Browse Results

Showing 83,751 through 83,775 of 100,000 results

History and Totality: Radical Historicism From Hegel to Foucault (Routledge Library Editions: Historiography)

by John Grumley

In this work, originally published in 1989, the author establishes a tradition of radical historicism from Hegel to the Budapenst School. He charts both its continuous evolution from the early 19th century to the late 20thh, and its transformation in the context of European social, economic and cultural change. Through a reappraisal of historical interpretation from Hegel to Foucault, the book demonstrates the contemporary relevance of radical historicism. It includes detailed analyses of Marx, Dilthey, Simmel, Weber, Lukácks, Horkheimer, Adorno and Habermas.

The History and Tradition of Accounting in Italy: Tbc (Routledge Studies in Accounting)

by David Alexander, Stefano Adamo, Roberto Di Pietra and Roberta Fasiello

Italian accounting has a long and honourable tradition of theoretical and applied analysis of the accounting and reporting function, perceived and defined much more broadly than in the Anglo-Saxon tradition. The high point of this perhaps, is the creation of what is known as Economia Aziendale (EA). The antecedents, genesis and later developments are presented here in detail by highly knowledgeable specialists in the field. EA takes as a prerequisite the necessity of the business (entity/azienda) to ensure its own long-run survival. This requires that the necessary resources are retained and preserved, so operating capital maintenance, by definition future-oriented, is essential. It requires a focus on the particular business organization, entity-specific and consistent with today's notion of the business model. Entity-specific information relevant to current and future cash flows is a necessary pre-requisite for ensuring long-run survival, which historical cost accounting, or fair value (being market-specific not entity-specific) satisfactorily achieve. Flexibility of valuation and of reporting, always relevant to the specific asset at the specific time in the specific place, is a necessary condition for effective management. This is exactly the focus of EA and its analysis and tradition. Scholars and advanced students of international regulation and accounting, as well as accounting history, will find this an invaluable guide to a vibrant, scholarly tradition of great practical relevance today.

History and Utopia

by Richard Howard E. M. Cioran Eugene Thacker

"Only a monster can allow himself the luxury of seeing things as they are," writes E. M. Cioran, the Romanian-born philosopher who has rightly been compared to Samuel Beckett.In History and Utopia, Cioran the monster writes of politics in its broadest sense, of history, and of the utopian dream. His views are, to say the least, provocative. In one essay he casts a scathing look at democracy, that "festival of mediocrity"; in another he turns his uncompromising gaze on Russia, its history, its evolution, and what he calls "the virtues of liberty." In the dark shadow of Stalin and Hitler, he writes of tyrants and tyranny with rare lucidity and convincing logic. In "Odyssey of Rancor," he examines the deep-rooted dream in all of us to "hate our neighbors," to take immediate and irremediable revenge. And, in the final essay, he analyzes the notion of the "golden age," the biblical Eden, the utopia of so many poets and thinkers.

History and Value: The Clarendon Lectures and the Northcliffe Lectures 1987

by Frank Kermode

University lectures on literature and art

History, Archaeology and The Bible Forty Years After Historicity: Changing Perspectives 6

by Thomas L. Thompson Ingrid Hjelm

In History, Archaeology and the Bible Forty Years after "Historicity", Hjelm and Thompson argue that a ‘crisis’ broke in the 1970s, when several new studies of biblical history and archaeology were published, questioning the historical-critical method of biblical scholarship. The crisis formed the discourse of the Copenhagen school’s challenge of standing positions, which—together with new achievements in archaeological research—demand that the regional history of ancient Israel, Judaea and Palestine be reconsidered in all its detail. This volume examines the major changes that have taken place within the field of Old Testament studies since the ground breaking works of Thomas Thompson and John van Seters in 1974 and 1975 (both republished in 2014). The book is divided in three sections: changing perspectives in biblical studies, history and cult, and ideology and history, presenting new articles from some of the field’s best scholars with comprehensive discussion of historical, archaeological, anthropological, cultural and literary approaches to the Hebrew Bible and Palestine’s history. The essays question: "How does biblical history relate to the archaeological history of Israel and Palestine?" and "Can we view the history of the region independently of a biblical perspective?" by looking at the problem from alternative angles and questioning long-held interpretations. Unafraid to break new ground, History, Archaeology and the Bible Forty Years after "Historicity" is a vital resource to students in the field of Biblical and East Mediterranean Studies, and anyone with an interest in the archaeology, history and religious development in Palestine and the ancient Near East.

