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It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity (Stanford Studies in Jewish History and Culture)
by Sonia GollanceDances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity––and the ultimate boundary transgression. Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In this pioneering study, Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.
It Follows (Devil's Advocates)
by Josh GrimmAmid a recent resurgence in horror films, David Robert Mitchell’s It Follows stands out as a particularly bold entry, a horror fan’s dream come true that sparked a renewed creativity. Pulling a robust 97% on Rotten Tomatoes, It Follows was hailed as a “teen movie you’ve never seen before,” a “creepy, mesmerizing exercise in minimalist horror,” “the best horror film in years,” and simply, “so damn good.” Mitchell uses a variety of approaches to reinvent genre bromides while simultaneously embracing and challenging tropes that audiences and filmmakers rely on a little too heavily. It Follows is one of the best because it is one of the most unique. In this Devil’s Advocate, Joshua Grimm focuses on how this film helped reinvent the rules of a horror movie, particularly along the lines of genre, style, sex, and gender.
It Gets Better . . . Except When It Gets Worse: And Other Unsolicited Truths I Wish Someone Had Told Me
by Nicole MainesThe irreverent and candid coming-of-age memoir of Nicole Maines, trailblazing trans actress, activist—and sometimes someone who&’s just existing, which is actually pretty hard!Nicole Maines knows a little something about &“happily ever after&”—not just because she&’s a self-professed expert in the Disney princess canon, but because she&’s lived it. After coming out at an early age, her family had not only to educate themselves, but also those around them as they fought and won a landmark court case in the state of Maine before she graduated high school. She made it into college, got the guy, and finally had The Surgery™. She achieved her lifelong goal of becoming an actress when she landed a major role in the CW&’s Supergirl, playing television&’s very first live-action transgender superhero.Cue sappy music and sunsets, because we&’ve got ourselves a happy ending, right?Ha! As if.For the first time, in her own words, Nicole tells the story of her journey from childhood in rural Maine to the spotlights of Hollywood, sharing the lessons she&’s learned along the way. With clever wit and unflinching honesty, she tackles some of the most insidious messaging absorbed by queer kids and all young women, from the idea that any one thing can (or should) ever really &“fix&” you, to wondering what&’s wrong with you when things don&’t always feel better, and reminding us that, sometimes, a happy ending is only the beginning of the story.
It Gets Worse: A Collection of Essays
by Shane Dawson<P>New York Times bestselling author Shane Dawson returns with another highly entertaining and uproariously funny essay collection, chronicling a mix of real life moments both extraordinary and mortifying, yet always full of heart. <P>Shane Dawson shared some of his best and worst experiences in I Hate Myselfie, the critically acclaimed book that secured his place as a gifted humorist and keen observer of millennial culture. <P>Fans felt as though they knew him after devouring the New York Times, Publishers Weekly, Los Angeles Times, and Wall Street Journal bestseller. They were right... almost. <P>In this new collection of original personal essays, Shane goes even deeper, sharing never-before-revealed stories from his life, giving readers a no-holds-barred look at moments both bizarre and relatable, from cult-like Christian after-school activities, dressing in drag, and losing his virginity, to hiring a psychic, clashes with celebrities, and coming to terms with his bisexuality. <P>Every step of the way, Shane maintains his signature brand of humor, proving that even the toughest breaks can be funny when you learn to laugh at yourself. <P>This is Let's Pretend This Never Happened and Running With Scissors for the millennial generation: an inspiring, intelligent, and brutally honest collection of true stories by a YouTube sensation-turned one of the freshest new voices out there. <P><b>A New York Times Bestseller</b>
It Gets Worse: A Collection of Essays
