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Eminent Victorians

by Lytton Strachey

s Strachey's project for a collection of short biographies "written from a slightly cynical standpoint" began taking shape in 1912, and was published in May 1918. He chose four complementary figures through whom to explore the dynamics of the Victorian era: Cardinal Manning, Florence Nightingale, Dr. Arnold and General Gordon. This new edition contains both b&w and color illustrations. No bibliography or index.

Eminent Victorians (Penguin Modern Classics)

by Lytton Strachey

Eminent Victorians marked an epoch in the art of biography; it also helped to crack the old myths of high Victorianism and to usher in a new spirit by which chauvinism, hypocrisy and the stiff upper lip were debunked. In it Strachey cleverly exposes the self-seeking ambitions of Cardinal Manning and the manipulative, neurotic Florence Nightingale; and in his essays on Dr Arnold and General Gordon his quarries are not only his subjects but also the public-school system and the whole structure of nineteenth-century liberal values.

Emir Abd el-Kader: Hero and Saint of Islam

by Ahmed Bouyerdene

This extraordinary biography of the Algerian warrior and Sufi saint, Emir Abd el-Kader (1807/8-1883), shows his dazzling spiritual qualities in the fight against the French colonial authorities. The New York Times called the Emir &“one of the few great men of the century,&” while Abraham Lincoln and Pope Pius IX both commended the Emir for rescuing 15,000 Christians while in exile in Damascus. In 1846, the town of Elkader, Iowa was named in his honor.

Emir Kusturica (Contemporary Film Directors)

by Giorgio Bertellini

Emir Kusturica is one of Eastern Europe's most celebrated and influential filmmakers. Over the course of a thirty-year career, Kusturica has navigated a series of geopolitical fault lines to produce subversive, playful, often satiric works. On the way he won acclaim and widespread popularity while showing a genius for adjusting his poetic pitch--shifting from romantic realist to controversial satirist to sentimental jester. Leading scholar-critic Giorgio Bertellini divides Kusturica's career into three stages--dissention, disconnection, and dissonance--to reflect both the historic and cultural changes going on around him and the changes his cinema has undergone. He uses Kusturica's Palme d'Or winning Underground (1995)--the famously inflammatory take on Yugoslav history after World War II--as the pivot between the tone of romantic, yet pungent critique of the director's early works and later journeys into Balkanist farce marked by slapstick and a self-conscious primitivism. Eschewing the one-sided polemics Kusturica's work often provokes, Bertellini employs balanced discussion and critical analysis to offer a fascinating and up-to-date consideration of a major figure in world cinema.

Emirs in London: Subaltern Travel and Nigeria's Modernity

by Moses E. Ochonu

Emirs in London recounts how Northern Nigerian Muslim aristocrats who traveled to Britain between 1920 and Nigerian independence in 1960 relayed that experience to the Northern Nigerian people. Moses E. Ochonu shows how rather than simply serving as puppets and mouthpieces of the British Empire, these aristocrats leveraged their travel to the heart of the empire to reinforce their positions as imperial cultural brokers, and to translate and domesticate imperial modernity in a predominantly Muslim society. Emirs in London explores how, through their experiences visiting the heart of the British Empire, Northern Nigerian aristocrats were enabled to define themselves within the framework of the empire. In doing so, the book reveals a unique colonial sensibility that complements rather than contradicts the traditional perspectives of less privileged Africans toward colonialism.

Emisora Films, studio system en el primer franquismo

by Ángel Comas

Un estudio de cine peculiar en la España franquista. Emisora Films fue la gran alternativa a Cifesa en los años del primer franquismo. Con un sistema de producción inspirado en el studio system norteamericano, Ignacio F. Iquino y Francisco Ariza llegaron a controlar de forma inédita en España los tres sectores: producción, distribución y exhibición con lo que consiguieron una actividad estable y un tipo de cine más cercano al europeo que al que se hacía entonces en la España franquista. <P><P>Este libro habla de Emisora a través de los testimonios de quienes trabajaronen la empresa, incluso del propio Iquino. El autor es doctor en Ciencias de la Comunicación, periodista e historiador, autorde más de treinta libros sobre cine, y cinco novelas, entre los que destacan Iquino, hombre de cine, Josep Maria Forn l'aventura del cinema, Jean Gabin, Anthony Mann, Clint Eastwood, tras las huellas de Harry, De Hitchcock a Tarantino, encliclopedia del neo noir norteamericano o El destino de Moira.

