- Table View
- List View
16 Words: William Carlos Williams and "The Red Wheelbarrow"
by Lisa RogersThis simple nonfiction picture book about the beloved American poet William Carlos Williams is also about how being mindful can result in the creation of a great poem like "The Red Wheelbarrow"--which is only sixteen words long."Look out the window. What do you see? If you are Dr. William Carlos Williams, you see a wheelbarrow. A drizzle of rain. Chickens scratching in the damp earth." The wheelbarrow belongs to Thaddeus Marshall, a street vendor, who every day goes to work selling vegetables on the streets of Rutherford, New Jersey. That simple action inspires poet and doctor Williams to pick up some of his own tools--a pen and paper--and write his most famous poem.In this lovely picture book, young listeners will see how paying attention to the simplest everyday things can inspire the greatest art, as they learn about a great American poet.
160 Years of Samford University: For God, For Learning, Forever
by Sean FlyntSamford University, established in 1841 as Howard College, is a treasured institution of higher learning in Alabama, consistently ranked among the best regional universities in the nation. Well known for the quality of education it offers and for its stunning Georgian-Colonial campus, Samford boasts a long and fascinating history, illuminated here in acollection of vintage photographs. With images ranging from informal to formal, routine to remarkable, tragic to hilarious, this engaging retrospective delves into the heart of the school's heritage--its people. The aspirations of all who have called Samford home and those who have supported its mission come to life in snapshot memories of centuries past. Highlights of the book include extensive coverage of the East Lake campus years; the first experiment in coeducation; the earliest known photographs of the Marion campus;the infamous "liberation" of a rival college's mascot; the courage of student journalists in the 1970s; the story of Harry, the slave who gave his life saving students; and Samford University's latest educational innovations and architectural marvels. Rarely seen photographs from the university's Special Collection department, supplemented by informative, entertaining captions, offer Samford students, faculty, staff, alumni, and friends a chance to relive some of the most memorable moments in the school's history.
1603: The Death of Queen Elizabeth I, the Return of the Black Plague, the Rise of Shakespeare, Piracy, Witchcraft, and the Birth of the Stuart Era
by Christopher Lee1603 was the year that Queen Elizabeth I, the last of the Tudors, died. Her cousin, Robert Carey, immediately rode like a demon to Scotland to take the news to James VI. The cataclysmic time of the Stuart monarchy had come and the son of Mary Queen of Scots left Edinburgh for London to claim his throne as James I of England. Diaries and notes written in 1603 describe how a resurgence of the plague killed nearly 40,000 people. Priests blamed the sins of the people for the pestilence, witches were strangled and burned and plotters strung up on gate tops. But not all was gloom and violence. From a ship's log we learn of the first precious cargoes of pepper arriving from the East Indies after the establishment of a new spice route; Shakespeare was finishing Othello and Ben Jonson wrote furiously to please a nation thirsting for entertainment. 1603 was one of the most important and interesting years in British history. In 1603: The Death of Queen Elizabeth I, the Return of the Black Plague, the Rise of Shakespeare, Piracy, Witchcraft, and the Birth of the Stuart Era, Christopher Lee, acclaimed author of This Sceptred Isle, unfolds its story from first-hand accounts and original documents to mirror the seminal year in which Britain moved from Tudor medievalism towards the wars, republicanism and regicide that lay ahead.
1607: A New Look at Jamestown
by Karen LangeThe pages come alive with Ira Block's stunning photography, detailing newly discovered artifacts, and highlighting authentic Jamestown reenactments. Compelling new theories, a National Geographic period map, and stunning reenactment photography take us back to Jamestown in 1607, where the course of our country's history changed forever.
1610: A Sundial In A Grave
by Mary GentleThe year is 1610. Continental Europe is briefly at peace after years of war, but Henri IV of France is planning to invade the German principalities. In England, only five years earlier, conspirators nearly succeeded in blowing up King James I and his Parliament. The seeds of the English Civil War and the Thirty Years War are visibly being sown, and the possibility for both enlightenment and disaster abounds.But Valentin Rochefort, duelist and spy for France's powerful financial minister, could not care less. Until he is drawn into the glittering palaces, bawdy back streets, and stunning theatrics of Renaissance France and Shakespearean London in a deadly plot both to kill King James I and to save him. For this swordsman without a conscience is about to find himself caught between loyalty, love, and blackmail, between kings, queens, politicians, and Rosicrucians, and the woman he has, unknowingly, crossed land and sea to meet.