by Shane Dawson<P>New York Times bestselling author Shane Dawson returns with another highly entertaining and uproariously funny essay collection, chronicling a mix of real life moments both extraordinary and mortifying, yet always full of heart. <P>Shane Dawson shared some of his best and worst experiences in I Hate Myselfie, the critically acclaimed book that secured his place as a gifted humorist and keen observer of millennial culture. Fans felt as though they knew him after devouring the New York Times, Publishers Weekly, Los Angeles Times, and Wall Street Journal bestseller. They were right... almost. <P>In this new collection of original personal essays, Shane goes even deeper, sharing never-before-revealed stories from his life, giving readers a no-holds-barred look at moments both bizarre and relatable, from cult-like Christian after-school activities, dressing in drag, and losing his virginity, to hiring a psychic, clashes with celebrities, and coming to terms with his bisexuality. <P>Every step of the way, Shane maintains his signature brand of humor, proving that even the toughest breaks can be funny when you learn to laugh at yourself. <P>This is Let's Pretend This Never Happened and Running With Scissors for the millennial generation: an inspiring, intelligent, and brutally honest collection of true stories by a YouTube sensation-turned one of the freshest new voices out there. <P><b>A New York Times Bestseller</b>
It Sounds Like This
by Anna MerianoA sweet and nerdy contemporary YA novel set in the world of marching band perfect for fans of Late to the Party, Fat Chance, Charlie Vega and Kate in Waiting.Yasmín Treviño didn&’t have much of a freshman year thanks to Hurricane Humphrey, but she&’s ready to take sophomore year by storm. That means mastering the marching side of marching band—fast!—so she can outshine her BFF Sofia as top of the flute section, earn first chair, and impress both her future college admission boards and her comfortably unattainable drum major crush Gilberto Reyes. But Yasmín steps off on the wrong foot when she reports an anonymous gossip Instagram account harassing new band members and accidentally gets the entire low brass section suspended from extracurriculars. With no low brass section, the band is doomed, so Yasmín decides to take things into her own hands, learn to play the tuba, and lead a gaggle of rowdy freshman boys who are just as green to marching and playing as she is. She&’ll happily wrestle an ancient school tuba if it means fixing the mess she might have caused. But when the secret gossip Instagram escalates their campaign of harassment and Yasmín's friendship with Sofia deteriorates, things at school might be too hard to bear. Luckily, the support of Yasmín&’s new section—especially introverted section leader Bloom, a sweet ace and aro-spectrum boy—might just turn things around.
It Starts with One: The Legend and Legacy of Linkin Park
by Jason LipshutzFrom the executive director of music at Billboard, an extensive look inside the 20+ year career of mega-selling rock band Linkin Park, featuring new interviews, exclusive quotes, and insights from the band&’s associates and collaborators Linkin Park is one of the 21st Century&’s biggest, and most important, rock bands. All it takes is one quick glance at the numbers— 11 Top 40 hits on the Hot 100 and six No. 1 albums on the Billboard 200, over a dozen massive tours, 27 major award wins, 100+ million records sold worldwide, over 30 million monthly Spotify listeners —to realize that when it comes to the metrics of music consumption and fandom, there&’s no bigger group in recent memory. And yet, despite their enduring legacy within rock, there&’s never been a full, comprehensive biography of Linkin Park—until now. In IT STARTS WITH ONE: The Legend and Legacy of Linkin Park, Billboard's executive director of music, Jason Lipshutz, chronicles the innovation and influence of this legendary band, from their early childhoods to the moment their paths crossed to the genesis of their iconic first album, Hybrid Theory, and all that followed. Not only were they able to synthesize trends in pop and hip-hop amidst the post-grunge era and nu metal boom, then constantly reinvent their sound over multiple albums, Linkin Park&’s radically vulnerable lyrics also helped usher in a new era of artists (and fans) more open to discussing mental health and prioritizing inclusivity. Led by their front men, Chester Bennington and Mike Shinoda, who balanced each other out artistically, Linkin Park never shied away from songs that put their issues front and center, for the world to see and feel. Tragically, Chester succumbed to his demons and passed away in 2017, but the music endures—and in order to truly appreciate the band&’s singular power to bring people together, we need to take a closer look at how exactly Linkin Park changed popular music. Through in-depth reporting and interviews, as well as new reflections from their collaborators and contemporaries, IT STARTS WITH ONE explores how one band made such a big impact on modern music, effectively cementing Linkin Park&’s long overdue place in music history.
