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Hollywood Hates Hitler!: Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures
by Chris YogerstIn September 1941, a handful of isolationist senators set out to tarnish Hollywood for warmongering. The United States was largely divided on the possibility of entering the European War, yet the immigrant moguls in Hollywood were acutely aware of the conditions in Europe. After Kristallnacht (the Night of Broken Glass), the gloves came off. Warner Bros. released the first directly anti-Nazi film in 1939 with Confessions of a Nazi Spy. Other studios followed with such films as The Mortal Storm (MGM), Man Hunt (Fox), The Man I Married (Fox), and The Great Dictator (United Artists). While these films represented a small percentage of Hollywood’s output, senators took aim at the Jews in Hollywood who were supposedly “agitating us for war” and launched an investigation that resulted in Senate Resolution 152. The resolution was aimed at both radio and movies that “have been extensively used for propaganda purposes designed to influence the public mind in the direction of participation in the European War.” When the Senate approved a subcommittee to investigate the intentions of these films, studio bosses were ready and willing to stand up against the government to defend their beloved industry. What followed was a complete embarrassment of the United States Senate and a large victory for Hollywood as well as freedom of speech. Many works of American film history only skim the surface of the 1941 investigation of Hollywood. In Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures, author Chris Yogerst examines the years leading up to and through the Senate Investigation into Motion Picture War Propaganda, detailing the isolationist senators’ relationship with the America First movement. Through his use of primary documents and lengthy congressional records, Yogerst paints a picture of the investigation’s daily events both on Capitol Hill and in the national press.
Hollywood High: A Totally Epic, Way Opinionated History of Teen Movies
by Bruce HandyFrom a longtime Vanity Fair writer and editor, a delightfully entertaining, intelligent, and illuminating history and tribute to teen movies—from Rebel Without a Cause to Fast Times at Ridgemont High, and on to John Hughes, Mean Girls, The Hunger Games, and more.What influence did Francis Ford Coppola have on George Lucas&’s American Graffiti? And Lucas on John Singleton&’s Boyz n the Hood? How does teenage sexuality in Fast Times at Ridgemont High compare to Twilight? Which teen movies pass the Bechdel test? Why is Mean Girls actually the last great teen film of the 20th century? In the same way that Peter Biskind&’s Easy Riders, Raging Bulls connects the films of the 1970s to the period&’s cultural upheaval, and David Hadju&’s Positively 4th Street tells the story of the sixties through the emergence of folk music, Bruce Handy&’s Hollywood High situates iconic teen movies within their times and reveals the intriguing stories, artists, and passions behind their creation. These films aren&’t merely beloved stories; they reflect teens&’ growing economic and cultural influence, societal panics, and shifting perceptions of youth in America. Much more than a nostalgia trip, Hollywood High is a lively, provocative, and affectionate cultural history, spanning nearly one hundred years. Handy, an acclaimed journalist and critic who spent two decades at Vanity Fair, examines the defining films of each generation and builds connections between them. From the Andy Hardy classics (1937–1946) to the iconic Rebel Without a Cause (1955); Beach Party series (1963–1968); American Graffiti (1973); Fast Times at Ridgemont High (1982); the John Hughes touchstones Sixteen Candles, The Breakfast Club, Pretty in Pink, and Ferris Bueller&’s Day Off (1984–1986); Boyz N the Hood (1991); Mean Girls (2004); the Twilight saga (2008–2012); and The Hunger Games series (2012–2015); this is a captivating deep dive into the world of teen movies that captures their sweeping history and influence. We&’ll hear from icons James Dean, Annette Funicello, George Lucas, Amy Heckerling, John Hughes, Molly Ringwald, John Singleton, Tina Fey, and Kristen Stewart, and discover why the most timeless teen movies resonate across generations.
Hollywood Hoofbeats
by Audrey Pavia Petrine Day MitchumPetrine Day Mitchum tells stories in page-turning detail, covering topics such as behind-the-scenes portraits of both famous movie horses and those virtually unknown; personal accounts from their trainers, owners, and co-stars; simple and complex horse stunts, from a fall in mid-gallop to a race across a bridge during a live explosion; and historic black-and-white photographs and richly coloured contemporary stills.