Emissaries from the Holy Land: The Sephardic Diaspora and the Practice of Pan-Judaism in the Eighteenth Century

by Matthias B. Lehmann

For Jews in every corner of the world, the Holy Land has always been central. But that conviction was put to the test in the eighteenth century when Jewish leaders in Palestine and their allies in Istanbul sent rabbinic emissaries on global fundraising missions. From the shores of the Mediterranean to the port cities of the Atlantic seaboard, from the Caribbean to India, these emmissaries solicited donations for the impoverished of Israel's homeland. Emissaries from the Holy Land explores how this eighteenth century philanthropic network was organized and how relations of trust and solidarity were built across vast geographic differences. It looks at how the emissaries and their supporters understood the relationship between the Jewish Diaspora and the Land of Israel, and it shows how cross-cultural encounters and competing claims for financial support involving Sephardic, Ashkenazi, and North African emissaries and communities contributed to the transformation of Jewish identity from 1720 to 1820. Solidarity among Jews and the centrality of the Holy Land in traditional Jewish society are often taken for granted. Lehmann challenges such assumptions and provides a critical, historical perspective on the question of how Jews in the early modern period encountered one another, how they related to Jerusalem and the land of Israel, and how the early modern period changed perceptions of Jewish unity and solidarity. Based on original archival research as well as multiple little-known and rarely studied sources, Emissaries from the Holy Land offers a fresh perspective on early modern Jewish society and culture and the relationship between the Jewish Diaspora and Palestine in the eighteenth century.

Emissary of the Doomed

by Ronald Florence

The official little known WWII story of a desperate attempt to save Hungary's Jewish population When Nazi troops invaded in March 1944, Hungary contained the largest intact Jewish population in Europe. Until then, stories of Auschwitz and other "resettlement camps" were still treated as unconfirmed rumors inside Hungary and among the Allied powers. With the arrival of Adolf Eichmann-and reports from the first escapees from Auschwitz confirming the most horrifying rumors about the camps-the 850,000 Jews of Hungary faced annihilation. Emissary of the Doomedis the riveting and heartbreaking account of the heroic attempt to save Hungary's Jewish population. Learning that Eichmann and Himmler were willing to bargain for the lives of as many as one million Jews, Joel Brand and the Jewish rescue committee in Budapest took up the German offer and embarked on a desperate race across Europe and the Middle East to persuade the reluctant Allies to trade funds and matériel for Jewish lives. Against the backdrop of the Normandy invasion, the Soviet advance across Eastern Europe, and the American advances up the Italian peninsula, Brand and his colleagues tried to stop the final push of the Nazis to destroy the Jews of Europe. This untold chapter will appeal to all readers of World War II literature.

Emma

by F. W. Kenyon

History has produced few women as fascinating as the auburn-haired beauty Emma, Lady Hamilton, who captured the heart of England's greatest admiral, Lord Nelson. Warmhearted, impulsive, amoral, she distributed her favors generously, mistaking gratitude and affection for love, rising with each of her "protectors" to her ultimate position of power in the glittering court at Naples-- until she at last met the one man she was to love intensely and forever. If ever two lovers were destined for each other, they were Emma Hamilton and Horatio Nelson, that passionate, brilliant woman, and that dynamic, heroic man. "You, my beloved Emma," Nelson once wrote her, "and my country, are the two dearest objects of my fond heart. All I have ever wanted in this world, have ever asked, ever sought, is one true heart. That I found in Italy, in my own dear Emma's beloved breast." Her love for Nelson was equally intense, and together they shared a romance all-consuming in its power. Across the prosaic pages of history the lovely Emma cast her glow. Her warmth and charm are here superbly portrayed by a writer who proves once again, as he did in his earlier bestseller, The Emperor's Lady, his immense gifts for capturing the essence of a living, exciting woman. Mr. Kenyon has been a successful writer since his first published story appeared in a New Zealand magazine in 1938. Born in England in 1912, he moved to New Zealand as a boy. His writing has included numerous radio plays, short stories, and magazine pieces. The Emperor's Lady was his first published novel, followed by Royal Merry-Go-Round.

