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Black Archives: A Photographic Celebration of Black Life
by Renata CherliseA photographic celebration and exploration of Black identity and experience through the twentieth century from the founder and curator of the hit multimedia platform Black Archives.&“A spell-binding visual narrativization of family, culture, and history.&”—Thelma Golden, director and chief curator of the Studio Museum in HarlemRenata Cherlise&’s family loved capturing their lives in photographs and home movies, sparking her love of archival photography. Following in her family&’s footsteps, Cherlise established Black Archives, which presents a nuanced representation of Black people across time living vibrant, ordinary lives. Through the platform, many have discovered and shared images of themselves and their loved ones experiencing daily life, forming multidimensional portraits of people, places, and the Black community. These photographs not only tell captivating stories, they hold space for collective memory and kinship. Black Archives is a stunning collection of timeless images that tell powerful, joyful stories of everyday life and shed light on Black culture&’s dynamic, enduring influence through the generations. The images showcase reunions, nights out on the town, parents and children, church and school functions, holidays, big life events, family vacations, moments at home, and many more occasions of leisure, excitement, reflection, and pride. Featuring more than three hundred images that spotlight the iconic and the candid, Black Archives offers a nuanced compendium of Black memory and imagination.
The Black Arrow: A Tale Of The Two Roses (Dover Children's Evergreen Classics)
by Robert Louis StevensonSet in England during the fifteenth-century Wars of the Roses, this swashbuckling historical novel by the author of Treasure Island and Kidnapped tells the story of young Dick Shelton. Betrayed by his treacherous and brutal guardian, Sir Daniel Brackley, Dick seeks the help of John Amend-All, leader of the mysterious fellowship of the Black Arrow—and Brackley's sworn enemy. Pitted against fierce fighters, a treacherous priest, and Sir Daniel, Dick seeks to become a knight and rescue his true love. Brimming with adventure, suspense, and romance, this thrilling tale presents a classic portrait of England during one of its most tumultuous eras, as Dick is pulled by his loyalties to the houses of both York and Lancaster. He must make a crucial choice, for his fate and the fate of England hang in the balance.
The Black Arrow
by Robert Louis StevensonCaught in the midst of England's War of the Roses, young Dick Shelton's loyalties are torn between a guardian who betrays him and the leader of the secret fellowship, "The Black Arrow". the Houses of York and Lancaster are locked in a brutal struggle for England's crown and the fate of the kingdom is at stake. Shelton finds himself entangled in the conspiracy. In order to survive he must distinguish friend from foe and confront the tests of war, shipwreck, murder and forbidden love.
Black Arrow Blue Diamond: Leading the Legendary RAF Flying Display Teams
by Brian MercerBrian Mercer is one of the most outstanding post-war RAF fighter pilots and in this eminently readable autobiography he recaptures life as it was in the days of transition from flying piston-powered aircraft to jet power. His flying and leadership skills resulted in a long association with what was then considered as the finest aerobatic display team in the world—Treble One Squardrons Black Arrows. Flying the elegant black Hawker Hunters in large formation displays was no easy task and the author explains in great detail how their legendary precision was achieved, revealing many exciting incidents en route. When Treble Ones Hunters were replaced with the supersonic Lightining fighter, it soon became clear that these superfast aircraft were not suited to close-up display flying. Brian was then asked to form a new RAF display team and continue with Hunters. This was to become the No. 92 Squadrons Blue Diamonds, who inherited the star role. Faced with the fact that future promotion within the RAF would move him from cockpit to desk, Brian elected to join then then fledgling airline, Cathay Pacific. His story continues with many exciting incidents flying from the companys home base at Kai Tak in Hong Kong.