History as a Kind of Writing: Textual Strategies in Contemporary French Historiography

by Philippe Carrard

In academia, the traditional role of the humanities is being questioned by the “posts”—postmodernism, poststructuralism, and postfeminism—which means that the project of writing history only grows more complex. In History as a Kind of Writing, scholar of French literature and culture Philippe Carrard speaks to this complexity by focusing the lens on the current state of French historiography. Carrard’s work here is expansive—examining the conventions historians draw on to produce their texts and casting light on views put forward by literary theorists, theorists of history, and historians themselves. Ranging from discussions of lengthy dissertations on 1960s social and economic history to a more contemporary focus on events, actors, memory, and culture, the book digs deep into the how of history. How do historians arrange their data into narratives? What strategies do they employ to justify the validity of their descriptions? Are actors given their own voice? Along the way, Carrard also readdresses questions fundamental to the field, including its necessary membership in the narrative genre, the presumed objectivity of historiographic writing, and the place of history as a science, distinct from the natural and theoretical sciences.

History as a Science

by Jan Van Dussen

Since its appearance in 1981 History as a Science has been welcomed as a coherent and comprehensive review and analysis of the many aspects of Collingwood's philosophy of history, the development of his views, and their reception. The book was the first to pay extensive attention to Collingwood's unpublished manuscripts, and to his work as an archaeologist and historian. With the publication of this volume Jan van der Dussen, opened up a new angle in Collingwood studies. The republication of this volume meets an increasing demand to make the book available for future Collingwood scholars, and people interested in Collingwood's philosophy. Apart from verbal changes to improve readability and a new pagination, the manuscript is the same as the original.

History as Art, Art as History: Contemporary Art and Social Studies Education

by Dipti Desai Jessica Hamlin Rachel Mattson

History as Art, Art as History pioneers methods for using contemporary works of art in the social studies and art classroom to enhance an understanding of visual culture and history. The fully-illustrated interdisciplinary teaching toolkit provides an invaluable pedagogical resource—complete with theoretical background and practical suggestions for teaching U.S. history topics through close readings of both primary sources and provocative works of contemporary art. History as Art, Art as History is an experientially grounded, practically minded pedagogical investigation meant to push teachers and students to think critically without sacrificing their ability to succeed in a standards-driven educational climate. Amid the educational debate surrounding rigid, unimaginative tests, classroom scripts, and bureaucratic mandates, this innovative book insists on an alternate set of educational priorities that promotes engagement with creative and critical thinking. Features include: A thought-provoking series of framing essays and interviews with contemporary artists address the pivotal questions that arise when one attempts to think about history and contemporary visual art together. An 8-page, full color insert of contemporary art, plus over 50 black and white illustrations throughout. A Teaching Toolkit covering major themes in U.S. history provides an archive of suggested primary documents, plus discussion suggestions and activities for putting theory into practice. Teaching activities keyed to the social studies and art curricula and teaching standards Resources include annotated bibliographies for further study and lists of arts and media organizations. This sophisticated yet accessible textbook is a must-read resource for any teacher looking to draw upon visual and historical texts in their teaching and to develop innovative curriculum and meaningful student engagement.

History as Fantasy in Music, Sound, Image, and Media (Music and Visual Culture)

by James Cook, Alexander Kolassa, Alexander Robinson, and Adam Whittaker

Exploring how music is used to portray the past in a variety of media, this book probes the relationship between history and fantasy in the imagination of the musical past. The volume brings together essays from multidisciplinary perspectives, addressing the use of music to convey a sense of the past in a wide range of multimedia contexts, including television, documentaries, opera, musical theatre, contemporary and historical film, videogames, and virtual reality. With a focus on early music and medievalism, the contributors theorise the role of music and sound in constructing ideas of the past. In three interrelated sections, the chapters problematise notions of historical authenticity on the stage and screen; theorise the future of musical histories in immersive and virtual media; and explore sound’s role in more fantastical appropriations of history in television and videogames. Together, they poseprovocative questions regarding our perceptions of ‘early’ music and the sensory experience of distant history. Offering new ways to understand the past at the crossroads of musical and visual culture, this collection is relevant to researchers across music, media, and historical and cultural studies.