Emma

by Jane Austen Micah Persell

Emma Woodhouse and Mr. Knightley won the literary world's heart 200 years ago when Jane Austen first penned the story of their friendship-turned-love.Emma is the young, rich, beautiful heroine with too much time on her hands and an overactive imagination; Mr. Knightley is her long-suffering friend who is always trying to steer her in the right direction. Their love story is one of deep, dedicated affection blooming into passion.But what about all of that sexual tension that crackles in the subtext? In this Wild and Wanton edition of Austen's classic, Emma and Mr. Knightley burn up the pages as they give in to their baser natures. Discover the sexy scenes that readers of Emma have been imagining between Austen's lines since 1815.Sensuality Level: Hot

Emma & Knightley

by Rachel Billington

" . . . the wishes, the hopes, the confidence, the predictions of the small band of true friends who witnessed the ceremony, were fully answered in the perfect happiness of the union. "Thus the last line of Jane Austen's Emma. A year later, Emma and Knightley are still living at Hartfield, surrounded by the Westons, the Eltons and the Bateses. But as events unfold, the couple must deal with the return of Frank Churchill, now widowed, and Knightley's apparently endless patience is tried by events in his brother's family, as well as his beloved Emma's whims and fancies. But the irrepressible Emma is restless . . . Emma wants Knightley to stop treating her like a child. Knightley meanwhile wants his young bride to love him as a husband, not as the man she's always looked up to. With tragedy in the offing, and events unfolding that include beloved characters from Emma, the couple must find their way to each other, and to perfect happiness. With a wonderful grasp of the manners and style of the day, this warm and witty exploration of a marriage between a sheltered (not to say spoiled) young lady and the man she looked upon as an older brother fulfills the romantic longings of Jane Austen lovers everywhere.

Emma (First Impressions)

by Jane Austen

With a foreword by Tessa Bailey, author of It Happened One Summer and Hook, Line and SinkerSelf-appointed matchmaker Emma Woodhouse is convinced that she’ll never marry. ‘Handsome, clever and rich’, the headstrong Emma has lived a charmed life and has no need for love.But, when her meddling ends a friend’s relationship and upsets the romantic social order, Emma discovers that her actions have consequences – and that love might have been waiting for her all along.Fall head over heels for First Impressions, Penguin's boldly designed new Jane Austen collection for young-adult readers featuring the complete and unabridged texts. Full of meet-cutes, missed connections and drama, this eye-catching six-book series is an open invitation to embrace your inner romantic.

Emma (Seasons Edition)

by Jane Austen

A fine exclusive edition of one of literature&’s most beloved stories. Featuring a laser-cut jacket on a textured book with foil stamping, all titles in this series will be first editions. No more than 10,000 copies will be printed, and each will be individually numbered from 1 to 10,000. She wished she might be able to keep him from an absolute declaration. That would be so very painful a conclusion of their present acquaintance! and yet, she could not help rather anticipating something decisive. She felt as if the spring would not pass without bringing a crisis, an event, a something to alter her present composed and tranquil state.Beautiful, clever, and rich, Emma Woodhouse is perfectly content with her single life and sees no need for neither love or nor marriage. However, nothing delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend, Mr. Knightley and attempts to arrange a suitable match for her protégée, Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.Emma (Seasons Edition--Spring) is one of four titles available in March 2021. The spring season also will include The Hunchback of Notre Dame, The Secret Garden, and The Adventures of Sherlock Holmes.

Emma (Signature Editions)

by Jane Austen

Handsome, clever, and rich, Emma Woodhouse delights in interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protégée, Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

Emma Albani: Victorian Diva (The Quest Library)

by Darcy Dunton Michelle Labrèche-Larouche

Born in Quebec, Emma Lajeunesse studied in Europe and in 1869 at the age of 23 launched her opera career in Italy. Almost overnight she became Albani, the world-renowned diva.

Emma And The Outlaw (Orphan Train #2)

by Linda Lael Miller

The #1 New York Times bestselling author Linda Lael Miller continues the Orphan Train trilogy continues with this second book about a sizzling romance between the local librarian and a drifter with a price on his head.As the librarian of her frontier town in Idaho Territory, Emma Chalmers is prim and proper despite her unconventional upbringing by the local madam. She wouldn&’t even permit Fulton Whitney to kiss her, and they were practically engaged. But when Steven Fairfax landed in her home, wounded by an explosion at a rowdy neighborhood saloon, his lazy smile made Emma&’s blood race. Slowly, Steven stilled her fears with his gentle, insistent caresses...until at last, she gave herself unashamedly to the splendid passion that was their destiny. But Emma faces a new terror: the drifter she&’s come to love so desperately is a wanted man and his past is about to catch up with him.

