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Foundations for Performance Training: Skills for the Actor-Dancer

by Cara Harker

Foundations for Performance Training: Skills for the Actor-Dancer explores the physical, emotional, theoretical, and practical components of performance training in order to equip readers with the tools needed to successfully advance in their development as artists and entertainers.Each chapter provides a fresh perspective on subjects that students of acting and dance courses encounter throughout their training as performing artists. Topics include: Equity, diversity, and inclusion in performance Mind/body conditioning for training, rehearsal, and performance Developing stage presence and spatial awareness Cultivating motivation and intention in performance Expanding repertoire and broadening skillset for performance Auditioning for film and stage Developing theatrical productions This book also offers experiential exercises, journal writing prompts, and assignments to engage readers, enrich their learning experience, and deepen their exploration of the material described in each chapter. Readers will grow as performing artists as they analyze the principles of both acting and dance and discover how deeply the two art forms are intertwined.An excellent resource for students of acting, musical theatre, and dance courses, Foundations for Performance Training encourages a strong foundation in creative analysis, technique, artistic expression, and self-care to cultivate excellence in performance.

Foundations of Flat Patterning and Draping: For the Female Form

by Larissa McConnell

Foundations of Flat Patterning and Draping: For the Female Form provides the foundational tools necessary for success in the techniques of flat patterning and draping clothes and costumes. This book begins with the basics of taking measurements, preparing the fabric for draping, and preparing the dress form. The following chapters explore flat patterning and draping practices for bodices, skirts, pants, dresses, sleeves, collars, cuffs, and facings through detailed step-by-step instructions, checklists, and numerous diagrams. The bodice drafting instructions in this book, specifically, are a new method that accommodates all bust and cup sizes. There are instructions for small and large cup sizes allowing for a fit that does not gap at the armscye as typically happens with previous patterning methods, and additional sections for bodices and sleeves and how to manipulate them to create alternate looks. The techniques in this book generalize across sizes and shapes making it universally applicable for the student technician, as well as the person the garment is being developed for. Each method of drafting and draping has been class-tested and proven to produce well-fitting garments. Presented in an accessible format with clear instructions and detailed illustrations, this book is well suited for use as a textbook for the undergraduate college instructor teaching costuming or fashion, as well as for the student or individual learning on their own in theatre, film, or fashion industries.

Foundations of Stage Makeup

by Daniel C Townsend

Foundations of Stage Makeup is a comprehensive exploration into the creative world of stage makeup. Step-by-step makeup applications paired with textual content create an enriching experience for future performers and makeup artists. Students will learn relevant history, color theory, makeup sanitation processes, and the use of light and shadow to engage in discussions about the aspects of professional makeup. Those foundations are then paired with a semester’s-worth of descriptive, engaging makeup applications. Old age makeup, blocking out eyebrows, gory burns, and creating fantastical creatures are just a few of the rewarding techniques found in Foundations of Stage Makeup. The book is complemented by an eResource page featuring makeup tutorials and an instructor’s manual with example assignments and tips to teaching each chapter.

Foundations of Stage Makeup

by Daniel C Townsend

Foundations of Stage Makeup, Second Edition is a comprehensive exploration into the creative world of stage makeup.Step-by-step makeup applications paired with textual content create an enriching experience for future performers and makeup artists. Students will learn relevant history, color theory, makeup sanitation processes, and the use of light and shadow to engage in discussions about the aspects of professional makeup. Those foundations are then paired with a semester’s worth of descriptive, engaging makeup applications. Old age makeup, blocking out eyebrows, gory burns, and creating fantastical creatures are just a few of the rewarding techniques found in Foundations of Stage Makeup. This new edition features new chapters on basic prosthetic appliction and animal makeup, new information on historical makeup use, updates pertaining to industry-wide standards and practices, new images, and updated supporting material.This is the perfect book to use in Introduction to Stage Makeup courses.Foundations of Stage Makeup is complemented by makeup tutorials, a printable makeup chart, and an instructor’s manual with example assignments and tips to teaching each chapter, available at www.routledge.com/9781032664200.

