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I Survived the Great Molasses Flood, 1919 (I Survived #19)
by Lauren TarshisOne of the strangest disasters in U.S. history is brought to vivid life in this graphic novel adaptation of Lauren Tarshis's bestselling I Survived the Great Molasses Flood, 1919, with text adapted by Georgia Ball and art by Karen De La Vega.It's been four years since Carmen and Papa moved from Italy to Boston. Life here is exciting, but not always easy. And then there's the massive metal tank that rises up over their crowded North End neighborhood. The ugly tank, filled with sticky brown molasses, has always leaked. But nobody imagined that it could one day explode apart, sending a tsunami of molasses into the streets.Caught in the flood, Carmen must fight for her life -- the life that she and Papa built together in America. But where will she find the strength?Lauren Tarshis's New York Times bestselling I Survived series comes to vivid life in graphic novel editions. Perfect for readers who prefer the graphic novel format, or for existing fans of the I Survived chapter book series, these graphic novels combine historical facts with high-action storytelling that's sure to keep any reader turning the pages. Includes a nonfiction section at the back with facts and photos about the real-life event.
I Survived the Great Molasses Flood, 1919 (I Survived Graphix)
by Lauren TarshisOne of the strangest disasters in U.S. history is brought to vivid life in this graphic novel adaptation of Lauren Tarshis's bestselling I Survived the Great Molasses Flood, 1919, with text adapted by Georgia Ball and art by Karen De La Vega.It's been four years since Carmen and Papa moved from Italy to Boston. Life here is exciting, but not always easy. And then there's the massive metal tank that rises up over their crowded North End neighborhood. The ugly tank, filled with sticky brown molasses, has always leaked. But nobody imagined that it could one day explode apart, sending a tsunami of molasses into the streets.Caught in the flood, Carmen must fight for her life -- the life that she and Papa built together in America. But where will she find the strength?Lauren Tarshis's New York Times bestselling I Survived series comes to vivid life in graphic novel editions. Perfect for readers who prefer the graphic novel format, or for existing fans of the I Survived chapter book series, these graphic novels combine historical facts with high-action storytelling that's sure to keep any reader turning the pages. Includes a nonfiction section at the back with facts and photos about the real-life event.
I Survived the Hindenburg Disaster, 1937 (I Survived #13)
by Lauren TarshisNew York Times bestselling author Lauren Tarshis provides a birds-eye view of one of America's most ghastly accidents ever be captured on film, the Hindenburg Disaster of 1937.The greatest flying machine ever build is about to crash...For eleven-year-old Hugo Ballard, flying on the Hindenburg is a dream come true. Hugo, his parents, and his four-year-old sister, Gertie, are making the thrilling four-thousand-mile journey across the Atlantic in a zeppelin as big as the Titanic.But as the zeppelin gets ready to land, a blast rocks the Hindenburg and fire consumes the ship. The entire disaster lasts a mere thirty-two seconds, but in those few seconds, Hugo finds himself separated from his family and in a desperate race to escape the flames. The Hindenburg is doomed. And so, it seems, is Hugo. Will he survive this historic disaster?
I Survived the Japanese Tsunami, 2011 (I Survived #8)
by Lauren TarshisThe disaster felt around the world . . .Visiting his dad's hometown in Japan four months after his father's death would be hard enough for Ben. But one morning the pain turns to fear: first, a massive earthquake rocks the quiet coastal village, nearly toppling his uncle's house. Then the ocean waters rise and Ben and his family are swept away-and pulled apart-by a terrible tsunami.Now Ben is alone, stranded in a strange country a million miles from home. Can he fight hard enough to survive one of the most epic disasters of all time?
I Survived the Joplin Tornado, 2011 (I Survived #12)
by Lauren TarshisA destructive force is about to hit the city of Joplin...Eleven-year-old Dexter has always wanted to see a tornado. So when he gets the incredible opportunity to go storm chasing with the famous Dr. Norman Rays, he has to say yes! Dr. Rays is the host of Tornado Mysteries, the show that Dex and his older brother, Jeremy, watched every night until Jeremy joined the U.S. Navy SEALs and left Joplin. Dex certainly knows how deadly tornadoes can be, but this one isn't heading toward Joplin, and wouldn't it be great to have a brave and exciting story of his own to tell Jeremy when he comes home? But when the tornado shifts direction, Dexter's bravery is about to get seriously tested...