Hollywood Hoofbeats
by Audrey Pavia Petrine Day MitchumThe horses that captured the moviegoers' hearts are the common denominator in Hollywood Hoofbeats. As author Petrine Day Mitchum writes, "the movies as we know them would be vastly different without horses. There would be no Westerns-no cowboy named John Wayne-no Gone with the Wind, no Ben Hur, no Dances with Wolves..." no War Horse, no True Grit, no Avatar! Those last three 21st-century Hollywood creations are among the new films covered in this expanded second edition of Hollywood Hoofbeats written by the daughter of movie star Robert Mitchum, who himself appeared on the silver screen atop a handsome chestnut gelding. Having grown up around movie stars and horses, Petrine Day Mitchum is the ideal author to pay tribute to the thousands of equine actors that have entertained the world since the inception of the film medium.From the early days of D.W. Griffith's The Great Train Robbery to Quentin Tarantino's Django Unchained, this celebration of movies promises something for every Hollywood fan... the raucous comedy of Abbot and Costello (and "Teabiscuit") in It Ain't Hay, a classic sports films like National Velvet starring Elizabeth Taylor, a timeless epic with Errol Flynn, and films featuring guitar-strumming cowboys like Gene Autry and Roy Rogers.INSIDE HOLLYWOOD HOOFBEATSMovie trivia and fascinating anecdotes about the stars of yesterday and todayAn inside look at the stunts horses performed in motion pictures and the lingering controversiesHundreds of illustrations, including rare movie posters, movie stills, and film clipsUpdated, expanded text including coverage of new movies and photographsChapters devoted to action films, Westerns, comedies, musicals, child stars, and moreFamous TV programs and their horses including Mr. Ed and Silver (Lone Ranger)
Hollywood Incoherent: Narration in Seventies Cinema
by Todd BerlinerIn the 1970s, Hollywood experienced a creative surge, opening a new era in American cinema with films that challenged traditional modes of storytelling. Inspired by European and Asian art cinema as well as Hollywood’s own history of narrative ingenuity, directors such as Martin Scorsese, Robert Altman, William Friedkin, Stanley Kubrick, Woody Allen, and Francis Ford Coppola undermined the harmony of traditional Hollywood cinema and created some of the best movies ever to come out of the American film industry. Critics have previously viewed these films as a response to the cultural and political upheavals of the 1970s, but until now no one has explored how the period’s inventive narrative design represents one of the great artistic accomplishments of American cinema. In Hollywood Incoherent, Todd Berliner offers the first thorough analysis of the narrative and stylistic innovations of seventies cinema and its influence on contemporary American filmmaking. He examines not just formally eccentric films—Nashville; Taxi Driver; A Clockwork Orange; The Godfather, Part II; and the films of John Cassavetes—but also mainstream commercial films, including The Exorcist, The Godfather, The French Connection, Willy Wonka and the Chocolate Factory, Dog Day Afternoon, Chinatown, The Bad News Bears, Patton, All the President’s Men, Annie Hall, and many others. With persuasive revisionist analyses, Berliner demonstrates the centrality of this period to the history of Hollywood’s formal development, showing how seventies films represent the key turning point between the storytelling modes of the studio era and those of modern American cinema.
Hollywood Lighting from the Silent Era to Film Noir
by Patrick KeatingLighting performs essential functions in Hollywood films, enhancing the glamour, clarifying the action, and intensifying the mood. Examining every facet of this understated art form, from the glowing backlights of the silent period to the shaded alleys of film noir, Patrick Keating affirms the role of Hollywood lighting as a distinct, compositional force. Closely analyzing Girl Shy (1924), Anna Karenina (1935), Only Angels Have Wings (1939), and T-Men (1947), along with other brilliant classics, Keating describes the unique problems posed by these films and the innovative ways cinematographers handled the challenge. Once dismissed as crank-turning laborers, these early cinematographers became skillful professional artists by carefully balancing the competing demands of story, studio, and star. Enhanced by more than one hundred illustrations, this volume counters the notion that style took a backseat to storytelling in Hollywood film, proving that the lighting practices of the studio era were anything but neutral, uniform, and invisible. Cinematographers were masters of multifunctionality and negotiation, honing their craft to achieve not only realistic fantasy but also pictorial artistry.