History as Literature in Byzantium: Papers from the Fortieth Spring Symposium of Byzantine Studies, University of Birmingham, April 2007 (Publications of the Society for the Promotion of Byzantine Studies #15)

by Ruth Macrides

Although perceived since the sixteenth century as the most impressive literary achievement of Byzantine culture, historical writing nevertheless remains little studied as literature. Historical texts are still read first and foremost for nuggets of information, as main sources for the reconstruction of the events of Byzantine history. Whatever can be called literary in these works has been considered as external and detachable from the facts. The 'classical tradition' inherited by Byzantine writers, the features that Byzantine authors imitated and absorbed, are regarded as standing in the way of understanding the true meaning of the text and, furthermore, of contaminating the reliability of the history. Chronicles, whose language and style are anything but classicizing, have been held in low esteem, for they are seen as providing a mere chronological exposition of events. This book presents a set of articles by an international cast of contributors, deriving from papers delivered at the 40th annual Spring Symposium of Byzantine Studies. They are concerned with historical and visual narratives that date from the sixth to the fourteenth century, and aim to show that literary analyses and the study of pictorial devices, far from being tangential to the study of historical texts, are preliminary to their further study, exposing the deeper structures and purposes of these texts.

History as Mystery

by Michael Parenti

Essays on how history's victors distort and suppress the documentary record in order to perpetuate their power and privilege, and how historians are influenced by the professional and class environment in which they work. "Michael Parenti, always provocative and eloquent, gives us a lively as well as valuable critique of orthodoxy posing as 'history. '"-Howard Zinn"Solid if surely controversial stuff. "- Kirkus Table of Contents Prologue: Against the Mainstream History as Miseducation Mainstream Orthodoxy The Hunt for Real History Textbooks: America the Beautiful For Business, Against Labor The School as a Tool Priests and Pagans, Saints and Slaves Triumph of the One True Faith Silencing the Pagans Accepting the Powers that Be Affluent Believers Saints For Slavery Bishops and Barbarians, Jezebels and Jews The Myth of the Devout Peasant The Curse of Eve The Burning of Books Preparing the Holocaust History in the Faking Suppression at the Point of OriginCold War in the Archives Classified History, USA Listening to the Muted Masses In Ranke's Footsteps His Majesty's Servant An Aristocratic Profession' Purging the Reds Publishing and Privishing' Marketing the Right Stuff The Strange Death of President Zachary Taylor, a Study in the Manufacture of Mainstream History Examining the Examination Confrontation with the Slavocracy A lethal Dose of Cherries and Milk? Honorable Men and Official History Against Psychopolitics Depoliticizing the Political Dubious Clinical Data Lenin as Oedipus The Compulsive Hoover The Political Hoover When the Political Becomes Personal Afterword

History as Performance: Political Movements in Galicia Around 1900 (Routledge Studies in Cultural History #93)

by Dietlind Hüchtker

This study analyzes history as performance: as the interaction of actors, plays, stages and enactments. By this, it examines women’s politics in Habsburg Galicia around 1900: a Polish woman active in the peasant movement, a Ukrainian feminist, and a Jewish Zionist. It shows how the movements constructed essentialistically regarded collectives, experience as a medially comprehensible form of credibility, and a historically based inevitability of change, and legitimized participation and intervention through social policy and educational practices. Traits shared by the movements included the claim to interpretive sovereignty, the ritualization of participation, and the establishment of truths about past and future.

History As A Science (Routledge Library Editions: Historiography)

by Hugh Taylor

Examining why the study of history as a science was not as advanced as other disciplines, the author of this book, originally published in 1933, examines the arguments in the controversy of what the object of history should be. He then discusses the impact of the study of history on government, war and revolution .

History as They Saw It: Iconic Moments from the Past in Color

by Wolfgang Wild Jordan Lloyd

This revolutionary photography collection is as close to time travel as it gets. Featuring 120 historic black-and-white photographs thoroughly restored and rendered in color, this book illuminates some of the most iconic moments in history, from the sinking of the Titanic to the construction of the Golden Gate Bridge. Brought to life with vibrant color, these incredible images effectively blur the distinction between past and present and bring history within arm's reach. With a timeline spanning more than 100 years, from 1839 to 1949, this unique ebook will amaze history and photography buffs alike, offering new perspectives on significant moments of the 19th and 20th centuries.

