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Intermedial Art Practices as Cultural Resilience (Routledge Advances in Art and Visual Studies)
by Lindsay BlairThis innovative collection of essays is focused on the idea of transmedialization: the ways that the traditional forms of the predominantly oral cultures of Scotland and Brittany (poetry, song and story) can be transformed by the use of hybrid forms and new digital technologies.The volume invites readers from a range of disciplines – music, art, literature, history, cultural memory studies, anthropology or media studies – to consider how an intermedial aesthetics of the edge can enable these distinctive cultures to thrive. The languages of both cultures are presently endangered and the essays seek to connect notions of language with a culture which can align its traditions with the concerns of the present day. The collection proceeds from a conceptual analysis of poetry film, peripheral vision and the concerns of peripheral communities to an examination of inventive practices in the film-poem, experimental video, film portrait, word-image, digitised music, sound-image and genre-contestant narratives. The collection also includes contributions from creative practitioners who utilize a range of hybrid forms to revitalize the traditional vernacular cultures of Scotland and Brittany.The book will be of interest to scholars working in art history, literature, film studies, media studies, music, cultural theory, and philosophy.
Intermedial Performance and Politics in the Public Sphere (Avant-Gardes in Performance)
by Aneta Mancewicz Katia Arfara Ralf RemshardtThis volume is a collection of scholarly articles and interviews with intermedial artists working with the concepts of public sphere at the intersection of aesthetics and politics. It explores the response of socially-engaged artistic practices to the current crisis in politics and media. It also critically examines urgent issues such as rampant nationalism and populism, expanding neoliberalism, the refugee crisis, growing inosculations of corporate and cyber culture, and the ongoing geopolitical changes in the Middle East. Can intermedial performances reflect the present artistic and political dilemmas in Europe and beyond?The collection provides theoretical frameworks that interrogate the role that spectators as citizens can play in our mediatized world while focusing on the functions of immersion, participation, and civic engagement in contemporary performance and society. The collection provides analyses by international scholars from Europe, Asia, and the USA, covering global performance created in the twenty-first century. It also introduces interviews with internationally acclaimed intermedial artists and companies such as BERLIN, Rimini Protokoll, Dries Verhoeven, Akira Takayama, and Kris Verdonck.
International Dictionary of Broadcasting and Film
by Desi BognarNo matter what continent you are on, the distinct professional language of radio and television broadcasters and film and video makers remains the same. Still the only reference that is international in scope, The International Dictionary of Broadcasting and Film, Second Edition is a comprehensive guide to professional filmmaking and broadcasting terminology. Entries also include information on professional organizations, festivals and awards. Appendices contain tables of international television and film standards, frequencies and channels, and a list of national and international news agencies and their standard abbreviations. This book has been substantially revised and updated to include coverage of the new digital technology, plus information on the history of film and broadcasting. It is a valuable reference to professionals in broadcasting and filmmaking, as well to students in these fields. Desi K. Bognar is a three-time Fulbright scholar in media who has been a documentary filmmaker, writer, reporter, producer, and broadcasting/film consultant. He lives in Peacham, Vermont.
International Law and International Security: Military and Political Dimensions - A U.S.-Soviet Dialogue
by Paul B. Stephan, III Boris M. KlimenkoThis volume brings together experts and political actors from the United States and the USSR to assess the status of international law in the post-Cold War era with the intention of contributing ideas, judgements, and proposals tempered by experience. The topics covered range from terrorism to peaceful conflict resolution; from the renunciation of aggression to the right of self-defence; from chemical, biological, and nuclear weapons limitations to problems of verification; and from the military use of space to the right of political self-determination. Each chapter features contributions by both US and Soviet experts who have themselves participated in high-level policy making and international negotiations in the area (including, for example, the ABM, SALTI, SALTII, CFE, and START talks).
International Politics and Film
by Sean CarterInternational Politics and Film introduces readers to the representational qualities of film but also draws attention to how the relationship between the visual and the spatial is constitutive of international politics. Using four themes -- borders, the state of exception, homeland and distant others -- the territorial and imaginative dimensions of international affairs in particular are highlighted. But theis volume also makes clear that international politics is not just something 'out there'; film helps us better understand how it is also part of everyday life within the state -- affecting individuals and communities in different ways depending on axes of difference such as gender, race, class, age, and ethnicity.
