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Gotham Baseball: New York's All-Time Team (Sports Ser.)
by Mark C Healey&“The Big Apple&’s greatest squad . . . Selecting either a Brooklyn Dodgers, New York Giants, New York Yankees or New York Mets player for each position.&” —Long Island Herald Baseball may be the great American pastime, but in New York, it is a religion. Names like Ruth, Mays, Gehrig, Wright and Robinson live in the hearts and minds of New York fans like apostles. From the street corner to the subway car, debates about which Yankee, Giant, Dodger or Met is better than another have raged on for more than one hundred years. Now, the best of the best are chosen for each position as New York&’s all-time greatest team is imagined. Shoo-ins like the Babe and Jackie have their stories told with a fresh perspective. The compelling case for Mike Piazza, not Yogi Berra, as catcher is sure to spark arguments. Sportswriter Mark Healey crafts the Gotham baseball team through captivating tales of the legends of the New York game. &“One of the best Baseball Teams books of all time.&” —BookAuthority &“Many a sportswriter in a column and many a baseball fan in a New York City sports bar have tried to say that their guys were the best; but what if you could put the greatest in Gotham&’s rich baseball history—the very, very best—on one team? . . . Mark C. Healey endeavors to do just that—and start a few more arguments along the way.&” —Queens Chronicle
Gotham Unbound
by Ted SteinbergThis is the story of the monumental struggle between New York and the natural world. From Henry Hudson's discovery of Mannahatta to Hurricane Sandy, Gotham Unbound is Ted Steinberg's sweeping ecological history of one of the most man-made spots on earth.Here is a tale of "the world with us"--lots of us--a groundbreaking book that recounts the four-century history of how hundreds of square miles of open marshlands became home to six percent of the nation's population. Steinberg vividly brings a vanished New York back to life. You will see the metropolitan area anew, not just as a dense urban goliath but as an estuary once home to miles of oyster reefs, wolves, whales, and blueberry bog thickets. That world gave way to an onslaught managed by thousands, from Governor John Montgomerie, who turned water into land, and John Randel, who imposed a grid on Manhattan, to Robert Moses, Charles Urstadt, Donald Trump, and Michael Bloomberg. This book is a powerful account of the relentless development that New Yorkers wrought as they plunged headfirst into the floodplain and transformed untold amounts of salt marsh and shellfish beds into a land jam-packed with people, asphalt and steel, and the reeds and gulls that thrive among them. With metropolitan areas across the globe on a collision course with rising seas, Gotham Unbound is a penetrating history that helps explain how one of the most important cities in the world wound up in such a perilous situation.
Gothia: Muerte en Barcinona
by Santiago CastellanosUna novela que nos cuenta un momento crucial de la historia de la Península. Barcinona, actual Barcelona, año 415. Clodia, una dama de la aristocracia, vive con gran intensidad tanto su amor a la Historia y a los libros como su odio a la sociedad patriarcal romana y al triunfo del cristianismo. Lucha por sus libertades, se recluye en su biblioteca, vive romances y disfruta del sexo más allá de su odioso esposo Minicio. Todo eso le permite respirar en la asfixiante mediocridad de un entorno lleno de hipocresía y recelos. Es en ese ambiente de fiestas y falsas apariencias donde irrumpen los godos, que se asientan por primera vez en Hispania, alterando el orden marcado por Roma. Mientras los poderosos locales intentan sobrevivir al cambio de época y los líderes godos hacen frente a sus rivalidades, una serie de muertes dentro de los muros de Barcinona, entre ellas la del rey Ataúlfo, inquieta cada vez más a sus habitantes. Corren tiempos convulsos y cualquiera puede ser el asesino. El choque entre romanos y godos, el ansia de libertad de Clodia, el ascenso del cristianismo y las intrigas de poder introducen al lector en este fascinante thriller histórico que es, al mismo tiempo, un gran fresco literario sobre la ambición y las traiciones.