Four Feet Tall and Rising: A Memoir

by Shorty Rossi

Luigi Francis Shorty Rossi, the tough-talking, fedora-wearing star of Animal Planet's hit show Pit Boss, may stand only four feet tall but that hasn't stopped him from living large, becoming a successful businessman and an outspoken advocate for pit bulls, the most misunderstood breed of dog in the world. A third generation dwarf, ex-gang member, and ex-con, Shorty knows what it's like to be misunderstood and in this candid memoir, he shares his personal story for the first time. No one expected Shorty to live let alone succeed, and yet he has, overcoming every challenge, from an abusive home to the violent streets and gangs of South Central LA, to the notorious cell blocks of Folsom Prison where he was imprisoned for attempted murder. After 10 years, 10 months, and 10 days behind bars, Shorty gained his freedom and the chance to put his entrepreneurial and negotiation skills to the test. He cut the ribbon on his own business, Shortywood, with three goals: to turn his life around, act as a talent agent for little people and establish and fund charities that advocate for, rescue and place abandoned or abused pit bulls into safe homes. In the process, he became a reality-TV star. Now, with Hercules, his rescued pit bull and newly trained service dog by his side, Shorty continues to save pits from the basements and backyards of breeders and abusers while taking on new and even bigger challenges. And nothing is gonna stand in his way. Shorty Rossi is four feet tall--and rising.

Four Screenplays: Studies in the American Screenplay

by Syd Field

In a field being transformed by technology, Syd Field shows you what works and why and how to find new ways to create a truly outstanding film using four extraordinary examples: Thelma & Louise, Terminator 2: Judgement Day, The Silence Of The Lambs, and Dances With Wolves.From the Trade Paperback edition.

Four Seasons

by Jane Breskin Zalben

Allegra Katz has been playing piano since she was four. But these aren't just any piano lessons. She studies at the Julliard School in New York, where careers are being formed-or not. Between strict practice schedules, music classes, and regular school, Ally doesn't have time for much else. Sometimes she wishes she could break free, but she's never known any other way. Her parents-a professional violinist and a singer-would kill her if they knew she was thinking about quitting piano, especially her mother. So she keeps on going, but as the months go by, she begins to ask herself, does she even love the piano? Why does she play? And how much longer can she stand the pressure before she breaks? From the Hardcover edition.

Four Weeks in the Trenches: The War Story of a Violinist

by Fritz Kreisler

Four weeks in the Trenches is the first-hand record of the experiences of Fritz Kreisler, one of the most renowned violinists of the twentieth century, during his service in the Austrian Army in World War I.

Four Word Film Reviews

by Benj Clews Michael Onesi

In four words or less, this book brings together movies from across the multiplex. So whether you like the Coen brothers (Fargo: Chipper cop; chipped criminal) or the Farrelly brothers (Dumb & Dumber: Two guys, zero brains), you'll get a laugh from these online critics' witty review reductions. This book is your must-read guide to over 400 movies--brought to you in 3D so real you can flip the pages for less than the price of admission to Michael Bay's latest pyrotechnics display. Action! Adventure! Comedy! It's all inside for your viewing pleasure. And be sure to stay after the credits for theFour Word Film ReviewQuiz to see how well youreallyknow your movies. Four Word Film Reviews:Condensed content, big laughs.

Four Word Film Reviews

by Benj Clews Michael Onesi

In four words or less, this book brings together movies from across the multiplex. So whether you like the Coen brothers (Fargo: Chipper cop; chipped criminal) or the Farrelly brothers (Dumb & Dumber: Two guys, zero brains), you'll get a laugh from these online critics' witty review reductions. This book is your must-read guide to over 400 movies--brought to you in 3D so real you can flip the pages for less than the price of admission to Michael Bay's latest pyrotechnics display. Action! Adventure! Comedy! It's all inside for your viewing pleasure. And be sure to stay after the credits for the Four Word Film Review Quiz to see how well you really know your movies. Four Word Film Reviews: Condensed content, big laughs.

