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Anything for a Hit: An A&R Woman's Story of Surviving the Music Industry
by Dorothy CarvelloDorothy Carvello knows all about the music biz. She was the first female A&R executive at Atlantic Records, and one of the few in the room at RCA and Columbia. But before that, she was secretary to Ahmet Ertegun, Atlantic’s infamous president, who signed acts like Aretha Franklin and Led Zeppelin, negotiated distribution deals with Mick Jagger, and added Neil Young to Crosby, Stills & Nash. The stories she tells about the kingmakers of the music industry are outrageous, but it is her sinuous friendship with Ahmet that frames her narrative. He was notoriously abusive, sexually harassing Dorothy on a daily basis. Still, when he neared his end, sad and alone, Dorothy had no hatred toward him—only a strange kind of loyalty. Carvello reveals here how she flipped the script and showed Ertegun and every other man who tried to control her that a woman can be just as willing to do what it takes to get a hit. Featuring never-before-heard stories about artists like Michael Jackson, Madonna, Steven Tyler, Bon Jovi, INXS, Marc Anthony, Phil Collins, and many more, this book is a must-read for anyone who has ever wondered what it's really like to be a woman in a male-dominated industry.
Anything Goes!: What I've Learned from Pundits, Politicians, and Presidents
by Larry King Pat PiperIn an era when news rules, Larry King has the best seat in the house. With our world being shaped and reshaped by a dizzying cast of characters and a merry-go-round of incredible events--from the blockbuster murder trial of a football icon to the near impeachment of the US president, charged for lying under oath about sex with an intern--Larry King is the man who asks the questions we all want to ask and gets the answers that make tomorrow's headlines. Now, in this fascinating, fast-paced book, King takes you inside his world and offers his perspective on American culture in overdrive at the turn of the millennium. Anything Goes! is a whirlwind tour of the 1990s as seen through the prism of CNN's Larry King Live, as Larry faces the cameras and phone calls with Monica and O.J., Al Gore, George W. Bush, and, of course, President Bill Clinton. Along the way, King analyzes the frantic interplay between the media and events, as a US presidential election is played out on talk shows, policies are made on network TV, and life-and-death trials become the electronic wallpaper of daily American life.
Aotearoa New Zealand in the Global Theatre Marketplace: Travelling Theatre (Routledge Advances in Theatre & Performance Studies)
by James WenleyAotearoa New Zealand in the Global Theatre Marketplace offers a case study of how the theatre of Aotearoa has toured, represented and marketed itself on the global stage. How has New Zealand work attempted to stand out, differentiate itself, and get seen by audiences internationally? This book examines the journeys of a dynamic range of culturally and theatrically innovative works created by Aotearoa New Zealand theatre makers that have toured and been performed across time, place and theatrical space: from Moana Oceania to the Edinburgh Festival Fringe, from a Māori Shakespeare adaptation to an immersive zombie theatre experience. Drawing on postcolonialism, transnationalism, cosmopolitanism and globality to understand how Aotearoa New Zealand has imagined and conceived of itself through drama, the author investigates how these representations might be read and received by audiences around the world, variously reinforcing and complicating conceptions of New Zealand national identity. Developing concepts of theatrical mobility, portability and the market, this study engages with the whole theatrical enterprise as a play travels from concept and scripting through to funding, marketing, performance and the critical response by reviewers and commentators. This book will be of global interest to academics, producers and theatre artists as a significant resource for the theory and practice of theatre touring and cross-cultural performance and reception.
The Apartment Complex: Urban Living and Global Screen Cultures
by Pamela Robertson WojcikFrom the bachelor pad that Jack Lemmon's C. C. Baxter loans out to his superiors in Billy Wilder's The Apartment (1960) to the crumbling tenement in a dystopian Taipei in Tsai Ming-liang's The Hole (1998), the apartment in films and television series is often more than just a setting: it can motivate or shape the narrative in key ways. Such works belong to a critical genre identified by Pamela Robertson Wojcik as the apartment plot, which comprises specific thematic, visual, and narrative conventions that explore modern urbanism's various forms and possibilities. In The Apartment Complex a diverse group of international scholars discuss the apartment plot in a global context, examining films made both within and beyond the Hollywood studios. The contributors consider the apartment plot's intersections with film noir, horror, comedy, and the musical, addressing how different national or historical contexts modify the apartment plot and how the genre's framework allows us to rethink the work of auteurs and identify productive connections and tensions between otherwise disparate texts. Contributors. Steven Cohan, Michael DeAngelis, Veronica Fitzpatrick, Annamarie Jagose, Paula J. Massood, Joe McElhaney, Merrill Schleier, Lee Wallace, Pamela Robertson Wojcik
The Apartment Plot: Urban Living in American Film and Popular Culture, 1945 to 1975
by Pamela Robertson WojcikRethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the "apartment plot," her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based. Wojcik suggests that the apartment plot presents a philosophy of urbanism related to the theories of Jane Jacobs and Henri Lefebvre. Urban apartments were important spaces for negotiating gender, sexuality, race, and class in mid-twentieth-century America.
