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Jaws of the Jersey Shore (Arcadia Children's Books)

by Patricia Heyer

In this middle-grade adaptation of Shark Attacks of the Jersey Shore , author Patricia Heyer dives into the history and lore of shark attacks along New Jersey's coast. Every summer, thousands of people flock to the boardwalks and beaches of the Jersey Shore looking for fun and relaxation. But some come face to face with much more. A boy paid a gruesome price for teasing a trapped shark in the first recorded attack in 1842. Three bloody attacks of 1960 left one man's limb amputated. The horrific summer of 1916 included seven attacks within two weeks, sparking the man-eating reputation that sharks still have today. These stories and more have been adapted for younger readers brave enough to dive in to our shark-infested waters.

Jay DeFeo and The Rose

by Jane Green Leah Levy

In the collection, eleven distinguished art and cultural historians - Bill Berkson, Niccolo Caldararo, Richard Candida Smith, Walter Hopps, Lucy R. Lippard, Greit Marcus, Sandra S. Phillips, Marla Prather, Carter Ratcliff, David A. Ross, and Martha Sherrill - unfold the story of the creation, as well as the tricky and painstaking rescue, of DeFeo's radiant masterpiece.

Jay Pather, Performance, and Spatial Politics in South Africa (African Expressive Cultures)

by Ketu H. Katrak

Jay Pather, Performance and Spatial Politics in South Africa offers the first full-length monograph on the award-winning choreographer, theater director, curator, and creative artist in contemporary global performance. Working within the contexts of African studies, dance, theater, and performance, Ketu H. Katrak explores the extent of Pather's productive career but also places him and his work in the South African and global arts scene, where he is considered a visionary. Pather, a South African of Indian heritage, is known as a master of space, site, and location. Katrak examines how Pather's performance practices place him in the center of global trends that are interdisciplinary, multidisciplinary, collaborative, and multimedia and that cross borders between dance, theater, visual art, and technology. Jay Pather, Performance and Spatial Politics in South Africa offers a vision of an artist who is strategically aware of the spatiality of human life, who understands the human body as the nation's collective history, and who is a symbol of hope and resilience after the trauma of violent segregation.

The Jay Treaty: Political Battleground of the Founding Fathers

by Jerald A. Combs

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1970.

Jayden's New People

by Sherry Derr-Wille

Destined to die because of the disappearance of his sister prior to her scheduled sacrifice, Jayden is surprised to find that he, too, has traveled through time so that his life could be saved. When the people who have befriended Javion do likewise for him, he realizes that his life has been saved for a purpose. He soon finds that the daughter of his mentor, Spotted Pony, has become very important to him, but marriage to the girl—who is too young—seems an impossible dream, rather than the all encompassing love of his life. Shining Star is immediately attracted to the handsome stranger her father has befriended. Will he be willing to wait for her? Or, will a winter of separation show him other maidens more suited to him?

Jayhawker

by Patricia Beatty Stephen Marchesi Patricia B. Uhr

With the United States on the verge of civil war, Elijah Tully and his father ride out of Kansas as Jayhawkers, guerrilla fighters against slavery. After his father is killed, Lije goes undercover among the proslavery bushwhackers. Swept into a grisly raid, Lije unexpectedly stands face-to-face with his father's killer -- but is vengeance as simple as he once thought?

Jayme Tiomno: A Life for Science, a Life for Brazil (Springer Biographies)

by William Dean Brewer Alfredo Tiomno Tolmasquim

Jayme Tiomno (1920-2011) was one of the most influential Brazilian physicists of the 20th century, interacting with many of the renowned physicists of his time, including John Wheeler and Richard Feynman, Eugene Wigner, Chen Ning Yang, David Bohm, Murray Gell-Mann, Remo Ruffini, Abdus Salam, and many others.This biography tells the sometimes romantic, often discouraging but finally optimistic story of a dedicated scientist and educator from a developing country who made important contributions to particle physics, gravitation, cosmology and field theory, and to the advancement of science and of scientific education, in many institutions in Brazil and elsewhere. Drawing on unpublished documents from archives in Brazil and the US as well as private sources, the book traces Tiomno's long life, following his role in the establishment of various research facilities and his tribulations during the Brazilian military dictatorship. It presents a story of progress and setbacks in advancing science in Brazil and beyond, and of the persistence and dedication of a talented physicist who spent his life in search of scientific truth.

