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Imaginary Houses
by Devin GovaerePreviously published (2014) Amazon.com. In 1973, Gabby Duncan is on track to escape her hometown of Haven Ridge, Pennsylvania. Gifted with a college scholarship and slated to be co-valedictorian, she’s cutting ties and backing away from most of her friendships except for Max, Steve, and Tony, three neighborhood boys who have been part of her life for as long as she can remember. Gabby’s last few months of high school should be easy, but she gets derailed when her academic rival decides to be the only valedictorian and sets out to make the rest of Gabby’s senior year a living hell. Gabby could handle that, but her English teacher has just given the class a major assignment: write an essay about the watershed moment in their lives. The last thing Gabby wants to do is relive the summer of 1967, when she rode her bike and played an invented game called Imaginary House. That blissful summer came to an end when her rival and personal nemesis went missing and Gabby’s first love was accused of the crime.Now Gabby winds her way through that summer, remembering things she’d rather forget, particularly one memory she fears bringing to light. As she revisits her past, she’s forced to remember how her perceptions of life fell apart, how her trust in people evaporated, and how the thrill of young love died before it had a chance to blossom. She also must face why she clings so closely to her three male friends and why bad-boy Tony makes her feel things she’d rather not feel. She’ll discover what she already knows: that most people live in imaginary houses and lead imaginary lives that hold very little outward truth and often a great deal of pain.
The Imaginary Indian
by Daniel FrancisNow entering a seventh printing, and with over 18,000 copies sold, The Imaginary Indian is a fascinating, revealing history of the "Indian" image mythologized by popular Canadian culture since 1850, propagating stereotypes that exist to this day.Images of the Indian have always been fundamental to Canadian culture. From the paintings and photographs of the nineteenth century to the Mounted Police sagas and the spectacle of Buffalo Bill's Wild West Show; from the performances of Pauline Johnson, Grey Owl, and Buffalo Long Lance to the media images of Oka and Elijah Harper--the Imaginary Indian is ever with us, oscillating throughout our history from friend to foe, from Noble Savage to bloodthirsty warrior, from debased alchoholic to wise elder, from monosyllabic "squaw" to eloquent princess, from enemy of progress to protector of the environment.The Imaginary Indian has been, and continues to be, as Daniel Francis reveals in this book, just about anything the non-Native culture has wanted it to be; and the contradictory stories non-Natives tell about Imaginary Indians are really stories about themselves and the uncertainties that make up their cultural heritage. This is not a book about Native people; it is the story of the images projected upon Native people, and the desperate uses to which they are put.The Imaginary Indian is an essential title for aboriginal studies in Canada.
The Imaginary Institution of India: Politics and Ideas
by Sudipta KavirajFor decades Sudipta Kaviraj has worked with and improved upon Marxist and subaltern studies, capturing India's social and political life through its diverse history and culture. While this technique has been widely celebrated in his home country, Kaviraj's essays have remained largely scattered abroad. This collection finally presents his work in one convenient volume and, in doing so, reasserts the brilliance of his approach.As evidenced in these essays, Kaviraj's exceptional strategy positions Indian politics within the political philosophy of the West and alongside the perspectives of Indian history and indigenous political thought. Studies include the peculiar nature of Indian democracy; the specific aspects of Jawaharlal Nehru's and Indira Gandhi's regimes; political culture in independent India; the construction of colonial power; the relationship between state, society, and discourse; the structure of nationalist discourse; language and identity formation in Indian contexts; the link between development and democracy, or democratic functioning; and the interaction among religion, politics, and modernity in South Asia. Each of these essays explores the place of politics in the social life of modern India and is powered by the idea that Indian politics is plastic, reflecting and shaping the world in which people live.
Imaginary Lines
by Patrick EttingerAlthough popularly conceived as a relatively recent phenomenon, patterns of immigrant smuggling and undocumented entry across American land borders first emerged in the late nineteenth century. Ingenious smugglers and immigrants, long and remote boundary lines, and strong push-and-pull factors created porous borders then, much as they do now. Historian Patrick Ettinger offers the first comprehensive historical study of evolving border enforcement efforts on American land borders at the turn of the twentieth century. He traces the origins of widespread immigrant smuggling and illicit entry on the northern and southern United States borders at a time when English, Irish, Chinese, Italian, Russian, Lebanese, Japanese, Greek, and, later, Mexican migrants created various "backdoors" into the United States. No other work looks so closely at the sweeping, if often ineffectual, innovations in federal border enforcement practices designed to stem these flows. From upstate Maine to Puget Sound, from San Diego to the Lower Rio Grande Valley in Texas, federal officials struggled to adapt national immigration policies to challenging local conditions, all the while battling wits with resourceful smugglers and determined immigrants. In effect, the period saw the simultaneous "drawing" and "erasing" of the official border, and its gradual articulation and elaboration in the midst of consistently successful efforts to undermine it.