1616: The World in Motion
by Thomas ChristensenThe world of 1616 was a world of motion. Enormous galleons carrying silk and silver across the Pacific created the first true global economy, and the first international megacorporations were emerging as economic powers. In Europe, the deaths of Shakespeare and Cervantes marked the end of an era in literature, as the spirit of the Renaissance was giving way to new attitudes that would lead to the Age of Revolution. Great changes were also taking place in East Asia, where the last native Chinese dynasty was entering its final years and Japan was beginning its long period of warrior rule. Artists there, as in many parts of the world, were rethinking their connections to ancient traditions and experimenting with new directions. Women everywhere were redefining their roles in family and society. Slave trading was relocating large numbers of people, while others were migrating in search of new opportunities. The first tourists, traveling not for trade or exploration but for personal fulfillment, were exploring this new globalized world.
1619: Jamestown and the Forging of American Democracy (Published By The Omohundro Institute Of Early American History And Culture And The University Of North Carolina Press Ser.)
by James HornAn extraordinary year in which American democracy and American slavery emerged hand in handAlong the banks of the James River, Virginia, during an oppressively hot spell in the middle of summer 1619, two events occurred within a few weeks of each other that would profoundly shape the course of history. In the newly built church at Jamestown, the General Assembly--the first gathering of a representative governing body in America--came together. A few weeks later, a battered privateer entered the Chesapeake Bay carrying the first African slaves to land on mainland English America.In 1619, historian James Horn sheds new light on the year that gave birth to the great paradox of our nation: slavery in the midst of freedom. This portentous year marked both the origin of the most important political development in American history, the rise of democracy, and the emergence of what would in time become one of the nation's greatest challenges: the corrosive legacy of racial inequality that has afflicted America since its beginning.
The 1619 Project: A New Origin Story
by Nikole Hannah-Jones The New York Times MagazineA dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New Origin Story offers a profoundly revealing vision of the American past and present. <p><p> In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States. <p><p> The New York Times Magazine’s award-winning “1619 Project” issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This new book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. <p><p> This is a book that speaks directly to our current moment, contextualizing the systems of race and caste within which we operate today. It reveals long-glossed-over truths around our nation’s founding and construction—and the way that the legacy of slavery did not end with emancipation, but continues to shape contemporary American life. <p> <b>New York Times Bestseller</b>
The 1619 Project: A Visual Experience
by Nikole Hannah-Jones The New York Times MagazineAn illustrated edition of The 1619 Project, with newly commissioned artwork and archival images, The New York Times Magazine&’s award-winning reframing of the American founding and its contemporary echoes, placing slavery and resistance at the center of the American story.Here, in these pages, Black art provides refuge. The marriage of beautiful, haunting and profound words and imagery creates an experience for the reader, a wanting to reflect, to sit in both the discomfort and the joy, to contemplate what a nation owes a people who have contributed so much and yet received so little, and maybe even, to act.—Nikole Hannah-Jones, from the PrefaceCurated by the editors of The New York Times Magazine, led by Pulitzer Prize–winning journalist Nikole Hannah-Jones, this illustrated edition of The 1619 Project features seven chapters from the original book that lend themselves to beautiful, engaging visuals, deepening the experience of the content. The 1619 Project: A Visual Experience offers the same revolutionary idea as the original book, an argument for a new national origin story that begins in late August of 1619, when a cargo ship of people stolen from Africa arrived on the shores of Point Comfort, Virginia. Only by reckoning with this difficult history and understanding its powerful influence on our present can we prepare ourselves for a more just future. Filled with original art by thirteen Black artists like Carrie Mae Weems, Calida Rawles, Vitus Shell, Xaviera Simmons, on the themes of resistance and freedom, a brand-new photo essay about slave auction sites, vivid photos of Black Americans celebrating their own forms of patriotism, and a collection of archival images of Black families by Black photographers, this gorgeous volume offers readers a dynamic new way of experiencing the impact of The 1619 Project.Complete with many of the powerful essays and vignettes from the original edition, written by some of the most brilliant journalists, scholars, and thinkers of our time, The 1619 Project: A Visual Experience brings to life a fuller, more comprehensive understanding of American history and culture.