It Takes Two
by Patrizia ChenFrancesca Rivabuona is fifty and exhausted by the monotony of her life. Stuck in a stale marriage with grown children who have long since fled the coop, and desperate to escape the endless cycle of Upper East Side dinner parties and charity luncheons, she jumps at the chance to write an article about Buenos Aires for a glossy travel magazine. Francesca is instantly captivated by Buenos Aires's palpable rhythm. She explores the city with her new friends -- a group of tango dancers who give her an insider's scoop into the best Buenos Aires has to offer -- and rediscovers the sense of passion and excitement she thought she had relinquished forever. As Francesca learns to master the sensual movements of tango dancing, she begins to let down her guard -- on the dance floor, in the bedroom, and in her personal life. Embarking on a steamy love affair with Argentina's most famous plastic surgeon, she knows that she has been irrevocably transformed by the pulsing, erotic thrill of life in Argentina. At once a tale of a middle-aged woman taking a stand against the disappointments of her life and a sexy, fast-paced, entertaining novel about the ecstasy of tango dancing,It Takes Tworeads like a soulful tango: irresistible, exotic, and sensual.
It Takes Two: Our Story
by Jonathan Scott Drew ScottA New York Times bestseller! Jonathan and Drew Scott, known for their wildly popular HGTV shows including Property Brothers and Brother vs Brother, follow up their New York Times bestseller, Dream Home, with a highly anticipated memoir. It Takes Two: Our Story shares never-before-revealed tales of the brothers&’ childhood and rise to fame—from starting their first business at 7 years old, their years modeling and acting, to their first house purchase at the impressive young age of eighteen. They soon found their true passion in life, combining their natural gifts for entertaining with the skills they learned from buying, renovating, and selling homes.Complete with hilarious behind-the-scenes stories from set, Jonathan and Drew discuss how their family and upbringing have led to their success in life. Throughout, the brothers keep fans laughing with the clever—and sometimes zany—sibling banter for which they&’re known best.
Italian Americans in Film: Establishing and Challenging Italian American Identities (Italian and Italian American Studies)
by Daniele Fioretti Fulvio OrsittoThis book examines how Italian Americans have been represented in cinema, from the depiction of Italian migration in New Orleans in the 1890s (Vendetta) to the transition from first- to second-generation immigrants (Ask the Dust), and from the establishment of the stereotype of the Italian American gangster (Little Caesar, Scarface) to its re-definition (Mean Streets), along with a peculiar depiction of Italian American masculinity (Marty, Raging Bull). For many years, Italian migration studies in the United States have commented on the way cinema contributed to the creation of an identifiable Italian American identity. More recently, scholars have recognized the existence of a more nuanced plurality of Italian American identities that reflects social and historical elements, class backgrounds, and the relationship with other ethnic minorities. The second part of the book challenges the most common stereotypes of Italian Americanness: food (Big Night) and Mafia, deconstructing the criminal tropes that have contributed to shaping the perception of Italian-American mafiosi in The Funeral, Goodfellas, Donnie Brasco, and the first two chapters of the Godfather trilogy. At the crossroads of the fields of Italian Culture, Italian American Culture, Film Studies, and Migration Studies, Italian Americans in Film is written not only for undergraduate and graduate students but also for scholars who teach courses on Italian American Cinema and Visual Culture.