Four Word Film Reviews

by Benj Clews

In four words or less, this book brings together movies from across the multiplex. So whether you like the Coen brothers (Fargo: Chipper cop; chipped criminal) or the Farrelly brothers (Dumb & Dumber: Two guys, zero brains), you'll get a laugh from these online critics' witty review reductions.This book is your must-read guide to over 400 movies--brought to you in 3D so real you can flip the pages for less than the price of admission to Michael Bay's latest pyrotechnics display. Action! Adventure! Comedy! It's all inside for your viewing pleasure. And be sure to stay after the credits for the Four Word Film Review Quiz to see how well you really know your movies.Four Word Film Reviews: Condensed content, big laughs.

Four-Handed Piano

by Diana C. Conway

Camden and Skye have been friends since third grade, but they have been growing apart since they started middle school. Conflict leads them to part ways on a duet they’d planned to perform together for the school talent show. Will they be able to salvage their friendship? Or will the competition make them call it quits for good?

Four: A thought-provoking, controversial and immediately gripping story with a messy moral dilemma at its heart

by Andy Jones

A thought-provoking, controversial and immediately gripping story with a tangled and messy moral dilemma at its heart.Two couples. One reckless night. In the time they've known each other, Sally, Al and Mike have shared - well, almost everything.Sally and Al have been married for seven years, though now their relationship is hanging by a thread.Sally and Mike have been best friends since university. And on many occasions something more.Mike and Al have been friends and colleagues for many years. Yet with Al poised to become Mike's boss, their friendship comes under threat.And now there's Mike and Faye. They haven't been together long, but Mike's pretty sure that, this time, it's the real deal.As the three old friends sit on a train heading towards Brighton to meet Faye, little do they know that after this weekend, the four of them will have shared . . . everything.They all know they have made a mistake. But they could never have imagined the consequences.**************Praise for Andy Jones:''What happens the morning after the night before, when the night before was when you did the most reckless thing of your life? I loved Andy Jones's stylish portrayal of four people who make way too much history in one night, and just couldn't put it down until I found out the fate of each of them' Jane Costello'Beautifully written and wonderfully engaging. I loved it.' Daily Mail on The Two of Us'I'm always wary about comparing books but, just this once, I'm going to make an exception because for me this is one of those few novels that deserves to be mentioned in the same breath as One Day. It has everything you could want from a romcom and then some' - Sun on The Trouble With Henry and Zoe(P)2018 Hodder & Stoughton Limited

Fox Forever

by Mary E. Pearson

Locke Jenkins has some catching up to do. After spending 260 years as a disembodied mind in a little black box, he has a perfect new body. But before he can move on with his unexpected new life, he'll have to return the Favor he accepted from the shadowy resistance group known as the Network. Locke must infiltrate the home of a government official by gaining the trust of his daughter, seventeen-year-old Raine, and he soon finds himself pulled deep into the world of the resistance--and into Raine's life. InFox Forever, Mary E. Pearson brings the story she began inThe Adoration of Jenna Fox and continued inThe Fox Inheritance to a breathtaking conclusion as Locke discovers that being truly human requires much more than flesh and blood.

Foxy: My Life in Three Acts

by Andrea Cagan Pam Grier

Some may know her as hot, gutsy, gun-totin' Foxy Brown, Friday Foster, Coffy, and Jackie Brown. Others may know her from her role as Kit Porter on The L Word. But that only defines one part of the legend that is Pam Grier.Foxy is Pam's testimony of her life, past and present. In it, she reveals her relationships with Richard Pryor, Kareem Abdul-Jabbar, and Freddie Prinze Sr., among others. She unveils her experiences as a backup singer and a blaxploitation star. In particularly candid and shocking chapters, she shares-for the first time-her view of those films and the persecution that blacks, especially women, needed to endure to make a name for themselves . . . including how it felt to be labeled one of the most beautiful women alive, yet not be permitted to try on clothes in a department store because of the color of her skin. And in words sure to inspire many, she tells the story of her ongoing battle with cancer. From her disappointments to her triumphs, nothing is held back. With FOXY, Pam wishes to impart life lessons to her readers-and hopes to touch their hearts.

Fractured English

by Richard Lederer

More bloopers of the English language.

Frame by Frame: A Materialist Aesthetics of Animated Cartoons

by Hannah Frank

At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920–1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called “cels”) and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line.