The 1619 Project: Born on the Water
by Nikole Hannah-Jones Renée WatsonThe 1619 Project&’s lyrical picture book in verse chronicles the consequences of slavery and the history of Black resistance in the United States, thoughtfully rendered by Pulitzer Prize-winning journalist Nikole Hannah-Jones and Newbery honor-winning author Renée Watson. A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived. And the people planted dreams and hope,willed themselves to keepliving, living. And the people learned new wordsfor lovefor friendfor family for joyfor growfor home. With powerful verse and striking illustrations by Nikkolas Smith, Born on the Water provides a pathway for readers of all ages to reflect on the origins of American identity.
The 1619 Project Born on the Water Picture Book
by Nikole Hannah-Jones, Renée WatsonStymied by her unfinished family tree assignment for school, a young girl seeks Grandma's counsel and learns about her ancestors, the consequences of slavery, and the history of Black resistance in the United States.
1621: A New Look At Thanksgiving
by Cotton Coulson Sisse Brimberg Margaret M. Bruchac Catherine O'Neill Grace Plimoth PlantationIn cooperation with the Plimoth Plantation, a living-history museum in Massachusetts, National Geographic has recreated the first Thanksgiving. Photographs by National Geographic photographers of the recreation at Plimoth Plantation illustrate this book. In 1621, in a small settlement on the edge of the sea, 52 English colonists celebrated their first harvest. The colonists were joined by 90 men of the Wampanoag tribe for a gathering that was to last three days in a town now known as Plymouth. Over the centuries, there have been countless versions of this story, creating a popular myth of the first Thanksgiving. Many Americans imagine brave, peaceful settlers inviting a few wild Indians over for a turkey dinner. But there was no pumpkin pie or cranberry sauce at this celebration. There were no Indians with woven blankets over their shoulders and large feathered headdresses. No pilgrims with somber black clothes and silver buckle hats either. The English didn't even call themselves Pilgrims. This book puts aside that myth and takes a new look at our American history. It questions what we know and recovers lost voices of the Wampanoag people. True history includes the voices of all its participants. 1621: A New Look at Thanksgiving invites young people to read, listen, and think about our shared history. The book also features a foreword, a section on the actual reenactment and the concept of living history, a chronology, an index, and a bibliography.
1632
by Eric FlintFREEDOM AND JUSTICE -- AMERICAN STYLE1632 And in northern Germany things couldn't get much worse. Famine. Disease. Religous war laying waste the cities. Only the aristocrats remained relatively unscathed; for the peasants, death was a mercy.2000 Things are going OK in Grantville, West Virginia, and everybody attending the wedding of Mike Stearn's sister (including the entire local chapter of the United Mine Workers of America, which Mike leads) is having a good time.THEN, EVERYTHING CHANGED....When the dust settles, Mike leads a group of armed miners to find out what happened and finds the road into town is cut, as with a sword. On the other side, a scene out of Hell: a man nailed to a farmhouse door, his wife and daughter attacked by men in steel vests. Faced with this, Mike and his friends don't have to ask who to shoot. At that moment Freedom and Justice, American style, are introduced to the middle of the Thirty Years' War.
1634: The Ram Rebellion
by Eric Flint Virginia Easley DemarceFROM THE end flaps of the cover: The Thirty Years War continues to ravage 17th century Europe, but a new force is gathering power and influence: The Confederated Principalities of Europe, an alliance between Gustavus Adolphus, King of Sweden, and the town of Grantville, West Virginia. Grantville was hurled from the year 2000 to 1632 by a sort of cosmic joke or accident and has become, under the leadership of Mike Stearns, the embodiment of American Freedom: Liberty, with a sword in her hand. In Franconia, whose peasants have revolted several times, even before the arrival of the West Virginians, the living example of American freedom and justice has inspired the rise of an independent revolutionary movement, flying the banner of the head of a ram. The West Virginians fully approve of liberating the peasants from the nobility, but they are also aware of how revolutionary movements can lead to bloodbaths. And avoiding that deadly possibility will require all of their future knowledge plus all their plain old American horse-trading diplomacy.