International Politics and Film: Space, Vision, Power (Short Cuts)
by Klaus Dodds Sean CarterInternational Politics and Film introduces readers to the representational qualities of film but also draws attention to how the relationship between the visual and the spatial is constitutive of international politics. Using four themes—borders, the state of exception, homeland and distant others—the territorial and imaginative dimensions of international affairs in particular are highlighted. But this volume also makes clear that international politics is not just something "out there"; film helps us better understand how it is also part of everyday life within the state—affecting individuals and communities in different ways depending on axes of difference such as gender, race, class, age, and ethnicity.
International Women Stage Directors
by Wendy Vierow Anne FliotsosA fascinating study of women in the arts, International Women Stage Directors is a comprehensive examination of women directors in twenty-four diverse countries. Organized by country, chapters provide historical context and emphasize how social, political, religious, and economic factors have impacted women's rise in the theatre, particularly in terms of gender equity. Contributors tell the stories of their home country's pioneering women directors and profile the most influential women directors practicing today, examining their career paths, artistry, and major achievements. Contributors are Ileana Azor, Dalia Basiouny, Kate Bredeson, Mirenka Cechová, Marié-Heleen Coetzee, May Farnsworth, Anne Fliotsos, Laura Ginters, Iris Hsin-chun Tuan, Maria Ignatieva, Adam J. Ledger, Roberta Levitow, Jiangyue Li, Lliane Loots, Diana Manole, Karin Maresh, Gordon McCall, Erin B. Mee, Ursula Neuerburg-Denzer, Claire Pamment, Magda Romanska, Avra Sidiropoulou, Margaretta Swigert-Gacheru, Alessandra Vannucci, Wendy Vierow, Vessela S. Warner, and Brenda Werth.
Interpretation and Film Studies: Movie Made Meanings
by Phillip NovakThis book argues that the sustained interpretation of individual movies has, contrary to conventional wisdom, never been a major preoccupation of film studies—that, indeed, the field is marked by a dearth of effective, engaging, and enlightening critical analyses of single films. The book makes this case by surveying what has been written about four historically important and well-known movies (D. W. Griffith’s Way Down East, Marcel Carné’s Port of Shadows, Mike Nichols’s The Graduate, and Michelangelo Antonioni’s Red Desert), none of which has been the focus of sustained critical attention, and by exhaustively examining the kinds of work published in four influential film journals (Cinema Journal, Screen, Wide Angle, and Movie). The book goes on to argue for the value of the work of interpretation, illustrating this value through extended analyses of Roman Polanski’s Chinatown and Christopher Nolan’s Memento, both of which thematize interpretation. Novak demonstrates the causes and consequences of reading poorly and the importance of reading well.
Interpreting Anime
by Christopher BoltonFor students, fans, and scholars alike, this wide-ranging primer on anime employs a panoply of critical approaches Well-known through hit movies like Spirited Away, Akira, and Ghost in the Shell, anime has a long history spanning a wide range of directors, genres, and styles. Christopher Bolton&’s Interpreting Anime is a thoughtful, carefully organized introduction to Japanese animation for anyone eager to see why this genre has remained a vital, adaptable art form for decades.Interpreting Anime is easily accessible and structured around individual films and a broad array of critical approaches. Each chapter centers on a different feature-length anime film, juxtaposing it with a particular medium—like literary fiction, classical Japanese theater, and contemporary stage drama—to reveal what is unique about anime&’s way of representing the world. This analysis is abetted by a suite of questions provoked by each film, along with Bolton&’s incisive responses.Throughout, Interpreting Anime applies multiple frames, such as queer theory, psychoanalysis, and theories of postmodernism, giving readers a thorough understanding of both the cultural underpinnings and critical significance of each film. What emerges from the sweep of Interpreting Anime is Bolton&’s original, articulate case for what makes anime unique as a medium: how it at once engages profound social and political realities while also drawing attention to the very challenges of representing reality in animation&’s imaginative and compelling visual forms.
Interpreting Films: Studies in the Historical Reception of American Cinema
by Janet StaigerEmploying a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products. She maintains that as artifacts, films do not contain immanent meanings, that differences among interpretations have historical bases, and that these variations are due to social, political, and economic conditions as well as the viewers' constructed images of themselves. After proposing a theory of reception study, the author demonstrates its application mainly through analyzing the varying responses of audiences to certain films at specific moments in history. Staiger gives special attention to how questions of class, gender, sexual preference, race, and ethnicity enter into film viewers' interpretations. Her analysis reflects recent developments in post-structuralism, cognitive psychology, psychoanalysis, and cultural studies, and includes a discussion of current reader-response models in literary and film studies as well as an alternative approach for thinking about historical readers and spectators.