I Survived the Nazi Invasion, 1944 (I Survived #9)
by Lauren TarshisOne of the darkest periods in history...In a Jewish ghetto, Max Rosen and his sister Zena struggle to live after their father is taken away by the Nazis. With barely enough food to survive, the siblings make a daring escape from Nazi soldiers into the nearby forest.Max and Zena are brought to a safe camp by Jewish resistance fighters. But soon, bombs are falling all around them. Can Max and Zena survive the fallout of the Nazi invasion?
I Survived the Nazi Invasion, 1944: A Graphic Novel (I Survived Graphic Novels #3)
by Lauren TarshisA beautifully rendered graphic novel adaptation of Lauren Tarshis's bestselling I Survived the Nazi Invasion, 1944, with text adapted by Georgia Ball and art by Álvaro Sarraseca.It's been years since the Nazis invaded Max Rosen's home country of Poland. All the Jewish people, including Max's family, have been forced to live in a ghetto. At least Max and his sister, Zena, had Papa with them . . . until two months ago, when the Nazis took him away. Now Max and Zena are on their own.One day, with barely enough food to survive, the siblings make a daring escape from Nazi soldiers into the nearby forest. They are found by Jewish resistance fighters, who take them to a safe camp.But soon, grenades are falling all around them. Can Max and Zena survive the fallout of the Nazi invasion?With art by Álvaro Sarraseca and text adapted by Georgia Ball, Lauren Tarshis's New York Times bestselling I Survived series takes on vivid new life in this explosive graphic novel edition. Includes nonfiction back matter with historical photos and facts about World War II and the Holocaust.Perfect for readers who prefer the graphic novel format, or for existing fans of the I Survived chapter book series, I Survived graphic novels combine historical facts with high-action storytelling that's sure to keep any reader turning the pages.
I Survived the Shark Attacks of 1916: A Graphix Book (I Survived Graphic Novels #2)
by Lauren TarshisA thrilling graphic novel adaptation of Lauren Tarshis's bestselling I Survived the Shark Attacks of 1916,with text adapted by Georgia Ball and art by Haus Studio!Chet Roscow is finally feeling at home in his uncle's little New Jersey town. He has three new friends, and they love cooling off in the creek on hot summer days. But then comes shocking news: A massive shark has been attacking swimmers in the ocean along the Jersey Shore, not far from where Chet is staying. Fear is in the air. So when Chet spots a gray fin in the creek, he's sure it's his imagination running wild. It's impossible he's about to come face-to-face with a killer shark... right? Based on the real life events of the Jersey Shore shark attacks of 1916, this graphic novel brings Lauren Tarshis's New York Times bestselling I Survived series to vivid life. Perfect for readers who prefer the graphic novel format, or for existing fans of the I Survived chapter book series, these graphic novels combine historical facts with high-action storytelling that's sure to keep any reader turning the pages. Includes a nonfiction section at the back with historical photos and facts about the real-life shark attacks.
I Survived the Sinking of the Titanic, 1912 (I Survived)
by Lauren TarshisA stunning special edition of the first book in Lauren Tarshis's action-packed New York Times bestselling I Survived series, featuring 80 pages of all-new, full-color bonus content!This special edition features a new letter from the author and 80 pages of full-color bonus content, including a tour of the Titanic's first-class decks; historical photos of the ship and passengers; the story of the cutthroat race to find the Titanic wreckage; and a timeline of the technology that helped us uncover it. Perfect for readers new to the series as well as I Survived fans!George Calder must be the luckiest kid alive -- he and his little sister, Phoebe, are sailing with their aunt on the Titanic, the greatest ship ever built! George can't resist exploring every inch of the incredible boat, even if it gets him into trouble.But one night while George is off exploring, a terrible boom shakes the entire boat. Soon the impossible is happening: The Titanic is sinking.George has always gotten out of trouble before. Can he survive this nightmare?