1634: The Galileo Affair
by Eric Flint Andrew DennisEUROPEAN CUNNING MEETS AMERICAN COURAGE The Thirty Years War continues to ravage 1 7th century Europe, but a new force is gathering power and influence: the United States of Europe, forged by an alliance between Gustavus Adolphus, King of Sweden, and the West Virginians from the 20th century led by Mike Stearns who were hurled centuries into the past by a mysterious cosmic accident. The democratic ideals of the USE have aroused the implacable hostility of Cardinal Richelieu, effective ruler of France, who has moved behind the scenes, making common cause with old enemies to stop this new threat to the privileged and powerful. But the USE is also working behind the scenes. A group of West Virginians have secretly traveled to Venice where their advanced medical knowledge may prevent the recurrence of the terrible plague which recently killed a third of the city-state's population. At the same time, the group hopes to establish commercial ties with Turkey's Ottoman Empire, then at the height of its power. And, most important, they hope to establish private diplomatic ties with the Vatican, exploiting Pope Urban VIU's misgivings about the actions of Richelieu and the Hapsburgs.
The 1641 Depositions and the Irish Rebellion (Warfare, Society and Culture #6)
by Eamon Darcy Annaleigh Margey Elaine MurphyThe 1641 Depositions are among the most important documents relating to early modern Irish history. This essay collection is part of a major project run by Trinity College, Dublin, using the depositions to investigate the life and culture of seventeenth-century Ireland.
165 Days: A Story Of The 25th Division On Luzon
by William De Jarnette Rutherford165 Days: A Story Of The 25th Division On Luzon by William De Jarnette Rutherfoord is a gripping and meticulously illustrated account of the 25th Infantry Division's pivotal role in the liberation of Luzon during World War II. Through vivid storytelling and firsthand accounts, Rutherfoord brings to life the harrowing experiences, intense battles, and unwavering determination of the soldiers who fought to reclaim the Philippines from Japanese occupation.The book covers the 165 days of relentless combat that defined the 25th Division’s campaign on Luzon, the largest and most strategically significant island in the Philippines. Rutherfoord, a member of the division, provides an insider's perspective on the brutal realities of jungle warfare, the challenges of supply and communication, and the indomitable spirit of the soldiers who faced overwhelming odds in their mission to secure victory.165 Days offers readers a detailed chronicle of the division’s maneuvers, from the initial landings to the final push that led to the liberation of Manila and the collapse of Japanese resistance. Rutherfoord captures the camaraderie, bravery, and sacrifices of the men in the division, highlighting both the human cost of war and the resilience of those who served.The book also delves into the strategic importance of the Luzon campaign, explaining how the actions of the 25th Division contributed to the broader Allied effort to defeat Japan in the Pacific Theater. Maps, photographs, and other illustrations complement the narrative, providing a comprehensive understanding of the terrain, tactics, and experiences of the soldiers.165 Days: A Story Of The 25th Division On Luzon is an essential read for military historians, veterans, and anyone interested in the Pacific War. William De Jarnette Rutherfoord’s compelling narrative honors the legacy of the 25th Infantry Division, offering a powerful testament to the courage and dedication of the men who fought to liberate the Philippines.This book stands as a tribute to the enduring spirit of the 25th Division, ensuring that the story of their sacrifice and triumph will never be forgotten.
1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 27) (1650-1850 #27)
by Chris Barrett Mita Choudhury Matthew Goldmark Jennifer L. Hargrave Betty Joseph Billie Lythberg David Mazella Su Fang Ng Felicity Nussbaum Daniel O'Quinn Elizabeth Sauer Ana Schwartz Brandie Siegfried Daniel Vitkus Lisa Walters Chi-Ming Yang Andrew Black Samara Anne Cahill Erica Johnson Edwards James Hamby Stephanie Howard-Smith Anthony W. Lee Daniel Livesay Seow-Chin Ong Linda L. Reesman Gefen Bar-On Santor Jacqy SharpeRigorously inventive and revelatory in its adventurousness, 1650–1850 opens a forum for the discussion, investigation, and analysis of the full range of long-eighteenth-century writing, thinking, and artistry. Combining fresh considerations of prominent authors and artists with searches for overlooked or offbeat elements of the Enlightenment legacy, 1650–1850 delivers a comprehensive but richly detailed rendering of the first days, the first principles, and the first efforts of modern culture. Its pages open to the works of all nations and language traditions, providing a truly global picture of a period that routinely shattered boundaries. Volume 27 of this long-running journal is no exception to this tradition of focused inclusivity. Readers will travel through a blockbuster special feature on the topic of worldmaking and other worlds—on the Enlightenment zest for the discovery, charting, imagining, and evaluating of new worlds, envisioned worlds, utopian worlds, and worlds of the future. Essays in this enthusiastically extraterritorial offering escort readers through the science-fictional worlds of Lady Cavendish, around European gardens, over the high seas, across the American frontiers, into forests and exotic ecosystems, and, in sum, into the unlimited expanses of the Enlightenment mind. Further enlivening the volume is a cavalcade of full-length book reviews evaluating the latest in eighteenth-century scholarship.