Imaginary Performances in Shakespeare
by Aureliu ManeaIn Imaginary Performances in Shakespeare, visionary modernist theatre director Aureliu Manea analyses the theatrical possibilities of Shakespeare. Through nineteen Shakespeare plays, Manea sketches the intellectual parameters, the visual languages, and the emotional worlds of imagined stage interpretations of each; these nineteen short essays are appended by his essay ‘Confessions,’ an autobiographical meditation on the nature of theatre and the role of the director. This captivating book which will be attractive to anyone interested in Shakespeare and modern theatre.
The Imaginary Revolution
by Michael SeidmanThe events of 1968 have been seen as a decisive turning point in the Western world. The author takes a critical look at "May 1968" and questions whether the events were in fact as "revolutionary" as French and foreign commentators have indicated. He concludes the student movement changed little that had not already been challenged and altered in the late fifties and early sixties. The workers' strikes led to fewer working hours and higher wages, but these reforms reflected the secular demands of the French labor movement. "May 1968" was remarkable not because of the actual transformations it wrought but rather by virtue of the revolutionary power that much of the media and most scholars have attributed to it and which turned it into a symbol of a youthful, renewed, and freer society in France and beyond.
An Imaginary Tale: The Story of √-1
by Paul J. NahinToday complex numbers have such widespread practical use--from electrical engineering to aeronautics--that few people would expect the story behind their derivation to be filled with adventure and enigma. In An Imaginary Tale, Paul Nahin tells the 2000-year-old history of one of mathematics' most elusive numbers, the square root of minus one, also known as i. He recreates the baffling mathematical problems that conjured it up, and the colorful characters who tried to solve them. In 1878, when two brothers stole a mathematical papyrus from the ancient Egyptian burial site in the Valley of Kings, they led scholars to the earliest known occurrence of the square root of a negative number. The papyrus offered a specific numerical example of how to calculate the volume of a truncated square pyramid, which implied the need for i. In the first century, the mathematician-engineer Heron of Alexandria encountered I in a separate project, but fudged the arithmetic; medieval mathematicians stumbled upon the concept while grappling with the meaning of negative numbers, but dismissed their square roots as nonsense. By the time of Descartes, a theoretical use for these elusive square roots--now called "imaginary numbers"--was suspected, but efforts to solve them led to intense, bitter debates. The notorious i finally won acceptance and was put to use in complex analysis and theoretical physics in Napoleonic times. Addressing readers with both a general and scholarly interest in mathematics, Nahin weaves into this narrative entertaining historical facts and mathematical discussions, including the application of complex numbers and functions to important problems, such as Kepler's laws of planetary motion and ac electrical circuits. This book can be read as an engaging history, almost a biography, of one of the most evasive and pervasive "numbers" in all of mathematics.Some images inside the book are unavailable due to digital copyright restrictions.
An Imaginary Tale
by Paul J. NahinToday complex numbers have such widespread practical use--from electrical engineering to aeronautics--that few people would expect the story behind their derivation to be filled with adventure and enigma. In An Imaginary Tale, Paul Nahin tells the 2000-year-old history of one of mathematics' most elusive numbers, the square root of minus one, also known as i. He recreates the baffling mathematical problems that conjured it up, and the colorful characters who tried to solve them. In 1878, when two brothers stole a mathematical papyrus from the ancient Egyptian burial site in the Valley of Kings, they led scholars to the earliest known occurrence of the square root of a negative number. The papyrus offered a specific numerical example of how to calculate the volume of a truncated square pyramid, which implied the need for i. In the first century, the mathematician-engineer Heron of Alexandria encountered I in a separate project, but fudged the arithmetic; medieval mathematicians stumbled upon the concept while grappling with the meaning of negative numbers, but dismissed their square roots as nonsense. By the time of Descartes, a theoretical use for these elusive square roots--now called "imaginary numbers"--was suspected, but efforts to solve them led to intense, bitter debates. The notorious i finally won acceptance and was put to use in complex analysis and theoretical physics in Napoleonic times. Addressing readers with both a general and scholarly interest in mathematics, Nahin weaves into this narrative entertaining historical facts and mathematical discussions, including the application of complex numbers and functions to important problems, such as Kepler's laws of planetary motion and ac electrical circuits. This book can be read as an engaging history, almost a biography, of one of the most evasive and pervasive "numbers" in all of mathematics.Some images inside the book are unavailable due to digital copyright restrictions.