Aphra Behn: The Comedies
by Kate AughtersonKate Aughterson provides readers with an approachable and fascinating critical guide to the dramatic works of an important seventeenth-century woman writer. Aughterson analyses Aphra Behn's abilities as a playwright, showing particularly how she skillfully employs comic and dramatic conventions to radical ends, and how she forces her audience to engage with issues about gender and sexuality whilst retaining her witty and accessible style. Chapters in the first part of the book provide close readings of the comedies, addressing such topics as openings, endings, character types, staging, and politics and society. In the second part, Aughterson not only examines Behn's literary career and the Restoration contexts of her plays, but also looks at some sample criticism and explores Behn's drama as performance.
Apocalypse-Cinema: 2012 and Other Ends of the World
by Will Bishop Samuel Weber Peter SzendyApocalypse-cinema is not only the end of time that has so often been staged as spectacle in films like 2012, The Day After Tomorrow, and The Terminator. By looking at blockbusters that play with general annihilation while also paying close attention to films like Melancholia, Cloverfield, Blade Runner, and Twelve Monkeys, this book suggests that in the apocalyptic genre, film gnaws at its own limit. Apocalypse-cinema is, at the same time and with the same double blow, the end of the world and the end of the film. It is the consummation and the (self-)consumption of cinema, in the form of an acinema that Lyotard evoked as the nihilistic horizon of filmic economy. The innumerable countdowns, dazzling radiations, freeze-overs, and seismic cracks and crevices are but other names and pretexts for staging film itself, with its economy of time and its rewinds, its overexposed images and fades to white, its freeze-frames and digital touch-ups. The apocalyptic genre is not just one genre among others: It plays with the very conditions of possibility of cinema. And it bears witness to the fact that, every time, in each and every film, what Jean-Luc Nancy called the cine-world is exposed on the verge of disappearing. In a Postface specially written for the English edition, Szendy extends his argument into a debate with speculative materialism. Apocalypse-cinema, he argues, announces itself as cinders that question the “ultratestimonial” structure of the filmic gaze. The cine-eye, he argues, eludes the correlationism and anthropomorphic structure that speculative materialists have placed under critique, allowing only the ashes it bears to be heard.
Apocalypse Cinema (Quick Takes: Movies and Popular Culture)
by Stephen PrinceVivid images of the apocalypse proliferate throughout contemporary cinema, which pictures the death of civilization in wildly different ways. Some films imagine a future where humanity is wiped out entirely, while others envision humans as an endangered species, enslaved by alien invaders or hunted by zombie hordes. This book provides a lively overview of apocalypse cinema, including alien invasions, nuclear annihilation, asteroid collisions, climate change, and terrifying plagues. Covering pivotal films from the silent era to the present day, including Metropolis, Invasion of the Body Snatchers, Dr. Strangelove, Contagion, and Avengers: Endgame, Stephen Prince explores how these dark visions are rooted in religious and prophetic traditions, and he considers how our love for apocalypse cinema is tied to fundamental existential questions and anxieties that never go out of fashion.
Apocalypse on the Set: Nine Disastrous Film Productions
by Ben TaylorThe book starts with Pulgasari--a North Korean Godzilla clone dreamed up by Kim Jong-Il and created by a kidnapped Korean director, with a budget of millions and a staff of seven hundred fed on truckloads of pheasants, wild geese, and deer. The stories behind the other eight films, from The Adventures of Baron Munchausen and The Twilight Zone: The Movie to Apocalypse Now and The Crow, are just as astounding and gripping--this is a book film fans will devour. These bizarre, often hilarious cinematic endeavors confirm that truth is stranger than fiction, reality more volatile than narratives, and fate more improbable than plots.
