling saga A Song of Ice and Fire and the runaway hit HBO series Game of Thrones are renowned for bringing Westeros's sights and sounds to vivid life. But one important ingredient has always been missing: the mouthwatering dishes that form the backdrop of this extraordinary world. Now, fresh out of the series that redefined fantasy, comes the cookbook that may just redefine dinner . . . and lunch, and breakfast. A passion project from superfans and amateur chefs Chelsea Monroe-Cassel and Sariann Lehrer--and endorsed by George R. R. Martin himself--A Feast of Ice and Fire lovingly replicates a stunning range of cuisines from across the Seven Kingdoms and beyond. From the sumptuous delicacies enjoyed in the halls of power at King's Landing, to the warm and smoky comfort foods of the frozen North, to the rich, exotic fare of the mysterious lands east of Westeros, there's a flavor for every palate, and a treat for every chef. These easy-to-follow recipes have been refined for modern cooking techniques, but adventurous eaters can also attempt the authentic medieval meals that inspired them. The authors have also suggested substitutions for some of the more fantastical ingredients, so you won't have to stock your kitchen with camel, live doves, or dragon eggs to create meals fit for a king (or a khaleesi). In all, A Feast of Ice and Fire contains more than 100 recipes, divided by region: * The Wall: Rack of Lamb and Herbs; Pork Pie; Mutton in Onion-Ale Broth; Mulled Wine; Pease Porridge * The North: Beef and Bacon Pie; Honeyed Chicken; Aurochs with Roasted Leeks; Baked Apples * The South: Cream Swans; Trout Wrapped in Bacon; Stewed Rabbit; Sister's Stew; Blueberry Tarts * King's Landing: Lemon Cakes; Quails Drowned in Butter; Almond Crusted Trout; Bowls of Brown; Iced Milk with Honey * Dorne: Stuffed Grape Leaves; Duck with Lemons; Chickpea Paste * Across the Narrow Sea: Biscuits and Bacon; Tyroshi Honeyfingers; Wintercakes; Honey-Spiced Locusts There's even a guide to dining and entertaining in the style of the Seven Kingdoms. Exhaustively researched and reverently detailed, accompanied by passages from all five books in the series and full-color photographs guaranteed to whet your appetite, this is the companion to the blockbuster phenomenon that millions of stomachs have been growling for. And remember, winter is coming--so don't be afraid to put on a few pounds. Includes a Foreword by George R. R. Martin
Feasting Our Eyes: Food Films and Cultural Identity in the United States
by Laura Lindenfeld Fabio ParasecoliBig Night (1996), Ratatouille (2007), and Julie and Julia (2009) are more than films about food—they serve a political purpose. In the kitchen, around the table, and in the dining room, these films use cooking and eating to explore such themes as ideological pluralism, ethnic and racial acceptance, gender equality, and class flexibility—but not as progressively as you might think. Feasting Our Eyes takes a second look at these and other modern American food films to emphasize their conventional approaches to nation, gender, race, sexuality, and social status. Devoured visually and emotionally, these films are particularly effective defenders of the status quo.Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today and frankly assesses their commitment to racial diversity, tolerance, and liberal political ideas. Laura Lindenfeld and Fabio Parasecoli find women and people of color continue to be treated as objects of consumption even in these modern works and, despite their progressive veneer, American food films often mask a conservative politics that makes commercial success more likely. A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power.
Feasting Our Eyes: Food Films and Cultural Identity in the United States
by Fabio Parasecoli Laura LindenfeldBig Night (1996), Ratatouille (2007), and Julie and Julia (2009) are more than films about food-they serve a political purpose. In the kitchen, around the table, and in the dining room, these films use cooking and eating to explore such themes as ideological pluralism, ethnic and racial acceptance, gender equality, and class flexibility-but not as progressively as you might think. Feasting Our Eyes takes a second look at these and other modern American food films to emphasize their conventional approaches to nation, gender, race, sexuality, and social status. Devoured visually and emotionally, these films are particularly effective defenders of the status quo.Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today and frankly assesses their commitment to racial diversity, tolerance, and liberal political ideas. Laura Lindenfeld and Fabio Parasecoli find women and people of color continue to be treated as objects of consumption even in these modern works and, despite their progressive veneer, American food films often mask a conservative politics that makes commercial success more likely. A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power.