An Imaginary Tale
by Paul J. NahinToday complex numbers have such widespread practical use--from electrical engineering to aeronautics--that few people would expect the story behind their derivation to be filled with adventure and enigma. In An Imaginary Tale, Paul Nahin tells the 2000-year-old history of one of mathematics' most elusive numbers, the square root of minus one, also known as i. He recreates the baffling mathematical problems that conjured it up, and the colorful characters who tried to solve them.In 1878, when two brothers stole a mathematical papyrus from the ancient Egyptian burial site in the Valley of Kings, they led scholars to the earliest known occurrence of the square root of a negative number. The papyrus offered a specific numerical example of how to calculate the volume of a truncated square pyramid, which implied the need for i. In the first century, the mathematician-engineer Heron of Alexandria encountered I in a separate project, but fudged the arithmetic; medieval mathematicians stumbled upon the concept while grappling with the meaning of negative numbers, but dismissed their square roots as nonsense. By the time of Descartes, a theoretical use for these elusive square roots--now called "imaginary numbers"--was suspected, but efforts to solve them led to intense, bitter debates. The notorious i finally won acceptance and was put to use in complex analysis and theoretical physics in Napoleonic times.Addressing readers with both a general and scholarly interest in mathematics, Nahin weaves into this narrative entertaining historical facts and mathematical discussions, including the application of complex numbers and functions to important problems, such as Kepler's laws of planetary motion and ac electrical circuits. This book can be read as an engaging history, almost a biography, of one of the most evasive and pervasive "numbers" in all of mathematics.
Imagination: A Study in the History of Ideas
by John Cocking"First Published in 1991, Routledge is an imprint of Taylor & Francis, an informa company."
Imagination
by E. J. FurlongFirst published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The Imagination
by Jean-Paul Sartre‘No matter how long I may look at an image, I shall never find anything in it but what I put there. It is in this fact that we find the distinction between an image and a perception.' - Jean-Paul Sartre L’Imagination was published in 1936 when Jean-Paul Sartre was thirty years old. Long out of print, this is the first English translation in many years. The Imagination is Sartre’s first full philosophical work, presenting some of the basic arguments concerning phenomenology, consciousness and intentionality that were to later appear in his master works and be so influential in the course of twentieth-century philosophy. Sartre begins by criticising philosophical theories of the imagination, particularly those of Descartes, Leibniz and Hume, before establishing his central thesis. Imagination does not involve the perception of ‘mental images’ in any literal sense, Sartre argues, yet reveals some of the fundamental capacities of consciousness. He then reviews psychological theories of the imagination, including a fascinating discussion of the work of Henri Bergson. Sartre argues that the ‘classical conception’ is fundamentally flawed because it begins by conceiving of the imagination as being like perception and then seeks, in vain, to re-establish the difference between the two. Sartre concludes with an important chapter on Husserl’s theory of the imagination which, despite sharing the flaws of earlier approaches, signals a new phenomenological way forward in understanding the imagination. The Imagination is essential reading for anyone interested in the philosophy of Jean-Paul Sartre, phenomenology, and the history of twentieth-century philosophy. This new translation includes a helpful historical and philosophical introduction by Kenneth Williford and David Rudrauf. Also included is Maurice Merleau-Ponty’s important review of L’Imagination upon its publication in French in 1936. Translated by Kenneth Williford and David Rudrauf.
Imagination and Critique
by James R. NolandThis project is the result of a philosopher's extended engagement with the literature and practice of political science and public policy formation. One finds in these fields, and in social science generally, two fundamentally opposed approaches to inquiry into the nature and cause of historical political events. These two approaches, which are sometimes employed simultaneously, are both powerful and persuasive. Yet, the two accounts are incompatible and comprehensive. Making a choice between the two is not simply about choosing a view of history; the choice affects how one anticipates policy developments in the future, and, more importantly, how one seeks to influence and shape public policy now and in the years to come. Because there is no external standard of history by which to judge them, one must examine the conceptions of human nature, reason and freedom underlying each in order to adjudicate between the two. Following Alasdair MacIntyre's approach in Three Rival Versions of Moral Inquiry, this book analyzes and evaluates the internal coherence and ultimate viability of the two fundamental versions of historical inquiry. Intended not only for philosophers but also for students and practitioners of political science and public policy, the book includes a case study of a particularly significant political development in U.S. history- the ratification of the 16th Amendment- and suggests some specific implications of the philosophical conclusions.