1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 26) (1650-1850 #26)
by Norbert Col Andrew Connell Taylor Corse Matthew Davis Michael Edson Melvyn New Mark A. Pedreira Linda L. Reesman Adam Rounce Robin Runia Jacob Sider Jost Gefen Bar-On Santor Ashley Bender John Burke Greg Clingham Gloria Eive Sören Hammerschmidt Malcolm Jack Christopher Johnson Robin Mills John Sitter Paul DeGategnoVolume 26 of 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era travels beyond the usual discussions of power, identity, and cultural production to visit the purlieus and provinces of Britain’s literary empire. Bulging at its bindings are essays investigating out-of-the-way but influential ensembles, whether female religious enthusiasts, annotators of Maria Edgeworth’s underappreciated works, or modern video-based Islamic super-heroines energized by Mary Wollstonecraft’s irreverance. The global impact of the local is celebrated in studies of the personal pronoun in Samuel Johnson’s political writings and of the outsize role of a difficult old codger in catalyzing the literary career of Charlotte Smith. Headlining a volume that peers into minute details in order to see the outer limits of Enlightenment culture is a special feature on metaphor in long-eighteenth-century poetry and criticism. Five interdisciplinary essays investigate the deep Enlightenment origins of a trope usually associated with the rise of Romanticism. Volume 26 culminates in a rich review section containing fourteen responses to current books on Enlightenment religion, science, literature, philosophy, political science, music, history, and art. About the annual journal 1650-1850 1650-1850 publishes essays and reviews from and about a wide range of academic disciplines: literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for special features that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850 is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors. ISSN 1065-3112. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 24) (1650-1850 Ser. #Vol. 4)
by Kevin L. Cope1650-1850 publishes essays and reviews from and about a wide range of academic disciplines—literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for “special features” that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850 is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors. First published in 1994, 1650-1850 is currently in its 24th volume. ISSN 1065-3112. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 28) (1650-1850 #28)
by Kevin L. CopeRigorously inventive and revelatory in its adventurousness, 1650–1850 opens a forum for the discussion, investigation, and analysis of the full range of long-eighteenth-century writing, thinking, and artistry. Combining fresh considerations of prominent authors and artists with searches for overlooked or offbeat elements of the Enlightenment legacy, 1650–1850 delivers a comprehensive but richly detailed rendering of the first days, the first principles, and the first efforts of modern culture. Its pages open to the works of all nations and language traditions, providing a truly global picture of a period that routinely shattered boundaries. Volume 28 of this long-running journal is no exception to this tradition of focused inclusivity. Readers will experience two blockbuster multi-author special features that explore both the deep traditions and the new frontiers of early modern studies: one that views adaptation and digitization through the lens of “Sterneana,” the vast literary and cultural legacy following on the writings of Laurence Sterne, a legacy that sweeps from Hungarian renditions of the puckish novelist through the Bloomsbury circle and on into cybernetics, and one that pays tribute to legendary scholar Irwin Primer by probing the always popular but also always challenging writings of that enigmatic poet-philosopher, Bernard Mandeville. All that, plus the usual cavalcade of full-length book reviews. ISSN: 1065-3112 Published by Bucknell University Press, distributed worldwide by Rutgers University Press.
1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 29) (1650-1850 #29)
by Deborah Kennedy Greg Clingham Paul Tankard Christopher Johnson Susan Spencer Elizabeth Kraft Anthony W. Lee Ileana Baird Christina Ionescu Christopher Trigg Gefen Bar-On Santor John Knapp Paul DeGategno Jeanne M. Britton Angelina Dulong Mona Scheuermann Leigh D. Dillard Catherine J. Theobald Timothy Erwin Laurence Roussillon-Constanty Yanzhang Cui Duane Coltharp Thomas Hothem John C. Traver Courtney A. HoffmanExploratory, investigative, and energetically analytical, 1650–1850 covers the full expanse of long eighteenth-century thought, writing, and art while delivering abundant revelatory detail. Essays on well-known cultural figures combine with studies of emerging topics to unveil a vivid rendering of a dynamic period, simultaneously committed to singular genius and universal improvement. Welcoming research on all nations and language traditions, 1650–1850 invites readers into a truly global Enlightenment. Topics in volume 29 include Samuel Johnson’s notions about the education of women and a refreshing account of Sir Joseph Banks’s globetrotting. A guest-edited, illustration-rich, interdisciplinary special feature explores the cultural implications of water. As always, 1650–1850 culminates in a bevy of full-length book reviews critiquing the latest scholarship on long-established specialties, unusual subjects, and broad reevaluations of the period. ISSN 1065-3112 Published by Bucknell University Press, distributed worldwide by Rutgers University Press.