Italian Americans in Film and Other Media: The Immigrant Experience from Silent Films to the Internet Age (Italian and Italian American Studies)
by Daniele Fioretti Fulvio OrsittoItalian Americans in Film and Other Media examines the representation of the Italian immigrant experience from D.W. Griffith’s Biograph Italian Dramas (1908-1913) to the present day. Building on the editors’ previous volume Italian Americans in Film, this collection broadens their scope to address marginalized aspects of Italian Americanness, including the work of women directors and depictions of same-sex relationships. The book consists of three parts. Part I, “The Immigrant Experience”, focuses on feature films and is divided into two sections: “Silent Films” (which analyses some of Griffith’s early films and Barker’s The Italian, 1915), and “Revising Gender Perspectives”, which includes chapters focusing on single films – such as Dmytryk’s Christ in Concrete (1949), De Michiel’s Tarantella (1995), and Bonifacio’s Amexicano (2007) – and survey essays that discuss the Italian American ‘celluloid closet’ and some of Savoca’s films. Part II, “Italian Americans in Other Media”, offers a wide range of essays informed by different approaches that investigate the immigrant experience in terms of transmediality and transnationality. The types of media examined in this section include television and graphic novels as well as puppetry, Instagram, and Internet memes. Part III contains interviews with Italian American scholars, movie directors, and performers. Together, the contributions to this collection demonstrate the vitality, mutation, and persistence of Italian Americanness in visual media.
The Italian Cinema Book
by Peter BondanellaThe Italian Cinema Book provides a comprehensive and dynamic guide to the major critical issues in the study of Italian cinema. It brings together the most distinguished and innovative scholars, critics and film historians in the field to consider a number of historical, cultural and theoretical issues. <P><P>Moving beyond familiar approaches, a number of new critical methodologies exploration of case studies and analysis of key filmic texts. The silent era, the birth of 'talkies', realism during the Fascist period, the golden age of the art film and the age of crisis up to 2010 are all discussed.
Italian Cinema from the Silent Screen to the Digital Image
by Joseph LuzziIn this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. <p><p>Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. <p><p>Italian Cinema from the Silent Screen to the Digital Image explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema.
The Italian Comedy
by Pierre Louis DuchartreIllustrated history of the beginnings, growth and influence of the commedia dell' arte. Describes improvisations, staging, marks, scenarios, acting troupes, and origins.
The Italian Commedia and Please be Gentle
by David GriffithsFocusing on Commedia Dell'Arte, this work provides a historical and critical commentary of the Commedia. It highlights common factors between this genre and that of the Japanese Noh theatre. The author proposes six similarities: characters familiar to their audience and masked, minimal properties and scenery with the focus on the actor, the "families" of performers, a sharp mind as well as an agile body, a professional living on these skills and patronage, and a knowledgeable audience. Complementing this book is the play "Please Be Gentle" which explores the various tricks and devices of Commedia Dell'Arte acting.
Italian Ecocinema: Beyond the Human (New Directions in National Cinemas)
by Elena PastEcocriticism and film studies unite in this examination of five Italian films and the environmental questions they raise.Entangled in the hybrid fields of ecomedia studies and material ecocriticism, Elena Past examines five Italian films shot on location and ponders the complex relationships that the production crews developed with the filming locations and the nonhuman cast members. She uses these films—Red Desert (1964), The Winds Blows Round (2005), Gomorrah (2008), Le quattro volte (2010), and Return to the Aeolian Islands (2010)—as case studies to explore pressing environmental questions such as cinema’s dependence on hydrocarbons, the toxic waste crisis in the region of Campania, and our reliance on the nonhuman world. Dynamic and unexpected actors emerge as the subjects of each chapter: playful goats, erupting volcanoes, airborne dust particles, fluid petroleum, and even the sound of silence. Based on interviews with crew members and close readings of the films themselves, Italian Ecocinema Beyond the Human theorizes how filmmaking practice—from sound recording to location scouting to managing a production—helps uncover cinema’s ecological footprint and its potential to open new perspectives on the nonhuman world.