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Greek Tragedy After the Fifth Century: A Survey from ca. 400 BC to ca. AD 400
by Vayos Liapis Antonis K. PetridesDid Greek tragedy die along with Euripides? This accessible survey demonstrates that this is far from being the case. In it, thirteen eminent specialists offer, for the first time in English, broad coverage of a little-studied but essential part of the history of Greek tragedy. The book contains in-depth discussions of all available textual evidence (including inscriptions and papyri), but also provides historical perspectives on every aspect of the post-fifth-century history of tragedy. Oft-neglected plays, such as Rhesus, Alexandra, and Exagōgē (the only surviving Biblical tragedy), are studied alongside such topics as the expansion of Greek tragedy beyond Athens, theatre performance, music and dance, society and politics, as well as the reception of Greek tragedy in the Second Sophistic and in Late Antiquity, and the importance of ancient scholarship in the transmission of Greek tragic texts.
Greek Tragedy and the Contemporary Actor
by Zachary Dunbar Stephe HarropThis book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski’s (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.
Greek Tragedy and the Emotions: An Introductory Study (Routledge Revivals)
by W. B. StanfordAccording to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies of the precise dynamics of emotion in the Athenian theatre. In Greek Tragedy and the Emotions, first published in 1993, W.B. Stanford reviews the evidence for ‘emotionalism’ – as the great Attic playwrights presented it, as the actors and choruses expressed it, and as their audiences reacted to it. Sociological aspects of the issue are considered, and the whole range of emotions, not just ‘pity and fear’, is discussed. The aural, visual and stylistic methods of inciting emotion are analysed, and Aeschylus’ Oresteia is examined exclusively in terms of the emotions that it exploits. Finally, Stanford’s conclusions are contrasted with the accepted theories of tragic ‘catharsis’. Greek terms are transliterated and all quotations are in translation, so Greek Tragedy and the Emotions will appeal particularly to those unfamiliar with Classical Greek.
Greek Tragedy, Education, and Theatre Practices in the UK Classics Ecology (Classics In and Out of the Academy)
by Christine Plastow David BullenThrough a series of case studies, this book explores the interrelations among Greek tragedy, theatre practices, and education in the United Kingdom. This is situated within what the volume proposes as ‘the Classics ecology’.The term ‘ecology’, frequently used in Theatre Studies, understands Classics as a field of cultural production dependent on shared knowledge circulated via formal and informal networks, which operate on the basis of mutually beneficial exchange. Productions of Greek tragedy may be influenced by members of the team studying Classics subjects at school or university, or reading popular works of Classical scholarship, or else by working with an academic consultant. All of these have some degree of connection to academic Classics, albeit filtered through different lenses, creating a network of mutual influence and benefit (the ecology). In this way, theatrical productions of Greek drama may, in the long term, influence Classics as an academic discipline, and certainly contribute to attesting to the relevance of Classics in the modern world. The chapters in this volume include contributions by both theatre makers and academics, whose backgrounds vary between Theatre Studies and Classics. They comprise a variety of case studies and approaches, exploring the dissemination of knowledge about the ancient world through projects that engage with Greek tragedy, theories and practices of theatre making through the chorus, and practical relationships between scholars and theatre makers. By understanding the staging of Greek tragedy in the United Kingdom today as being part of the Classics ecology, the book examines practices and processes as key areas in which the value of engaging with the ancient past is (re)negotiated.This book is primarily suitable for students and scholars working in Classical Reception and Theatre Studies who are interested in the reception history of Greek tragedy and the intersection of the two fields. It is also of use to more general Classics and Theatre Studies audiences, especially those engaged with current debates around ‘saving Classics’ and those interested in a structural, systemic approach to the intersection between theatre, culture, and class.
Greek Tragedy in Action
by Oliver TaplinOliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances.Professor Taplin explores nine plays, including Aeschylus' agamemnon and Sophocles' Oedipus the King. The details of theatrical techniques and stage directions, used by playwrights to highlight key moments, are drawn out and related to the meaning of each play as a whole. With extensive translated quotations, the essential unity of action and speech in Greek tragedy is demonstrated.Now firmly established as a classic text, Greek Tragedy in Action is even more relevant today, when performances of Greek tragedies and plays inspired by them have had such an extraordinary revival around the world.
Greek Tragic Theatre (Understanding the Ancient World)
by Rush RehmEmphasizing the political nature of Greek tragedy, as theatre of, by and for the polis, Rush Rehm characterizes Athens as a performance culture; one in which the theatre stood alongside other public forums as a place to confront matters of import. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre focussed on the audience.