Emma Darwin: A Victorian Life

by James D. Loy Kent M. Loy

In 1808, Josiah Wedgwood II, owner and general manager of the famous pottery and china manufactory that bore his name, welcomed an eighth child into his large, vibrant family. This daughter, Emma, had a relatively happy childhood and grew up intelligent, educated, and religious. A talented sportswoman and an accomplished pianist, she married her cousin Charles Darwin at the age of thirty, bore ten children in their forty-three years together, and patiently nursed her famous husband through mysterious and chronic illnesses.Informed by her strong Christian faith as well as her quick, inquiring mind, Emma learned to coexist with her husband's radical scientific theories, though she worried about the fate of Charles's soul. Although the high spirits of her youth were somewhat dampened by the cares of life, she managed family and household affairs--including the difficult circumstances surrounding the death of three children--with courage, gravity, and a sense of humor.In this charming volume, the wife, companion, and confidante of the father of evolution comes into full focus. Drawing upon Emma’s personal correspondence as well as the abundant literature about her husband, authors James Loy and Kent Loy reveal the fascinating story of an exceptional woman who remained true to herself despite hardship and who, in the process, humanized her work-obsessed husband and held her family together.

Emma Edmonds: Master of Disguise

by Charnan Simon

Emma Edmonds, a woman disguised as Private Frank Thompson, earned a spot in U.S. history as a successful Union spy during the American Civil War. At different times, she also posed as an Irish peddler woman, a black laundress, and a Confederate sympathizer.

Emma Eileen Grove (American Diaries)

by Kathleen Duey

Twelve-year-old Emma receives unexpected friendship from a Black roustabout and a Union soldier during an explosion on the steamboat Sultana in 1865.

Emma Eileen Grove: Mississippi, 1865 (American Diaries)

by Kathleen Duey

Twelve-year-old Emma receives unexpected friendship from a Black roustabout and a Union soldier during an explosion on the steamboat Sultana in 1865.

Emma Goldman, Vol. 1: A Documentary History of the American Years, Volume 1: Made for America, 1890-1901 (Emma Goldman Ser. #Vol. 1)

by Emma Goldman Candace Falk

Emma Goldman: A Documentary History of the American Years reconstructs the life of Emma Goldman through significant texts and documents. These volumes collect personal letters, lecture notes, newspaper articles, court transcripts, government surveillance reports, and numerous other documents, many of which appear here in English for the first time. Supplemented with thorough annotations, multiple appendixes, and detailed chronologies, the texts bring to life the memory of this singular, pivotal figure in American and European radical history. Volume 1: Made for America, 1890-1901 introduces readers to the young Emma Goldman as she begins her association with the international anarchist movement and especially with the German, Jewish, and Italian immigrant radicals in New York City. From early on, Goldman's movement through political and intellectual circles is marked by violence, from the attempted murder of industrialist Henry Clay Frick by Goldman's lover, Alexander Berkman, to the assassination of President William McKinley, in which Goldman was falsely implicated. The documents surrounding these events illuminate Goldman's struggle to balance anarchism's positive gains and its destructive costs. This volume introduces many of the themes that would pervade much of Goldman's later writings and speeches: the untold possibilities of anarchism; the transformative power of literature; the interplay of human relationships; and the importance of free speech, education, labor, women's freedom, and radical social reform.

Emma Goldman, Vol. 2: A Documentary History of the American Years, Volume 2: Making Speech Free, 1902-1909 (Emma Goldman Ser. #2)

by Emma Goldman Candace Falk

Emma Goldman: A Documentary History of the American Years reconstructs the life of Emma Goldman through significant texts and documents. These volumes collect personal letters, lecture notes, newspaper articles, court transcripts, government surveillance reports, and numerous other documents, many of which appear here in English for the first time. Supplemented with thorough annotations, multiple appendixes, and detailed chronologies, the texts bring to life the memory of this singular, pivotal figure in American and European radical history. Volume 2: Making Speech Free, 1902-1909 extends many of the themes introduced in the previous volume, including Goldman's evolving attitudes toward political violence and social reform, intensified now by documentary accounts of the fomenting revolution in Russia and the legal opposition toward anarchism and labor organizing in the United States. Always an impassioned defender of free expression, Goldman's launch of her magazine Mother Earth in 1906 signaled a desire to bring radical thought into wider circulation, and its pages brought together modern literary and cultural ideas with a radical social agenda, quickly becoming a platform for her feminist critique, among her many other challenges to the status quo. With abundant examples from her writings and speeches, this volume details Goldman's emergence as one of American history's most fiercely outspoken opponents of hypocrisy and pretension in politics and public life.