Apocalypse on the Set: Nine Disastrous Film Productions
by Ben TaylorThe book starts with Pulgasari--a North Korean Godzilla clone dreamed up by Kim Jong-Il and created by a kidnapped Korean director, with a budget of millions and a staff of seven hundred fed on truckloads of pheasants, wild geese, and deer. The stories behind the other eight films, from The Adventures of Baron Munchausen and The Twilight Zone: The Movie to Apocalypse Now and The Crow, are just as astounding and gripping--this is a book film fans will devour. These bizarre, often hilarious cinematic endeavors confirm that truth is stranger than fiction, reality more volatile than narratives, and fate more improbable than plots.
Apocalypse on the Set
by Ben TaylorWith sky-high budgets and competing egos, almost any film production has the potential for disaster. But some become full-fledged nightmares. Take Pulgasari - a North Korean Godzilla clone dreamed up by Kim Jong II and created by a kidnapped South Korean director, with a budget of millions and a staff of seven hundred fed on truckloads of pheasants, wild geese and deer . . . The stories behind the other eight films, from The Adventures of Baron Munchausen and The Twilight Zone: The Movie to Waterworld and The Crow, are just as astounding and as gripping. This is a book film fans will devour. These bizarre, often hilarious cinematic endeavours confirm that truth is stranger than fiction, reality more volatile than narratives, and fate more improbable than plots.
Apollo's Angels: A History of Ballet
by Jennifer HomansA groundbreaking work--the first cultural history of ballet ever written, lavishly illustrated and beautifully told. Jennifer Homans is a historian and critic who was also a professional dancer: She brings to Apollo's Angels a knowledge of dance born of dedicated practice. She traces the evolution of technique, choreography, and performance in clean, clear prose, drawing readers into the intricacies of the art with vivid descriptions of dances and the artists who made them. Her admiration and love for the ballet shines through on every page. Apollo's Angels is an authoritative work, written with a grace and elegance befitting its subject.
An Apology for Actors: From the Edition of 1612, Compared with That of W. Cartwright. With an introduction and notes
by Thomas HeywoodHeywood is a good example of the professional dramatist who worked for Philip Henslowe, the theatrical manager, both as a playwright and an actor. By his own admission, Heywood claimed to have "either an entire hand or at least the main finger" in 220 plays, of which less than 30 survive. His best-known play, A Woman Killed with Kindness (1603), exemplifies domestic tragedy, in which sentiment and homely details are equally mingled. Heywood wrote an eloquent defense of the theater against Puritan attack called An Apology for Actors (1607-08). Heywood suggests here that the stage can both delight and teach.-Print ed.
Appalachian Dance: Creativity and Continuity in Six Communities
by Susan Eike SpaldingIn Appalachian Dance, Susan Eike Spalding employs twenty-five years' worth of rich interviews with black and white Virginians, Tennesseeans, and Kentuckians to explore the evolution and social uses of dance practices in each region. Spalding analyzes how issues as disparate as industrialization around coal, race relations, and the 1970s folk revival profoundly influenced freestyle clogging and other dance forms. She reveals how African Americans and Native Americans, as well as European immigrants drawn to the timber mills and coal fields, added to local dance vocabularies. By placing each community in its sociopolitical and economic context, Spalding explores how the formal and stylistic nuances found in Appalachian dance reflect the beliefs, shared understandings, and experiences of the community at large.
Apparently There Were Complaints: A Memoir
by Sharon GlessEmmy Award–winning actress Sharon Gless tells all in this laugh-out-loud, juicy, &“unforgettably memorable&” (Lily Tomlin) memoir about her five decades in Hollywood, where she took on some of the most groundbreaking roles of her time.Anyone who has seen Sharon Gless act in Cagney & Lacey, Queer as Folk, Burn Notice, and countless other shows and movies, knows that she&’s someone who gives every role her all. She holds nothing back in Apparently There Were Complaints, a hilarious, deeply personal memoir that spills all about Gless&’s five decades in Hollywood. A fifth-generation Californian, Sharon Gless knew from a young age that she wanted to be an actress. After some rocky teenage years that included Sharon&’s parents&’ divorce and some minor (and not-so-minor) rebellion, Gless landed a coveted spot as an exclusive contract player for Universal Studios. In 1982, she stepped into the role of New York Police Detective Christine Cagney for the series Cagney & Lacey, which eventually reached an audience of 30 million weekly viewers and garnered Gless with two Emmy Awards. The show made history as the first hour-long drama to feature two women in the leading roles. Gless continued to make history long after Cagney & Lacey was over. In 2000, she took on the role of outrageous Debbie Novotny in Queer as Folk. Her portrayal of a devoted mother to a gay son and confidant to his gay friends touched countless hearts and changed the definition of family for millions of viewers. Apparently There Were Complaints delves into Gless&’s remarkable career and explores Gless&’s complicated family, her struggles with alcoholism, and her fear of romantic commitment as well as her encounters with some of Hollywood&’s biggest names. Brutally honest and incredibly relatable, Gless puts it all out on the page in the same way she has lived—never with moderation.