“[Past] uniquely and innovatively combines film studies and material ecocriticism with a focus on Italy. Such weaving of tales brings the films to life and reads them as ecological documents and Italian stories.” —Heather I. Sullivan, author of The Intercontextuality of Self and Nature in Ludwig Tieck’s Early Works“A timely and incisive study that interrogates a new, though growing, trend in film criticism and makes an important and rich contribution to Italian film studies, Italian cultural studies, and ecocriticism.” —Bernadette Luciano, author (with Susanna Scarparo) of Reframing Italy: New Trends in Italian Women’s Filmmaking“Part memoir, part close analysis of the films themselves, and illustrated with numerous excellent frame grabs, Past’s book casts a dreamlike spell as it contemplates the past, present, and future of the cinema and moves smoothly between environmental issues and aesthetic and practical concerns.” —Choice
Italian Ecocinema: Beyond the Human (New Directions in National Cinemas)
by Elena PastEcocriticism and film studies unite in this examination of five Italian films and the environmental questions they raise.Entangled in the hybrid fields of ecomedia studies and material ecocriticism, Elena Past examines five Italian films shot on location and ponders the complex relationships that the production crews developed with the filming locations and the nonhuman cast members. She uses these films—Red Desert (1964), The Winds Blows Round (2005), Gomorrah (2008), Le quattro volte (2010), and Return to the Aeolian Islands (2010)—as case studies to explore pressing environmental questions such as cinema’s dependence on hydrocarbons, the toxic waste crisis in the region of Campania, and our reliance on the nonhuman world. Dynamic and unexpected actors emerge as the subjects of each chapter: playful goats, erupting volcanoes, airborne dust particles, fluid petroleum, and even the sound of silence. Based on interviews with crew members and close readings of the films themselves, Italian Ecocinema Beyond the Human theorizes how filmmaking practice—from sound recording to location scouting to managing a production—helps uncover cinema’s ecological footprint and its potential to open new perspectives on the nonhuman world.“[Past] uniquely and innovatively combines film studies and material ecocriticism with a focus on Italy. Such weaving of tales brings the films to life and reads them as ecological documents and Italian stories.” —Heather I. Sullivan, author of The Intercontextuality of Self and Nature in Ludwig Tieck’s Early Works“A timely and incisive study that interrogates a new, though growing, trend in film criticism and makes an important and rich contribution to Italian film studies, Italian cultural studies, and ecocriticism.” —Bernadette Luciano, author (with Susanna Scarparo) of Reframing Italy: New Trends in Italian Women’s Filmmaking“Part memoir, part close analysis of the films themselves, and illustrated with numerous excellent frame grabs, Past’s book casts a dreamlike spell as it contemplates the past, present, and future of the cinema and moves smoothly between environmental issues and aesthetic and practical concerns.” —Choice
Italian Ecocinema Beyond the Human (New Directions in National Cinemas)
by Elena PastEntangled in the hybrid fields of ecomedia studies and material ecocriticism, Elena Past examines five Italian films shot on location and ponders the complex relationships that the production crews developed with the filming locations and the nonhuman cast members. She uses these films—Red Desert (1964), The Winds Blows Round (2005), Gomorrah (2008), Le quattro volte (2010), and Return to the Aeolian Islands (2010)—as case studies to explore pressing enviornmental questions such as cinema's dependence on hydrocarbons, the toxic waste crisis in the region of Campania, and our reliance on the nonhuman world. Dynamic and unexpected actors emerge as the subjects of each chapter: playful goats, erupting volcanoes, airborne dust particles, fluid petroleum, and even the sound of silence. Based on interviews with crew members and close readings of the films themselves, Italian Ecocinema Beyond the Human theorizes how filmmaking practice—from sound recording to location scouting to managing a production—helps uncover cinema's ecological footprint and its potential to open new perspectives on the nonhuman world.