The Gothic and the Everyday: Living Gothic (The Palgrave Gothic Series)
by Gill PartingtonThe Gothic and the Everyday aims to regenerate interest in the Gothic within the experiential contexts of history, folklore, and tradition. By using the term 'living', this book recalls a collection of experiences that constructs the everyday in its social, cultural, and imaginary incarnations
Gothic Animals: Uncanny Otherness and the Animal With-Out (Palgrave Studies in Animals and Literature)
by Melissa Edmundson Ruth HeholtThis book begins with the assumption that the presence of non-human creatures causes an always-already uncanny rift in human assumptions about reality. Exploring the dark side of animal nature and the ‘otherness’ of animals as viewed by humans, and employing cutting-edge theory on non-human animals, eco-criticism, literary and cultural theory, this book takes the Gothic genre into new territory. After the dissemination of Darwin’s theories of evolution, nineteenth-century fiction quickly picked up on the idea of the ‘animal within’. Here, the fear explored was of an unruly, defiant, degenerate and entirely amoral animality lying (mostly) dormant within all of us. However, non-humans and humans have other sorts of encounters, too, and even before Darwin, humans have often had an uneasy relationship with animals, which, as Donna Haraway puts it, have a way of ‘looking back’ at us. In this book, the focus is not on the ‘animal within’ but rather on the animal ‘with-out’: other and entirely incomprehensible.
Gothic Arches, Latin Crosses
by Ryan K. SmithCrosses, candles, choir vestments, sanctuary flowers, and stained glass are common church features found in nearly all mainline denominations of American Christianity today. Most Protestant churchgoers would be surprised to learn, however, that at one time these elements were viewed with suspicion as foreign implements associated strictly with the Roman Catholic Church. Blending history with the study of material culture, Ryan K. Smith sheds light on the ironic convergence of anti-Catholicism and the Gothic Revival movement in nineteenth-century America.Smith finds the source for both movements in the sudden rise of Roman Catholicism after 1820, when it began to grow from a tiny minority into the country's largest single religious body. Its growth triggered a corresponding rise in anti-Catholic activities, as activists representing every major Protestant denomination attacked "popery" through the pulpit, the press, and politics. At the same time, Catholic worship increasingly attracted young, genteel observers around the country. Its art and its tangible access to the sacred meshed well with the era's romanticism and market-based materialism.Smith argues that these tensions led Protestant churches to break with tradition and adopt recognizably Latin art. He shows how architectural and artistic features became tools through which Protestants adapted to America's new commercialization while simultaneously defusing the potent Catholic "threat." The results presented a colorful new religious landscape, but they also illustrated the durability of traditional religious boundaries.
Gothic Architecture: 158 Plates from the Brandons' Treatise, 1847
by Raphael Brandon J. Arthur BrandonThis comprehensive study of Gothic architecture traces the distinctively beautiful elements of Gothic style through the medieval churches of Europe. Gathered from a rare two-volume Victorian classic, over 700 meticulously rendered details and illustrations display every intricate aspect of Western culture's most magnificent ecclesiastical structures, including London's Westminster Abbey Church. The only edition of these antique architectural plates in print, this splendid book is a one-of-a-kind source of authentic Gothic design.In page after fascinating page, this rich retrospective features the finest examples of medieval masonwork, woodwork, and metalwork dating back to the thirteenth century. Explore the soaring Gothic characteristics of vaulted ceilings, arched windows, flying buttresses, pointed spires, ornamental filials, and decorative panels, plus doorways, moldings, roofing, porches, door hinges, and other elaborate architectural elements.Filled with fascinating insights into the creation of Gothic-style churches and cathedrals, this sweeping survey also provides lively observations of the medieval period.
Gothic Architecture and Sexuality in the Circle of Horace Walpole (G - Reference, Information And Interdisciplinary Subjects Ser.)
by Matthew M. ReeveGothic Architecture and Sexuality in the Circle of Horace Walpole shows that the Gothic style in architecture and the decorative arts and the tradition of medievalist research associated with Horace Walpole (1717–1797) and his circle cannot be understood independently of their own homoerotic culture. Centered around Walpole’s Gothic villa at Strawberry Hill in Twickenham, Walpole and his "Strawberry Committee" of male friends, designers, and dilettantes invigorated an extraordinary new mode of Gothic design and disseminated it in their own commissions at Old Windsor and Donnington Grove in Berkshire, Lee Priory in Kent, the Vyne in Hampshire, and other sites. Matthew M. Reeve argues that the new "third sex" of homoerotically inclined men and the new "modern styles" that they promoted—including the Gothic style and chinoiserie—were interrelated movements that shaped English modernity. The Gothic style offered the possibility of an alternate aesthetic and gendered order, a queer reversal of the dominant Palladian style of the period. Many of the houses built by Walpole and his circle were understood by commentators to be manifestations of a new queer aesthetic, and in describing them they offered the earliest critiques of what would be called a "queer architecture." Exposing the role of sexual coteries in the shaping of eighteenth-century English architecture, this book offers a profound and eloquent revision to our understanding of the origins of the Gothic Revival and to medievalism itself. It will be welcomed by architectural historians as well as scholars of medievalism and specialists in queer studies.