Emma Goldman: A Documentary History of the American Years

by Candace Falk

Emma Goldman: A Documentary History of the American Years redefines the historical memory of Emma Goldman and illuminates a forgotten yet influential facet of the history of American and European radicalism. This definitive multi-volume work, which differs significantly from Goldman's autobiography, presents original texts--a significant group of which are published in or translated into English for the first time--anchored by rigorous contextual annotations. The distillation of years of scholarly research, these volumes include personal correspondence, newspaper articles, government surveillance reports from America and Europe, dramatic court transcripts, unpublished lecture notes, and an array of other rare items and documentation. Biographical, newspaper, and organizational appendixes are complemented by in-depth chronologies that underscore the complexity of Goldman's political and social milieu. The first volume,Made for America, 1890-1901,tracks the young Emma Goldman's introduction into the anarchist movement, features her earliest known writings in the German anarchist press, and charts her gradual emergence from the radical immigrant circles of New York City's Lower East Side into a political and intellectual culture of both national and international importance. Goldman's remarkable public ascendance is framed within a volatile period of political violence: within the first few pages, Henry Clay Frick, the anti-union industrialist, is shot by Alexander Berkman, Goldman's lover; the book ends with the assassination of President William McKinley, an act in which Goldman was falsely implicated. The documents surrounding these events shed light on difficult issues--and spark an important though chilling debate about Goldman's strategy for reconciling her "beautiful vision" of anarchism and the harsh realities of her times. The documents articulate the force of Goldman's rage, tracing the development of her political and social critique as well as her originality and her remarkable ability to synthesize and popularize cutting-edge political and cultural ideas. Goldman appears as a rising luminary in the mainstream press--a voice against hypocrisy and a lightning rod of curiosity, intrigue, and sometimes fear. The volumes include newspaper accounts of the speaking tours across America that eventually established her reputation as one of the most challenging and passionate orators of the twentieth century. Themes that came to dominate Goldman's life--anarchism and its possibilities, free speech, education, the transformative power and social significance of literature, the position of labor within the capitalist economic system, the vital importance of women's freedom, the dynamics of personal relationships, and strategies for a social revolution--are among the many introduced in Made for America.

Emma Goldman: Revolution as a Way of Life

by Vivian Gornick

Emma Goldman is the story of a modern radical who took seriously the idea that inner liberation is the first business of social revolution. Her politics, from beginning to end, was based on resistance to that which thwarted the free development of the inner self. The right to stay alive in one's senses, to enjoy freedom of thought and speech, to reject the arbitrary use of power--these were key demands in the many public protest movements she helped mount. Anarchist par excellence, Goldman is one of the memorable political figures of our time, not because of her gift for theory or analysis or even strategy, but because some extraordinary force of life in her burned, without rest or respite, on behalf of human integrity--and she was able to make the thousands of people who, for decades on end, flocked to her lectures, feel intimately connected to the pain inherent in the abuse of that integrity. To hear Emma describe, in language as magnetic as it was illuminating, what the boot felt like on the neck, was to experience the mythic quality of organized oppression. As the women and men in her audience listened to her, the homeliness of their own small lives became invested with a sense of drama that acted as a catalyst for the wild, vagrant hope that things need not always be as they were. All you had to do, she promised, was resist. In time, she herself would become a world-famous symbol for the spirit of resistance to the power of institutional authority over the lone individual. In Emma Goldman, Vivian Gornick draws a surpassingly intimate and insightful portrait of a woman of heroic proportions whose performance on the stage of history did what Tolstoy said a work of art should do: it made people love life more.

Emma Hamilton and Late Eighteenth-Century European Art: Agency, Performance, and Representation (Routledge Research in Gender and Art)

by Ersy Contogouris

This book offers a renewed look at Emma Hamilton, the eighteenth-century celebrity who was depicted by many major artists, including Angelica Kauffman, George Romney, and Élisabeth Vigée-Le Brun. Adopting an art historical and feminist lens, Ersy Contogouris analyzes works of art in which Hamilton appears, her performances, and writings by her contemporaries to establish her impact on this pivotal moment in European history and art. This pioneering volume shows that Hamilton did not attempt to present a coherent or polished identity, and argues instead that she was a kaleidoscope of different selves through which she both expressed herself and presented to others what they wanted to see. She was resilient, effectively asserted her agency, and was a powerful inspiration for generations of artists and women in their own search for expression and self-actualization.

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