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Is This Anything?
by Jerry SeinfeldThe first book in twenty-five years from Jerry Seinfeld features his best work across five decades in comedy. Since his first performance at the legendary New York nightclub &“Catch a Rising Star&” as a twenty-one-year-old student in autumn of 1975, Jerry Seinfeld has written his own material and saved everything. &“Whenever I came up with a funny bit, whether it happened on a stage, in a conversation, or working it out on my preferred canvas – the big yellow legal pad – I kept it in one of those old-school accordion folders,&” Seinfeld writes. &“So I have everything I thought was worth saving from forty-five years of hacking away at this for all I was worth.&” For this book, Jerry Seinfeld has selected his favourite material, organised decade by decade. In page after hilarious page, one brilliantly crafted observation after another, readers will witness the evolution of one of the great comedians of our time and gain new insights into the thrilling but unforgiving art of writing stand-up comedy.
Is This Anything?
by Jerry SeinfeldThe first book in twenty-five years from Jerry Seinfeld features his best work across five decades in comedy. Since his first performance at the legendary New York nightclub Catch a Rising Star as a twenty-one-year-old student in autumn of 1975, Jerry Seinfeld has written his own material and saved everything. 'Whenever I came up with a funny bit, whether it happened on a stage, in a conversation, or working it out on my preferred canvas – the big yellow legal pad – I kept it in one of those old-school accordion folders,' Seinfeld writes. 'So I have everything I thought was worth saving from forty-five years of hacking away at this for all I was worth.' For this book, Jerry Seinfeld has selected his favourite material, organised decade by decade. In page after hilarious page, one brilliantly crafted observation after another, readers will witness the evolution of one of the great comedians of our time and gain new insights into the thrilling but unforgiving art of writing stand-up comedy.
Is This Anything?
by Jerry SeinfeldThe first book in twenty-five years from Jerry Seinfeld features his best work across five decades in comedy. <P><P>Since his first performance at the legendary New York nightclub “Catch a Rising Star” as a twenty-one-year-old college student in fall of 1975, Jerry Seinfeld has written his own material and saved everything. “Whenever I came up with a funny bit, whether it happened on a stage, in a conversation, or working it out on my preferred canvas, the big yellow legal pad, I kept it in one of those old school accordion folders,” Seinfeld writes. “So I have everything I thought was worth saving from forty-five years of hacking away at this for all I was worth.” <P><P>For this book, Jerry Seinfeld has selected his favorite material, organized decade by decade. In page after hilarious page, one brilliantly crafted observation after another, readers will witness the evolution of one of the great comedians of our time and gain new insights into the thrilling but unforgiving art of writing stand-up comedy. <P><P><b>A New York Times Bestseller</b>
Is This Love (Marley)
by Bob Marley Cedella MarleyRelive the magic of Bob Marley's most beloved songs in this newest picture book adaptation!Is this love?Is this love that I'm feeling?Bob Marley's music has captured the hearts and souls of families around the world. This sweet adaptation of one of his best loved songs is a heartwarming tale of an older child's love for a younger sibling.From the moment she sees her baby sister, big sister knows just what she's going to do: love her and treat her right, every day and every night. Playing together, watching over her, standing by her through thick and thin . . . big sister does it all, because yes, this is love that she's feeling.Adapted by Cedella Marley, Bob Marley's eldest child, and exuberantly illustrated by Alea Marley, Is This Love is a joyful ode to the unshakeable love shared by all those who call one another family.BOB MARLEY FANS: This new addition to the series based on the lyrics of famed reggae musician Bob Marley introduces his music and ideals to the youngest of readers, while inspiring nostalgia in older ones.GREAT READ ALOUD: The musical refrains make for fun and predictable read-alouds at story time and bedtime.SIBLING LOVE: Warm and lyrical, this book is a familiar ode to the unbreakable and enduring bond between sisters, making it a perfect gift to welcome a new family member or celebrate important milestones.SWEET MESSAGE FOR FAMILIES: Imaginative and vibrant, parents and caregivers will appreciate the endearing message of this picture book, recognizing that love comes in all forms and the importance of treasuring special times with family every day.Perfect for: Parents and grandparentsTeachers and librariansFans of Bob MarleyGift-givers looking for sweet picture books
Is Tiny Dancer Really Elton’s Little John? Music's Most Enduring Mysteries, Myths, and Rumors Revealed