Black Arsenal
by Clive Chijioke Nwonka and Matthew HarleArsenal is special. Its multicultural fandom reflects a changing city and a unique relationship with Black British popular culture. Thanks to its decades of fielding iconic Black players on the pitch and the storied and diverse histories of its terraces, Arsenal has emerged as a powerful symbol of what an organic and convivial multiculture can be.From the earliest hints in the late 1960s that something remarkable was happening, up to Arsenal's ascendence as a global organisation, Black Arsenal is the first dedicated exploration of the club's relationship to contemporary Black identity and culture. It sees the club's affinity with Black identity transcend football and spread across cultures: in the media, music, fashion, politics and everyday social experiences. Explored through a combination of stunning photography and rare archival images, Black Arsenal examines how a new Black iconography emerged at Arsenal at key moments in British history that became crucial to the creation of new forms of Black identification.With contributions including former legends Ian Wright and Paul Davis, critical appraisals from Paul Gilroy, Gail Lewis and Clive Chijioke Nwonka, and personal responses from Clive Palmer, Ezra Collective, Amy Lawrence and others, Black Arsenal encounter the moments, stories and experiences of how Arsenal became an important and underexamined feature of modern Black British culture and identity.
Black Arsenal
by Clive Chijioke Nwonka and Matthew HarleArsenal is special. Its multicultural fandom reflects a changing city and a unique relationship with Black British popular culture. Thanks to its decades of fielding iconic Black players on the pitch and the storied and diverse histories of its terraces, Arsenal has emerged as a powerful symbol of what an organic and convivial multiculture can be.From the earliest hints in the late 1960s that something remarkable was happening, up to Arsenal's ascendence as a global organisation, Black Arsenal is the first dedicated exploration of the club's relationship to contemporary Black identity and culture. It sees the club's affinity with Black identity transcend football and spread across cultures: in the media, music, fashion, politics and everyday social experiences. Explored through a combination of stunning photography and rare archival images, Black Arsenal examines how a new Black iconography emerged at Arsenal at key moments in British history that became crucial to the creation of new forms of Black identification.With contributions including former legends Ian Wright and Paul Davis, critical appraisals from Paul Gilroy, Gail Lewis and Clive Chijioke Nwonka, and personal responses from Clive Palmer, Ezra Collective, Amy Lawrence and others, Black Arsenal encounter the moments, stories and experiences of how Arsenal became an important and underexamined feature of modern Black British culture and identity.
Black Arsenal
Arsenal is special. Its multicultural fandom reflects a changing city and a unique relationship with Black British popular culture. Thanks to its decades of fielding iconic Black players on the pitch and the storied and diverse histories of its terraces, Arsenal has emerged as a powerful symbol of what an organic and convivial multiculture can be.From the earliest hints in the late 1960s that something remarkable was happening, up to Arsenal's ascendence as a global organisation, Black Arsenal is the first dedicated exploration of the club's relationship to contemporary Black identity and culture. It sees the club's affinity with Black identity transcend football and spread across cultures: in the media, music, fashion, politics and everyday social experiences. Explored through a combination of stunning photography and rare archival images, Black Arsenal examines how a new Black iconography emerged at Arsenal at key moments in British history that became crucial to the creation of new forms of Black identification.With contributions including former legends Ian Wright and Paul Davis, critical appraisals from Paul Gilroy, Gail Lewis and Clive Chijioke Nwonka, and personal responses from Clive Palmer, Ezra Collective, Amy Lawrence and others, Black Arsenal encounter the moments, stories and experiences of how Arsenal became an important and underexamined feature of modern Black British culture and identity.
Black Art: A Cultural History
by Richard J. PowellThe African diaspora, "a direct result of the transatlantic slave trade and Western colonialism," generated a wide array of artistic achievements in the past century, from blues to reggae, from the paintings of Henry Ossawa Tanner to the video installations of Keith Piper. Richard Powell's study concentrates on the works of art themselves and on how these works, created during a time of major social upheaval and transformation, use black culture as both subject and context. From musings on the "the souls of black folk" in early twentieth-century painting, sculpture, and photography to questions of racial and cultural identities in performance, media, and computer-assisted arts in the 1990s, the book draws on the works of hundreds of artists including Jean-Michel Basquiat, Romare Bearden, Elizabeth Catlett, Lois Mailou Jones, Wifredo Lam, Jacob Lawrence, Spike Lee, Archibald Motley, Jr. , Faith Ringgold, and Gerard Sekoto. This revised edition includes expanded coverage of video art and a new chapter that discusses work by a number of artists who have newly risen to prominence, such as Chris Ofili, Kara Walker, and Ren e Cox. Biographies of more than 170 key artists provide a unique art-historical reference. Placing its emphasis on black cultural themes rather than on black racial identity, this groundbreaking book is an important exploration of the visual representations of black culture throughout the twentieth century and into the twenty-first.