I Survived the Sinking of the Titanic, 1912: A Graphic Novel (I Survived Graphic Novels #1)
by Lauren TarshisTen-year-old George Calder can't wait to explore every inch of the Titanic, even if his little sister, Phoebe, has to tag along. But when George sneaks away without her and ventures into the first class baggage room, a terrible boom shakes the entire boat. Suddenly, water is everywhere, and George's life changes forever...Lauren Tarshis's New York Times bestselling I Survived series takes on vivid new life in full-color graphic novel editions. Perfect for readers who prefer the graphic novel format, or for existing fans of the I Survived chapter book series, these graphic novels combine historical facts with high-action storytelling that's sure to keep any reader turning the pages. <P><P> <i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. Benetech is actively working on projects to improve accessibility issues such as these.</i>
I Survived, Didn't I?: The Great War Reminiscences of Private 'Ginger' Byrne
by Joy Cave4124 Private Byrne, C,. 2nd Battalion the Hampshire Regiment, latterly transferred to the Machine Gun Corps; served Egypt, 1915; France and Belgium, 1916–1918; Germany 1918–1919; honourably discharged, 1919. Behind that bold statement lies a remarkable account of en infantrymans service on the Western Front during the Great War. Charlie 'Ginger' Byrne was a typical young volunteer soldier of 1915, a soldier's son seeking a part in what seemed a great adventure. If his experiences may be said to mirror those of thousands of others, his account stands out from so many because it is set down in the authentic voice of the soldier. Unlike hundreds of thousands of his contemporaries, Charlie Byrne survived into old age. Sound in body and mind, and blessed with almost total recall, he was persuaded to tell his tale to an interested, informed, and acute listener. Now Joy Cave has triumphantly made the transition into print of Charlie's war. It is not a tale of strategy, a recital of epic heroism, but a trench's-eye view of the great tragedy. In that, it perhaps conveys a truth that may sometimes elude the literary memoirists, the heroes and commanders, even the ever rising tide of Great War historians. All have had their say, and more; Charlie Byne speaks for the lost thousands who, for whatever reason, never had a voice. In the often searing descriptions of going into the action with the Newfoundland Regiment on the Somme on 1st of July 1916 (and he was one of the very few survivors of that doomed advance near Beaumont-Hamel); of a catastrophic gas attack in the Ypres Salient; of raids, wiring -and ration- parties; of work details and transport duties; of front line and reserve trenches, and life in billets behind the lines; of the endless incomprehensible moves, and the shattered landscapes of France and Flanders; of the ever-present dangers and the ever present evidence of their effects- there shines through the chaos the good humour and forbearance of the soldier who fought and survived. There is much to be learned from Private Bryne about tolerance and the virtue of simple humanity. He adds to the cataract of words about the Great War his own his own drop of impish comprehension; in doing so, his narrative forms an excellent counterpoint to the reminiscence and other writings that that form the litany of the First World War. Gallant, proud humorous, and enduring, Charlie Byrne reminds us that wars are fought by ordinary people, but that in each of them there is always something extraordinary.
I Swear I Saw This: Drawings in Fieldwork Notebooks, Namely My Own
by Michael TaussigI Swear I Saw This records visionary anthropologist Michael Taussig’s reflections on the fieldwork notebooks he kept through forty years of travels in Colombia. Taking as a starting point a drawing he made in Medellin in 2006—as well as its caption, “I swear I saw this”—Taussig considers the fieldwork notebook as a type of modernist literature and the place where writers and other creators first work out the imaginative logic of discovery. Notebooks mix the raw material of observation with reverie, juxtaposed, in Taussig’s case, with drawings, watercolors, and newspaper cuttings, which blend the inner and outer worlds in a fashion reminiscent of Brion Gysin and William Burroughs’s surreal cut-up technique. Focusing on the small details and observations that are lost when writers convert their notes into finished pieces, Taussig calls for new ways of seeing and using the notebook as form. Memory emerges as a central motif in I Swear I Saw This as he explores his penchant to inscribe new recollections in the margins or directly over the original entries days or weeks after an event. This palimpsest of afterthoughts leads to ruminations on Freud’s analysis of dreams, Proust’s thoughts on the involuntary workings of memory, and Benjamin’s theories of history—fieldwork, Taussig writes, provokes childhood memories with startling ease. I Swear I Saw This exhibits Taussig’s characteristic verve and intellectual audacity, here combined with a revelatory sense of intimacy. He writes, “drawing is thus a depicting, a hauling, an unraveling, and being impelled toward something or somebody.” Readers will exult in joining Taussig once again as he follows the threads of a tangled skein of inspired associations.