Imagination and Environmental Political Thought: The Aftermath of Thoreau (Politics, Literature, and Film)
by Joshua J. Bowman<p>Imagination and Environmental Political Thought: The Aftermath of Thoreau seeks to correct oversimplified readings of Henry David Thoreau’s political thought by elucidating a key tension within his imagination. With the celebration of Thoreau’s two-hundredth birthday now past, this study outlines, and builds on, his own understanding of imagination and considers its implications for environmental politics. Despite the use of the word, “aftermath,” Thoreau’s legacy for environmental political thought is primarily constructive and foundational for modern environmentalism. <p>Thoreau’s virtues and vices have been inherited by his environmentally-conscious readers. The author of Walden’s preference for an abstract, ahistorical “higher law,” his radical concept of autonomy, and his frustration with government and community foster an impractical political thought characteristic of an idyllic imagination. Nevertheless, Thoreau demonstrates a more prudential and moral imagination by emphasizing the inescapable relationship between the moral order of individuals and the order of political communities and by pioneering the central questions of humanity’s relationship to non-human nature. Can this tension of imaginations be resolved? What are the consequences of this tension? <p>Thoreau’s overall vision ultimately creates significant problems with which environmentalists still struggle. While Thoreau’s emphasis on freedom and the immaterial aspects of human and non-human nature are of considerable value, his abstract political morality, misanthropy and escapism must be resisted both for the sake of environmental well-being and human dignity. <p>In addition, this book is an exercise in re-thinking how the humanities may provide scholars critical insights to better diagnose and respond to the environmental challenges of our time.</p>
Imagination and Science in Romanticism
by Richard C. ShaHow did the idea of the imagination impact Romantic literature and science?2018 Winner, Jean-Pierre Barricelli Book Prize, The International Conference on RomanticismRichard C. Sha argues that scientific understandings of the imagination indelibly shaped literary Romanticism. Challenging the idea that the imagination found a home only on the side of the literary, as a mental vehicle for transcending the worldly materials of the sciences, Sha shows how imagination helped to operationalize both scientific and literary discovery. Essentially, the imagination forced writers to consider the difference between what was possible and impossible while thinking about how that difference could be known. Sha examines how the imagination functioned within physics and chemistry in Percy Bysshe Shelley's Prometheus Unbound, neurology in Blake's Vala, or The Four Zoas, physiology in Coleridge's Biographia Literaria, and obstetrics and embryology in Mary Shelley's Frankenstein. He also demonstrates how the imagination was called upon to do aesthetic and scientific work using primary examples taken from the work of scientists and philosophers Davy, Dalton, Faraday, Priestley, Kant, Mary Somerville, Oersted, Marcet, Smellie, Swedenborg, Blumenbach, Buffon, Erasmus Darwin, and Von Baer, among others. Sha concludes that both fields benefited from thinking about how imagination could cooperate with reason—but that this partnership was impossible unless imagination's penchant for fantasy could be contained.
The Imagination in German Idealism and Romanticism
by Gerad Gentry Konstantin PollokFor philosophers of German idealism and early German romanticism, the imagination is central to issues ranging from hermeneutics to transcendental logic and from ethics to aesthetics. This volume of new essays brings together, for the first time, comprehensive and critical reflections on the significances of the imagination during this period, with essays on Kant and the imagination, the imagination in post-Kantian German idealism, and the imagination in early German romanticism. The essays explore the many and varied uses of the imagination and discuss whether they form a coherent or shared notion or whether they embody points of philosophical divergence within these traditions. They shed new light on one of the most important and enigmatic aspects of human nature, as understood in the context of a profoundly influential era of western thought.
Imagination, Meditation, and Cognition in the Middle Ages
by Michelle KarnesIn Imagination, Meditation, and Cognition in the Middle Ages, Michelle Karnes revises the history of medieval imagination with a detailed analysis of its role in the period's meditations and theories of cognition. Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure's meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love's Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.