The Greek Treasure
by Irving StoneSophia was only 17, the child of a sheltered Greek upbringing, when she fell under the spell of 47-year-old Henry Schliemann.
The Greek Tyrants (Routledge Revivals)
by A. AndrewesFirst Published in 1956 The Greek Tyrants is concerned primarily with an early period of Greek history, when the aristocracies which ruled in the eighth and seventh centuries were losing control of their cities and were very often overthrown by a tyranny, which in its turn gave way to the oligarchies and democracies of the classical period. The tyrants who seized power from time to time in various cities of Greece are analogous to the dictators of our own day and represented for the Greeks a political problem which is still topical: whether it is ever advantageous for a State to concentrate power in the hands of an individual. Those early tyrannies are an important phase of Greek political development: the author discusses here the various military, economic, political, and social factors of the situation which produce them. The book thus forms an introduction to the central period of Greek political history and will be of interest to scholars and researchers of political thought, ancient history, and Greek philosophy.
Greek Vase-painting and the Origins of Visual Humour
by Alexandre G. MitchellA comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Alexandre Mitchell brings an interdisciplinary approach to this topic, combining theories and methods of art history, archaeology, and classics with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual humour was to the ancients and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy and freedom of expression, politics and religion, Greek vases and trends in fashion, market-driven production, proper and improper behaviour, popular versus elite culture, carnival in situ, and the place of women, foreigners, workers, and labourers within the Greek city.
The Greek Victories and the Persian Ebb 480–479 BC: The Battles of Salamis, Plataea, Mycale and after
by Manousos E. KambourisThe dramatic conclusion to this trilogy explains the reversal of fortunes and final defeat of Xerxes’ Persian invasion of Greece; not as unlikely as usually presupposed. The focus is on the successful repulse of the Persian massive armada at Salamis, a resounding naval victory with parallels to the English defeat of the Spanish Armada. Along with the backstage policies and cloak-and-dagger events, the analysis of hard data of naval and military realities and environment shows the reason for this outcome and more so of the closely fought double campaign of the following year that ended the Persian threat. The massive land victory at Plataea that ousted the empire form mainland Greece and crippled its armies, and the amphibious operation at Mycale that destroyed the remnants of the royal Grand Armada and shut the doors to further Persian incursions in Greece is examined in detail. Manousos Kambouris examines in depth the plans, potential, assets and liabilities of the two protagonists to explain command decisions and developments in the field. This is a fine finale to this fresh appraisal of these hugely significant events.
The Greek View of Life (Routledge Revivals: Collected Works of G. Lowes Dickinson)
by G. Lowes DickinsonFirst published in 1896 (this twenty-third edition in 1957), this book provides a general introduction to Greek literature and thought. Among the subjects dealt with are the Greek view of religion, the state and its relation to the citizen, law, artisans and slaves, manual labour, trade and art.
The Greek View of Poetry (Routledge Revivals)
by E.E. SikesThe Greek View of Poetry details critical theories and the appreciation of poetry by the ancient Greeks. Originally published in 1931, this text deals with a whole range of Greek critics from very early criticism to Longinus and his views on Homer in an attempt to provide a historical view of the importance of poetry to Greek society. This title will be of interest to students of Classics.
The Greek War of Independence: The Struggle for Freedom and the Birth of Modern Greece
by David BrewerIn what is certain to be the standard history for many years to come, David Brewer has captured the period brilliantly, from the ground up—the heroes and villains, the victories, and the tragic defeats. Greece was, as Byron said, a land with a special destiny: “Freedom’s home, or Glory’s grave.” The Greek War of Independence is a masterful work—the first comprehensive study in thirty years—of one of the most heroic and bloody struggles for independence any people has ever waged. This was the revolution of the Romantic Age, inspiring painters, poets, and patriots the world over, fired as much by Lord Byron’s ringing words and Delacroix’s brilliant paintings as by Greece’s seemingly hopeless plight. For nearly four hundred years the Ottoman Turks governed Greece, subjecting the country to crushing and arbitrary tax burdens and its peasants to serfdom; the glories of the ancient past were gone, and under Turkish rule Greece was poor and backward. But inspired by the examples of the American and French revolutions, Napoleon’s victories, and the Latin American wars of liberation, the Greek people rose up against their Turkish masters in 1821. For twelve brutal years—a time of terrible violence and bloody massacre—the Greeks and the foreign volunteers who flocked to their cause fought until independence was won in 1833.