History as Wonder: Beginning with Historiography

by Marnie Hughes-Warrington

History and Wonder is a refreshing new take on the idea of history that tracks the entanglement of history and philosophy over time through the key idea of wonder. From Ancient Greek histories and wonder works, to Islamic curiosities and Chinese strange histories, through to European historical cabinets of curiosity and on to histories that grapple with the horrors of the Holocaust, Marnie Hughes-Warrington unpacks the ways in which historians throughout the ages have tried to make sense of the world, and to change it. This book considers histories and historians across time and space, including the Ancient Greek historian Polybius, the medieval texts by historians such as Bede in England and Ibn Khaldun in Islamic Historiography, and the more recent works by Martin Heidegger, Luce Irigaray and Ranajit Guha among others. It explores the different ways in which historians have called upon wonder to cross boundaries between the past and the present, the universal and the particular, the old and the new, and the ordinary and the extraordinary. Promising to both delight and unsettle, it shows how wonder works as the beginning of historiography. Accessible, engaging and wide-ranging, History as Wonder provides an original addition to the field of historiography that is ideal for those both new to and familiar with the study of history.

History at the Limit of World-History (Italian Academy Lectures)

by Ranajit Guha

The past is not just, as has been famously said, another country with foreign customs: it is a contested and colonized terrain. Indigenous histories have been expropriated, eclipsed, sometimes even wholly eradicated, in the service of imperialist aims buttressed by a distinctly Western philosophy of history. Ranajit Guha, perhaps the most influential figure in postcolonial and subaltern studies at work today, offers a critique of such historiography by taking issue with the Hegelian concept of World-history. That concept, he contends, reduces the course of human history to the amoral record of states and empires, great men and clashing civilizations. It renders invisible the quotidian experience of ordinary people and casts off all that came before it into the nether-existence known as "Prehistory."On the Indian subcontinent, Guha believes, this Western way of looking at the past was so successfully insinuated by British colonization that few today can see clearly its ongoing and pernicious influence. He argues that to break out of this habit of mind and go beyond the Eurocentric and statist limit of World-history historians should learn from literature to make their narratives doubly inclusive: to extend them in scope not only to make room for the pasts of the so-called peoples without history but to address the historicality of everyday life as well. Only then, as Guha demonstrates through an examination of Rabindranath Tagore's critique of historiography, can we recapture a more fully human past of "experience and wonder."

History at the Limit of World-History

by Ranajit Guha

The past is not just, as has been famously said, another country with foreign customs: it is a contested and colonized terrain. Indigenous histories have been expropriated, eclipsed, sometimes even wholly eradicated, in the service of imperialist aims buttressed by a distinctly Western philosophy of history. Guha offers a critique of such historiography by taking issue with the Hegelian concept of World-history.

History Begins: A Global History of the Ancient World

by Sheena Coupe Barbara Scanlan

A comprehensive introduction to global history.

The History Behind Game of Thrones: The North Remembers

by David C. Weinczok

The true history behind the hit HBO fantasy show and George R. R. Martin&’s bestselling Fire and Ice series. A wall in the distant north cuts the world in two. Ruthless sea-born warriors raid the coasts from their war galleys. A young nobleman and his kin are slaughtered under a banner of truce within a mighty castle. A warrior king becomes a legend when he smites his foe with one swing of his axe during a nation-forging battle. Yet this isn&’t Westeros—it&’s Scotland. Game of Thrones is history re-imagined as fantasy. The History Behind Game of Thrones turns the tables, using George R. R. Martin&’s extraordinary fictional universe as a way to understand the driving forces and defining moments from Scotland&’s story. Why were castles so important? Was there a limit to the powers a medieval king could use—or abuse? What was the reality of being under siege? Was there really anything that can compare to the destructive force of dragons? By joining forces, Westeros and Scotland hold the answers. Writer and presenter David C. Weinczok draws on a vast array of characters, events, places, and themes from Scottish history that echo Game of Thrones at every dramatic turn. Visit the castle where the real Red Wedding transpired, encounter the fearsome historical tribes beyond Rome&’s great wall, learn how a blood-red heart became the most feared sigil in Scotland, and much more. By journey&’s end, the cogs in the wheels of Martin&’s world and Scottish history will be laid bare, as well as the stories of those who tried to shape—and sometimes even break—them.