by Gavin EdwardsSex, Drugs, Rock 'n' Roll, and ... Ham Sandwiches? If you are a music fan, you may be aware of some of music's most enduring mysteries. Where did Pearl Jam get their name? Are the White Stripes related by blood or by marriage? Did Mama Cass really die from choking on a ham sandwich? Gavin Edwards has heard just about every strange question, racy rumor, and legend of the music world. As the writer of Rolling Stone's "Rolling Stone Knows" column, Edwards proved himself as a one-man encyclopedia of music trivia. Now he shares all of his knowledge with you. Look inside to find the answers to these questions and more: *What's the connection between The Beach Boys and Charles Manson? *How did Dr. Dre and Eminem meet? *Did Mick Jagger and David Bowie really sleep together? *What's the deal with Led Zeppelin and the shark? *What's the feud between The Smashing Pumpkins and Pavement all about? *Was Elton John's "Tiny Dancer" really written about his most private body part? Is Tiny Dancer Really Elton's Little John? might not tell you who shot Tupac or why Celine Dion is still allowed to make records, but with thorough research and answers straight from the mouths of the performers themselves, Edwards will help you become a music geek extraordinaire.
Isabel: Taking Wing (Girls Of Many Lands)
by Annie DaltonIn 1592, twelve-year-old Isabel dreams of adventure and finds it, not only on her journey from her London home to her aunt's manor house in Northamptonshire, but also through the healing arts her aunt teaches her.
Isabella for Real
by Margie Palatini Leuyen PhamWhen Isabella Antonelli becomes an overnight YouTube sensation in a documentary detailing her REAL, non-royal Italian American family, she needs to figure out a way to tell everyone at her fancy new school the truth about her family--or come up with some better lies. Brimming with offbeat humor, Isabella for Real sets the scene for an eccentric, multi-generational family drama that will have readers laughing out loud and giving Isabella's performance a standing ovation.
Isabelle Huppert, Modernist Performance
by Florence JacobowitzIsabelle Huppert's modernist performance style illustrated through detailed readings of key films, demonstrating her immense social impact. Isabelle Huppert's oeuvre constitutes perhaps the most significant feminist body of work to have emerged in the wake of the second wave of the women's movement, a period of intense social change. The emphasis on autonomy, or the "anti-victim," which comes to define Huppert's persona, is supported by a modernist style of performance. Huppert's refusal to surrender herself to the viewer through a character one fully knows disrupts the expectations of identification, inviting a distinctive approach to her characters. By creating a character informed by who she is, Huppert signals a process usually kept invisible. Huppert's performances invite an active form of critical reading, directing one to fill in gaps and consider the character in relation to the social world. The directors she works with welcome her collaboration; Huppert's performance, in conjunction with the mise-en-scène, generic conventions, and the film in its totality, creates the "meaning" of the film. Thus, Isabelle Huppert, Modernist Performance demonstrates its premise through close readings considering how performance must be read in tandem with the whole.
Isabelle's Perfect Performance (The Royal Ballet School Diaries, Book #3)
by Alexandra MossIn their second term at the Royal Ballet School, Elite and her friends prepare for an important appraisal of their dancing while also trying to get along with Isabelle, an unfriendly new girl.
Ishiro Honda: A Life in Film, from Godzilla to Kurosawa
by Martin Scorsese Steve Ryfle Ed Godziszewski Yuuko Honda-YunIshiro Honda was arguably the most internationally successful Japanese director of his generation, with an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, and many others, Honda’s films reflected postwar Japan’s real-life anxieties and incorporated fantastical special effects, a formula that appealed to audiences around the globe and created a popular culture phenomenon that spans generations. Now, in the first full account of this long overlooked director’s life and career, authors Steve Ryfle and Ed Godziszewski shed new light on Honda’s work and the experiences that shaped it—including his days as a reluctant Japanese soldier, witnessing the aftermath of Hiroshima, and his lifelong friendship with Akira Kurosawa. Ishiro Honda: A Life in Film, from Godzilla to Kurosawa features close analysis of Honda’s films (including, for the first time, his rarely seen dramas, comedies, and war films) and draws on previously untapped documents and interviews to explore how creative, economic, and industrial factors impacted his career. Fans of Honda, Godzilla, and tokusatsu (special effects) film, and of Japanese film in general, will welcome this in-depth study of a highly influential director who occupies a uniquely important position in science fiction and fantasy cinema, as well as in world cinema. Together, the authors have provided audio commentary tracks and produced supplemental material for numerous home video releases, including Ishiro Honda’s Godzilla for the British Film Institute. They co-produced the documentary feature Bringing Godzilla Down to Size (2008).