Greek Warfare beyond the Polis: Defense, Strategy, and the Making of Ancient Federal States
by David A. BlomeGreek Warfare beyond the Polis assesses the nature and broader significance of warfare in the mountains of classical Greece. Based on detailed reconstructions of four unconventional military encounters, David A. Blome argues that the upland Greeks of the classical mainland developed defensive strategies to guard against external aggression. These strategies enabled wide-scale, sophisticated actions in response to invasions, but they did not require the direction of a central, federal government. Blome brings these strategies to the forefront by driving ancient Greek military history and ancient Greek scholarship "beyond the polis" into dialogue with each other. As he contends, beyond-the-polis scholarship has done much to expand and refine our understanding of the ancient Greek world, but it has overemphasized the importance of political institutions in emergent federal states and has yet to treat warfare involving upland Greeks systematically or in depth. In contrast, Greek Warfare beyond the Polis scrutinizes the sociopolitical roots of warfare from beyond the polis, which are often neglected in military histories of the Greek city-state.By focusing on the significance of warfare vis-à-vis the sociopolitical development of upland polities, Blome shows that although the more powerful states of the classical Greek world were dismissive or ignorant of the military capabilities of upland Greeks, the reverse was not the case. The Phocians, Aetolians, Acarnanians, and Arcadians in circa 490–362 BCE were well aware of the arrogant attitudes of their aggressive neighbors, and as highly efficient political entities, they exploited these attitudes to great effect.
Greek Warriors: Hoplites and Heroes (Casemate Short History)
by Carolyn WillekesA concise, enlightening portrait of the men who fought in the ancient battles we still study today.Thermopylae. Marathon. Though fought 2,500 years ago in Ancient Greece, the names of these battles are more familiar to many than battles fought in the last half-century. But our concept of the men who fought in these battles may be more a product of Hollywood than Greece.Shaped by the landscape in which they fought, the warriors of Ancient Greece were mainly heavy infantry. While Bronze Age Greeks fought as individuals, for personal glory, the soldiers of the Classical city-states fought as hoplites, armed with long spears and large shields, in an organized formation called the phalanx.As well as fighting among themselves, notably the thirty-year Peloponnesian War fought between Athens and Sparta and immortalized by Thucydides, the city-states came together to fight outside threats. The Persian Wars lasted nearly half a century, and saw the Greek armies come together to fend off several massive Persian forces both on land and at sea.This book sketches the change from heroic to hoplite warfare, and discusses the equipment and training of both the citizen soldiers of most Greek cities, and the professional soldiers of Sparta.
The Greek Way (Colección Noema Ser. #Vol. 10)
by Edith HamiltonThe aim of this work is not a history of events but an account of the achievement and spirit of Greece. "Five hundred years before Christ in a little town on the far western border of the settled and civilizaed world, a strange new power was at work. . . . Athens had entered upon her brief and magnificent flowering of genius which so molded the world of mind and of spirit that our mind and spirit today are different. . . . What was then produced of art and of thought has never been surpasses and very rarely equalled, and the stamp of it is upon all the art and all the thought of the Western world." A perennial favorite in many different editions, Edith Hamilton's best-selling The Greek Way captures the spirit and achievements of Greece in the fifth century B.C. A retired headmistress when she began her writing career in the 1930s, Hamilton immediately demonstrated a remarkable ability to bring the world of ancient Greece to life, introducing that world to the twentieth century. The New York Times called The Greek Way a "book of both cultural and critical importance."
The Greek Way to Western Civilization
by Edith HamiltonIn centuries long past, which reached their summit in the few years of the Great Age of Pericles, literature, science, philosophy, art, democracy, religion -- the main achievements of the modern world -- developed almost overnight, full blown in many cases and as perfect as they could ever be. Edith Hamilton has illumined it for us with a spirit similar to its own, a complete sympathy and identification, and in a style that is an echo of the Greek grace, clarity, simplicity and warmth.
The Greek World: Anti-athenian Attitudes Across The Greek, Hellenistic And Roman Worlds (Routledge Worlds)
by Anton PowellStudying from the Mycenean to the late Hellenistic period, this work includes new articles by twenty-seven specialists of ancient Greece, and presents an examination of the Greek cultures of mainland Greece, Asia Minor, Egypt and Italy. With the chapters sharing the theme of social history, this fascinating book focuses on women, the poor, and the slaves – all traditionally seen as beyond the margins of powerand includes the study of figures who were on the literal margins of the Greek world. Bringing to the forefront the research into areas previously thought of as marginal, Anton Powell sheds new light on vital topics and authors who are central to the study of Greek culture. Plato’s reforms are illuminated through a consideration of his impatient and revolutionary attitude to women, and Powell also examines how the most potent symbol of central Greek history – the Parthenon – can be understood as a political symbol when viewed with the knowledge of the cosmetic techniques used by classical Athenian women. The Greek World is a stimulating and enlightening interaction of social and political history, comprehensive, and unique to boot, students will undoubtedly benefit from the insight and knowledge it imparts.