Interpreting Music Video: Popular Music in the Post-MTV Era
by Brad OsbornInterpreting Music Video introduces students to the musical, visual, and sociological aspects of music videos, enabling them to critically analyze a multimedia form with a central place in popular culture. With highly relevant examples drawn from recent music videos across many different genres, this concise and accessible book brings together tools from musical analysis, film and media studies, gender and sexuality studies, and critical race studies, requiring no previous knowledge. Exploring the multiple dimensions of music videos, this book is the perfect introduction to critical analysis for music, media studies, communications, and popular culture.
Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness
by Charlene Regester, Cynthia Baron, Ellen C. Scott, Terri Simone Francis, and Robin G. VanderContributions by Cynthia Baron, Elizabeth Binggeli, Kimberly Nichele Brown, Priscilla Layne, Eric Pierson, Charlene Regester, Ellen C. Scott, Tanya L. Shields, and Judith E. Smith Intersecting Aesthetics: Literary Adaptations and Cinematic Representations of Blackness illuminates cultural and material trends that shaped Black film adaptations during the twentieth century. Contributors to this collection reveal how Black literary and filmic texts are sites of negotiation between dominant and resistant perspectives. Their work ultimately explores the effects racial perspectives have on film adaptations and how race-inflected cultural norms have influenced studio and independent film depictions. Several chapters analyze how self-censorship and industry censorship affect Black writing and the adaptations of Black stories in early to mid-twentieth-century America. Using archival material, contributors demonstrate the ways commercial obstacles have led Black writers and white-dominated studios to mask Black experiences. Other chapters document instances in which Black writers and directors navigate cultural norms and material realities to realize their visions in literary works, independent films, and studio productions. Through uncovering patterns in Black film adaptations, Intersecting Aesthetics reveals themes, aesthetic strategies, and cultural dynamics that rightfully belong to accounts of film adaptation. The volume considers travelogue and autobiography sources along with the fiction of Black authors H. G. de Lisser, Richard Wright, Ann Petry, Frank Yerby, and Walter Mosley. Contributors examine independent films The Love Wanga (1936) and The Devil’s Daughter (1939); Melvin Van Peebles's first feature, The Story of a Three Day Pass (1967); and the Senegalese film Karmen Geï (2001). They also explore studio-era films In This Our Life (1942), The Foxes of Harrow (1947), Lydia Bailey (1952), The Golden Hawk (1952), and The Saracen Blade (1954) and post-studio films The Learning Tree (1969), Shaft (1971), Lady Sings the Blues (1972), and Devil in a Blue Dress (1995).
Intersecting Art and Technology in Practice: Techne/Technique/Technology (Routledge Advances in Art and Visual Studies)
by Camille C Baker and Kate SicchioThis book focuses on the artistic process, creativity and collaboration, and personal approaches to creation and ideation, in making digital and electronic technology-based art. Less interested in the outcome itself – the artefact, artwork or performance – contributors instead highlight the emotional, intellectual, intuitive, instinctive and step-by-step creation dimensions. They aim to shine a light on digital and electronic art practice, involving coding, electronic gadgetry and technology mixed with other forms of more established media, to uncover the practice-as-research processes required, as well as the collaborative aspects of art and technology practice.
Intersecting Cultures in Music and Dance Education
by David Lines Linda AshleyThis volume looks forward and re-examines present day education and pedagogical practices in music and dance in the diverse cultural environments found in Oceania. The book also identifies a key issue of how teachers face the prospect of taking a reflexive view of their own cultural legacy in music and dance education as they work from and alongside different cultural worldviews. This key issue, amongst other debates that arise, positions Intersecting Cultures as an innovative text that fills a gap in the current market with highly appropriate and fresh ideas from primary sources. The book offers commentaries that underpin and inform current pedagogy and bigger picture policy for the performing arts in education in Oceania, and in parallel ways in other countries.