History Below the Global: On and Beyond the Coloniality of Power in Historical Research

by Lorenzo Kamel

History Below the Global aims to foster an entangled knowledge of global history, and to place "others" at the centre stage, to better understand the fluid world which we inhabit.Relying on primary sources in seven languages and books written by hundreds of African, Asian, Middle Eastern and South American scholars, Lorenzo Kamel examines the coloniality of power in historical research and sheds light on the largely neglected roles of the "others" and their modernities in history. The book provides three elements combined. Firstly, a thorough analysis of the process of accumulation (“knowledge piece by piece”) which underpins some of the major achievements in human history. Secondly, a view on pre-colonial perspectives and the process through which the latter have been swallowed up by Eurocentric and solipsistic perceptions. Lastly, a study of the roots and outcomes of colonialisms and their echoes in our present. These three elements are addressed by combining multiple methodologies and approaches, in the awareness that the history analysed, as well as the historiographical trajectories that underlie it, are ultimately inter-penetrable, as well as themselves the result of a process of accumulation. History Below the Global challenges the view that, first and foremost, the “West”, for bad and for good, is and was the centre: the proactive actor which did and undid.This volume will be of value to all those interested in global history, the history of colonialism, post-colonial studies, modern and contemporary history.

History Beyond the Text: A Student’s Guide to Approaching Alternative Sources (Routledge Guides to Using Historical Sources)

by Sarah Barber Corinna Peniston-Bird

Historians are increasingly looking beyond the traditional, and turning to visual, oral, aural, and virtual sources to inform their work. The challenges these sources pose require new skills of interpretation and require historians to consider alternative theoretical and practical approaches. In order to help historians successfully move beyond traditional text, Sarah Barber and Corinna Peniston-Bird bring together chapters from historical specialists in the fields of fine art, photography, film, oral history, architecture, virtual sources, music, cartoons, landscape and material culture to explain why, when and how these less traditional sources can be used. Each chapter introduces the reader to the source, suggests the methodological and theoretical questions historians should keep in mind when using it, and provides case studies to illustrate best practice in analysis and interpretation. Pulling these disparate sources together, the introduction discusses the nature of historical sources and those factors which are unique to, and shared by, the sources covered throughout the book. Taking examples from around the globe, this collection of essays aims to inspire practitioners of history to expand their horizons, and incorporate a wide variety of primary sources in their work.

The History Book: Big Ideas Simply Explained (Big Ideas)

by Dk

Travel thousands of years into our past and discover the significant events that shaped the world as we know it. From the founding of Baghdad, and the colonisation of the Americas, to the inception of Buddhism, The History Book highlights key ideas, themes, and events of world history without complicated jargon, just short, pithy explanations. Part of DK's award-winning Big Ideas educational series that uses witty graphics and engaging descriptions to enlighten readers. Don't stop at British history, explore the world! Full of fun facts from the human story, going as far back as the origins of our species to space exploration today. Discover all things revolution, from the French to the digital, including the rise of the internet. Short and sweet biographies of some of the most important thinkers and leaders throughout history, such as Martin Luther King Jr, Charles Darwin, and Nelson Mandela. You'll learn who said famous historical quotes, and what they really meant when they said it. Big Historic Events Simply Explained Modern twist on the good old-fashioned encyclopedia, now easier to follow, with diagrams, mind maps, and timelines. Step-by-step diagrams will have you reviewing your ideas about history. Start from the very beginning: - Human Origins 200,000 years ago - 3500 BGE - Ancient Civilisations 6000 BGE - 500 CE - The Medieval World 500 - 1492 - Early Modern Era 1420 - 1795 - Changing Societies 1776 - 1914 - The Modern World 1914 - Present The Series Simply Explained With over 7 million copies sold worldwide to date, The History Book is part of the award-winning Big Ideas series from DK Books. It uses innovative graphics along with engaging writing to make complex subjects easier to understand.