1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 25) (1650-1850 Ser. #Vol. 4)
by Jack Lynch Howard Weinbrot Molly Marotta Yu Liu Anthony W Lee Claude Willan Daniel Gustafson James Horowitz Philip S. Palmer Pat Rogers Sarah Stein Samara Anne Cahill Suzanne L. Barnett R.J.W. Mills Nigel Penn Christopher Trigg Mark G. Spencer Roy Bogas Gefen Bar-On Santor Isabel Rivers Richard P. Heitzenrater Malcolm Jack Kate Brown Jane R. Stevens Robin Runia Paula Pinto Tamara WagnerVolume 25 of 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era investigates the local textures that make up the whole cloth of the Enlightenment. Ranging from China to Cheltenham and from Spinoza to civil insurrection, volume 25 celebrates the emergence of long-eighteenth-century culture from particularities and prodigies. Unfurling in the folds of this volume is a special feature on playwright, critic, and literary theorist John Dennis. Edited by Claude Willan, the feature returns a major player in eighteenth-century literary culture to his proper role at the center of eighteenth-century politics, art, publishing, and dramaturgy. This celebration of John Dennis mingles with a full company of essays in the character of revealing case studies. Essays on a veritable world of topics—on Enlightenment philosophy in China; on riots as epitomes of Anglo-French relations; on domestic animals as observers; on gothic landscapes; and on prominent literati such as Jonathan Swift, Arthur Murphy, and Samuel Johnson—unveil eye-opening perspectives on a “long” century that prized diversity and that looked for transformative events anywhere, everywhere, all the time. Topping it all off is a full portfolio of reviews evaluating the best books on the literature, philosophy, and the arts of this abundant era. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
1666: Plague, War, and Hellfire
by Rebecca Rideal1666 was a watershed year for England. An outbreak of the Great Plague, the eruption of the second Dutch War, and the devastating Great Fire of London all struck the country in rapid succession and with devastating repercussions.Shedding light on these dramatic events and their context, historian Rebecca Rideal reveals an unprecedented period of terror and triumph. Based in original archival research drawing on little-known sources, 1666 opens with the fiery destruction of London before taking readers on a thrilling journey through a crucial turning point in English history as seen through the eyes of an extraordinary cast of historical characters. While the central events of this significant year were ones of devastation and defeat, 1666 also offers a glimpse of the incredible scientific and artistic progress being made at that time, from Isaac Newton's discovery of gravity to the establishment of The London Gazette. It was in this year that John Milton completed Paradise Lost, Frances Stewart posed for the iconic image of Britannia, and a young architect named Christopher Wren proposed a plan for a new London--a stone phoenix to rise from the charred ashes of the old city.With flair and style, 1666 exposes readers to a city and a country on the cusp of modernity and a series of events that altered the course of history.
1666: Plague, War and Hellfire
by Rebecca Rideal1666 was a watershed year for England. The outbreak of the Great Plague, the eruption of the second Dutch War and the Great Fire of London all struck the country in rapid succession and with devastating repercussions.Shedding light on these dramatic events, historian Rebecca Rideal reveals an unprecedented period of terror and triumph. Based on original archival research and drawing on little-known sources, 1666: Plague, War and Hellfire takes readers on a thrilling journey through a crucial turning point in English history, as seen through the eyes of an extraordinary cast of historical characters. While the central events of this significant year were ones of devastation and defeat, 1666 also offers a glimpse of the incredible scientific and artistic progress being made at that time, from Isaac Newton's discovery of gravity to Robert Hooke's microscopic wonders. It was in this year that John Milton completed Paradise Lost, Frances Stewart posed for the now-iconic image of Britannia, and a young architect named Christopher Wren proposed a plan for a new London - a stone phoenix to rise from the charred ashes of the old city.With flair and style, 1666 shows a city and a country on the cusp of modernity, and a series of events that forever altered the course of history.