Framed: The New Woman Criminal in British Culture at the Fin de Siecle

by Elizabeth Carolyn Miller

Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? In this elegantly argued study, Elizabeth Carolyn Miller addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres.

Framed: Women in Law and Film

by Orit Kamir

Some women attack and harm men who abuse them. Social norms, law, and films all participate in framing these occurrences, guiding us in understanding and judging them. How do social, legal, and cinematic conventions and mechanisms combine to lead us to condemn these women or exonerate them? What is it, exactly, that they teach us to find such women guilty or innocent of, and how do they do so? Through innovative readings of a dozen movies made between 1928 and 2001 in Europe, Japan, and the United States, Orit Kamir shows that in representing "gender crimes," feature films have constructed a cinematic jurisprudence, training audiences worldwide in patterns of judgment of women (and men) in such situations. Offering a novel formulation of the emerging field of law and film, Kamir combines basic legal concepts--murder, rape, provocation, insanity, and self-defense--with narratology, social science methodologies, and film studies. Framed not only offers a unique study of law and film but also points toward new directions in feminist thought. Shedding light on central feminist themes such as victimization and agency, multiculturalism, and postmodernism, Kamir outlines a feminist cinematic legal critique, a perspective from which to evaluate the "cinematic legalism" that indoctrinates and disciplines audiences around the world. Bringing an original perspective to feminist analysis, she demonstrates that the distinction between honor and dignity has crucial implications for how societies construct women, their social status, and their legal rights. In Framed, she outlines a dignity-oriented, honor-sensitive feminist approach to law and film.

Framer Framed: Film Scripts and Interviews

by Trinh T. Minh-ha

Framer Framed brings together for the first time the scripts and detailed visuals of three of Trinh Minh-ha's provocative films: Reassemblage, Naked Spaces--Living is Round, and Surname Viet Given Name Nam.

Frames and Framing in Documentary Comics (Palgrave Studies in Comics and Graphic Novels)

by Johannes C.P. Schmid

Frames and Framing in Documentary Comics explores how graphic narratives reframe global crises while also interrogating practices of fact-finding. An analog print phenomenon in an era shaped by digitalization, documentary comics formulates a distinct counterapproach to conventional journalism. In what ways are ‘facts’ being presented and framed? What is documentary honesty in a world of fake news and post-truth politics? How can the stories of marginalized peoples and neglected crises be told? The author investigates documentary comics in its unique relationship to framing: graphic narratives are essentially shaped by a reciprocal relationship between the manifest frames on the page and the attention to the cognitive frames that they generate. To account for both the textuality of comics and its strategic use as rhetoric, the author combines theories of framing analysis and cognitive narratology with comics studies and its attention toward the medium’s visual frames.

Frames of Anime

by Tze-yue G. Hu

apanese anime has long fascinated the world, and its mythical heroes and dazzling colors increasingly influence popular culture genres in the West. Tze-yue G. Hu analyzes the 'language-medium' of this remarkable expressive platform and its many socio-cultural dimensions from a distinctly Asian frame of reference, tracing its layers of concentric radiation from Japan throughout Asia. Her work, rooted in archival investigations, interviews with animators and producers in Japan as well as other Asian animation studios, and interdisciplinary research in linguistics and performance theory, shows how dialectical aspects of anime are linked to Japan's unique experience of modernity and its cultural associations in Asia, including its reliance on low-wage outsourcing. Her study also provides English readers with insights on numerous Japanese secondary sources, as well as a number of original illustrations offered by animators and producers she interviewed.

Frameworks: An Introduction to Film Studies

by Thomas E. Valasek F. Brent Johnson Christopher H. Creek

Frameworks sets out to teach both the concepts and the skills beginning students need to become more literate film viewers. Lessons are designed to answer four essential questions: How do films tell a story? How do films reveal characters? How do films depict physical reality? How do films inform, persuade, and indoctrinate? Each of these questions offers a different "framework" for film study, a different way to look at and analyze film.

Framing Africa

by Nigel Eltringham

The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), 'failed states' (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination.

Framing Blackness: The African American Image in Film

by Edward Guerrero

How African-Americans are depicted in movies.

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