Jayshankar Prasad

by Ramesh Chandar Shah

Ramesh Chandra Shah has presented the biography of Jayshankar Prasad in this book and has presented the in-depth evaluation of his work. Shah presents Prasad as a writer whose writings are based on the foundation of psychological realism.

Jazmines blancos para seducir al señor Talbot (Los Talbot #Volumen 4)

by Ana F. Malory

Cautivada por el atractivo señor Talbot, Cecile no dudará en dejarse llevar por la curiosidad que él, y las sensaciones que experimenta cuando está a su lado, le provocan. Maxwell Talbot está dispuesto a trasladarse a Spalding para hacerle un favor a su reciente estrenado cuñado, el vizconde Gainsborough: encargarse de administrar sus bienes hasta que este y su esposa regresen de su viaje por el continente. Cecile Larson, prima del vizconde, dedica todo su tiempo a la botánica y la llegada del nuevo administrador no suscita en ella el menor interés. Hasta que lo conoce.

Jazz

by Scott Deveaux Gary Giddins

In this vivid history of jazz, a respected critic and a leading scholar capture the excitement of America's unique music with intellectual bite, unprecedented insight, and the passion of unabashed fans. They explain what jazz is, where it came from, and who created it and why, all within the broader context of American life and culture. Emphasizing its African American roots, Jazz traces the history of the music over the last hundred years. From ragtime and blues to the international craze for swing, from the heated protests of the avant-garde to the radical diversity of today's artists, Jazz describes the travails and triumphs of musical innovators struggling for work, respect, and cultural acceptance set against the backdrop of American history, commerce, and politics. With vibrant photographs by legendary jazz chronicler Herman Leonard, Jazz is also an arresting visual history of a century of music.

Jazz: A Beginner's Guide (Beginner's Guides)

by Stuart Nicholson

This definitive guide includes a unique chapter-by-chapter playlist for the reader. Jazz: A Beginner&’s Guide is a lively and highly accessible introduction to a global musical phenomenon. Award-winning music journalist and author Stuart Nicholson takes the reader on an entertaining journey from jazz's early stirrings in America&’s south through to the present day, when almost every country in the world has its own vibrant jazz scene.En route we meet a host of jazz heroes past and present, from Louis Armstrong, Benny Goodman and Miles Davis, to Keith Jarrett and Kamasi Washington. Each chapter is accompanied by a playlist designed to provide a stimulating and enjoyable entry point to what has been described as the most exciting art form of all.

Jazz à la Creole: French Creole Music and the Birth of Jazz (American Made Music Series)

by Caroline Vézina

Winner of the 2023 Award for Excellence for Best Historical Research in Recorded Jazz from the Association for Recorded Sound CollectionsDuring the formative years of jazz (1890–1917), the Creoles of Color—as they were then called—played a significant role in the development of jazz as teachers, bandleaders, instrumentalists, singers, and composers. Indeed, music penetrated all aspects of the life of this tight-knit community, proud of its French heritage and language. They played and/or sang classical, military, and dance music as well as popular songs and cantiques that incorporated African, European, and Caribbean elements decades before early jazz appeared. In Jazz à la Creole: French Creole Music and the Birth of Jazz, the author describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz. Caroline Vézina has compiled and analyzed a broad scope of primary sources found in diverse locations from New Orleans to Quebec City, Washington, DC, New York City, and Chicago. Two previously unpublished interviews add valuable insider knowledge about the music on French plantations and the danses Créoles held in Congo Square after the Civil War. Musical and textual analyses of cantiques provide new information about the process of their appropriation by the Creole Catholics as the French counterpart of the Negro spirituals. Finally, a closer look at their musical practices indicates that the Creoles sang and improvised music and/or lyrics of Creole songs, and that some were part of their professional repertoire. As such, they belong to the Black American and the Franco-American folk music traditions that reflect the rich cultural heritage of Louisiana.