The Black Arts Movement and the Black Panther Party in American Visual Culture (Routledge Research in Art and Race)
by Jo-Ann MorganThis book examines a range of visual expressions of Black Power across American art and popular culture from 1965 through 1972. It begins with case studies of artist groups, including Spiral, OBAC and AfriCOBRA, who began questioning Western aesthetic traditions and created work that honored leaders, affirmed African American culture, and embraced an African lineage. Also showcased is an Oakland Museum exhibition of 1968 called "New Perspectives in Black Art," as a way to consider if Black Panther Party activities in the neighborhood might have impacted local artists’ work. The concluding chapters concentrate on the relationship between selected Black Panther Party members and visual culture, focusing on how they were covered by the mainstream press, and how they self-represented to promote Party doctrine and agendas.
The Black Ascot: Inspector Ian Rutledge Mysteries #21 (Inspector Ian Rutledge Mysteries #21)
by Charles ToddScotland Yard’s Ian Rutledge seeks a killer who has eluded Scotland Yard for years in this next installment of the acclaimed New York Times bestselling series.An astonishing tip from a grateful ex-convict seems implausible—but Inspector Ian Rutledge is intrigued and brings it to his superior at Scotland Yard. Alan Barrington, who has evaded capture for ten years, is the suspect in an appalling murder during Black Ascot, the famous 1910 royal horse race meet honoring the late King Edward VII. His disappearance began a manhunt that consumed Britain for a decade. Now it appears that Barrington has returned to England, giving the Yard a last chance to retrieve its reputation and see justice done. Rutledge is put in charge of a quiet search under cover of a routine review of a cold case. Meticulously retracing the original inquiry, Rutledge begins to know Alan Barrington well, delving into relationships and secrets that hadn’t surfaced in 1910. But is he too close to finding his man? His sanity is suddenly brought into question by a shocking turn of events. His sister Frances, Melinda Crawford, and Dr. Fleming stand by him, but there is no greater shame than shell shock. Questioning himself, he realizes that he cannot look back. The only way to save his career—much less his sanity—is to find Alan Barrington and bring him to justice. But is this elusive murderer still in England?
Black Athena: The Afroasiatic Roots of Classical Civilization Volume II: The Archaeological and Documentary Evidence
by Martin BernalBlack Athena, an audacious three-volume series, strikes at the heart of today's most heated culture wars. Martin Bernal challenges Eurocentric attitudes by calling into question conventional explanations for the origins of classical civilization. Provocative, passionate, and colossal in scope, this thoughtful rewriting of history continues to stir academic and political controversy.
Black Athena: The Afroasiatic Roots of Classical Civilization Volume II: The Archaeological and Documentary Evidence
by Martin BernalWhat is classical about Classical civilization? In one of the most audacious works of scholarship ever written, Martin Bernal challenges the foundation of our thinking about this question. Classical civilization, he argues, has deep roots in Afroasiatic cultures. But these Afroasiatic influences have been systematically ignored, denied or suppressed since the eighteenth century—chiefly for racist reasons. The popular view is that Greek civilization was the result of the conquest of a sophisticated but weak native population by vigorous Indo-European speakers—Aryans—from the North. But the Classical Greeks, Bernal argues, knew nothing of this “Aryan model.” They did not see their institutions as original, but as derived from the East and from Egypt in particular. This long-awaited third and final volume of the series is concerned with the linguistic evidence that contradicts the Aryan Model of ancient Greece. Bernal shows how nearly 40 percent of the Greek vocabulary has been plausibly derived from two Afroasiatic languages – Ancient Egyptian and West Semitic. He also reveals how these derivations are not limited to matters of trade, but extended to the sophisticated language of politics, religion, and philosophy. This evidence, according to Bernal, greatly strengthens the hypothesis that in Greece an Indo-European-speaking population was culturally dominated by Ancient Egyptian and West Semitic speakers. Provocative, passionate, and colossal in scope, this volume caps a thoughtful rewriting of history that has been stirring academic and political controversy since the publication of the first volume.