The Imagination Muscle
by Albert Read'Beautiful, moving, profoundly imaginative in itself - this book is as entertaining as it is relevant and practical' ALAIN DE BOTTON'Anyone who has an imagination - that is, everyone - should read this book' EDWARD ENNINFUL'An extraordinary book - an elaborate cabinet of curiosities' SPECTATORFor some, the imagination is a luxury in the modern age; something which is by turns elusive, difficult to employ and better left to others. But what is it to imagine exactly? How do we go about it, and why is it so important that we imagine for ourselves?In this insightful and life-affirming book, Albert Read puts the imagination back at the forefront of our lives. Not merely a nebulous concept reserved for artists and creatives, it is a muscle - an essential faculty of the mind to be trained and developed over a lifetime. It is boundless in its potential, infinitely rewarding and central to human achievement.Spanning pre-historic times through to the twenty-first century, The Imagination Muscle explores the genesis of ideas - from Thomas Edison's serial embracing of failure to Jane Jacobs' vision of how we should build cities together; from Steve Jobs' approach to office design to the Japanese concept of Ma. Touching on art, music, film, literature, science and entrepreneurship, this book examines how the imagination has evolved - in shape, power and pace - through the millennia.Albert Read reveals how we can harness the imagination in our day-to-day lives and why, in the new Age of Technology, it is more pressing than ever that we do so. Discover where to find ideas, how to foster skill in observation and connection, and how to be more attentive to the fluxes of our own minds.After all, as Read expertly outlines, the imagination is our supreme gift, our biggest opportunity, our greatest source of fulfilment and our most vital asset for the future.
The Imagination Muscle
by Albert Read'Beautiful, moving, profoundly imaginative in itself - this book is as entertaining as it is relevant and practical' ALAIN DE BOTTON'Anyone who has an imagination - that is, everyone - should read this book' EDWARD ENNINFUL'An extraordinary book - an elaborate cabinet of curiosities' SPECTATORFor some, the imagination is a luxury in the modern age; something which is by turns elusive, difficult to employ and better left to others. But what is it to imagine exactly? How do we go about it, and why is it so important that we imagine for ourselves?In this insightful and life-affirming book, Albert Read puts the imagination back at the forefront of our lives. Not merely a nebulous concept reserved for artists and creatives, it is a muscle - an essential faculty of the mind to be trained and developed over a lifetime. It is boundless in its potential, infinitely rewarding and central to human achievement.Spanning pre-historic times through to the twenty-first century, The Imagination Muscle explores the genesis of ideas - from Thomas Edison's serial embracing of failure to Jane Jacobs' vision of how we should build cities together; from Steve Jobs' approach to office design to the Japanese concept of Ma. Touching on art, music, film, literature, science and entrepreneurship, this book examines how the imagination has evolved - in shape, power and pace - through the millennia.Albert Read reveals how we can harness the imagination in our day-to-day lives and why, in the new Age of Technology, it is more pressing than ever that we do so. Discover where to find ideas, how to foster skill in observation and connection, and how to be more attentive to the fluxes of our own minds.After all, as Read expertly outlines, the imagination is our supreme gift, our biggest opportunity, our greatest source of fulfilment and our most vital asset for the future.
The Imagination Muscle
by Albert Read'Beautiful, moving, profoundly imaginative in itself - this book is as entertaining as it is relevant and practical' ALAIN DE BOTTON'Anyone who has an imagination - that is, everyone - should read this book' EDWARD ENNINFUL'An extraordinary book - an elaborate cabinet of curiosities' SPECTATORFor some, the imagination is a luxury in the modern age; something which is by turns elusive, difficult to employ and better left to others. But what is it to imagine exactly? How do we go about it, and why is it so important that we imagine for ourselves?In this insightful and life-affirming book, Albert Read puts the imagination back at the forefront of our lives. Not merely a nebulous concept reserved for artists and creatives, it is a muscle - an essential faculty of the mind to be trained and developed over a lifetime. It is boundless in its potential, infinitely rewarding and central to human achievement.Spanning pre-historic times through to the twenty-first century, The Imagination Muscle explores the genesis of ideas - from Thomas Edison's serial embracing of failure to Jane Jacobs' vision of how we should build cities together; from Steve Jobs' approach to office design to the Japanese concept of Ma. Touching on art, music, film, literature, science and entrepreneurship, this book examines how the imagination has evolved - in shape, power and pace - through the millennia.Albert Read reveals how we can harness the imagination in our day-to-day lives and why, in the new Age of Technology, it is more pressing than ever that we do so. Discover where to find ideas, how to foster skill in observation and connection, and how to be more attentive to the fluxes of our own minds.After all, as Read expertly outlines, the imagination is our supreme gift, our biggest opportunity, our greatest source of fulfilment and our most vital asset for the future.