Ishtyle: Accenting Gay Indian Nightlife (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)
by Kareem KhubchandaniIshtyle follows queer South Asian men across borders into gay neighborhoods, nightclubs, bars, and house parties in Bangalore and Chicago. Bringing the cultural practices they are most familiar with into these spaces, these men accent the aesthetics of nightlife cultures through performance. Kareem Khubchandani develops the notion of “ishtyle” to name this accented style, while also showing how brown bodies inadvertently become accents themselves, ornamental inclusions in the racialized grammar of desire. Ishtyle allows us to reimagine a global class perpetually represented as docile and desexualized workers caught in the web of global capitalism. The book highlights a different kind of labor, the embodied work these men do to feel queer and sexy together. Engaging major themes in queer studies, Khubchandani explains how his interlocutors’ performances stage relationships between: colonial law and public sexuality; film divas and queer fans; and race, caste, and desire. Ultimately, the book demonstrates that the unlikely site of nightlife can be a productive venue for the study of global politics and its institutional hierarchies.
Ishwar Chander Nanda
by Charon Dass SidhuOn the works of Ishwar Chander Nanda, 1892-1964, Punjabi playwright.
Islam, Security and Television News
by Christopher Flood Stephen Hutchings Galina Miazhevich Henri C. NickelsFocusing on British, French and Russian television news coverage of Islam as a security threat, this book provides the first comparative account of how television broadcasting in different geo- and socio-political environments integrates discourses on Islam into nationally oriented, representational systems.
The Island (Reality Show)
by D. A. GrahamWhen you love a show, you jump at the chance to be on it, right? That's how Ethan felt when he signed up for a survival reality TV competition. But once he and the other nine contestants are left on an uninhabited island with no technology to help them, he realizes he's in over his head. The contestants must find food and shelter as well as compete in a series of tasks. In a show that's based on ruthless competition, he will somehow have to befriend some other contestants to help him if he wants to make it to the end.
Island Possessed
by Katherine DunhamJust as surely as Haiti is "possessed" by the gods and spirits of vaudun (voodoo), the island "possessed" Katherine Dunham when she first went there in 1936 to study dance and ritual. In this book, Dunham reveals how her anthropological research, her work in dance, and her fascination for the people and cults of Haiti worked their spell, catapulting her into experiences that she was often lucky to survive. Here Dunham tells how the island came to be possessed by the demons of voodoo and other cults imported from various parts of Africa, as well as by the deep class divisions, particularly between blacks and mulattos, and the political hatred still very much in evidence today. Full of the flare and suspense of immersion in a strange and enchanting culture,Island Possessedis also a pioneering work in the anthropology of dance and a fascinating document on Haitian politics and voodoo.
Israeli Bourekas Films: Their Origins and Legacy (Sephardi and Mizrahi Studies)
by Rami KimchiA genre of comic melodramas produced in the 1960s and '70s, Bourekas films are among the most popular films ever made in Israel. In Israeli Bourekas Films, author and filmmaker Rami Kimchi sets out a history of Bourekas films and discusses their origin.Kimchi considers the representation of Sephardi or Mizrahi Jews in the films, noting that the material culture reflected in the the films presented a culture that was closer to the European Yiddish culture than to the Middle Eastern world of the Mizrahim. Kimchi reflects on the enormous popularity and commercial success of Bourekas films, uncovers how they were made, who made them and why, and discusses the impact of the films on Israeli cinema today. Israeli Bourekas Films is a film insider's view of the characters, stories, and cultures that made Bourekas films such an important part of Israeli life.