A History Book for Scots: Selections from the Scotichronicon

by Walter Bower

Riveting selections from a 15-century account of Scottish history, one of Scotland&’s national treasures. Writing on a small island in the Firth of Forth in the 1440s, Walter Bower set out to tell the whole story of the Scottish nation in a single huge book, the Scotichronicon— &“a history book for Scots.&” It begins with the mythical voyage of Scota, the Pharaoh&’s daughter, from Egypt with the Stone of Destiny. The land that her sons discovered in the Western Ocean was named after her: Scotland. It then describes the turbulent events that followed, among them the wars of the Scots and the Picts (begun by a quarrel over a dog); the poisoning of King Fergus by his wife; Macbeth&’s usurpation and uneasy reign; the good deeds of Margaret, queen and saint; Bruce&’s murder of the Red Comyn; the founding of Scotland&’s first university at St. Andrews; the &“Burnt Candlemas;&” and the endless troubles between Scotland and England. Weaving in and out of the events of Bower&’s factual history are other subjects that fascinated him: harrowing visions of hell and purgatory, extraordinary miracles; the exploits of knights and beggars, merchants and monks; the ravages of flood and fire; the terrors of the plague; and the answers to such puzzling questions as what makes a good king, and why Englishmen have tails. This monumental work, in which the original Latin text appears side by side with a translation in modern English, was completed in 1998. It includes an introduction and notes that guide the reader through the complexities of Bower&’s history and its background.

The History Buff’s Guide to the Civil War: The Best, the Worst, the Largest, and the Most Lethal Top Ten Rankings of the Civil War

by Thomas R. Flagel

Exploring the Civil War can be fascinating, but with so many battles, leaders, issues, and more than 50,000 books on these subjects, the task can also be overwhelming. Was Gettysburg the most important battle? Were Abraham Lincoln and Jefferson Davis so different from each other? How accurate is re-enacting? Who were the worst commanding generals? Thomas R. Flagel uses annotated lists organized under more than thirty headings to see through the powder smoke and straighten Sherman's neckties, ranking and clarifying the best, the worst, the largest, and the most lethal aspects of the conflict. Major sections are fashioned around the following topics: * Antebellum: Investigates the critical years before the war, in particular the growing crises, extremists, and slavery. * Politics: Contrasts the respective presidents and constitutions of the Union and Confederacy, the most prominent politicians, and the most volatile issues of the times. * Military Life: Offers insights into the world of the common soldiers, how they fought, what they ate, how they were organized, what they saw, how they lived, and how they died. * The Home Front: Looks at the fastest growing field in Civil War research, including immigration, societal changes, hardships and shortages, dissent, and violence far from the firing lines. * In Retrospect: Ranks the heroes and heroines, greatest victories and failures, firsts and worsts. * Pursuing the War: Summarizes Civil War study today, including films, battlefield sites, books, genealogy, re-enactments, restoration, preservation, and other ventures. From the antebellum years to Appomattox and beyond, The History Buff's Guide to the Civil War is a quick and compelling guide to one of the most complex and critical eras in American history.

The History Buff's Guide to the Presidents

by Thomas R. Flagel

Americans have named schools, counties, rivers, cities, and even their own children after U. S. presidents. Their work is in our laws, their words adorn our monuments, and their countenances appear in a trillion places (mostly on our currency). As we prepare to decide who will be the 44th president of the United States, can we truly say we understand the office and its phenomenal history? What do we really know about the men who helped transform a struggling republic into a superpower?Using detailed top-ten lists, historian Thomas R. Flagel offers a provocative new look at an astonishingly resilient institution. With diligent research, he explores the best, worst, largest, and most controversial facets of an office that some feared would become a monarchy, others hoped would represent all of the people, and John Adams wanted to call "High Highness, the President of the United States of America, and the Protector of their Liberties. "Chapters include: - Elections: the closest races, the most vicious campaigns, and the biggest landslidesPresidential Character: careers, hobbies, the most religious presidents, and the Machiavellians - The Domestic Sphere: the biggest deficit spenders, the most ambitious programs, vetoes, pardons, and the worst fights with the Superme Courts - Foreign Affairs: diplomats, doctrines, and ranking the commanders in chief - The Inner Circle: first ladies and vexing relatives, construction and destruction in the White House, scandals at the highest level, and the real West WingI - n Retrospect: the most underrated and overrated presidents, assassinations and attempted assassinations, and the greatest changes to the presidency itself

Refine Search

Showing 83,751 through 83,775 of 100,000 results