Jazz Age Barcelona

by Robert A. Davidson

One of the world's renowned centres of culture, Barcelona is also one of the capitals of modernist art given its associations with the talents of Dali, Picasso, and Gaudi. Jazz Age Barcelona focuses the lenses of cultural studies and urban studies on the avant-garde character of the city during the cosmopolitan Jazz Age, delving into the cultural forces that flourished in Europe between the late 1910s and early 1930s. Studying literary journalism, photography, and the city of Barcelona itself, Robert Davidson argues that the explosion of jazz culture and the avant-garde was predominantly fostered by journalists and their positive reception of innovative new art forms and radical politics. Using periodicals and recently rediscovered archival material, Davidson considers the relationship between the political pressures of a brutal class war, the grasp of a repressive dictatorship, and the engagement of the city's young intellectuals with Barcelona's culture and environment. Also analysing the 1929 International Exhibition and the down-and-out Raval District - which housed many of the Age's clubs and bars - Jazz Age Barcelona is an insightful portrait of one of the twentieth century's most culturally rich times and places.

Jazz Age Chicago: Crucible of Modern America

by Joseph Gustaitis

When people imagine 1920s Chicago, they usually (and justifiably) think of Al Capone, speakeasies, gang wars, flappers and flivvers. Yet this narrative overlooks the crucial role the Windy City played in the modernization of America. The city's incredible ethnic variety and massive building boom gave it unparalleled creative space, as design trends from Art Deco skyscrapers to streamlined household appliances reflected Chicago's unmistakable style. The emergence of mass media in the 1920s helped make professional sports a national obsession, even as Chicago radio stations were inventing the sitcom and the soap opera. Join Joseph Gustaitis as he chases the beat of America's Jazz Age back to its jazz capital.

Jazz Age Cocktails: History, Lore, and Recipes from America's Roaring Twenties (Washington Mews Books)

by Cecelia Tichi

How the Prohibition law of 1920 made alcohol, savored in secret, all the more delectable when the cocktail shaker was forced to go “underground”“Roaring Twenties” America boasted famous firsts: women’s right to vote, jazz music, talking motion pictures, flapper fashions, and wondrous new devices like the safety razor and the electric vacuum cleaner. The privations of the Great War were over, and Wall Street boomed. The decade opened, nonetheless, with a shock when Prohibition became the law of the land on Friday, January 16, 1920, when the Eighteenth Amendment banned “intoxicating liquors.” Decades-long campaigns to demonize alcoholic beverages finally became law, and America officially went “dry.”American ingenuity promptly rose to its newest challenge. The law, riddled with loopholes, let the 1920s write a new chapter in the nation’s saga of spirits. Men and women spoke knowingly of the speakeasy, the bootlegger, rum-running, black ships, blind pigs, gin mills, and gallon stills. Passwords (“Oscar sent me”) gave entrée to night spots and supper clubs where cocktails abounded, and bartenders became alchemists of timely new drinks like the Making Whoopee, the Petting Party, the Dance the Charleston. A new social event—the cocktail party staged in a private home—smashed the gender barrier that had long forbidden “ladies” from entering into the gentlemen-only barrooms and cafés. From the author of Gilded Age Cocktails, this book takes a delightful new romp through the cocktail creations of the early twentieth century, transporting readers into the glitz and (illicit) glamour of the 1920s. Spirited and richly illustrated, Jazz Age Cocktails dazzles with tales of temptation and temperance, and features charming cocktail recipes from the time to be recreated and enjoyed.