Israeli Cinema
by Miri Talmon Yaron PelegWith top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading Israeli film scholars examine Israeli cinema as a prism that refracts collective Israeli identities through the medium and art of motion pictures. The contributors address several broad themes: the nation imagined on film; war, conflict, and trauma; gender, sexuality, and ethnicity; religion and Judaism; discourses of place in the age of globalism; filming the Palestinian Other; and new cinematic discourses. The authors’ illuminating readings of Israeli films reveal that Israeli cinema offers rare visual and narrative insights into the complex national, social, and multicultural Israeli universe, transcending the partial and superficial images of this culture in world media.
Israeli Television: Global Contexts, Local Visions (Routledge Studies in Middle East Film and Media)
by Miri Talmon Yael LevyThe essays in this anthology study Israeli television, its different forms of representation, audiences and production processes, past and present, examining Israeli television in both its local, cultural dynamics, and global interfaces. The book looks at Israeli television as a creator, negotiator, guardian and warden of collective Israeli memory, examining instances of Israeli original television exported and circulated to the US and the global markets, as well as instances of American, British, and global TV formats, adapted and translated to the Israeli scene and screen. The trajectory of this volume is to shed light on major themes and issues Israeli television negotiates: history and memory, war and trauma, Zionism and national disillusionment, place and home, ethnicity in its unique local variations of Ashkenazim and Mizrahim, immigrants from the former Soviet Union and Ethiopia, Israeli–Arabs and Palestinians, gender in its unique Israeli formations, specifically masculinity as shaped by the military and constant violent conflict, femininity in this same context as well as within a complex Jewish oriented society, religion, and secularism. Providing multifaceted portraits of Israeli television and culture in its Middle Eastern political and local context, this book will be a key resource to readers interested in media and television studies, cultural studies, Israel, and the Middle East.
Issues and Ethics in the Helping Professions (7th Edition)
by Gerald Corey Marianne Schneider Corey Patrick CallananUp-to-date and comprehensive, this practical best-selling text now available with an online personalized study plan, helps students learn how to deal with and apply ethical standards. The authors provide readers with the basis for discovering their own guidelines within the broad limits of professional codes of ethics and divergent theoretical positions. They raise what they consider to be central issues, present a range of diverse views on these issues, discuss their position, and provide readers with many opportunities to refine their own thinking and to actively develop their own position. The authors explore such questions as: What role do the therapist's personal values play in the counseling relationship? What ethical responsibilities and rights do clients and therapists have? And, what considerations are involved in adapting counseling practice to diverse client populations?
Issues and Singularity in the British Media Volume 1: Ink, click and screen: from "imagined communities" to "soft power"
by Renée Dickason David HaigronThis book offers a historical, cultural, political and socio-economic analysis of the British media. It examines how facts and events are reported and interpreted, but also how ideas and opinions circulate and are recycled, with attention being paid to British traits and tropes in these domains. This in-depth study of “issues” and “singularity” aims at understanding how the British media have helped shape the country’s culture and representations, thereby providing its people with a sense of togetherness. Volume 1 focuses on the press, the internet and cinema as mass media, from the prolific and innovative Victorian era – the matrix of the modern world – to the turn of the 21st century with the challenge of digitalisation. Newspapers, magazines, films and music are studied as vehicles for fostering shared collective identities (“imagined communities”) and for projecting a certain image of Britain at home and abroad (“soft power”).
Issues and Singularity in the British Media Volume 2: Broadcasting: culture and identity
by Renée Dickason David HaigronThis book offers a historical, cultural, political and socio-economic analysis of the British media. It examines how facts and events are reported and interpreted, but also how ideas and opinions circulate and are recycled, with attention being paid to British traits and tropes in these domains. This in-depth study of “issues” and “singularity” aims at understanding how the British media have helped shape the country’s culture and representations, thereby providing its people with a sense of togetherness. Volume 2 focuses on radio and (mostly) television broadcasting, from the interwar period to the early 21st century. In order to apprehend what is deeply engrained in British culture and thus contributes to shaping national identity, it analyses the ideas disseminated and reflected not only in programmes but also within media institutions in the face of changing political contexts, as well as providing a historiographical overview.