Italian Film in the Light of Neorealism
by Millicent MarcusThe movement known as neorealism lasted seven years, generated only twenty-one films, failed at the box office, and fell short of its didactic and aesthetic aspirations. Yet it exerted such a profound influence on Italian cinema that all the best postwar directors had to come to terms with it, whether in seeming imitation (the early Olmi), in commercial exploitation (the middle Comencini) or in ostensible rejection (the recent Tavianis). Despite the reactionary pressures of the marketplace and the highly personalized visions of Fellini, Antonioni. And Visconti, Italian cinema has maintained its moral commitment to use the medium in socially responsible ways--if not to change the world, as the first neorealists hoped, then at least to move filmgoers to face the pressing economic, political, and human problems in their midst. From Rossellini's Open City (1945) to the Taviani brothers' Night of the Shooting Stars (1982). The author does close readings of seventeen films that tell the story of neorealism's evolving influence on Italian postwar cinematic expression.Other films discussed are De Sica's Bicycle Thief and Umberto D. De Santis's Bitter Rice, Comencini's Bread, Love, and Fantasy, Fellini's La strada, Visconti's Senso, Antonioni's Red Desert, Olmi's Il Posto, Germi's Seduced and Abandoned, Pasolini's Teorema, Petri's Investigation of a Citizen above Suspicion, Bertolucci's The Conformist, Rosi's Christ Stopped at Eboli, and Wertmuller's Love and Anarchy, Scola's We All Loved Each Other So Much provides the occasion for the author's own retrospective consideration of how Italian cinema has fulfilled, or disappointed, the promise of neorealism.
Italian Film in the Present Tense (Toronto Italian Studies)
by Millicent MarcusFor observers of the European film scene, Federico Fellini’s death in 1993 came to stand for the demise of Italian cinema as a whole. Exploring an eclectic sampling of works from the new millennium, Italian Film in the Present Tense confronts this narrative of decline with strong evidence to the contrary. Millicent Marcus highlights Italian cinema’s new sources of industrial strength, its re-placement of the Rome-centred studio system with regional film commissions, its contemporary breakthroughs on the aesthetic front, and its vital engagement with the changing economic and socio-political circumstances in twenty-first-century Italian life. Examining works that stand out for their formal brilliance and their moral urgency, the book presents a series of fourteen case studies, featuring analyses of such renowned films as Il Divo, Gomorrah, The Great Beauty, We Have a Pope, The Mafia Only Kills in the Summer, and Fire at Sea, along with lesser-known works deserving of serious critical scrutiny. In doing so, Italian Film in the Present Tense contests the widely held perception of a medium languishing in its "post-Fellini" moment, and instead acknowledges the ethical persistence and forward-looking currents of Italian cinema in the present tense.
Italian Horror Film Directors
by Louis Paul<p>There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda's I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length ten of its auteurs, and discusses the noteworthy films of many others associated with the genre. <p>The directors discussed in detail are Dario Argento, Lamberto Bava, Mario Bava, Ruggero Deodato, Lucio Fulci, Umberto Lenzi, Antonio Margheriti, Aristide Massaccesi, Bruno Mattei, and Michele Soavi. Each chapter includes a biography, a detailed career account, discussion of influences both literary and cinematic, commentary on the films, with plots and production details, and an exhaustive filmography. <p>A second section contains short discussions and selected filmographies of other important horror directors. The work concludes with a chapter on the future of Italian horror and an appendix of important horror films by directors other than the 50 profiled. Stills, posters, and behind-the-scenes shots illustrate the book.</p>
Italian Neorealism: Rebuilding the Cinematic City (Short Cuts)
by Mark ShielItalian Neorealism: Rebuilding the Cinematic City is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of the city and the legacy left by filmmakers such as Rossellini, De Sica, and Visconti. Films studied include Rome, Open City (1945), Paisan (1946), The Bicycle Thief (1948), and Umberto D. (1952).
Italian Neorealism
by Mark ShielItalian Neorealism: Rebuilding the Cinematic City is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of the city and the legacy left by filmmakers such as Rossellini, De Sica, and Visconti. Films studied include Rome, Open City (1945), Paisan (1946), The Bicycle Thief (1948), and Umberto D. (1952).
Italian Neorealist Cinema
by Christopher WagstaffThe end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma città aperta and Paisà, and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en scène, and montage.This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general.
Italian Opera Since 1945 (Contemporary Music Studies #Vol. 15)
by Raymond FearnFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.