Jazz Age Giant: Charles A. Stoneham and New York City Baseball in the Roaring Twenties

by Robert F. Garratt

In the early 1920s, when the New York Yankees&’ first dynasty was taking shape, they were outplayed by their local rival, the New York Giants. Led by manager John McGraw the Giants won four consecutive National League pennants and two World Series, both against the rival Yankees. Remarkably, the Giants succeeded despite a dysfunctional and unmanageable front office. And at the center of the turmoil was one of baseball&’s more improbable figures: club president Charles A. Stoneham, who had purchased the Giants for $1 million in 1919, the largest amount ever paid for an American sports team. Short, stout, and jowly, Charlie Stoneham embodied a Jazz Age stereotype—a business and sporting man by day, he led another life by night. He threw lavish parties, lived extravagantly, and was often chronicled in the city tabloids. Little is known about how he came to be one of the most successful investment brokers in what were known as &“bucket shops,&” a highly speculative and controversial branch of Wall Street. One thing about Stoneham is clear, however: at the close of World War I he was a wealthy man, with a net worth of more than $10 million. This wealth made it possible for him to purchase majority control of the Giants, one of the most successful franchises in Major League Baseball. Stoneham, an owner of racehorses, a friend to local politicians and Tammany Hall, a socialite and a man well placed in New York business and political circles, was also implicated in a number of business scandals and criminal activities. The Giants&’ principal owner had to contend with federal indictments, civil lawsuits, hostile fellow magnates, and troubles with booze, gambling, and women. But during his sixteen-year tenure as club president, the Giants achieved more success than the club had seen under any prior regime. In Jazz Age Giant Robert Garratt brings to life Stoneham&’s defining years leading the Giants in the Roaring Twenties. With its layers of mystery and notoriety, Stoneham&’s life epitomizes the high life and the changing mores of American culture during the 1920s, and the importance of sport, especially baseball, during the pivotal decade.

A Jazz Age Murder in Northwest Indiana: The Tragic Betrayal of Nettie Diamond (True Crime Ser.)

by Jane Simon Ammeson

Gold digging, adultery, and a slaying on Valentine&’s Day, 1923, in this &“juicy . . . page-turner&” of a true crime story (Chicago Tribune). It was a Roaring Twenties fatal attraction. Nettie Herskovitz was wealthy and widowed when she met Harry Diamond. The attentive, irresistibly sexy twenty-three-year-old suitor would become Nettie&’s fifth husband. He was also a bootlegger, pimp, and first-class hustler who thought he&’d wed a goldmine. What Harry found instead was a fiercely independent older woman who was nobody&’s fool for long. Then, on February 14, 1923, Harry tried to secure his inheritance by shooting Nettie four times, once at point blank range to the head. He blamed the crime on their teenage African American chauffeur. Harry might have gotten away with it, if not for one little oversight. Nettie wasn&’t dead. With its combination of sin, sex, high-society scandal, and even the interference of the Ku Klux Klan, the case against the movie-star handsome Harry Diamond moved beyond tabloid fodder to become the most sensational trial of the era.

The Jazz Age President: Defending Warren G. Harding

by Ryan S. Walters

"Presidents are ranked wrong. In The Jazz Age President: Defending Warren G. Harding, Ryan Walters mounts a case that Harding deserves to move up—and supplies the evidence to make that case strong. -Amity Shlaes, bestselling author of CoolidgeHe's the butt of political jokes, frequently subjected to ridicule, and almost never absent a "Worst Presidents" list where he most often ends up at the bottom. Historians have labeled him the "Worst President Ever," "Dead Last," "Unfit," and "Incompetent," to name but a few. Many contemporaries were equally cruel. H. L. Mencken called him a "nitwit." To Alice Roosevelt Longworth, he was a "slob." Such is the current reputation of our 29th President, Warren Gamaliel Harding. In an interesting survey in 1982, which divided the scholarly respondents into "conservative" and "liberal" categories, both groups picked Harding as the worst President. But historian Ryan Walters shows that Harding, a humble man from Marion, Ohio, has been unfairly remembered. He quickly fixed an economy in depression and started the boom of the Roaring Twenties, healed a nation in the throes of social disruption, and reversed America&’s interventionist foreign policy.

Jazz and Machine-Age Imperialism: Music, "Race," and Intellectuals in France, 1918-1945

by Lane Jeremy F.

