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American Stranger: Modernisms, Hollywood, and the Cinema of Nicholas Ray (SUNY series, Horizons of Cinema)
by Will ScheibelHow does cinema culture imagine one of its favorite figures, the rebel? The reputation of the American director Nicholas Ray provides a particularly notable example. Most famous for Rebel Without a Cause, Ray has since been canonized as a "rebel auteur" and celebrated for seeking a personal vision and signature style under the industrial pressures of Classical Hollywood during its late studio period. In American Stranger, Will Scheibel reconstructs how Ray's reputation developed over time, analyzing the different historical practices of modernism that set new horizons for artistic rebellion in postwar cinema.Drawing on biographical legends, interviews, film reviews, articles in both national newspapers and international film magazines, and star promotion and publicity, Scheibel examines the contexts in which Ray's reputation was constructed. These include the consolidation of director-based film criticism and the rise of film studies as an academic discipline; star performances and personifications of the rebel male in Ray's films; the counterculture in which Ray promoted himself as a teacher and worked as a political avant-gardist; and the art cinemas of Jean-Luc Godard, Wim Wenders, and Jim Jarmusch, each of whom were influenced by Ray. In addition to Rebel Without a Cause, Scheibel also analyzes such classic films as The Lusty Men and In a Lonely Place, as well as collaborative, less-examined films from his later career outside of Hollywood, We Can't Go Home Again and Lightning Over Water. Reconstructing the evolution of Ray's place in cinema culture, this intellectual history measures the standards for both rebellion and convention, for the vanguard and the establishment, that determine an artistic reputation.
American Sucker
by David DenbyIn early 2000, the bottom dropped out of the life of New Yorker writer David Denby when his wife announced she was leaving him. To make matters worse, it looked as if he might lose the beloved New York apartment they shared with their children. Determined to hold on to his home and seized by the "irrational exuberance" of the stock market, then approaching its peak, Denby joined the investment frenzy with a particular goal: to make one million dollars so he could buy out his wife's share of their place. Denby gathered courage from stock analysts and from the siren song of CNBC. He listened both skeptically and raptly to dreaming tech gurus and boastful CEOs at investment conferences. He got to know such charming and persuasive New Economy stars as ImClone founder (and Martha Stewart buddy) Sam Waksal and Merrill Lynch Internet analyst Henry Blodget, both of whom would eventually be disgraced in scandals that affected millions of investors. Racing around the country, he struggled to understand the leading-edge technologies of fiber optics and anticancer biotech therapies. He plunged into a season of mania and was swept forward on the alternating currents of hope, greed, hucksterism, and American optimism that caught up so many in that era -- with cataclysmic results. American Sucker is a beautifully written, mesmerizing account of those years of madness. What begins as a money chase becomes an encounter with such eternal issues as envy, time, love, and death, leading to a slow recovery of sanity and happiness. This is a classic tale of the bubble related not by a market guru or an investment professional but by a witty, perceptive, and eloquent outsider. Book jacket.
American Theology, Superhero Comics, and Cinema: The Marvel of Stan Lee and the Revolution of a Genre (Routledge Studies in Religion and Film)
by Anthony MillsStan Lee, who was the head writer of Marvel Comics in the early 1960s, co-created such popular heroes as Spider-Man, Hulk, the X-Men, the Fantastic Four, Iron Man, Thor, and Daredevil. This book traces the ways in which American theologians and comic books of the era were not only both saying things about what it means to be human, but, starting with Lee they were largely saying the same things. Author Anthony R. Mills argues that the shift away from individualistic ideas of human personhood and toward relational conceptions occurring within both American theology and American superhero comics and films does not occur simply on the ontological level, but is also inherent to epistemology and ethics, reflecting the comprehensive nature of human life in terms of being, knowing, and acting. This book explores the idea of the "American monomyth" that pervades American hero stories and examines its philosophical and theological origins and specific manifestations in early American superhero comics. Surveying the anthropologies of six American theologians who argue against many of the monomyth’s assumptions, principally the staunch individualism taken to be the model of humanity, and who offer relationality as a more realistic and ethical alternative, this book offers a detailed argument for the intimate historical relationship between the now disparate fields of comic book/superhero film creation, on the one hand, and Christian theology, on the other, in the United States. An understanding of the early connections between theology and American conceptions of heroism helps to further make sense of their contemporary parallels, wherein superhero stories and theology are not strictly separate phenomena but have shared origins and concerns.