Gothic Architecture and Sexuality in the Circle of Horace Walpole
by Matthew M. ReeveGothic Architecture and Sexuality in the Circle of Horace Walpole shows that the Gothic style in architecture and the decorative arts and the tradition of medievalist research associated with Horace Walpole (1717–1797) and his circle cannot be understood independently of their own homoerotic culture. Centered around Walpole’s Gothic villa at Strawberry Hill in Twickenham, Walpole and his “Strawberry Committee” of male friends, designers, and dilettantes invigorated an extraordinary new mode of Gothic design and disseminated it in their own commissions at Old Windsor and Donnington Grove in Berkshire, Lee Priory in Kent, the Vyne in Hampshire, and other sites. Matthew M. Reeve argues that the new “third sex” of homoerotically inclined men and the new “modern styles” that they promoted—including the Gothic style and chinoiserie—were interrelated movements that shaped English modernity. The Gothic style offered the possibility of an alternate aesthetic and gendered order, a queer reversal of the dominant Palladian style of the period. Many of the houses built by Walpole and his circle were understood by commentators to be manifestations of a new queer aesthetic, and in describing them they offered the earliest critiques of what would be called a “queer architecture.” Exposing the role of sexual coteries in the shaping of eighteenth-century English architecture, this book offers a profound and eloquent revision to our understanding of the origins of the Gothic Revival and to medievalism itself. It will be welcomed by architectural historians as well as scholars of medievalism and specialists in queer studies.
Gothic Art 1140-c1450: Sources And Documents
by Teresa G. FrischAn anthology offering a chronological assessment of a whole range of technical documents on art written by and for clerks, laymen, churchmen, lawyers, city magistrates, and guilds, this text reveals differences in milieu, customs, resources and psychology during different periods. First Published in 1971 by Prentice Hall.
The Gothic Cathedral: Origins of Gothic Architecture and the Medieval Concept of Order - Expanded Edition (Bollingen Series (General) #640)
by Otto Georg Von SimsonThe description for this book, The Gothic Cathedral: Origins of Gothic Architecture and the Medieval Concept of Order, will be forthcoming.
Gothic Cinema: Eine Einführung (Genrediskurse)
by Katharina ReinMit Gothic Cinema schließt sich eine Lücke im deutschsprachigen Filmdiskurs: Erstmalig beleuchtet der Band einen bislang wenig diskutierten Filmzusammenhang. Er betrachtet das Gothic Cinema als als eine Form inoffizieller Historiographie, die einen Blick nicht nur auf die Geschichte des Films und seiner Technik, sondern auch auf Moralvorstellungen, Geschlechterverhältnisse, kollektive Ängste oder ästhetische Strömungen zulässt. Auf eine Abgrenzung und Bestimmung des Begriffs und der zentralen Elemente des Gothic folgt ein umfassender historischer Überblick von 1896 bis zur heutigen Zeit. Drei ausführliche Analysen einzelner Gothic-Filme und Fernsehserien nach 2015 runden die Betrachtung ab. Die untersuchten Beispiele sind einerseits repräsentativ im Hinblick auf typische Elemente, Motive oder Topoi und weisen andererseits Besonderheiten und Brüche auf, die sich für eine kultur- und medienwissenschaftliche Untersuchung als fruchtbar erweisen.
Gothic Cinema: An introduction
by Katharina ReinGothic Cinema closes a gap in German-language film discourse: for the first time, the volume sheds light on a hitherto little-discussed film context. It considers Gothic Cinema as a form of unofficial historiography that allows a look not only at the history of film and its technique, but also at moral concepts, gender relations, collective fears or aesthetic currents. A delimitation and definition of the term and the central elements of the Gothic are followed by a comprehensive historical overview from 1896 to the present day. Three in-depth analyses of individual post-2015 gothic films and television series round out the review. On the one hand, the examples examined are representative in terms of typical elements, motifs or topoi, and on the other hand, they exhibit peculiarities and breaks that prove fruitful for a cultural and media studies investigation.