Interstellar: Beyond Time And Space
by Mark Cotta VazIn his sci-fi epic Interstellar, Christopher Nolan takes on the infinite canvas of space to deliver a cutting-edge, emotionally charged adventure that will amaze audiences of all ages. <P><P> Interstellar: Beyond Time and Space documents the making of Nolan's latest masterpiece in fascinating detail and features interviews with the acclaimed director, along with screenwriter Jonathan Nolan, producer Emma Thomas, and other key members of the production team. Delving into the science and philosophy behind the film, Interstellar: Beyond Time and Space dynamically showcases its incredible concept art, including costume designs, storyboards, and other fascinating preproduction elements. Also featuring interviews with the exceptional cast, including Matthew McConaughey and Anne Hathaway, Interstellar: Beyond Time and Space tells the full story of the making of the film, with candid pictures illustrating its elaborate set pieces and reliance on classic special effects techniques. Visually enthralling and engrossing in its in-depth exploration of the themes and ideas at the heard of Interstellar, this book is the perfect accompaniment to one of the most anticipated films of 2014. Based on the film from Warner Bros. Pictures and Paramount Pictures. From acclaimed filmmaker Christopher Nolan ("The Dark Knight" films, "Inception"), "Interstellar" stars Oscar winner Matthew McConaughey ("Dallas Buyers Club"), Oscar winner Anne Hathaway ("Les Miserables"), Oscar nominee Jessica Chastain ("Zero Dark Thirty"), Bill Irwin ("Rachel Getting Married"), Oscar winner Ellen Burstyn ("Alice Doesn't Live Here Anymore"), and Oscar winner Michael Caine ("The Cider House Rules"). The main cast also includes Wes Bentley, Casey Affleck, David Gyasi, Mackenzie Foy and Topher Grace. Christopher Nolan directed the film from a screenplay he co-wrote with Jonathan Nolan. Emma Thomas, Christopher Nolan and Lynda Obst produced "Interstellar," with Jordan Goldberg, Jake Myers, Kip Thorne and Thomas Tull serving as executive producers. Warner Bros. Pictures and Paramount Pictures present, in association with Legendary Pictures, a Syncopy/Lynda Obst Productions production, a film by Christopher Nolan, "Interstellar. " INTERSTELLAR and all related characters and elements are trademarks of and © Warner Bros. Entertainment Inc. (s14)
Interviewing for Radio (Media Skills)
by Jim Beaman'Jim Beaman’s Interviewing for Radio is a classic and seminal practice text, brilliantly written and masterful in its content. Nobody working in professional radio can do without it. It is a must for all radio courses and I could not recommend it more highly' - Tim Crook, Head of Radio, Goldsmiths College, University of London, UK Interviewing for Radio is a thorough introduction to the techniques and skills of the radio interview. It offers advice on how to ask the right question and elicit a response, and guides the reader through the use of equipment, the mechanics of recording, the studio environment, live broadcasts, presentation and pronunciation, and editing material. Written by an experienced producer and instructor, Interviewing for Radio includes: the history of the radio interview and the importance of its role today practical exercises which introduce successful interview and technical skills case studies and hypothetical scenarios to help you prepare for potential difficulties a discussion of ethics, risk assessment, codes of conduct and regulations This second edition has been thoroughly updated and includes advice from a new range of practitioners, and examples of recent UK and international interviews. The author critically analyses these interviews and explains the preparation, organisation and expertise required in order to produce a successful radio broadcast. Interviewing for Radio references both new and existing regulations and guidelines for UK journalists, then offers a global perspective by drawing on the differences and similarities with those applicable to other countries. This invaluable book is supported by a companion website that includes audio interviews with practitioners accompanied by a range of student exercises, a comprehensive glossary in the form of interactive flashcards, and suggested links for further listening.
Interwar London after Dark in British Popular Culture
by Mara ArtsThis book explores the representation of London’s nightlife in popular films and newspapers of the interwar period. Through a series of case-studies, it analyses how British popular media in the 1920s and 1930s displayed the capital after dark. It argues that newspapers and films were part of a common culture, which capitalized on the transgressive possibilities of the night. At the same time both media ensured that those in authority, such as the police, were always shown to ultimately be in control of the night. The first chapter of the book provides an overview of the British film and newspaper industries in the interwar period. Subsequent chapters each explore a specific aspect of London’s nightlife. In turn, these chapters consider how films and newspapers of the interwar period depicted women navigating the street at night; the Metropolitan Police’s involvement in nightlife; and the capital’s newly built and expanded suburbs and public transport network. Finally, the book considers how newspapers and films depicted themselves and one another.
Intimacy Across Visceral and Digital Performance
by Maria Chatzichristodoulou Rachel ZerihanConsisting of critical analyses, theoretical provocations and practical reflections by leading scholars/practitioners from the fields of performance studies, live art and creative technology, these essays examine the rise of intimate performance works and question the socio-historical contexts provoking those aesthetic and affective developments.