Isuma: Inuit Video Art (McGill-Queen's Indigenous and Northern Studies #52)
by Michael Robert EvansSince director Zacharias Kunuk was awarded the Camera d'Or Award at Cannes in 2001, Igloolik Isuma Productions has been among the most well-known and influential indigenous film companies in the world. Isuma's premier movie, Atanarjuat (The Fast Runner) - the first-ever feature film produced by the Inuit and presented entirely in the Inuktitut language - has received numerous awards and critical acclaim.
It Ain't No Sin to Be Glad You're Alive: The Promise of Bruce Springsteen
by Eric AltermanThis highly praised celebration of Springsteen's artistry & influence is the most perceptive portrait yet of the remarkably gifted musician who, since the media anointed him "the future of rock 'n' roll" in the mid-1970s, has redefined the image of the rock star & emerged an authentic American hero -- a man to whom millions of loyal fans look as a voice for their yearnings, hopes, fears, & dreams. "Part biography, part lyrical deconstruction, & part fan letter, Alterman's book locates the singer-songwriter's strength in his ability to connect the small struggles of the common man with the broad political & social forces that engulf us, & to do so with a human touch." --Time. "It Ain't No Sin to be Glad You're Alive celebrates Springsteen's enduring legacy & reaffirms his position as a recording artist & performer who personifies America in the same way that Woody Guthrie, Walt Whitman, John Steinbeck, & Bob Dylan have in their work." --Cleveland Plain Dealer. "Fascinating, well researched, & serious: three qualities not often found together in biographies of musicians. It Ain't No Sin to be Glad You're Alive ranks with Peter Guralnick's work & is an essential document in evaluating Springsteen's legacy." --Rosanne Cash.
It All Counts
by Carol VordermanCarol Vorderman is everywoman: a single working mother, a businesswoman and a devoted daughter. And now, for the first time, she has decided to tell it like it is.Since 1982, Carol was much loved as co-presenter of Countdown with Richard Whiteley. Joining the show at the age of twenty-one after her mother secretly posted off an application, she became the first woman to appear on Channel Four. Vorderman and Whiteley went on to form one of the most endearing partnerships in British TV history. His death in 2005 devastated Carol but she continued to present Countdown until July 2008, when, after twenty-six unbroken years with the show, it was announced that she was stepping down.Carol’s life has been a rollercoaster. The youngest of three children, she was just three weeks old when her parents separated. Her father refused to acknowledge Carol, leaving her mother to hold down multiple jobs as the family’s only provider. There was a stint in the circus; there have been two marriages; she has juggled a career with two children, whom she adores; she is a detox advocate and has hosted more shows than any other female presenter, including Tomorrow’s World, Better Homes, Pride of Britain and, of course, Countdown.In IT ALL COUNTS, Carol tells the engrossing story of her life from an early age through to today - the personal struggles, the good times, the sad times, and lifts the lid on what really goes on behind the scenes in a TV studio and the full story behind her shocking Countdown departure.
It All Counts
by Carol VordermanCarol Vorderman is everywoman: a single working mother, a businesswoman and a devoted daughter. And now, for the first time, she has decided to tell it like it is.Since 1982, Carol was much loved as co-presenter of Countdown with Richard Whiteley. Joining the show at the age of twenty-one after her mother secretly posted off an application, she became the first woman to appear on Channel Four. Vorderman and Whiteley went on to form one of the most endearing partnerships in British TV history. His death in 2005 devastated Carol but she continued to present Countdown until July 2008, when, after twenty-six unbroken years with the show, it was announced that she was stepping down.Carol’s life has been a rollercoaster. The youngest of three children, she was just three weeks old when her parents separated. Her father refused to acknowledge Carol, leaving her mother to hold down multiple jobs as the family’s only provider. There was a stint in the circus; there have been two marriages; she has juggled a career with two children, whom she adores; she is a detox advocate and has hosted more shows than any other female presenter, including Tomorrow’s World, Better Homes, Pride of Britain and, of course, Countdown.In IT ALL COUNTS, Carol tells the engrossing story of her life from an early age through to today - the personal struggles, the good times, the sad times, and lifts the lid on what really goes on behind the scenes in a TV studio and the full story behind her shocking Countdown departure.