Black Athena: The Afroasiatic Roots of Classical Civilization Volume I: The Fabrication of Ancient Greece 1785-1985
by Martin BernalWhat is classical about Classical civilization? In one of the most audacious works of scholarship ever written, Martin Bernal challenges the foundation of our thinking about this question. Classical civilization, he argues, has deep roots in Afroasiatic cultures. But these Afroasiatic influences have been systematically ignored, denied or suppressed since the eighteenth century—chiefly for racist reasons. The popular view is that Greek civilization was the result of the conquest of a sophisticated but weak native population by vigorous Indo-European speakers—Aryans—from the North. But the Classical Greeks, Bernal argues, knew nothing of this “Aryan model.” They did not see their institutions as original, but as derived from the East and from Egypt in particular. In an unprecedented tour de force, Bernal links a wide range of areas and disciplines—drama, poetry, myth, theological controversy, esoteric religion, philosophy, biography, language, historical narrative, and the emergence of “modern scholarship.”
Black Athena Revisited
by Mary R. Lefkowitz Guy Maclean RogersWas Western civilization founded by ancient Egyptians and Phoenicians? Can the ancient Egyptians usefully be called black? Did the ancient Greeks borrow religion, science, and philosophy from the Egyptians and Phoenicians? Have scholars ignored the Afroasiatic roots of Western civilization as a result of racism and anti-Semitism? In this collection of twenty essays, leading scholars in a broad range of disciplines confront the claims made by Martin Bernal in Black Athena: The Afroasiatic Roots of Classical Civilization. In that work, Bernal proposed a radical reinterpretation of the roots of classical civilization, contending that ancient Greek culture derived from Egypt and Phoenicia and that European scholars have been biased against the notion of Egyptian and Phoenician influence on Western civilization. The contributors to this volume argue that Bernal's claims are exaggerated and in many cases unjustified. Topics covered include race and physical anthropology; the question of an Egyptian invasion of Greece; the origins of Greek language, philosophy, and science; and racism and anti-Semitism in classical scholarship. In the conclusion to the volume, the editors propose an entirely new scholarly framework for understanding the relationship between the cultures of the ancient Near East and Greece and the origins of Western civilization. The contributors are: John Baines, professor of Egyptology, University of Oxford Kathryn A. Bard, assistant professor of archaeology, Boston University C. Loring Brace, professor of anthropology and curator of biological anthropology in the Museum of Anthropology, University of Michigan John E. Coleman, professor of classics, Cornell University Edith Hall, lecturer in classics, University of Reading, England Jay H. Jasanoff, Jacob Gould Schurman Professor of Linguistics, Cornell University Richard Jenkyns, fellow and tutor, Lady Margaret Hall, Oxford, and university lecturer in classics, University of Oxford Mary R. Lefkowitz, Andrew W. Mellon Professor in the Humanities, Wellesley College Mario Liverani, professor of ancient near eastern history, Universita di Roma, 'La Sapienza' Sarah P. Morris, professor of classics, University of California at Los Angeles Robert E. Norton, associate professor of German, Vassar College Alan Nussbaum, associate professor of classics, Cornell University David O'Connor, professor of Egyptology and curator in charge of the Egyptian section of the University Museum, University of Pennsylvania Robert Palter, Dana Professor Emeritus of the History of Science, Trinity College, Connecticut Guy MacLean Rogers, associate professor of Greek and Latin and history, Wellesley College Frank M. Snowden, Jr., professor of classics emeritus, Howard University Lawrence A. Tritle, associate professor of history, Loyola Marymount University Emily T. Vermeule, Samuel E. Zemurray, Jr., and Doris Zemurray Stone-Radcliffe Professor Emerita, Harvard University Frank J. Yurco, Egyptologist, Field Museum of Natural History and the University of Chicago
Black Athena Writes Back: Martin Bernal Responds to his Critics