Gothic Classics: The Castle of Otranto and The Old English Baron (Haunted Library Horror Classics)
by Horace Walpole Clara ReeveManfred, the lord of the castle of Otranto, has long lived in dread of an ancient prophecy: it's foretold that when his family line ends, the true owner of the castle will appear and claim it. In a desperate bid to keep the castle, Manfred plans to coerce a young woman named Isabella into marrying him.Isabella refuses to yield to Manfred's reprehensible plan. But once she escapes into the depths of the castle, it becomes clear that Manfred isn't the only threat. As Isabelle loses herself in the seemingly endless hallways below, voices reverberate from the walls and specters wander through the dungeons. Otranto appears to be alive, and it's seeking revenge for the sins of the past.
The Gothic Enterprise: A Guide to Understanding the Medieval Cathedral
by Robert A. ScottThe great Gothic cathedrals of Europe are among the most astonishing achievements of Western culture. Evoking feelings of awe and humility, they make us want to understand what inspired the people who had the audacity to build them. This engrossing book surveys an era that has fired the historical imagination for centuries. In it Robert A. Scott explores why medieval people built Gothic cathedrals, how they built them, what conception of the divine lay behind their creation, and how religious and secular leaders used cathedrals for social and political purposes. As a traveler's companion or a rich source of knowledge for the armchair enthusiast, The Gothic Enterprise helps us understand how ordinary people managed such tremendous feats of physical and creative energy at a time when technology was rudimentary, famine and disease were rampant, the climate was often harsh, and communal life was unstable and incessantly violent. While most books about Gothic cathedrals focus on a particular building or on the cathedrals of a specific region, The Gothic Enterprise considers the idea of the cathedral as a humanly created space. Scott discusses why an impoverished people would commit so many social and personal resources to building something so physically stupendous and what this says about their ideas of the sacred, especially the vital role they ascribed to the divine as a protector against the dangers of everyday life. Scott's narrative offers a wealth of fascinating details concerning daily life during medieval times. The author describes the difficulties master-builders faced in scheduling construction that wouldn't be completed during their own lifetimes, how they managed without adequate numeric systems or paper on which to make detailed drawings, and how climate, natural disasters, wars, variations in the hours of daylight throughout the year, and the celebration of holy days affected the pace and timing of work. Scott also explains such things as the role of relics, the quarrying and transporting of stone, and the incessant conflict cathedral-building projects caused within their communities. Finally, by drawing comparisons between Gothic cathedrals and other monumental building projects, such as Stonehenge, Scott expands our understanding of the human impulses that shape our landscape.
Gothic Europe 1200-1450 (Arts Culture and Society in the Western World)
by Derek PearsallThis uniquely ambitious history offers an account of all aspects of cultural activity and production throughout the world of Latin Christendom 1200-1450. Beginning with a detailed description of the political and economic circumstances that allowed the 'Gothic Moment' to flourish, the body of the book is both a celebration of the Gothic cultural achievement - in cathedral-building, in manuscript illumination, in chivalric love-romance, in stained glass and in many other arts - and an investigation of its social origins and systems of production.
Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës (G - Reference, Information and Interdisciplinary Subjects)
by Diane Long HoevelerAs British women writers in the late eighteenth and early nineteenth centuries sought to define how they experienced their era's social and economic upheaval, they helped popularize a new style of bourgeois female sensibility. Building on her earlier work in Romantic Androgyny, Diane Long Hoeveler now examines the Gothic novels of Charlotte Smith, Ann Radcliffe, Jane Austen, Charlotte Dacre Byrne, Mary Shelley, and the Brontës to show how these writers helped define femininity for women of the British middle class.Hoeveler argues that a female-created literary ideology, now known as "victim feminism," arose as the Gothic novel helped create a new social role of professional victim for women adjusting to the new bourgeois order. These novels were thinly disguised efforts at propagandizing a new form of conduct for women, teaching that "professional femininity"—a cultivated pose of wise passiveness and controlled emotions—best prepared them for social survival. She examines how representations of both men and women in these novels moved from the purely psychosexual into social and political representations, and how these writers constructed a series of ideologies that would allow their female characters—and readers—fictitious mastery over an oppressive social and political system.Gothic Feminism takes a neo-feminist approach to these women's writings, treating them not as sacred texts but as thesis-driven works that attempted to instruct women in a series of strategic poses. It offers both a new understanding of the genre and a wholly new interpretation of feminism as a literary ideology.