Appetite for Replication
by Chuck KlostermanOriginally collected in Sex, Drugs, and Cocoa Puffs and now available both as a stand-alone essay and in the ebook collection Chuck Klosterman on Rock, this essay is about a Guns N' Roses tribute band.
Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age
by Steve KnopperFor the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, Rolling Stone contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.
Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age
by Steve KnopperFor the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, Rolling Stone contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology. Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen. With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, Appetite for Self-Destruction is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.
Appetites and Anxieties: Food, Film, and the Politics of Representation
by Cynthia Baron Diane Carson Mark BernardCinema is a mosaic of memorable food scenes. Detectives drink alone. Gangsters talk with their mouths full. Families around the world argue at dinner. Food documentaries challenge popular consumption-centered visions. In Appetites and Anxieties: Food, Film, and the Politics of Representation, authors Cynthia Baron, Diane Carson, and Mark Bernard use a foodways paradigm, drawn from the fields of folklore and cultural anthropology, to illuminate film's cultural and material politics. In looking at how films do and do not represent food procurement, preparation, presentation, consumption, clean-up, and disposal, the authors bring the pleasures, dangers, and implications of consumption to center stage. In nine chapters, Baron, Carson, and Bernard consider food in fiction films and documentaries-from both American and international cinema. The first chapter examines film practice from the foodways perspective, supplying a foundation for the collection of case studies that follow. Chapter 2 takes a political economy approach as it examines the food industry and the film industry's policies that determine representations of food in film. In chapter 3, the authors explore food and food interactions as a means for creating community in Bagdad Café, while in chapter 4 they take a close look at 301/302, in which food is used to mount social critique. Chapter 5 focuses on cannibal films, showing how the foodways paradigm unlocks the implications of films that dramatize one of society's greatest food taboos. In chapter 6, the authors demonstrate ways that insights generated by the foodways lens can enrich genre and auteur studies. Chapter 7 considers documentaries about food and water resources, while chapter 8 examines food documentaries that slip through the cracks of film censorship by going into exhibition without an MPAA rating. Finally, in chapter 9, the authors study films from several national cinemas to explore the intersection of food, gender, and ethnicity. Four appendices provide insights from a food stylist, a selected filmography of fiction films and a filmography of documentaries that feature foodways components, and a list of selected works in food and cultural studies.