by David Chioni Moore Martin BernalIn Black Athena Writes Back Martin Bernal responds to the passionate debates set off by the 1987 publication of his book Black Athena. Producing a shock wave of reaction from scholars, Black Athena argued that the development of Greek civilization was heavily influenced by Afroasiatic civilizations. Moreover, Bernal asserted that this knowledge had been deliberately obscured by the rampant racism of nineteenth-century Europeans who could not abide the notion that Greek society--for centuries recognized as the originating culture of Europe--had its origins in Africa and Southwest Asia. The subsequent rancor among classicists over Bernal's theory and accusations was picked up in the popular media, and his suggestion that Greek culture had its origin in Africa was widely derided. In a report on 60 Minutes, for example, it was suggested that Bernal's hypothesis was essentially an attempt to provide blacks with self-esteem so that they would feel included in the march of progress. In Black Athena Writes Back Bernal provides additional documentation to back up his thesis, as well as offering persuasive explanations of why traditional scholarship on the subject remains inaccurate and why specific arguments lobbed against his theories are themselves faulty. Black Athena Writes Back requires no prior familiarity with either the Black Athena hypothesis or with the arguments advanced against it. It will be essential reading for those who have been following this long-running debate, as well as for those just discovering this fascinating subject.
The Black Atlantic Reconsidered: Black Canadian Writing, Cultural History, and the Presence of the Past (ISSN)
by Winfried SiemerlingReaders are often surprised to learn that black writing in Canada is over two centuries old. Ranging from letters, editorials, sermons, and slave narratives to contemporary novels, plays, poetry, and non-fiction, black Canadian writing represents a rich body of literary and cultural achievement. The Black Atlantic Reconsidered is the first comprehensive work to explore black Canadian literature from its beginnings to the present in the broader context of the black Atlantic world. Winfried Siemerling traces the evolution of black Canadian witnessing and writing from slave testimony in New France and the 1783 "Book of Negroes" through the work of contemporary black Canadian writers including George Elliott Clarke, Austin Clarke, Dionne Brand, David Chariandy, Wayde Compton, Esi Edugyan, Marlene NourbeSe Philip, and Lawrence Hill. Arguing that black writing in Canada is deeply imbricated in a historic transnational network, Siemerling explores the powerful presence of black Canadian history, slavery, and the Underground Railroad, and the black diaspora in the work of these authors. Individual chapters examine the literature that has emerged from Quebec, Nova Scotia, the Prairies, and British Columbia, with attention to writing in both English and French. A major survey of black writing and cultural production, The Black Atlantic Reconsidered brings into focus important works that shed light not only on Canada's literature and history, but on the transatlantic black diaspora and modernity.
Black Ball: Kareem Abdul-Jabbar, Spencer Haywood, and the Generation that Saved the Soul of the NBA
by Theresa RunstedtlerA vital narrative history of 1970s pro basketball, and the Black players who shaped the NBA Against a backdrop of ongoing resistance to racial desegregation and strident calls for Black Power, the NBA in the 1970s embodied the nation&’s imagined descent into disorder. A new generation of Black players entered the league then, among them Kareem Abdul-Jabbar and Spencer Haywood, and the press and public were quick to blame this cohort for the supposed decline of pro basketball, citing drugs, violence, and greed. Basketball became a symbol for post-civil rights America: the rules had changed, allowing more Black people onto the playing field, and now they were ruining everything. Enter Black Ball, a gripping history and corrective in which scholar Theresa Runstedtler expertly rewrites basketball&’s &“Dark Ages.&” Weaving together a deep knowledge of the game with incisive social analysis, Dr. Runstedtler argues that this much-maligned period was pivotal to the rise of the modern-day NBA. Black players introduced an improvisational style derived from the playground courts of their neighborhoods. They also challenged the team owners&’ autocratic power, garnering higher salaries and increased agency. Their skills, style, and savvy laid the foundation for the global popularity and profitability of the league we know today.