Hollywood Lighting from the Silent Era to Film Noir (Film and Culture Series)
by Patrick KeatingLighting performs essential functions in Hollywood films, enhancing the glamour, clarifying the action, and intensifying the mood. Examining every facet of this understated art form, from the glowing backlights of the silent period to the shaded alleys of film noir, Patrick Keating affirms the role of Hollywood lighting as a distinct, compositional force.Closely analyzing Girl Shy (1924), Anna Karenina (1935), Only Angels Have Wings (1939), and T-Men (1947), along with other brilliant classics, Keating describes the unique problems posed by these films and the innovative ways cinematographers handled the challenge. Once dismissed as crank-turning laborers, these early cinematographers became skillful professional artists by carefully balancing the competing demands of story, studio, and star. Enhanced by more than one hundred illustrations, this volume counters the notion that style took a backseat to storytelling in Hollywood film, proving that the lighting practices of the studio era were anything but neutral, uniform, and invisible. Cinematographers were masters of multifunctionality and negotiation, honing their craft to achieve not only realistic fantasy but also pictorial artistry.
Hollywood Madonna: Loretta Young (Hollywood Legends Series)
by Bernard F. DickLoretta Young (1913–2000) was an Academy Award–winning actress known for devout Catholicism and her performances in The Farmer's Daughter, The Bishop's Wife, and Come to the Stable, and for her long-running and tremendously popular television series. But that was not the whole story.. Hollywood Madonna explores the full saga of Loretta Young's professional and personal life. She made her film debut at age four, became a star at fifteen, and many awards and accolades later, made her final television movie at age seventy-six. This biography withholds none of the details of her affair with Clark Gable and the daughter that powerful love produced. Bernard F. Dick places Young's affair in the proper context of the time and the choices available to women in 1935, especially a noted Catholic like Young, whose career would have been in ruins if the public knew of her tryst. With the birth of a daughter, who would have been branded a love child, Loretta Young reached the crossroads of disclosure and deception, choosing the latter path. That choice resulted in an illustrious career for her and a tortured childhood for her daughter.
Hollywood Melodrama and the New Deal: Public Daydreams (Routledge Advances in Film Studies)
by Anna SiomopoulosWhile many critics have analyzed the influence of the FDR administration on Hollywood films of the era, most of these studies have focused either on New Deal imagery or on studio interactions with the federal government. Neither type of study explores the relationship between film and the ideological principles underlying the New Deal. This book argues that the most important connections between the New Deal and Hollywood melodrama lie neither in the New Deal iconography of these films, nor in the politics of any one studio executive. Rather, the New Deal figures prominently in Hollywood melodramas of the Depression era because these films engage the political ideas underlying welfare state policies—ideas that extended the reach of government into the private realm. As the author shows, Hollywood melodramas interrogated New Deal principles of liberal empathy—consumer citizenship, the refeudalization of the state, and minimal economic redistribution—only to support welfare-state ideology in the end.
Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams
by Alan Goldsher Robert EnglundRobert Englund, legendary star of A Nightmare on Elm Street, peels back the Freddy Krueger mask and reveals the stuff of every horror buff&’s dreams.ONE...TWO...FREDDY'S COMING FOR YOU... You've seen him in the A Nightmare on Elm Street series—and in your darkest dreams. The sadistic killer with the flame-charred face. The knife-blade claws. The razor-sharp wit. Freddy...But you've never seen him like this. Unflinching. Uncensored. Unmasked. Meet Robert Englund, the award-winning actor best known for his role as Freddy Krueger—the legendary horror icon featured on the American Film Institute's "100 Greatest Heroes and Villains" roster—a character as unforgettable and enduring as Bela Lugosi's Dracula and Boris Karloff's Frankenstein. Now, for the first time, the man behind the latex mask tells his story in this captivating new memoir, published to celebrate the twenty-fifth anniversary of the first A Nightmare on Elm Street film. You see, Robert Englund is no monster