The Imagination of Experiences: Musical Invention, Collaboration, and the Making of Meanings
by Alan TaylorAimed at lay, student, and academic readers alike, this book concerns the imagination and, specifically, imagination in music. It opens with a discussion of the invalidity of the idea of the creative genius and the connected view that ideas originate just in the individual mind. An alternative view of the imaginative process is then presented, that ideas spring from a subconscious dialogue activated by engagement in the world around. Ideas are therefore never just of our own making. This view is supported by evidence from many studies and corresponds with descriptions by artists of their experience of imagining. The third subject is how imaginations can be shared when musicians work with other artists, and the way the constraints imposed by trying to share subconscious imagining result in clearly distinct forms of joint working. The final chapter covers the use of the musical imagination in making meanings from music. The evidence is that music does not communicate meanings directly, and so composers or performers cannot be looked to as authorities on its meaning. Instead, music is commonly heard as analogous to human experience, and listeners who perceive such analogies may then imagine their own meanings from the music.
The Imagination of the Mind in Classical Athens: Forms of Thought (Image, Text, and Culture in Classical Antiquity)
by Emily CliffordThis book explores the imaginative processes at work in the artefacts of Classical Athens. When ancient Athenians strove to grasp ‘justice’ or ‘war’ or ‘death’, when they dreamt or deliberated, how did they do it? Did they think about what they were doing? Did they imagine an imagining mind? European histories of the imagination have often begun with thinkers like Plato and Aristotle. By contrast, this volume is premised upon the idea that imaginative activity, and especially efforts to articulate it, can take place in the absence of technical terminology. In exploring an ancient culture of imagination mediated by art and literature, the book scopes out the roots of later, more explicit, theoretical enquiry. Chapters hone in on a range of visual and verbal artefacts from the Classical period. Approaching the topic from different angles – philosophical, historical, philological, literary, and art historical – they also investigate how these artefacts stimulate affective, sensory, meditative – in short, ‘imaginative’ – encounters between imagining bodies and their world. The Imagination of the Mind in Classical Athens offers a ground-breaking reassessment of ‘imagination’ in ancient Greek culture and thought: it will be essential reading for those interested in not only philosophies of mind, but also ancient Greek image, text, and culture more broadly.
Imaginative Geographies of Algerian Violence: Conflict Science, Conflict Management, Antipolitics
by Jacob MundyThe massacres that spread across Algeria in 1997 and 1998 shocked the world, both in their horror and in the international community's failure to respond. In the years following, the violence of 1990s Algeria has become a central case study in new theories of civil conflict and terrorism after the Cold War. Such "lessons of Algeria" now contribute to a diverse array of international efforts to manage conflict--from development and counterterrorism to the Responsibility to Protect doctrine and transitional justice. With this book, Jacob Mundy raises a critical lens to these lessons and practices and sheds light on an increasingly antipolitical scientific vision of armed conflict. Traditional questions of power and history that once guided conflict management have been displaced by neoliberal assumptions and methodological formalism. In questioning the presumed lessons of 1990s Algeria, Mundy shows that the problem is not simply that these understandings--these imaginative geographies--of Algerian violence can be disputed. He shows that today's leading strategies of conflict management are underwritten by, and so attempt to reproduce, their own flawed logic. Ultimately, what these policies and practices lead to is not a world made safe from war, but rather a world made safe for war.
Imagine History: Rebuilding of America 1847 to 1920
by Nanci BellWe can experience the richness of history with our imagery, but more importantly our imagery is the sensory mechanism that enables us to comprehend history and embed it into our memory. The content in this book is uniquely written to help students visualize the gestalt and key details needed for recall, understanding, and higher order thinking.
Imagine History Visualizing and Verbalizing: The Birth of America 1492 - 1851
by Nanci BellWe can experience the richness of history with our imagery, but more importantly our imagery is the sensory mechanism that enables us to comprehend history and embed it into our memory. <p><p> The content in this book is uniquely written to help students visualize the gestalt and key details needed for recall, understanding, and higher order thinking.