Feature and Narrative Storytelling for Multimedia Journalists
by Duy Linh TuFeature and Narrative Storytelling for Multimedia Journalists is the first text that truly focuses on the multimedia and documentary production techniques required by professional journalists. Video and audio production methods are covered in rich detail, but more importantly, various storytelling techniques are explored in depth. Likewise, author Duy Linh Tu tackles the latest topics in multimedia storytelling, including mobile reporting, producing, and publishing, while also offering best practices for using social media to help promote finished products. Whether you're a student, a professional seeking new techniques, or simply looking to update your skills for the new digital newsroom, this book will provide you with the information and tools you need to succeed as a professional journalist. Integrated: The lessons in this book deftly combine traditional media production principles with storytelling craft. It is written with the perspective of modern professional journalists in mind. Practical: While rich with theory, this text is based on the real-world work of the author and several of his colleagues. It features Q&As with some of the best editors and video producers from top publications, including NPR, Vice, and Detroit Free Press, as well as profiles of leading video news organizations such as Frontline, Mediastorm, and Seattle Times. Proven: The author uses pedagogy from the world-renowned Columbia Journalism School as well as case studies from his own award-winning work. Interactive: The text is exercise- and drill-based, and the companion website provides multimedia examples and lesson files, as well as tutorials, case studies, and video interviews.
Fed Up: Navigating and redefining emotional labour for good
by Gemma HartleyA ground-breaking exploration of feminism's most buzzy topic.No more grin and bear it: how and why we all need to reset the domestic balance. Gemma Hartley is a mother and journalist on a mission: to throw fresh light on the hidden burden of 'emotional labour' (washing, wiping, worrying, soothing, shopping, preparing, planning, cooking, caring), and find out why it is that the bulk of these thankless, hugely time-consuming and frustrating jobs fall to women.Gemma's article: 'Women Aren't Nags; We're Just Fed Up,' was shared by millions of readers, giving voice to a huge number of women whose frustration and anger is mixed with incredulity. Is this really where we're at 50 years post-feminism? Gemma's quest to get to the bottom of the problem and find out how to solve it will take you deep into your own subconscious bias, and sees her challenging the foundations of her own marriage to try to forge a better, more balanced way to live. Fed Up puts forward a thought-provoking, honest and impassioned case that any woman in a relationship should take an unflinching look at her own home life and ask: "How could we do this better?" The answer might just save your sanity, and your relationship.(P)2018 Hodder & Stoughton Limited
Federation (Star Trek)
by Judith Reeves-Stevens Garfield Reeves-StevensCaptain Kirk and the crew, along with Captain Picard and his crew--99 years in the future--struggle to fulfill their separate missions. But destiny intervenes to place the fate of each starship in the hands of the other vessel.
Federico Fellini
by Hava AldoubyFederico Fellini professed a desire to create "an entire film made of immobile pictures." In this study, Hava Aldouby uses this quotation as a launching point to analyze Fellini's films as sequences of "pictures" that draw extensively on art history, and particularly painting, as a reservoir of visual imagery. Aldouby employs an innovative pictorial approach that allows her to uncover a wealth of visual evocations overlooked by Fellini scholars over the years.Federico Fellini: Painting in Film, Painting on Film sheds light on the intertextual links between Fellini's films and the works of various artists, from Velazquez to Francis Bacon, by identifying references to specific paintings in his films. Using new archival evidence from Fellini's private library, brought to light for the first time here, Aldouby draws out Fellini's in-depth knowledge of art history and his systematic employment of art-historical allusions.