at all, but a deeply funny, charming Hollywood veteran. Packed with Robert's hilarious stories, playful self-deprecation, and a generous helping of never-before-revealed A Nightmare on Elm Street trivia, Hollywood Monster offers an unparalleled look at the beloved film icon. With insider savvy and gallows humor, Robert recounts his audition for Wes Craven, the inspiration for Freddy's character, the grueling makeup sessions, his soon-to-be-famous costars, the often disastrous on-set blunders, and the wave of popularity that propelled this humble California surfer kid all the way to the top. Of course, fame and fortune as Freddy came years after the young actor shared a trailer with screen legend Henry Fonda, was punched in the face by Richard Gere, took down Burt Reynolds, and muscled his way between Arnold Schwarzenegger, Sally Field, and Jeff Bridges. But soon after his high-profile stint in the groundbreaking TV miniseries V, Robert Englund took on the most celebrated role of his career—the macabre and wisecracking killer who quickly became a household name. From the moment Freddy Krueger dragged his claws across a rusty pipe in the opening dream sequence, a legend had been unleashed—and a star was born. This is his story. "Welcome to prime time, bitch." —Frederick Charles Krueger, bastard son of a hundred maniacs
Hollywood Myths: The Shocking Truths Behind Film's Most Incredible Secrets and Scandals
by Joe WilliamsA film journalist’s insider account of the truth behind some of the movie industry’s biggest legends and scandals—a perfect gift for film buffs.Hollywood exists to create and sell myth. Often, however, the myths created on screen are secondary to the rumors, half-truths, and lies that circulate through studio back lots and the press. Discover the real stories behind Hollywood’s greatest myths, as veteran film critic and Hollywood reporter Joe Williams sorts fact from fiction and examines how these tales came to be and how they persisted. Did Thomas Edison really invent the motion picture? Why has Charlie Chaplin survived as the undisputed king of the silent era? What about Fatty Arbuckle and that ill-fated boys’ weekend in San Francisco? Did Woody Allen really marry his adopted daughter? Was there actually a suicide on the set of The Wizard of Oz (or are any of the other countless rumors about that film true)? The tales featured in Hollywood Myths involve specific films, actors’ private lives, the industry itself, and urban legends that have existed as long as Hollywood has. Throughout, Williams illuminates what it was that made the biggest stars—from Marlon to Marilyn, Bogie to Brad—shine so brightly on the silver screen. In all, 56 enduring myths are examined, in the process revealing the machinations of myth-making in the fast, loose, and out-of-control world of Hollywood.
Hollywood Presents Jules Verne: The Father of Science Fiction on Screen (Screen Classics)
by Brian TavesAn &“illuminating&” look at how filmmakers have taken us around the world, under the sea, and to the center of the earth over the course of a century (Milwaukee Express). Even for those who have never read Jules Verne, the author&’s very name conjures visions of the submarine in Twenty Thousand Leagues Under the Sea, the epic race in Around the World in Eighty Days, the spacecraft in From the Earth to the Moon, and the daring descent in Journey to the Center of the Earth. One of the most widely translated authors of all time, Verne has inspired filmmakers since the early silent period and continues to fascinate audiences more than a century after his works were first published. His riveting plots and vivid descriptions easily transform into compelling scripts and dramatic visual compositions. In Hollywood Presents Jules Verne, Brian Taves investigates the indelible mark that the author has left on English-language cinema. Adaptations of Verne&’s tales have taken many forms—early movie shorts, serials, feature films, miniseries, and television shows—and have been produced as both animated and live-action films. Taves illuminates how, as these stories have been made and remade over the years, each new adaptation looks back not only to Verne&’s words but also to previous screen incarnations. He also examines how generations of actors have portrayed iconic characters such as Phileas Fogg and Captain Nemo, and how these figures are treated in pastiches such as Journey 2: The Mysterious Island. Investigating the biggest box-office hits as well as lower-budget productions, this comprehensive study will appeal not only to fans of the writer's work but also to readers interested in the ever-changing relationship between literature, theater, and film.
Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film
by Alonso DuraldeFor generations, members of the LGBTQ+ community in Hollywood needed to be discreet about their lives but—make no mistake—they were everywhere, both in front of and behind the camera. On the eve of the twentieth century, in Thomas Edison&’s laboratory, one of the earliest attempts at a sound film depicted two men dancing together as a third plays the violin. It&’s only a few minutes long, but this cornerstone of early cinema captured a queer moment on film. It would not be the last. With Hollywood Pride, renowned film critic Alonso Duralde presents a history spanning from the dawn of cinema through the &“pansy craze&” of the 1930s and the New Queer Cinema of the 1990s, all the way up to today. He showcases the hard-working actors, writers, directors, producers, cinematographers, art directors, and choreographers whose achievements defined the American film industry and charts the evolution of LGBTQ+ storytelling itself—the way mainstream Hollywood decided it would portray (or erase) their lives and the narratives created by queer filmmakers who fought to tell those stories themselves. Along the way, readers will encounter a fascinating cast of characters, such as the first generation of queer actors, including J. Warren Kerrigan, Ramon Novarro, and William Haines. Early cinema pioneers like Alla Nazimova and F. W. Murnau helped shape the new medium of moving pictures. The sex symbols, both male (Rock Hudson, Tab Hunter, and Anthony Perkins) and female (Lizabeth Scott and Greta Garbo), lived under the threat of their private lives undermining their public personas. Underground filmmakers Kenneth Anger and John Waters made huge strides in LGBTQ+ representation with their off-off-Hollywood productions in the 1960s and &’70s. These screen legends paved the way for every openly queer figure in Hollywood today. Illustrated with more than 175 full-color and black-and-white images, Hollywood Pride points to the bright future of LGBTQ+ representation in cinema by revealing the story of the community&’s inclusion and erasure, its visibility and invisibility, and its triumphs and tragedies.
Hollywood Puzzle Films (AFI Film Readers)
by Warren BucklandFrom Inception to The Lake House, moviegoers are increasingly flocking to narratologically complex puzzle films. These puzzle movies borrow techniques—like fragmented spatio-temporal reality, time loops, unstable characters with split identities or unreliable narrators—more commonly attributed to art cinema and independent films. The essays in Hollywood Puzzle Films examine the appropriation of puzzle film techniques by contemporary Hollywood dramas and blockbusters through questions of narrative, time, and altered realities. Analyzing movies like Source Code, The Butterfly Effect, Donnie Darko, Déjà Vu, and adaptations of Philip K. Dick, contributors explore the implications of Hollywood's new movie mind games.
Hollywood Remembrance and American War (Routledge Advances in Film Studies)
by Andrew Rayment and Paul NadasdyHollywood Remembrance and American War addresses the synergy between Hollywood war films and American forms of war remembrance. Subjecting the notion that war films ought to be considered ʻthe war memorials of today’ to critical scrutiny, the book develops a theoretical understanding of how Hollywood war films, as rhetorical sites of remembering and memory, reflect, replicate and resist American modes of remembrance. The authors first develop the framework for, and elaborate on, the co-evolution of Hollywood war cinema and American war memorialization in the historical, political and ideological terms of remembrance, and the parallel synergic relationship between the aesthetic and industrial status of Hollywood war cinema and the remembering of American war on film. The chapters then move to analysis of Hollywood war films – covering The Great War, World War II, The Korean War, The Vietnam War, The Cold War, and the wars in Afghanistan and Iraq – and critically scrutinize the terms upon which a film could be considered a memorial to the war it represents. Bringing together the fields of film studies and memory studies, this book will be of interest to scholars and students in not just these areas but those in the fields of history, media and cultural studies more broadly, too.
Hollywood Science: Movies, Science, and the End of the World (Acs Symposium Ser. #1139)
by Sidney PerkowitzWhether depicting humans battling aliens or a brave geologist saving lives as a volcano erupts, science-fiction films are an exciting visual and sensuous introduction to the workings of science and technology. These films explore a range of complex topics in vivid and accessible ways, from space travel and laser technology to genetic engineering, global warming, and the consequences of nuclear weaponry. Though actual scientific lab work might not be as exciting, science fiction is an engaging yet powerful way for a wide audience to explore some of the most pressing issues and ideas of our time.In this book, a scientist and dedicated film enthusiast discusses the portrayal of science in more than one hundred films, including science fiction, scientific biographies, and documentaries. Beginning with early films like Voyage to the Moon and Metropolis and concluding with more recent offerings like The Matrix, War of the Worlds, A Beautiful Mind, and An Inconvenient Truth, Sidney Perkowitz questions how much faith we can put into Hollywood's depiction of scientists and their work; how accurately these films capture scientific fact and theory; whether cataclysms like our collision with a comet can actually happen; and to what extent these films influence public opinion about science and the future. Movies, especially science-fiction films, temporarily remove viewers from the world as they know it and show them the world as it might be, providing special perspective on human nature and society. Yet "Hollywood science" can be erroneous, distorting fact for dramatic effect and stereotyping scientists as remote and nerdy, evil, or noble, doing little to improve the relationship between science and society. Bringing together history, scientific theory, and humorous observation, Hollywood Science features dozens of film stills and a list of the all-time best and worst science-fiction movies. Just as this genre appeals to all types of viewers, this book will resonate with anyone who has been inspired by science-fiction films and would like to learn how fantasy compares to fact.