Apple Pro Training Series: Final Cut Pro X
by Diana WeynandCompletely revised for Final Cut Pro X and featuring compelling new footage, this best-selling, Apple-certified guide provides a strong foundation in all aspects of video editing. Renowned author Diana Weynand starts with basic video editing techniques and takes readers all the way through Final Cut Pro's powerful features. Each chapter presents a complete lesson in an aspect of video editing and finishing, using professional broadcast footage. The book covers Final Cut Pro's exciting new features, including a completely redesigned interface, people detection, and Magnetic Timeline. · DVD-ROM includes lesson and media files for over 40 hours of training · Focused lessons take you step-by-step through professional, real-world projects · Accessible writing style puts an expert instructor at your side · Ample illustrations and keyboard shortcuts help you master techniques fast · Lesson goals and time estimates help you plan your time · Chapter review questions summarize what you've learned and prepare you for the Apple Certified Pro Exam
Apple Pro Training Series: Final Cut Pro X Advanced Editing
by Michael Wohl Mark Spencer Alexis Van HurkmanIn this Apple-authorized guide, director and filmmaker Michael Wohl teaches the advanced skills that editing professionals need to know most. Using compelling professional footage, Wohl delivers a comprehensive course on the groundbreaking, entirely new Final Cut Pro X. · DVD-ROM includes lesson and media files · Focused lessons take you step-by-step through professional, real-world projects · Accessible writing style puts an expert instructor at your side · Ample illustrations and keyboard shortcuts help you master techniques fast · Lesson goals and time estimates help you plan your time · Chapter review questions summarize what you've learned and prepare you for the Apple Certified Pro Exam
Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies and Monologues
by Mark MondayApplication of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies, and Monologues illustrates how to apply the Michael Chekhov Technique, through exercises and rehearsal techniques, to a wide range of Shakespeare’s works. The book begins with a comprehensive chapter on the definitions of the various aspects of the Technique, followed by five chapters covering Shakespeare’s sonnets, comedies, tragedies, histories, and romances. This volume offers a very specific path, via Michael Chekhov, on how to put theory into practice and bring one’s own artistic life into the work of Shakespeare. Offering a wide range of pieces that can be used as audition material, Application of the Michael Chekhov Technique to Shakespeare’s Sonnets, Soliloquies, and Monologues is an excellent resource for acting teachers, directors, and actors specializing in the work of William Shakespeare. The book also includes access to a video on Psychological Gesture to facilitate the application of this acting tool to Shakespeare’s scenes.
Applications and Usability of Interactive Television: 6th Iberoamerican Conference, Jauti 2017, Aveiro, Portugal, October 12-13, 2017, Revised Selected Papers (Communications In Computer And Information Science #813)
by María José Abásolo Pedro Almeida Jorge Abreu Telmo SilvaThis book constitutes the refereed proceedings of the 6th Iberoamerican Conference on Applications and Usability of Interactive Television, jAUTI 2017, in Aveiro, Portugal, in October 2017. <P><P> The 11 full papers presented together with one invited talk paper were carefully reviewed and selected from numerous submissions. The papers are organized in topical sections on Design and Evaluation of IDTV Services and Content; IDTV Content Recommendation; Omnidirectional Video and Video Repositories; IDTV Interaction Techniques and Accessibility.
Applied Anatomy of Aerial Arts: An Illustrated Guide to Strength, Flexibility, Training, and Injury Prevention
by Emily ScherbAn illustrated guide to anatomy and biomechanics for aerialists who want to optimize their performance and train safelySpecifically designed for aerialists—including those who do trapeze, silks, and other aerial arts— Applied Anatomy of Aerial Arts is an invaluable resource for those who want to optimize their performance and train safely. Using a biomechanical and movement-based approach, Emily Scherb—a physical therapist who specializes in the care, treatment, and education of circus performers—explains the anatomical rationale for progressions of learning and demonstrates simple movements to achieve the coordination, muscular control, strength, and fitness to hang with correct form, how to progress from hanging into a pull up, an inversion, and beyond with a strong center, precise muscle sequencing, and ease of movement. Aerialists will learn how bones, joints, muscles, and soft tissues allow for specific movements and gain an appreciation for concepts of proximal stability. This full-color illustrated guide lays a solid foundation for beginners and advanced students with a wealth of insights into their own performance as well as refreshers on fundamentals in warm ups and conditioning. It explains how to structure a training session, how to care for injuries, and best practices for basic self first aid.
Applied Meisner for the 21st-Century Actor
by Kevin Otos Kim ShivelyApplied Meisner for the 21st-Century Actor develops Meisner’s core principles for the contemporary actor and presents a Meisner-based acting technique that empowers practitioners to take ownership of their own creative process. In this book, the authors present the best, most applicable foundational components of Meisner’s technique in a clear, pragmatic, and ethical manner, and advance Meisner's core principles with their own innovations. Drawing on the best practices of consent-based work, they outline a specific approach to creating clear boundaries for the actor and establishing an ethical acting studio. Filled with practical exercises, useful definitions and explanations of foundational principles, and helpful advice on how to recognize and overcome common acting traps and pitfalls, this book provides a replicable and flexible technique that puts the actor at the center of their training. Applied Meisner for the 21st-Century Actor offers actors and students of acting courses a workable technique that will foster growth and discovery throughout their career. The text also includes links to the companion website www.21CActor.com, where readers can engage with the material covered in the book and with Otos’ and Shively’s most up-to-date research, supplemental materials, and training opportunities.