Intimacy in Emptiness: An Evolution of Embodied Consciousness
by Janet Adler• Offers insights from the author&’s 50-year study of the inner witness developing toward compassionate presence, intuitive knowing, and direct experience of the divine• Illuminates how commitment to this mystical practice supports participation in evolving consciousness within groups, grounded in personal healingThe Discipline of Authentic Movement, grounded in the relationship between a mover and a witness, connects us directly with the inner wisdom of the body. In the emptiness of the movement space, a mover&’s inner experience--feelings, sensations, images, and thoughts--become outer, unchoreographed gestures. Seen by their inner witness in the presence of an outer witness, the mover steps into the intimate mystery of who they are becoming. Sharing vivid examples from founder of the Discipline of Authentic Movement Janet Adler&’s 50-year inquiry, Intimacy in Emptiness brings her essential writings, including new and previously unpublished work, to a wider audience, guiding readers through the multiple layers of this experiential and innovative approach to embodied consciousness. Her writings illuminate the path of the developing inner witness, transforming toward compassionate presence, conscious speech, and intuitive knowing. This contemporary mystical practice, a breakthrough in the field of consciousness studies, includes personal healing as an essential base from which direct experience of the numinous can safely emerge, be witnessed, and become integrated into the fullness of the whole person. The emergence of the unique gesture and voice of each individual develops toward participation in consciously embodied groups. A new form of intelligence moves through collective bodies in service of healing in our world.
Intimacy on the Internet: Media Representations of Online Connections (Routledge Research in Cultural and Media Studies)
by Lauren RosewarneThe focus of this book is on the media representations of the use of the Internet in seeking intimate connections—be it a committed relationship, a hook-up, or a community in which to dabble in fringe sexual practices. Popular culture (film, narrative television, the news media, and advertising) present two very distinct pictures of the use of the Internet as related to intimacy. From news reports about victims of online dating, to the presentation of the desperate and dateless, the perverts and the deviants, a distinct frame for the intimacy/Internet connection is negativity. In some examples however, a changing picture is emerging. The ubiquitousness of Internet use today has meant a slow increase in comparatively more positive representations of successful online romances in the news, resulting in more positive-spin advertising and a more even-handed presence of such liaisons in narrative television and film. Both the positive and the negative media representations are categorised and analysed in this book to explore what they reveal about the intersection of gender, sexuality, technology and the changing mores regarding intimacy.
Intimate Animation
by Ben Mitchell Laura-Beth CowleyIn recent years, there has been a surge in animated projects that have pushed boundaries, broken taboos, prompted discussions and wowed festival and online audiences alike through compelling storytelling and unmatched artistry.Join Ben Mitchell and Laura-Beth Cowley of Skwigly Online Animation Magazine and the Intimate Animation podcast as they take you on a tour of the landscape of contemporary animated films that deal with themes of love, intimacy, relationships, anatomy and sexuality – and the incredible artists behind them. Through research and firsthand interviews with trailblazers such as Signe Baumane, Andreas Hykade, Ruth Lingford, Michaela Pavlatova, Bill Plympton and Joanna Quinn, as well as newer voices including Sawako Kabuki, Renata Gąsiorowska, Will Anderson, Sara Gunnarsdottir, Michaela Mihalyi, David Stumpf, Levi Stoops, Lori Malepart-Traversy, Anna Ginsburg, Veljko Popović, Renee Zhan and more, Intimate Animation looks deeply at the role animation has played in presenting elaborate and complex concepts relating to love and sexuality.Exploring the role animation has played in sex education, self-discovery, the body, lust and love, as well as how the medium can be used to visually represent emotions, feelings and concepts not easily described in words nor depicted through live-action filmmaking, Intimate Animation is the ideal book for professional animators, filmmakers, enthusiasts, researchers, academic and students of animation and film studies interested in the themes of love and sexuality.