I Tatti Studies in the Italian Renaissance, volume 24 number 2 (Fall 2021)
by I Tatti Studies in the Italian RenaissanceThis is volume 24 issue 2 of I Tatti Studies in the Italian Renaissance. Published twice a year, I Tatti Studies in the Italian Renaissance features groundbreaking work written in Italian and in English on every aspect of the literary, religious, artistic, historical, and scientific dimensions of Renaissance Italy. Articles offer pioneering work in a number of areas, ranging from Botticelli’s illustrations for Dante’s Commedia to Florentine sermons on the Dives and Lazarus story to images of Ottoman culture in Mantua. The journal regularly publishes clusters of essays and other special sections.
I Tatti Studies in the Italian Renaissance, volume 25 number 1 (Spring 2022)
by I Tatti Studies in the Italian RenaissanceThis is volume 25 issue 1 of I Tatti Studies in the Italian Renaissance. Published twice a year, I Tatti Studies in the Italian Renaissance features groundbreaking work written in Italian and in English on every aspect of the literary, religious, artistic, historical, and scientific dimensions of Renaissance Italy. Articles offer pioneering work in a number of areas, ranging from Botticelli’s illustrations for Dante’s Commedia to Florentine sermons on the Dives and Lazarus story to images of Ottoman culture in Mantua. The journal regularly publishes clusters of essays and other special sections.
I Tatti Studies in the Italian Renaissance, volume 25 number 2 (Fall 2022)
by I Tatti Studies in the Italian RenaissanceThis is volume 25 issue 2 of I Tatti Studies in the Italian Renaissance. Published twice a year, I Tatti Studies in the Italian Renaissance features groundbreaking work written in Italian and in English on every aspect of the literary, religious, artistic, historical, and scientific dimensions of Renaissance Italy. Articles offer pioneering work in a number of areas, ranging from Botticelli’s illustrations for Dante’s Commedia to Florentine sermons on the Dives and Lazarus story to images of Ottoman culture in Mantua. The journal regularly publishes clusters of essays and other special sections.
I Tatti Studies in the Italian Renaissance, volume 26 number 1 (Spring 2023)
by I Tatti Studies in the Italian RenaissanceThis is volume 26 issue 1 of I Tatti Studies in the Italian Renaissance. Published twice a year, I Tatti Studies in the Italian Renaissance features groundbreaking work written in Italian and in English on every aspect of the literary, religious, artistic, historical, and scientific dimensions of Renaissance Italy. Articles offer pioneering work in a number of areas, ranging from Botticelli’s illustrations for Dante’s Commedia to Florentine sermons on the Dives and Lazarus story to images of Ottoman culture in Mantua. The journal regularly publishes clusters of essays and other special sections.
I Tatti Studies, volume 26 number 2 (Fall 2023)
by I Tatti StudiesThis is volume 26 issue 2 of I Tatti Studies. Published twice a year, I Tatti Studies features groundbreaking work written in Italian and in English on every aspect of the literary, religious, artistic, historical, and scientific dimensions of Renaissance Italy. Articles offer pioneering work in a number of areas, ranging from Botticelli’s illustrations for Dante’s Commedia to Florentine sermons on the Dives and Lazarus story to images of Ottoman culture in Mantua. The journal regularly publishes clusters of essays and other special sections.
I Tatti Studies, volume 27 number 2 (Fall 2024)
by I Tatti StudiesThis is volume 27 issue 2 of I Tatti Studies. Published twice a year, I Tatti Studies features important new work on every aspect of the literary, religious, musical, artistic, philosophical, historical, and scientific dimensions of early modern Italy in a global context. The journal regularly publishes clusters of essays and other special sections.
I Tatti Studies, volume 28 number 1 (Spring 2025)
by I Tatti StudiesThis is volume 28 issue 1 of I Tatti Studies. Published twice a year, I Tatti Studies features important new work on every aspect of the literary, religious, musical, artistic, philosophical, historical, and scientific dimensions of early modern Italy in a global context. The journal regularly publishes clusters of essays and other special sections.