Jeremy F. Lane’s Jazz and Machine-Age Imperialism is a bold challenge to the existing homogenous picture of the reception of American jazz in world-war era France. Lane’s book closely examines the reception of jazz among French-speaking intellectuals between 1918 and 1945 and is the first study to consider the relationships, sometimes symbiotic, sometimes antagonistic, between early white French jazz critics and those French-speaking intellectuals of color whose first encounters with the music in those years played a catalytic role in their emerging black or Creole consciousness. Jazz’s first arrival in France in 1918 coincided with a series of profound shocks to received notions of French national identity and cultural and moral superiority. These shocks, characteristic of the era of machine-age imperialism, had been provoked by the first total mechanized war, the accelerated introduction of Taylorist and Fordist production techniques into European factories, and the more frequent encounters with primitive “Others” in the imperial metropolis engendered by interwar imperialism. Through close readings of the work of early white French jazz critics, alongside the essays and poems of intellectuals of color such as the Nardal sisters, Léon-Gontran Damas, Léopold Sédar Senghor, and René Ménil, Jazz and Machine-Age Imperialism highlights the ways in which the French reception of jazz was bound up with a series of urgent contemporary debates about primitivism, imperialism, anti-imperialism, black and Creole consciousness, and the effects of American machine-age technologies on the minds and bodies of French citizens.

The Jazz Book: From Ragtime to the 21st Century

by Günther Huesmann Joachim-Ernst Berendt

Considered the most encyclopedic interpretive history of jazz available in one volume for more than 50 years, this reference has been completely revised and expanded to incorporate the dominant styles and musicians since the book's last publication in 1992, as well as the fruits of current research about earlier periods in the history of jazz. In addition, new chapters have been added on John Zorn, jazz in the 1990s and beyond, samplers, the tuba, the harmonica, non-Western instruments, postmodernist and repertory big bands, how the avant-garde has explored tradition, and many other subjects. This survey of past and current styles, elements, instruments, musicians, singers, and big bands of jazz continues to showcase an art form widely regarded as America's greatest contribution to the world's musical culture.

The Jazz Club Spy

by Roberta Rich

A riveting historical thriller about a Jewish cigarette girl in 1930s New York who finds the soldier who burned down her Russian village years earlier only to be swept up in a political conspiracy on the eve of World War II—from the #1 bestselling author of The Midwife of Venice.New York, 1939 Giddy Brodsky knows she&’s lucky to have a job as a cigarette girl at a Manhattan jazz club, but she dreams of opening her own beauty shop and lifting her family out of poverty. The Brodskys have lived cheek to jowl in the Lower East Side tenements since they came to America nineteen years ago, fleeing a deadly pogrom in their Russian village. But they continue to face prejudice, especially with the rise of the fascist organization the American Bund. Yet Giddy is focused on the future—until she recognizes one of the Cossacks who irrevocably changed her life and the past comes flooding back. Determined to get justice, she enlists the help of Carter van der Zalm, a regular at the jazz club who also happens to be the director with the Department of Immigration at Ellis Island. When Carter discloses that the Cossack is an &“undesirable&” and may be of interest to the government, Giddy agrees to moonlight as a spy for him. Not everyone is who they appear to be, and after a shocking betrayal, Giddy finds herself embroiled in a political conspiracy that could bring America into the war in Europe. From the gritty tenements to the glittering jazz clubs of 1930s New York, The Jazz Club Spy is a thrilling historical novel about a brash young woman who must use all her wits to save the ones she loves.

The Jazz Club Spy

by Roberta Rich

From the author of the &“riveting&” (Chicago Tribune) The Midwife of Venice, a fresh and sweeping historical novel following a Jewish woman attempting to bring justice to her family on the eve of World War II.New York City, 1939: At the height of the Great Depression, a time when President Roosevelt is trying to keep America out of World War II, Giddy Brodsky is lucky to have a job as a cigarette girl at a Manhattan jazz club. Nevertheless, she dreams of establishing a cosmetics business and leaving the poverty-stricken Lower East Side tenements behind. She has lived there with her family ever since they fled Russia, forced to emigrate after a group of Cossacks burned down their village, and her memories continue to haunt her. Giddy tries to focus on the future until, during an evening streetcar ride, she thinks she recognizes one of the Cossacks who changed her life forever. Determined to get answers, she enlists the help of Carter van der Zalm, the Chief Commissioner of Immigration at Ellis Island, who is hunting the same man. He suspects the Russian is involved in an assassination plot that will destroy American and Soviet relations, and he enlists Giddy to moonlight as a spy for him. But when she finally tracks down the man they&’re both seeking, she finds herself in the middle of a shocking political conspiracy that changes everything she once held true. In the tradition of Lara Prescott&’s The Secrets We Kept and Kate Quinn&’s The Rose Code, The Jazz Club Spy is a glittering and gritty look at pre-WWII America, and the personal battle one woman wages between justice and forgiveness.

Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana

by Steven Feld

In this remarkable book, Steven Feld, pioneer of the anthropology of sound, listens to the vernacular cosmopolitanism of jazz players in Ghana. Some have traveled widely, played with American jazz greats, and blended the innovations of John Coltrane with local instruments and worldviews. Combining memoir, biography, ethnography, and history, Feld conveys a diasporic intimacy and dialogue that contests American nationalist and Afrocentric narratives of jazz history. His stories of Accra's jazz cosmopolitanism feature Ghanaba/Guy Warren (1923-2008), the eccentric drummer who befriended the likes of Charlie Parker, Max Roach, and Thelonious Monk in the United States in the 1950s, only to return, embittered, to Ghana, where he became the country's leading experimentalist. Others whose stories figure prominently are Nii Noi Nortey, who fuses the legacies of the black avant-gardes of the 1960s and 1970s with pan-African philosophy in sculptural shrines to Coltrane and musical improvisations inspired by his work; the percussionist Nii Otoo Annan, a traditional master inspired by Coltrane's drummers Elvin Jones and Rashied Ali; and a union of Accra truck and minibus drivers whose squeeze-bulb honk-horn music for drivers' funerals recalls the jazz funerals of New Orleans. Feld describes these artists' cosmopolitan outlook as an "acoustemology," a way of knowing the world through sound.

Jazz Cultures

by David Ake

Ake examines the musical identities and styles of several jazz musicians, some canonical and some not, to illuminate how and why identities and styles contribute to the making of the jazz canon.

Jazz from Detroit

by Mark Stryker

Jazz from Detroit explores the city’s pivotal role in shaping the course of modern and contemporary jazz. With more than two dozen in-depth profiles of remarkable Detroit-bred musicians, complemented by a generous selection of photographs, Mark Stryker makes Detroit jazz come alive as he draws out significant connections between the players, eras, styles, and Detroit’s distinctive history. Stryker’s story starts in the 1940s and ’50s, when the auto industry created a thriving black working and middle class in Detroit that supported a vibrant nightlife, and exceptional public school music programs and mentors in the community like pianist Barry Harris transformed the city into a jazz juggernaut. This golden age nurtured many legendary musicians—Hank, Thad, and Elvin Jones, Gerald Wilson, Milt Jackson, Yusef Lateef, Donald Byrd, Tommy Flanagan, Kenny Burrell, Ron Carter, Joe Henderson, and others. As the city’s fortunes change, Stryker turns his spotlight toward often overlooked but prescient musician-run cooperatives and self-determination groups of the 1960s and ’70s, such as the Strata Corporation and Tribe. In more recent decades, the city’s culture of mentorship, embodied by trumpeter and teacher Marcus Belgrave, ensured that Detroit continued to incubate world-class talent; Belgrave protégés like Geri Allen, Kenny Garrett, Robert Hurst, Regina Carter, Gerald Cleaver, and Karriem Riggins helped define contemporary jazz. The resilience of Detroit’s jazz tradition provides a powerful symbol of the city’s lasting cultural influence. Stryker’s 21 years as an arts reporter and critic at the Detroit Free Press are evident in his vivid storytelling and insightful criticism. Jazz from Detroit will appeal to jazz aficionados, casual fans, and anyone interested in the vibrant and complex history of cultural life in Detroit.

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