The Greek World 479-323 BC (The Routledge History of the Ancient World)
by Simon HornblowerThe Greek World 479-323 BC has been an indispensable guide to classical Greek history since its first publication nearly thirty years ago. Now Simon Hornblower has comprehensively revised and partly rewritten his original text, bringing it up-to-date for yet another generation of readers. In particular, this fourth edition takes full account of recent and detailed scholarship on Greek poleis across the Hellenic world, allowing for further development of the key theme of regional variety across the Mediterranean and beyond. Other extensive changes include a new sub-chapter on Islands, a completely updated bibliography, and revised citation of epigraphic material relating to the fourth-century BC. With valuable coverage of the broader Mediterranean world in which Greek culture flourished, as well as close examination of Athens, Sparta, and the other great city-states of Greece itself, this fourth edition of a classic work is a more essential read than ever before.
The Greek World After Alexander 323–30 BC (The\routledge History Of The Ancient World Ser.)
by Graham ShipleyThe Greek World After Alexander 323–30 BC examines social changes in the old and new cities of the Greek world and in the new post-Alexandrian kingdoms. An appraisal of the momentous military and political changes after the era of Alexander, this book considers developments in literature, religion, philosophy, and science, and establishes how far they are presented as radical departures from the culture of Classical Greece or were continuous developments from it. Graham Shipley explores the culture of the Hellenistic world in the context of the social divisions between an educated elite and a general population at once more mobile and less involved in the political life of the Greek city.
The Greek World in the Fourth Century: From the Fall of the Athenian Empire to the Successors of Alexander
by Lawrence A. TritleThe contributors in this volume present a systematic survey of the struggles of Athens, Sparta and Thebes to dominate Greece in the fourth century - only to be overwhelmed by the newly emerging Macedonian kingdom of Philip II. Additionally, the situation of Greeks in Sicily, Italy and Asia is portrayed, showing the geographical and political diffusion of the Greeks in a broader historical context.This book will provide the reader with a clearly drawn and vivid picture of the main events and leading personalities in this decisive period of Greek history.
Greek–Latin Philosophical Interaction: Collected Essays of Sten Ebbesen Volume 1 (Ashgate Studies in Medieval Philosophy #Vol. 1)
by Sten EbbesenSten Ebbesen has contributed many works in the field of ancient and medieval philosophy over many decades of dedicated research. His style is crisp and lucid and his philosophical penetration and exposition of often difficult concepts and issues is both clear and intellectually impressive. Ashgate is proud to present this three volume set of his collected essays, all of them thoroughly revised and updated. Each volume is thematically arranged. Volume One: Greek-Latin Philosophical Interaction explores issues of relevance to the history of logic and semantics, and in particular connections and/or differences between Greek and Latin theory and scholarly procedures, with special emphasis on late antiquity and the Middle Ages.
The Greeks: A Global History
by Roderick BeatonA sweeping history of the Greeks, from the Bronze Age to today More than two thousand years ago, the Greek city-states, led by Athens and Sparta, laid the foundation for much of modern science, the arts, politics, and law. But the influence of the Greeks did not end with the rise and fall of this classical civilization. As historian Roderick Beaton illustrates, over three millennia Greek speakers produced a series of civilizations that were rooted in southeastern Europe but again and again ranged widely across the globe. In The Greeks, Beaton traces this history from the Bronze Age Mycenaeans who built powerful fortresses at home and strong trade routes abroad, to the dramatic Eurasian conquests of Alexander the Great, to the pious Byzantines who sought to export Christianity worldwide, to today&’s Greek diaspora, which flourishes on five continents. The product of decades of research, this is the story of the Greeks and their global impact told as never before.
The Greeks
by Roy Burrell Peter ConnollyBurrell and Connolly take us to opening night for a play by Euripides, the first Olympic Games, Alexander the Great's last battle, the rebuilding of the Acropolis, and through the whole fascinating history of Ancient Greece. The Greeks covers the centuries from the Minoans to the breakup of Alexander's empire and the conquest of Greece by Rome. Especially geared for the young reader, the short, fact-filled chapters with easy-to-read text is accompanied by Connolly's richly detailed and authentic illustrations.
The Greeks
by H. KittoThe Greeks were extraordinary not least because they evolved "a totally new conception of what human life was for". Elaborating on that claim, the author explores the life, culture and history of classical Greece.