Black Ballerinas
by Misty CopelandFrom New York Times bestselling and award-winning author and American Ballet Theatre principal dancer Misty Copeland comes an illustrated nonfiction collection celebrating dancers of color who have influenced her on and off the stage. <p><p> As a young girl living in a motel with her mother and her five siblings, Misty Copeland didn’t have a lot of exposure to ballet or prominent dancers. She was sixteen when she saw a black ballerina on a magazine cover for the first time. The experience emboldened Misty and told her that she wasn’t alone—and her dream wasn’t impossible. <p> In the years since, Misty has only learned more about the trailblazing women who made her own success possible by pushing back against repression and racism with their talent and tenacity. Misty brings these women’s stories to a new generation of readers and gives them the recognition they deserve. <p> With an introduction from Misty about the legacy these women have had on dance and on her career itself, this book delves into the lives and careers of women of color who fundamentally changed the landscape of American ballet from the early 20th century to today.
The Black Banners: How Torture Derailed The War On Terror After 9/11 (Playaway Adult Nonfiction Ser.)
by Ali SoufanThe definitive account of an FBI special agent’s al-Qaeda story, unredacted for the first time. Widely heralded on publication as a "must-read" (Military Review) and "important window on America’s battle with al-Qaeda" (Washington Post), Ali Soufan’s revelatory account of the war on terror as seen from its front lines changed the way we understand al-Qaeda and how the United States prosecuted the war—and led to hard questions being asked of our leaders. When The Black Banners was published in 2011, significant portions of the text were redacted. After subsequent review by the Central Intelligence Agency, those redactions have been lifted. Their removal corrects the record on how vital intelligence was obtained from al-Qaeda suspects and brings forth important new details on the controversial use of enhanced interrogation techniques (torture) to extract information from terror suspects. For many years, proponents of the use of these techniques have argued that they produced actionable intelligence in the war on terror. This edition of The Black Banners explodes this myth; it shows Soufan at work using guile and intelligent questioning—not force or violence—to extract some of the most important confessions in the war, and it vividly recounts the failures of the government’s torture program. Drawing on Soufan’s experiences as a lead operative for the FBI and declassified government records, The Black Banners (Declassified) documents the intelligence failures that lead to the tragic attacks on New York and Washington, DC, and subsequently how torture derailed the fight against al-Qaeda. With this edition, eighteen years on from the first sanctioned enhanced interrogation technique, the public can finally read the complete story of what happened in their name after the events of 9/11. The Black Banners (Declassified) includes a new foreword from Ali Soufan that addresses the significance of the CIA’s decision to lift the redactions.
The Black Banners: The Inside Story of 9/11 and the War Against al-Qaeda
by Ali H. Soufan Daniel FreedmanA book that will change the way we think about al-Qaeda, intelligence, and the events that forever changed America. On September 11, 2001, FBI Special Agent Ali H. Soufan was handed a secret file. Had he received it months earlier--when it was requested--the attacks on New York and Washington could have been prevented. During his time on the front lines, Soufan helped thwart plots around the world and elicited some of the most important confessions from terrorists in the war against al-Qaeda--without laying so much as a hand on them. Most of these stories have never been reported before, and never by anyone with such intimate firsthand knowledge. This narrative account of America's successes and failures against al-Qaeda is essential to an understanding of the terrorist group. We are taken into hideouts and interrogation rooms. We have a ringside seat at bin Laden's personal celebration of the 9/11 bombings. Such riveting details show us not only how terrorists think and operate but also how they can be beaten and brought to justice.