I Thee Wed
by Celeste BradleyFrom the New York Times bestselling author of With This Ring comes a Wicked Worthington novel of love that defies reason...Intelligent and driven, Orion Worthington aspired to be like his mentor, the acclaimed scientist Sir Geoffrey Blayne. Logically, Sir Geoffrey's daughter would be Orion's perfect match. So why can't he keep his mind off the unruly girl who works in Sir Geoffrey's lab? Orphaned fire-cracker Francesca Penrose hopes that London is modern enough to accept her brilliant mind despite her womanhood. But she can't help noticing Orion's mind...or his body.So they decide to run an experiment: if they give in to their passions, their attraction will simply fizzle out, with no impact on their hearts...right?
I Thee Wed (Vanza #2)
by Amanda QuickIt isn't easy making a living as a lady's companion when one possesses a sharp tongue and an original mind. That's why Emma Greyson has gone through three such positions in six months. Her current post at a tiresome country house party has her bored to tears--until an extraordinary encounter with the legendary Edison Stokes leads to a secret position as his assistant. Stokes is on a peculiar mission, searching for an anonymous thief who has stolen an ancient book of arcane potions. He suspects his quarry is among the party's guests--and that the villain is looking for an intuitive woman on whom to test a certain elixir. A woman just like Emma. . . For Emma, the new post brings unexpected passion and chilling danger. But when murder strikes, she realizes the awful truth. Unless she and Edison devise a scheme to outwit a merciless killer, she could forever lose the man of her dreams--and even her very life. . . .
I Thee Wed: Number 2 in series (Vanza #2)
by Amanda QuickIt isn't easy making a living as a lady's companion when one possesses a sharp tongue and an original mind. That's why Emma Greyson has gone through three such positions in six months. Then an extraordinary encounter with the legendary Edison Stokes leads to a secret position as his assistant. Stokes is on a peculiar mission, searching for an anonymous thief who has stolen an ancient book of arcane potions. He suspects his quarry is among the party's guests - and that the villain is looking for an intuitive woman on whom to test a certain elixir. A woman just like Emma...For Emma, the new post brings unexpected passion and chilling danger. But when murder strikes, she realises the awful truth. Unless she and Edison devise a scheme to outwit a merciless killer, she could forever lose the man of her dreams - and maybe her very life....
I Think, Therefore I Draw: Understanding Philosophy Through Cartoons
by Thomas Cathcart Daniel KleinA hilarious new exploration of philosophy through cartoons from the duo who brought you the New York Times bestselling Plato and a Platypus Walk Into A Bar...Thomas Cathcart and Daniel Klien have been thinking deep thoughts and writing jokes for decades, and now they are here to help us understand Philosophy through cartoons, and cartoons through Philosophy. Covering topics as diverse as religion, gender, knowledge, morality, and the meaning of life (or the lack thereof), I Think, Therefore I Draw gives a thorough introduction to all of the major debates in philosophy through history and the present. And since they explain with the help of a selection of some of the smartest cartoonists working today, you'll breeze through these weighty topics as you guffaw and slap your knee. Cathcart and Klein's Plato and a Platypus Walk into a Bar... and Heidegger and a Hippo Walk Through Those Pearly Gates have been a favorite of philosophers and non-philosophers alike for years. Packed with dozens of witty cartoons and loaded with profound philosophical insight, I Think, Therefore I Draw will delight readers and leave them enlightened.
I Thought I Heard You Speak: Women at Factory Records
by Audrey GoldenFactory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. The untold history of Factory Records is one of women's work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda. Told entirely in their voices and featuring contributions from Gillian Gilbert, Gina Birch, Cath Carroll, Penny Henry and over fifty more interviewees, I THOUGHT I HEARD YOU SPEAK is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.
I Thought I Heard You Speak: Women at Factory Records
by Audrey GoldenFactory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. The untold history of Factory Records is one of women's work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda. Told entirely in their voices and featuring contributions from Gillian Gilbert, Gina Birch, Cath Carroll, Penny Henry and over fifty more interviewees, I THOUGHT I HEARD YOU SPEAK is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.