American Titan: Searching for John Wayne
by Marc EliotAs he did in his bestselling biographies of Cary Grant, Jimmy Stewart, and Clint Eastwood, Marc Eliot offers an exciting, groundbreaking new take on an American icon—the most legendary Western film hero of all time, John WayneAn audience favorite and top box-office draw for decades, John Wayne symbolized masculinity, power, and patriotism, and inspired millions of Americans. Yet despite his popularity and success, he was unfairly dismissed as a "B" movie actor lacking elegance, creativity, range, and depth. American Titan challenges conventional wisdom and reevaluates Wayne's life and vital cinematic legacy, ultimately placing the man known as "Duke" among a select and brilliant pantheon of "actor auteurs"—artists whose consistency of style in their work reflects their personal creative vision.In American Titan, Eliot demonstrates that Wayne possessed a distinct and remarkable vision rooted in his unique Midwestern and West Coast childhood that would become manifest in one of the most enduring screen personalities of all time: the elusive, stoic frontier loner. Wayne's heroic outsider also influenced a new generation of actors and filmmakers who would borrow from it to use in their own movies.Drawing on his deep, extensive knowledge of Hollywood and film, Eliot contends that the primary driving force behind Wayne's extraordinary career and body of work was the result of his own ambitions and his collaborations with directors John Ford and Howard Hawks. Eliot offers as evidence the distinct personality that runs through Wayne's staggering 169 films, from Stage Coach and The Searchers to The Quiet Man and The Green Berets.Setting Wayne's life within the sweeping political and social transformations that defined the nation, Eliot's masterly revisionist portrait is a remarkable in-depth look at a life that embodied the spirit of the twentieth century. What emerges is nothing less than a powerful understanding of and appreciation for a true American titan.Marc Eliot is the New York Times bestselling author of more than a dozen books on popular culture, among them the highly acclaimed Cary Grant, the award-winning Walt Disney: Hollywood's Dark Prince, and American Rebel: The Life of Clint Eastwood. He writes for a number of publications and frequently speaks about film at universities and to film groups, and on radio and television. He lives in New York City and Woodstock, New York.MarcEliot.net
American War Cinema and Media since Vietnam
by Patricia Keeton Peter SchecknerNo other cinematic genre more sharply illustrates the contradictions of American society - notions about social class, politics, and socio-economic ideology - than the war film. This book examines the latest cycle of war films to reveal how they mediate and negotiate the complexities of war, class, and a military-political mission largely gone bad.
American War Stories (War Culture)
by Brenda M. BoyleAmerican War Stories asks readers to contemplate what traditionally constitutes a “war story” and how that constitution obscures the normalization of militarism in American culture. The book claims the traditionally narrow scope of “war story,” as by a combatant about his wartime experience, compartmentalizes war, casting armed violence as distinct from everyday American life. Broadening “war story” beyond the specific genres of war narratives such as “war films,” “war fiction,” or “war memoirs,” American War Stories exposes how ingrained militarism is in everyday American life, a condition that challenges the very democratic principles the United States is touted as exemplifying.
The American Way: A True Story of Nazi Escape, Superman, and Marilyn Monroe
by Helene Stapinski Bonnie SieglerIn this &“necessary and beautifully told story of struggle, compassion and serendipity&” (Forbes), the publisher of DC Comics comes to the rescue of a family trying to flee Nazi Berlin, their lives linking up with a dazzling cast of 20th-century icons, all eagerly pursuing the American Dream.Family lore had it that Bonnie Siegler&’s grandfather crossed paths in Midtown Manhattan late one night in 1954 with Marilyn Monroe, her white dress flying up around her as she filmed a scene for The Seven Year Itch. An amateur filmmaker, Jules Schulback had his home movie camera with him, capturing what would become the only surviving footage of that legendary night. Bonnie wasn&’t sure she quite believed her grandfather&’s story…until, cleaning out his apartment, she found the film reel. The discovery would prompt her to investigate all of her grandfather&’s seemingly tall tales—and lead her in pursuit of a remarkable piece of forgotten history that reads like fiction but is all true. A &“fast-moving American epic with a cast of refugees and starlets, publishers and bootleggers, comic-book creators and sports legends&” (The Washington Post), The American Way follows two very different men—Jules Schulback and his unlikely benefactor, DC Comics publisher (and sometimes pornographer) Harry Donenfeld—on an exuberant true-life adventure linking glamorous old Hollywood, the birth of the comic book, and one family&’s experiences during the Holocaust. It&’s an &“amazing&” story told &“with grace, verve, and compassion&” (The Jerusalem Post) of two strivers living through an extraordinary moment in American history, their lives intersecting with a glittering array of stars in a &“colorful&” and &“punchy&” (The New York Times Book Review) tale of hope and reinvention, of daring escapes and fake identities, of big dreams and the magic of movies, and what it means to be a real-life Superman.
Americana: The Kinks, the Riff, the Road: The Story
by Ray DaviesThe Kinks singer recounts and reflects on his travels in America: “This is no tired rock story but something far more profound, funny, and disturbing.” —The Irish TimesAs a boy in postwar England, legendary Kinks singer/songwriter Ray Davies fell in love with America—its movies and music, and its culture of freedom, fed his imagination. Then, as part of the British Invasion, he toured the US with the Kinks during one of the most tumultuous eras in recent history—until the Kinks were banned from performing there from 1965-69. Many tours and trips later, while living in New Orleans, he experienced a transformative event: the shooting (a result of a botched robbery) that nearly took his life. In Americana, Davies tries to make sense of his long love-hate relationship with the country that both inspired and frustrated him. From his quintessentially English perspective as a Kink, Davies—with candor and humor—takes us on a very personal road trip through his life and storied career as a rock star, and reveals what music, fame, and America really mean to him. Some of the most fascinating characters in recent pop culture make appearances, from the famous to the perhaps even-more-interesting behind-the-scenes players. The book also includes photos from Davies’s own collection and the band’s archive.“The chapters on the New Orleans shooting [are] astonishing, really riveting.” —The New York Post“Davies is candid and honest about his personal and creative struggles.” —The New York Times
Americana Portrait Sessions
by Jeff FasanoAmericana Portrait Sessions is the first photography book to take a comprehensive view of contemporary Americana music. The collection features intimate portraits that reveal the strength, heart, and soul of nearly two hundred great artists from the big tent that is Americana music, all shot through the expert lens of Jeff Fasano. Fasano's unparalleled access to Americana artists like Sheryl Crow, Rhiannon Giddens, Vince Gill, Keb' Mo', Judy Collins, John Oates, The Avett Brothers, The McCrary Sisters, Lucinda Williams, Margo Price, Blind Boys of Alabama, and Kris Kristofferson gives Americana Portrait Sessions the kind of authority that comes from true reach into the breadth of the genre. But this collection is as important for the artists few fans know as for the ones with successful careers behind them. While the book champions the diversity of race, gender, sexuality, and age inherent in Americana music, it also spans career arcs to bring lesser-known acts into the spotlight.Americana Portrait Sessions brings you backstage to the greenrooms and quiet corners where artists like The War and Treaty, Jewel, Jason Isbell, and The Wooten Brothers aren't just artists performing, but people hanging out.
American–Australian Cinema: Transnational Connections
by Peter C. Kunze Adrian Danks Stephen GaunsonThis edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time--the 1920s and 1930s and the last twenty years--to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s.
The Americans (TV Milestones Series)
by Linda MizejewskiBased on the actual KGB strategy of planting "illegals" into American life during the Cold War, The Americans (FX 2013–2018) focuses on Philip and Elizabeth Jennings (Matthew Rhys and Kerri Russell), Soviet spies posing as middlebrow travel agents in the Virginia suburbs. Groundbreaking and unsettling, The Americans spins its stories of espionage, violence, and politics around narratives of marriage, romance, bromance, and family. Exploring the series’ bold merger of the spy genre and domestic melodrama, author Linda Mizejewski focuses on the characters and relationships that made this series memorable: the extraordinary women who defy the femme fatale stereotype of the spy genre, the conflicted men, and perhaps most shockingly, the children who are both victims and provocateurs Do viewers of this Cold War thriller root for "the good guys"—the American agents in pursuit of the Jennings—or for the Jennings themselves, the attractive couple whose personal stories compel us even as they plot the takedown of the United States? Mizejewski argues for the importance of The Americans’ portrayal of 1980s suburban life as a microcosm of the moral complexities of citizenship and national identity. Drawing on television studies and feminist media theory, this book examines the series’ seamless loop of espionage violence and family melodrama, as well as its savvy uses of 1980s pop culture and music. Far from invoking nostalgia, the replication of the 1980s "look" invokes uncertainties about how, exactly, we should see Reagan’s America and the Cold War. Yet the appeal of this series rests on solid footing in the Americanism it both critiques and espouses. Mizejewski examines The Americans’ struggles with this ambiguity and with the contradictions of identity, gender, marriage, and the meanings of home. Everyone from scholars and students of television and media studies, genre studies, gender and sexuality studies, and popular culture, to superfans who can’t believe the show is over will revel in this highly approachable and fun read.
America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures (1929-2001)
by Jerome ChristensenContrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person.
America's Favorite Radio Station: WKRP in Cincinnati
by Michael B. KasselAlthough it became one of the most successful programs in syndicated television history, WKRP in Cincinnati faced an uphill struggle trying to obtain prime-time success. Kassel chronicles the decisions and problems that affected WKRP's primetime success, and explores the reasons why it went on to become a classic.
America's Japan and Japan's Performing Arts: Cultural Mobility and Exchange in New York, 1952-2011
by Thornbury Barbara E.America’s Japan and Japan’s Performing Arts studies the images and myths that have shaped the reception of Japan-related theater, music, and dance in the United States since the 1950s. Soon after World War II, visits by Japanese performing artists to the United States emerged as a significant category of American cultural-exchange initiatives aimed at helping establish and build friendly ties with Japan. Barbara E. Thornbury explores how “Japan” and “Japanese culture” have been constructed, reconstructed, and transformed in response to the hundreds of productions that have taken place over the past sixty years in New York, the main entry point and defining cultural nexus in the United States for the global touring market in the performing arts. Thornbury crosses disciplinary boundaries in her wide range of both primary sources and published scholarship, making the book of interest to students and scholars of performing arts studies, Japanese studies, and cultural studies.
America's Mistress: Eartha Kitt, Her Life and Times
by John L. WilliamsEartha Kitt was a skinny, mixed-race woman with an odd, angular face, who seduced fifties white America into thinking that she was, in the words of Orson Welles, 'the most exciting woman in the world'. She could count Marilyn Monroe, T.S. Eliot, Prince Philip and Albert Einstein among her friends and admirers, and was almost able to forget she had once been a poor black girl from the Deep South. But her new persona was also a prison from which she found it impossible to escape. John L. Williams' moving and unsettling biography shows a star adrift in a bewildering new America torn apart by the Civil Rights movement. Shunned by many of her former friends, shocked by her country's insiduous racism, and with a perilously fragile sense of her own identity, Eartha Kitt would pay the price that came from trying to be America's mistress.
America's Mistress: Eartha Kitt, Her Life and Times
by John L. WilliamsEartha Kitt was a skinny, mixed-race woman with an odd, angular face, who seduced fifties white America into thinking that she was, in the words of Orson Welles, 'the most exciting woman in the world'. She could count Marilyn Monroe, T.S. Eliot, Prince Philip and Albert Einstein among her friends and admirers, and was almost able to forget she had once been a poor black girl from the Deep South. But her new persona was also a prison from which she found it impossible to escape. John L. Williams' moving and unsettling biography shows a star adrift in a bewildering new America torn apart by the Civil Rights movement. Shunned by many of her former friends, shocked by her country's insiduous racism, and with a perilously fragile sense of her own identity, Eartha Kitt would pay the price that came from trying to be America's mistress.
America's Mom: The Life, Lessons, and Legacy of Ann Landers
by Rick KoganFor two generations of Americans, reading Ann Landers's daily column was as important as eating breakfast. For nearly fifty years an entire nation turned to this quick-witted, worldly-wise counselor for advice on everything from dinner etiquette to sex. But who was the woman behind the byline?Iowa-born Eppie Lederer was first hired by the Chicago Sun-Times to take over the daily advice column in 1955 -- and over the next half-century she helped shape the nation's social and sexual landscape. Award-winning journalist Rick Kogan was Ann Landers's last editor and close friend, and he paints a fascinating, full-bodied account of the triumphs, the wisdom, the courage, and the trials of one of the twentieth century's most enduring icons -- including her painful lifelong feud with her identical twin sister, "Dear Abby"; her stubborn refusal to shy away from even the most controversial topics; and the tragic breakup of her own thirty-six-year marriage. Filled with remarkable stories shared by people from all walks of life who were profoundly affected by the good sense and guidance of Ann Landers, America's Mom is a moving tribute to a singular woman who has earned an eternal place in our culture ... and our hearts.
America’s Most Famous Catholic: Stephen Colbert and American Religion in the Twenty-First Century (Catholic Practice In North America Ser.)
by Stephanie N. BrehmFor nine years, Stephen Colbert’s persona, “Colbert”—a Republican superhero and parody of conservative political pundits—informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. As devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, “Is Colbert a practicing Catholic in real life or is this part of his act?” America’s Most Famous Catholic (According to Himself) examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy.Religion and the foibles of religious institutions have served as rich fodder for scores of comedians over the years. What set “Colbert” apart on his Comedy Central show, The Colbert Report, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent.Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005 to 2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert’s life and world toward a conversation about how “Colbert” shapes Catholicism. Brehm provides historical context by discovering how “Colbert” compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on The Late Show, where he continues to be a voice for Catholicism on late night, now to an even broader audience.America’s Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to see clearly the religious elements in the work and life of comedian Stephen Colbert.
America's Musical Landscape
by Jean FerrisThis textbook for music appreciation undergraduates surveys American music, relating it to the other arts and social and cultural contexts. Ferris (music history and appreciation, Arizona State U.) first explains the elements of music, then takes the reader on a chronological tour of American music, from North American Indian and folk music to contemporary mainstream concert music. Along the way, religious and secular music are discussed, as well as nineteenth century popular and concert music; country, folk, jazz, Latin music, and rock and roll; and musical theater, film music, and American opera. Listening charts are incorporated. This edition has been updated and reorganized, the amount of vernacular music has been expanded, and the recordings have been updated to match. Timelines are also new. No bibliography is provided. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com)
Amiri and Odette
by Walter Dean MyersPresents a modern, urban retelling in verse of the ballet in which brave Amiri falls in love with beautiful Odette and fights evil Big Red for her on the streets of the Swan Lake Projects.