The Black Banners: The Inside Story of 9/11 and the War Against Al-qaeda
by Ali H. Soufan Daniel FreedmanSoufan worked as a former special agent for the FBI, and this book is a first-person chronicle of his work in the war against al-Qaeda, especially after the World Trade Center attacks in 2001. He starts before those attacks though, with the formation of the organization itself in the 1990s and the attack on the USS Cole. He spends the chapters after this preliminary account on the 9/11 attacks themselves, high valued detainees, the final missions leading up to Osama bin Laden's capture, and what he calls successes and failures. In particular, he notes the inefficacy of torture and aggressive approaches. Throughout the book he maintains allegiance to the FBI and USA, and opens with a note disclosing that this is an FBI and CIA approved story, which he "would have submitted . . . . for review even if [he] had no legal obligation to do so. " To that end, names and sections of text are occasionally blacked out. There is a co-author, Daniel Freedman, but he is only briefly mentioned in the acknowledgements. There is no index, but there is a glossary of "principal characters" and a basic bibliography.
The Black Baron: The Strange Life of Gilles de Rais
by Tennille DixThe Black Baron - The Strange Life of Gilles De Rais" is Tennille Dix's 1930 biography of Gilles de Rais (1405-1440), a French knight and lord who led the French army and was one of Joan of Arc's companion-in-arms. Rais lived an extravagant life and even dabbled in the occult before being hanged for a series of child murders in 1440 in Nantes. A must read for those who are interested in French history and true crime.
Black Bart Roberts: The Greatest Pirate of Them All
by Terry BrevertonThe story of the last buccaneer of the Golden Age of Piracy—a fascinating figure who was far from the stereotypical swashbuckler. Pirate Black Bart Roberts roamed the Atlantic from age thirteen in 1695 until his death in an ambush by the Royal Navy off Cape Lopez on the Guinea coast in 1722. Those years, coinciding with the Golden Age of Piracy, are chronicled here in excerpts from firsthand accounts and court documents, along with vintage illustrations and maps and the superb historical analysis of Terry Breverton. Though they&’re more famous, pirates Blackbeard and Captain Kidd took only thirty vessels between them, compared to Black Bart&’s more than four hundred. And while today&’s image of a pirate includes a drunken sway within the swashbuckling—and few would argue that many a crew and captain of the era were prodigious drunkards—Black Bart Roberts breaks the mold. Not only was he a Christian who ordered his musicians to play hymns each Sunday, he was also famous among his seagoing contemporaries for his abstention from alcohol. Tall for the time, and dressed head to toe in red silk, Black Bart was a striking figure whom maritime history will not soon forget.
Black Baseball, Black Business: Race Enterprise and the Fate of the Segregated Dollar
by Roberta J. Newman Joel Nathan RosenWinner of the 2014 Robert W. Peterson Award for Excellence in Negro League Research from the Jerry Malloy Negro League Conference, sponsored by Negro Leagues Committee of the Society for American Baseball Research Roberta J. Newman and Joel Nathan Rosen have written an authoritative social history of the Negro Leagues. This book examines how the relationship between black baseball and black businesses functioned, particularly in urban areas with significant African American populations—Chicago, Detroit, Indianapolis, Kansas City, Newark, New York, Philadelphia, and more. Inextricably bound together by circumstance, these sports and business alliances faced destruction and upheaval. Once Jackie Robinson and a select handful of black baseball’s elite gained acceptance in Major League Baseball and financial stability in the mainstream economy, shock waves traveled throughout the black business world. Though the economic impact on Negro League baseball is perhaps obvious due to its demise, the impact on other black-owned businesses and on segregated neighborhoods is often undervalued if not outright ignored in current accounts. There have been many books written on great individual players who played in the Negro Leagues and/or integrated the Major Leagues. But Newman and Rosen move beyond hagiography to analyze what happens when a community has its economic footing undermined while simultaneously being called upon to celebrate a larger social progress. In this regard, Black Baseball, Black Business moves beyond the diamond to explore baseball’s desegregation narrative in a critical and wide-ranging fashion.