Gothic Immortals (Routledge Revivals): The Fiction of the Brotherhood of the Rosy Cross
by Marie Mulvey-RobertsFirst published in 1990, this book represents the first full-length study of into the group of novels designated ‘Rosicrucian’ and traces the emergence of this distinct fictional genre, revealing a continuous occult tradition running through seemingly diverse literary texts. Taking the Enlightenment as a starting point, the author shows how the physician’s secular appropriation of the idea of eternal life, through the study of longevity and physical decay, attracted writers like William Godwin. It focuses on the bodily immortality of the Rosicrucian hero and investigates the novels of five major writers — Godwin, Percy Bysshe Shelley, Mary Shelley, Maturin, and Bulwer-Lytton.
The Gothic King: A Biography of Henry III
by John Paul DavisThe first biography in many years of Henry IIIThe son and successor of Bad King John, Henry III reigned for 56 years from 1216, the first child king in England for 200 years. England went on to prosper during his reign and his greatest monument is Westminster Abbey, which he made the seat of his government--indeed, Henry III was the first English King to call a parliament. Though often overlooked by historians, Henry III was a unique figure coming out of a chivalric yet Gothic era: a compulsive builder of daunting castles and epic sepulchres; a powerful, unyielding monarch who faced down the De Montfort rebellion and waged war with Wales and France; and, much more than his father, Henry was the king who really hammered out the terms of the Magna Carta with the barons. John Paul Davis brings all his forensic skills and insights to the grand story of the Gothic King in this, the only biography in print of a most remarkable monarch.
The Gothic Line
by Mark ZuehlkeLike an armor-toothed belt across Italy's upper thigh, the Gothic Line was the most fortified and fiercely defended position the German army had yet thrown in the path of the Allied forces. On August 25, 1944, it fell to I Canadian Corps to spearhead the famed Eighth Army's major offensive, intended to rip through it.The 1st Infantry and 5th Armored Divisions advanced into a killing ground covered by thousands of machine-gun, antitank gun positions, and pillboxes expertly sited behind minefields and dense thickets of barbed wire. Never had the Germans in Italy brought so much artillery to bear or deployed such a great number of tanks.For 28 days, the battle raged as the Allied troops slugged an ever deeper hole into the German defences. The Metauro River, the Foglia River, Point 204, Tomba Di Pesaro, Coriano Ridge, San Martino, and San Fortunato became place names seared into the memories of those who fought there.They fought in a dust-choked land under a searing sun which by battle's end was reduced to a guagmire by rain. But they prevailed and on September 22 won the ground overlooking the Po River Valley, opening the way for the next phase of the Allied advance.
Gothic Nostalgia: The Uses of Toxic Memory in 21st Century Popular Culture (Palgrave Gothic)
by Simon Bacon Katarzyna Bronk-BaconThis book is an original and innovative study of how Gothic nostalgia and toxic memory are used to underpin and promote the ongoing culture wars and populist politics in contemporary popular culture. The essays collected here cover topics from the spectral to the ecological, deep fakes to toxic ableism, Mary Poppins to John Wick to reveal how the use of an imaginary past to shape the present, creates truly Gothic times that we can never escape. These ‘hungry ghosts’ from the past find resonance with the Gothic which speaks equally of a past that often not only haunts the present but will not let it escape its grasp. This collection will look at the confluence between various kinds of toxic nostalgia and popular culture to suggest the ways in which contemporary populism has resurrected ideological monsters from the grave to gorge on the present and any possibility of change that the future might represent.
Gothic Romanticism: Wordsworth, Architecture, Politics, Form (Palgrave Gothic)
by Tom DuggettGothic Romanticism: Wordsworth, Architecture, Politics, Form offers a revisionist account of both Wordsworth and the politics of antiquarianism in the late eighteenth and early nineteenth centuries. As a historically-driven study that develops a significant critique and revision of genre- and theory-based approaches to the Gothic, it covers many key works by Wordsworth and his fellow “Lake Poets” Samuel Taylor Coleridge and Robert Southey. The second edition incorporates new materials that develop the argument in new directions opened up by changes in the field over the last decade. The book also provides a sustained reflection upon Romantic conservatism, including the political thought and lasting influence of Edmund Burke. New material places the book in wider and longer context of the political and historical forms seen developing in Wordsworth, and proposes Gothic Romanticism as the alternative line of cultural development to Victorian Medievalism.