Hollywood Sound Design and Moviesound Newsletter: A Case Study of the End of the Analog Age
by David StoneAs film students and younger fans experience "Big Hollywood Sound" in Imax presentations and digital theaters, many are also discovering action and adventure movies made well before they were born. There is a legacy to be enjoyed in the sound of these films: Blockbuster movies of the ‘80’s, and ‘90’s are notable for the extraordinarily dramatic impact of their sound mixing, and the way in which it could immerse audiences in a surrounding space. During this period, a small group of sound professionals in Hollywood wrote and published a critical journal about the craftsmanship, new technology, and changing aesthetics that excited conversation in their community. Their work has been edited and compiled here for the first time. David Stone is a sound editor, a veteran of roughly 100 Hollywood feature films, such as Gremlins, Top Gun, Die Hard, Speed, and Ocean’s 11. He was a Supervising Sound Editor for projects as varied as Predator, Edward Scissorhands, Beauty and the Beast, Batman Returns, City Slickers 2, and Dolores Claiborne. He has collected Golden Reel awards for Best Sound Editing five times, and won the 1992 Academy Award® for best Sound Effects Editing, for his supervising work on Bram Stoker’s Dracula. In 2015, he received a Lifetime Achievement Award from the San Luis Obispo Jewish Film Festival in California. Stone is now a Professor and former Chair of Sound Design at Savannah College of Art and Design. Between 1989 and 1994, he was the editor of Moviesound Newsletter, which was published by Vanessa Ament. Dr. Vanessa Theme Ament is the author of The Foley Grail, and a contributor to Sound: Dialogue, Music, and Effects (the Silver Screen Series). She is on the steering committee for Cinesonika, an international film festival and conference. A veteran Foley artist, sound editor, and voice actor from Los Angeles, she also writes and sings jazz, and is a member of the American Federation of Musicians, SAG-AFTRA, Actors Equity, and the Editors Guild. She worked on Die Hard, sex, lies, and videotape, Platoon, Predator, Edward Scissorhands, Beauty and the Beast, Noises Off, and A Goofy Movie, and many other films. Dr. Ament received her Ph.D. in Communication, in the area of Moving Image Studies, from Georgia State University in Atlanta, and is presently the Edmund F. and Virginia B. Ball Endowed Chair Professor of Telecommunications, at Ball State University in Muncie, Indiana.
Hollywood Stardom
by Paul McdonaldBy integrating star studies and film industry studies, Hollywood Stardom reveals the inextricable bonds between culture and commerce in contemporary notions of film stardom.Integrates the traditions of star studies and industry studies to establish an original and innovative mode of analysis whereby the 'star image' is replaced with the 'star brand'Offers the first extensive analysis of stardom in the 'post-studio' eraCombines genre, narrative, acting, and discourse analysis with aspects of marketing theory and the economic analysis of the film marketDraws on an extensive body of research data not previously deployed in film scholarshipA wide range of star examples are explored including George Clooney, Mel Gibson, Tom Cruise, Daniel Day-Lewis, Tom Hanks, Will Smith, and Julia Roberts
Hollywood Stars, The (Images of Baseball)
by Richard BeverageThe Hollywood Stars were created in 1926, when the Salt Lake City franchise of the Pacific Coast League was transferred to the greater Los Angeles area. To avoid confusion with the resident Los Angeles Angels, the new ballclub was called Hollywood. It was a wise choice of names. The movie capital had a glamour that was soon attached to the Stars and created an interest wherever they played. But the Hollywood story is actually one of two separate entities. The first operated from 1926 to 1935 and played at Wrigley Field as a tenant of the Angels. When a dispute arose in 1935 over a proposed increase in rent, owner Bill Lane moved his team to San Diego. After a hiatus of two years, the second incarnation was created in 1938 when the Mission Reds of San Francisco moved to Southern California. They moved into their new park, Gilmore Field, in 1939 and remained there through 1957, when the Dodgers moved to Los Angeles. Hollywood won pennants in 1949, 1952, and 1953 and was the team of choice for the movie world.