Intimate Strangers: Comic Profiles and Indiscretions of the Very Famous
by Bill ZehmeSchwarzenegger intimidates. Sharon Stone strips. Leno and Letterman duel. In twenty years of raw and raucous celebrity profiles Irreverently bold journalist Bill Zehme has long been celebrated for his ability to get under the skins of our most elusive icons, from the evasive Warren Beatty to the ever-unpredictable Madonna to the much misunderstood Barry Manilow. Now his most provocative work is collected for the first time, with over twenty-five landmark profiles, including Frank Sinatra, Tom Hanks, Jerry Seinfeld, Liberace, Howard Stern, Eddie Murphy, and Woody Allen. Zehme witnesses Hugh Hefner withstanding the single blow that never entered into an adolescent boy's dreams--losing his fantasy woman. He gets a nude massage with Sharon Stone, and an earful about men, sex, and the shotgun she keeps under her bed. Included, too, is Zehme's exclusive firsthand coverage of David Letterman and Jay Leno, before and throughout their late-night feud. Here is entertainment history through the eyes of a man the Chicago Tribune called "one of the most successful and prolific magazine writers in the country. " Hilarious, endearing, and wickedly insightful,Intimate Strangerscaptures the business of celebrity for what it is: a big, lusty, star-crossed love affair between our icons and ourselves.
Into Every Generation a Slayer Is Born: How Buffy Staked Our Hearts
by Evan Ross KatzExplore the history and cultural impact of a groundbreaking television show adored by old and new fans alike: Buffy the Vampire Slayer. Over the course of its seven-year run, Buffy the Vampire Slayer cultivated a loyal fandom and featured a strong, complex female lead, at a time when such a character was a rarity. Evan Ross Katz explores the show&’s cultural relevance through a book that is part oral history, part celebration, and part memoir of a personal fandom that has universal resonance still, decades later.Katz—with the help of the show&’s cast, creators, and crew—reveals that although Buffy contributed to important conversations about gender, sexuality, and feminism, it was not free of internal strife, controversy, and shortcomings. Men—both on screen and off—would taint the show&’s reputation as a feminist masterpiece, and changing networks, amongst other factors, would drastically alter the show&’s tone.Katz addresses these issues and more, including interviews with stars Sarah Michelle Gellar, Charisma Carpenter, Emma Caulfield, Amber Benson, James Marsters, Anthony Stewart Head, Seth Green, Marc Blucas, Nicholas Brendon, Danny Strong, Tom Lenk, Bianca Lawson, Julie Benz, Clare Kramer, K. Todd Freeman, Sharon Ferguson; and writers Douglas Petrie, Jane Espenson, and Drew Z. Greenberg; as well as conversations with Buffy fanatics and friends of the cast including Stacey Abrams, Cynthia Erivo, Lee Pace, Claire Saffitz, Tavi Gevinson, and Selma Blair.Into Every Generation a Slayer Is Born engages with the very notion of fandom, and the ways a show like Buffy can influence not only how we see the world but how we exist within it.
Into Iraq
by Michael PalinIn March 2022, Michael Palin travelled the length of the River Tigris through Iraq to get a sense of what life is like in a region of the world that once formed the cradle of civilisation, but that in recent times has witnessed turmoil and appalling bloodshed. In the journal he kept during his trip he describes the war-ravaged city of Mosul and the children he encounters growing up amid its ruins. He contemplates the graffiti-strewn ruins of Saddam Hussein's former palaces, and he notes the constant presence of armed guards. But there are patches of light amid the dark: boisterous New Year celebrations in Akre, the friendliness of generals and colonels at 'Checkpoint Cheerful', and public poetry readings in Baghdad. People getting on with their lives.At the same time, Michael charts the course of one of the great rivers of the world, showing how the water that gave life to such ancient settlements as Babylon and Ur is now becoming a scarce and hotly contested resource. And he considers the role that Iraq's other great natural resource - oil - plays in both providing wealth and threatening political stability.Illustrated throughout with colour photographs taken on the trip, and permeated with his warmth and humour, this is a vivid and varied portrait of a complex country.
Into The Dark: The Hidden World Of Film Noir, 1941-1950 (Turner Classic Movies)
by Mark A. VieiraThe cinematic art of film noir--the dark, fascinating American movie genre that started 75 years ago, was rediscovered in the ’70s, and has a worldwide cult following today--is showcased in Into the Dark. You know film noir when you see it: the shadowed setting; the world-weary detective; the damsel in distress; and the twist of fate. Into the Dark captures this alluring genre with a cavalcade of compelling photographs and a guide to its best films. Author Mark A. Vieira takes readers on a year-by-year tour of the film factories that made these movies, profiling the artists who worked on them, and explaining how they accomplished their moody lighting effects. Into the Dark also tells the story of film noir with quotes from the filmmakers and vintage reviews, taking readers to the exciting nights when Murder My Sweet, Out of the Past, and The Big Heat were sprung on an unsuspecting public.