A Gothic Sermon: Making a Contract with the Mother of God, Saint Mary of Amiens
by Stephen Murray"In this work, Stephen Murray seizes a rare opportunity to explore the relationship between verbal and visual culture by presenting a sermon that may have been preached during the second half of the thirteenth century in or near the cathedral of Notre-Dame of Amiens, whose sculptural program was completed at about the same time. In addition to providing a complete transcription and translation of the text, Murray examines the historical context of the sermon and draws comparisons between its underlying structure and the structure of the cathedral's Gothic portals. He also points out parallels between the rhetorical tools used in the sermon and the stylistic and compositional tools used in the sculpture. In both sermon and cathedral he finds a powerful motivational mechanism that invites the repentant sinner to enter into a new contract with the Virgin Mary. "--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Gothic Serpent - Black Hawk Down Mogadishu 1993
by Johnny Shumate Clayton ChunThe United States had demonstrated its military superiority worldwide with its lightning victory over Iraq in 1991. As the only superpower in the world, few would argue that Washington could not prevail in a conventional conflict. Humanitarian missions, however, were another story. Although the United States had experience in a few humanitarian missions, it had just concluded operations in northern Iraq, and was soon to support the United Nations program to help the people in a failed state - Somalia. Somalia was falling apart; it had ceased to exist as a country. Warring tribes had reduced it into an area controlled by warlords. Clan and internecine warfighting had caused major disruption in Somali life. Starvation was a weapon used by the clans. Humanitarian aid and relief arrived but, without security, this support provided little help to the people. On 15 August 1992, President George H.W. Bush ordered military units to airlift supplies into Kenya under Operation Provide Relief. These supplies would enter Somalia with international relief organizations. Still, clans stole the aid for themselves, harassed international relief agencies, extorted money, and allowed starvation to continue. By 8 December, Bush ordered Marines, the US Army's 10th Mountain Division, and Special Forces into Somalia to help UN forces bring order. Some 13,000 American military personnel became part of a security force of 38,000 from UN countries. This massive force helped stabilize Somalia, but the warring factions waited for an opportunity to reassert themselves. By October 1993, the UN security force had shrunk to 16,000, with 4,000 Americans. Two Somali warlords - Muhamed Farrah Aideed and Ali Mahdi Mohamed - had been fighting over control of the capital and main port of Mogadishu. A raid on 3 October, TF Ranger's seventh, aimed at capturing high-ranking Aideed aides initially succeeded with a surprise assault in Mogadishu. While transferring the prisoners to a convoy, Aideed supporters shot down two Army Blackhawk helicopters. These actions resulted in heavy firefights throughout the route of evacuation and the crash sites. The Rangers and others, including two Special Forces snipers who held the second crash site alone, attempted to secure and rescue the downed helicopter crews. The Americans could call on helicopter gunships and had heavy firepower, but against an enemy difficult to identify, in an urban setting, outnumbered, and with darkness approaching, the situation looked grim. The Rangers and Special Forces (Delta Force) fought all night. The10th Mountain Division, Malaysian, and Pakistani forces rescued the Rangers at the first crash site the next day. At the second crash site, Aideed's forces had overwhelmed the area. The two Special Forces snipers died (they received the Congressional Medal of Honor posthumously). In the end, TF Ranger lost 16 killed and 83 wounded. One person died from the relief column. Aideed's force lost 500-1,000 killed and unknown numbers of wounded.
Gothicka
by Victoria NelsonThe Gothic, Romanticism's gritty older sibling, has flourished in myriad permutations since the eighteenth century. In Gothicka, Victoria Nelson identifies the revolutionary turn it has taken in the twenty-first. Today's Gothic has fashioned its monsters into heroes and its devils into angels. It is actively reviving supernaturalism in popular culture, not as an evil dimension divorced from ordinary human existence but as part of our daily lives. To explain this millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She considers the work of Dan Brown and Stephenie Meyer, graphic novelists Mike Mignola and Garth Ennis, Christian writer William P. Young (author of The Shack), and filmmaker Guillermo del Toro. She considers twentieth-century Gothic masters H. P. Lovecraft, Anne Rice, and Stephen King in light of both their immediate ancestors in the eighteenth century and the original Gothic-the late medieval period from which Horace Walpole and his successors drew their inspiration. Fictions such as the Twilight and Left Behind series do more than follow the conventions of the classic Gothic novel. They are radically reviving and reinventing the transcendental worldview that informed the West's premodern era. As Jesus becomes mortal in The Da Vinci Code and the child Ofelia becomes a goddess in Pan's Labyrinth, Nelson argues that this unprecedented mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.