Among The Janeites: A Journey Through the World of Jane Austen Fandom
by Deborah YaffeFor anyone who has ever loved a Jane Austen novel, a warm and witty look at the passionate, thriving world of Austen fandomThey walk among us in their bonnets and Empire-waist gowns, clutching their souvenir tote bags and battered paperbacks: the Janeites, Jane Austen’s legion of devoted fans. Who are these obsessed admirers, whose passion has transformed Austen from classic novelist to pop-culture phenomenon? Deborah Yaffe, journalist and Janeite, sets out to answer this question, exploring the remarkable endurance of Austen’s stories, the unusual zeal that their author inspires, and the striking cross-section of lives she has touched. Along the way, Yaffe meets a Florida lawyer with a byzantine theory about hidden subtexts in the novels, a writer of Austen fan fiction who found her own Mr. Darcy while reimagining Pride and Prejudice, and a lit professor whose roller-derby nom de skate is Stone Cold Jane Austen. Yaffe goes where Janeites gather, joining a pilgrimage to historic sites in Britain, chatting online with fellow fans, and attending the annual ball of the Jane Austen Society of North America—in period costume. Part chronicle of a vibrant literary community, part memoir of a lifelong love, Among the Janeites is a funny, touching meditation on the nature of fandom.
Among Us: 100% Unofficial Game Guide (100% Unofficial)
by Matt YeoBased on the smash hit game, Among Us: The Unofficial Game Guide is an in-depth handbook to the world of Among Us!View secret mini-games, discover layered maps, analyze strengths & weaknesses of crewmates and benefits of ghosts, and much more. This unofficial guidebook is a must for fans of the smash hit game Among Us!Among Us is set in space where you and a group of crewmates are given tasks and problems to complete in order to survive. But, among the group lives an imposter whose sole goal is to sabotage the group’s progress and eventually take out every player on that team. It’s up to you and the rest of the crew members to discover who it is!Among Us has quickly become one of the most played games of 2020, with a 10/10 rating on Steam, becoming a hit with over 100 million fans of all ages. It is available for download on iOS, Android, and Windows.
Amor verdadero
by Jennifer LopezEn Amor verdadero, Lopez explora uno de los períodos más decisivos de su vida: el viaje de transformación que duró dos años, donde ella cuenta cómo, siendo madre y artista, afrentó sus mayores retos, identificó sus miedos más grandes y, en última instancia, terminó siendo una persona más fuerte que nunca antes. Esta publicación, visualmente llamativa, está acompañada de fotografías íntimas, electrizantes y nunca antes vistas. Escrito como un diario personal con lecciones duramente aprendidas y recuerdos sinceros, Amor verdadero es una historia motivadora de auto-reflexión, reencuentro y resiliencia.
Amor Verdadero
by Jennifer LopezEn Amor verdadero, Lopez explora uno de los períodos más decisivos de su vida: el viaje de transformación que duró dos años, donde ella cuenta cómo, siendo madre y artista, afrentó sus mayores retos, identificó sus miedos más grandes y, en última instancia, terminó siendo una persona más fuerte que nunca antes. Esta publicación, visualmente llamativa, está acompañada de fotografías íntimas, electrizantes y nunca antes vistas. Escrito como un diario personal con lecciones duramente aprendidas y recuerdos sinceros, Amor verdadero es una historia motivadora de auto-reflexión, reencuentro y resiliencia.
El amor y la furia: La verdadera historia de amor de Elisabeth Taylor y Richard Burton
by Sam Kashner Nancy SchoenbergerLos detalles inéditos de una historia de amor que revolucionó el mundo del cine y de las revistas del corazón a mediados del siglo pasado. Un recorrido exhaustivo por la vida de los dos actores más conocidos de Hollywood en el siglo XX, y una nueva exploración de su historia de amor que a menudo cabalgó entre la pasión y la violencia. Elizabeth Taylor y Richard Burton se conocieron a principios de los años cincuenta, pero fue durante la polémica filmación de la película Cleopatra, cuando su idilio fue la comidilla de todo el mundo del cine. Los biógrafos han tenido acceso a documentos inéditos que permiten profundizar en esta historia. A la hora de trabajar, los autores han tenido también el apoyo de Elizabeth Taylor, un hecho que da credibilidad a su trabajo sin restarle honestidad.