Hollywood Studios (Postcard History Series)
by Tommy DangcilJust after the turn of the 20th century, the motion picture industry moved to the West Coast, and the largest land of make-believe was created in Hollywood, California. From the silent-era beginnings of primitive, open-air stages to the fabled back lots of the studios' heyday, Hollywood Studios presents a bygone era of magical moviemaking in rare postcards. Assembled from the author's private collection, these images from the Chaplin Studios to Metro-Goldwyn Mayer depict an insider's look back at the dream factories known as the Hollywood studios.
Hollywood TV: The Studio System in the Fifties
by Christopher AndersonThe 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry. This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV. This research suggests that the postwar motion picture industry was less an empire on the verge of ruin-as common wisdom has it-than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.
Hollywood Tiki: Film in the Era of the Pineapple Cocktail
by Adam FoshkoIsland Escapes, South Seas Adventures, and Musical Surf Parties of Midcentury CinemaTiki Culture arose as the defining expression of American pop culture during World War II and its influence continued through the 1960s. The essence of Tiki featured heavily in films of the era, depicting palm-tree and cocktail-laden escapes that captivated audiences nationwide. Films like South Pacific and The Man in the Gray Flannel Suit were a hodgepodge of jungle imagery and World War II Pacific theater memories. A fascination with the new State of Hawaii was reflected in Elvis's Blue Hawaii, while balmy youth flicks like Beach Blanket Bingo and Gidget showcased surf, sun and fun.Join authors Jason Henderson and Adam Foshko as they explore films about the experiences of war filtered through the tropical splendor that defined an era.
Hollywood Traitors: Blacklisted Screenwriters - Agents of Stalin, Allies of Hitler
by Allan H. RyskindAllan Ryskind, son of Marx Brothers screenwriter Morrie Ryskind (Animal Crackers, A Night at the Opera, Room Service), exposes the ugly truth about the Communists blacklisted from the film industry. Too often, the "Hollywood Ten" brought before the House Un-American Activities Committee are memorialized as victims of an unjust witch-hunt and heroes who stood up for free speech. The truth is shocking: Not only did these supposed liberal paragons adore Josef Stalin and take their orders directly from the Communist Party, but they also sympathized with Adolf Hitler. <P><P>Ryskind, who grew up in the heart of the Hollywood scene and personally knew many of the key players in this real-life Hollywood drama, has penned a definitive, myth-busting account of the Hollywood Ten and Hollywood Blacklist that will forever change the way you think about the ideological battle waged in the movie capital of the world. With glossy photographs.
Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars
by Thomas R. LindlofA behind-the-scenes look at the making of The Last Temptation of Christ and the controversy following its release.In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a “field crisis team” to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers.Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese’s film was widely regarded as unmakeable?a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era’s most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film’s alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters.Hollywood Under Siege draws upon interviews with many of the key figures?Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe?to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism.Praise for Hollywood Under Siege“No other book has traced the development of a major motion picture from conception through production to reception with the kind of care and detail that Lindlof does here. Hollywood Under Siege provides valuable insight into the machinery of the film industry, and into the machinations of American culture on a broader front as well.” —Thomas Schatz, author of The Genius of the System: Hollywood Filmmaking in the Studio Era and Executive Director of the University of Texas Film Institute“Riveting and accurate. Even though I thought I knew the events, I found myself captured anew.” —Paul Schrader, screenwriter and director“As a study of a landmark moment in American cinema, Lindlof’s book is both profound and extremely entertaining.” —Los Angeles Times“Lindlof has meticulously researched the histo
Hollywood Unions
by Barbara Hall Helen Warner Miranda J. Banks Paul Monticone Maya Montañez Smukler Adrienne L. McLean Luci Marzola Katie Bird Kate Fortmueller Dawn Fratini Erin HillHollywood Unions is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions’ actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry’s workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood.