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Mater dolorosa
by José Álvarez JuncoJosé Álvarez Junco analiza en esta obra el proceso de construcción de la identidad española a lo largo del siglo XIX. «Álvarez Junco ha escrito un libro definitivo.»Javier Tusell La idea de España, previamente formada alrededor de la monarquía y el catolicismo, se vio afianzada a principios de la edad contemporánea con la llamada «guerra de independencia» contra los franceses, y las elites intelectuales emprendieron a continuación su construcción cultural en términos que se adaptaban a la era de las naciones. Sin embargo, esta tarea se vio obstaculizada muy pronto a causa de la continua inestabilidad política, el atraso económico, la pérdida del imperio y la inexistencia de amenazas exteriores. A estos factores se añadieron, además, la carencia de un sistema educativo y un servicio militar verdaderamente nacionales, aparte de los interminablesdebates en que se enzarzaron liberales y conservadores sobre el sentido y la orientación política de la identidad española. La derrota en la guerra cubana de 1898, que cerró el siglo, provocó una última crisis de identidad, de la que surgieron los proyectos nacionalistas alternativos. Reseñas:«Álvarez Junco es un historiador que ha abordado, y siempre con maestría, algunos fenómenos esenciales de la historia española: el anarquismo, el populismo, el nacionalismo y la relación entre visión del pasado y construcción de identidad.»José Andrés Rojo, Babelia «Este libro es un buen instrumento para conocer en profundidad los antecedentes históricos de muchos de los problemas actuales.»Rogelio López Blanco, El Cultural de El Mundo «Un espléndido libro sobre el nacimiento del nacionalismo español en el siglo XIX.»Luis Berenguer, El País «Mater Dolorosa señala un antes y un después, un momento de madurez necesaria por parte de un historiador con una larga trayectoria. Una contribución ejemplar y generosa.»Josep María Fradera, Revista de Libros
Materia oscura
by Philip KerrUn absorbente thriller histórico sobre política, ciencia y religión en el Londres de finales del siglo XVII por uno de los autores más icónicos del género negro. En 1696, Christopher Ellis, un impetuoso joven aficionado a los naipes y a las mujeres, es enviado a la Torre de Londres, pero no como prisionero. Gracias a un inesperado giro del destino, Ellis se convierte en el nuevo ayudante de sir Isaac Newton, el renombrado científico que es además el encargado de perseguir a los falsificadores que amenazan con derrumbar la economía inglesa. Con la aguda perspicacia de Newton y la habilidad de Ellis con la espada, la peculiar pareja de detectives se prepara para resolver el caso. Sin embargo, cuando sus pesquisas los conducen hasta un misterioso mensaje codificado sobre un cadáver escondido en la Torre de los Leones, los dos investigadores se darán cuenta de que se está urdiendo algo mucho más siniestro.
Material Ambitions: Self-Help and Victorian Literature
by Rebecca RichardsonWhat the Victorian history of self-help reveals about the myth of individualism.Stories of hardworking characters who lift themselves from rags to riches abound in the Victorian era. From the popularity of such stories, it is clear that the Victorians valorized personal ambition in ways that previous generations had not. In Material Ambitions, Rebecca Richardson explores this phenomenon in light of the under-studied reception history of Samuel Smiles's 1859 publication, Self-Help: With Illustrations of Character, Conduct, and Perseverance. A compilation of vignettes about captains of industry, artists, and inventors who persevered through failure and worked tirelessly to achieve success in their respective fields, Self-Help links individual ambition to the growth of the nation. Contextualizing Smiles's work in a tradition of Renaissance self-fashioning, eighteenth-century advice books, and inspirational biography, Richardson argues that the burgeoning self-help genre of the Victorian era offered a narrative structure that linked individual success with collective success in a one-to-one relationship. Advocating for a broader cultural account of the ambitious hero narrative, Richardson argues that reading these biographies and self-help texts alongside fictional accounts of driven people complicates the morality tale that writers like Smiles took pains to invoke. In chapters featuring the works of Harriet Martineau, Dinah Craik, Thackeray, Trollope, and Miles Franklin, Richardson demonstrates that Victorian fiction dramatized ambition by suggesting where it runs up against the limits of an individual's energy and ability, where it turns into competition, or where it risks upsetting a socio-ecological system of finite resources. The upward mobility plots of John Halifax, Gentleman or Vanity Fair suggest the dangers of zero-sum thinking, particularly evidenced by contemporary preoccupations with Malthusian and Darwinian discourses. Intertwining the methodologies of disability studies and ecocriticism, Material Ambitions persuasively unmasks the longstanding myth that ambitious individualism can overcome disadvantageous systematic and structural conditions.
Material Bernini (Visual Culture in Early Modernity)
by Evonne Levy Carolina MangoneBringing together established and emerging specialists in seventeenth-century Italian sculpture, Material Bernini is the first sustained examination of the conspicuous materiality of Bernini’s work in sculpture, architecture, and paint. The various essays demonstrate that material Bernini has always been tied (whether theologically, geologically, politically, or in terms of art theory) to his immaterial twin. Here immaterial Bernini and the historiography that sustains him is finally confronted by material Bernini. Central to the volume are Bernini’s works in clay, a fragmentary record of a large body of preparatory works by a sculptor who denied any direct relation between sketches of any kind and final works. Read together, the essays call into question why those works in which Bernini’s bodily relation to the material of his art is most evident, his clay studies, have been configured as a point of unmediated access to the artist’s mind, to his immaterial ideas. This insight reveals a set of values and assumptions that have profoundly shaped Bernini studies from their inception, and opens up new and compelling avenues of inquiry within a field that has long remained remarkably self-enclosed.
Material Christianity: Religion and Popular Culture in America
by Colleen McDannellWhat can the religious objects used by nineteenth- and twentieth-century Americans tell us about American Christianity? What is the relationship between the beliefs of the faithful and the landscapes they build? This lavishly illustrated book investigates the history and meaning of Christian material culture in America over the last 150 years. <p><p> Drawing on a rich array of historical sources and on in-depth interviews with Protestants, Catholics, and Mormons, Colleen McDannell examines the relationship between religion and mass consumption. She describes examples of nineteenth-century religious practice: Victorians burying their dead in cultivated cemetery parks; Protestants producing and displaying elaborate family Bibles; Catholics writing for special water from Lourdes reputed to have miraculous powers. And she looks at today's Christians: Mormons wearing sacred underclothing as a reminder of their religious promises, Catholics debating the design of tasteful churches, and Protestants manufacturing, marketing, and using a vast array of prints, clothing, figurines, jewelry, and toys that some label "Jesus junk" but that others see as a witness to their faith. McDannell claims that previous studies of American Christianity have overemphasized the written, cognitive, and ethical dimensions of religion, presenting faith as a disembodied system of beliefs. She shifts attention from the church and the theological seminary to the workplace, home, cemetery, and Sunday school, highlighting a different Christianity—one in which average Christians experience the divine, the nature of death, the power of healing, and the meaning of community through interacting with a created world of devotional images, environments, and objects.
Material Christianity: Western Religion and the Agency of Things (Sophia Studies in Cross-cultural Philosophy of Traditions and Cultures #32)
by Susanna Elm Christopher OckerThis collection of essays offers a series of rigorously focused art-historical, historical, and philosophical studies that examine ways in which materiality has posed and still poses a religious and cultural problem. The volume examines the material agency of objects, artifacts, and environments: art, ritual, pilgrimage, food, and philosophy. It studies the variable "senses” of materiality, the place of materiality in the formation of modern Western religion, and its role in Christianity’s dialogue with non-Western religions. The essays present new interpretations of religious rites and outlooks through the focus on their material components. They also suggest how material engagement theory - a new movement in cultural anthropology and archeology - may shed light on the cultural history of Christianity in medieval and early modern Europe and the Americas. It thus fills an important lacuna in the study of western religion by highlighting the longue durée, from the Middles Ages to the Modern Period, of a current dilemma, namely the divide between materialistic and what might broadly be called hermeneutical or cultural-critical approaches to religion and human subjectivity.
Material Culture and Asian Religions: Text, Image, Object (Routledge Research in Religion, Media and Culture)
by Benjamin J. Fleming Richard D. MannTraditionally, research on the history of Asian religions has been marked by a bias for literary evidence, privileging canonical texts penned in ‘classical’ languages. Not only has a focus on literary evidence shaped the dominant narratives about the religious histories of Asia, in both scholarship and popular culture, but it has contributed to the tendency to study different religious traditions in relative isolation from one another. Today, moreover, historical work is often based on modern textual editions and, increasingly, on electronic databases. What may be lost, in the process, is the visceral sense of the text as artifact – as a material object that formed part of a broader material culture, in which the boundaries between religious traditions were sometimes more fluid than canonical literature might suggest. This volume brings together specialists in a variety of Asian cultures to discuss the methodological challenges involved in integrating material evidence for the reconstruction of the religious histories of South, Southeast, Central, and East Asia. By means of specific ‘test cases,’ the volume explores the importance of considering material and literary evidence in concert. What untold stories do these sources help us to recover? How might they push us to reevaluate historical narratives traditionally told from literary sources? By addressing these questions from the perspectives of different subfields and religious traditions, contributors map out the challenges involved in interpreting different types of data, assessing the problems of interpretation distinct to specific types of material evidence (e.g., coins, temple art, manuscripts, donative inscriptions) and considering the issues raised by the different patterns in the preservation of such evidence in different locales. Special attention is paid to newly-discovered and neglected sources; to our evidence for trade, migration, and inter-regional cultural exchange; and to geographical locales that served as "contact zones" connecting cultures. In addition, the chapters in this volume represent the rich range of religious traditions across Asia – including Hinduism, Buddhism, Taoism, Shinto, and Chinese religions, as well as Islam and eastern Christianities.
Material Culture and Kinship in Poland: An Ethnography of Fur and Society (Criminal Practice Ser.)
by Siobhan MageeIn this ethnography of Krakowian society, Siobhan Magee explores essential questions on the relationship between fur and culture in Poland. How can wearing a fur coat indicate someone's political views in Krakow, beyond their opinion on animal rights? What kinds of associations are given to someone wearing a fur coat in Poland? And what impact does generational difference have on the fur-wearing traditions of modern day Krakowians? Magee looks further into detailed analyses of conversations held relating to fur, including why fur is an apt inheritance for a grandmother to pass on to her granddaughter; what it was like trading fur on 'black markets' during socialism, and why some anti-fur activists link fur to patriarchal power and the Roman Catholic Church. In so doing, it becomes clear how fur is an evocative textile with an uncommonly rich symbolic and historical significance."Magee's research uncovers the symbolic and historic significance that fur evokes in relation to culture in Poland. In her investigations, her ethnography becomes a means for understanding generational difference in Poland. Written with reference to extensive fieldwork, Magee goes on to show how the classification of generation can be a much more accessible indicator and measure of difference than other categories, including sexuality, class and faith. Thus, 'generation' and 'inheritance' are shown to be uniquely powerful idioms with which to discuss power and social change in Poland. A new contribution to material culture and the sensory turn, this will be of interest to scholars of anthropology, ethnography, eastern Europe and material culture and textiles.
Material Culture in Russia and the USSR: Things, Values, Identities
by Graham H. RobertsMaterial Culture in Russia and the USSR comprises some of the most cutting-edge scholarship across anthropology, history and material and cultural studies relating to Russia and the Soviet Union, from Peter the Great to Putin.Material culture in Russia and the USSR holds a particularly important role, as the distinction between private and public spheres has at times developed in radically different ways than in many places in the more commonly studied West. With case studies covering alcohol, fashion, cinema, advertising and photography among other topics, this wide-ranging collection offers an unparalleled survey of material culture in Russia and the USSR and addresses core questions such as: what makes Russian and Soviet material culture distinctive; who produces it; what values it portrays; and how it relates to 'high culture' and consumer culture.
Material Cultures of Childhood in Second World War Britain (Material Culture and Modern Conflict)
by Gabriel MoshenskaHow do children cope when their world is transformed by war? This book draws on memory narratives to construct an historical anthropology of childhood in Second World Britain, focusing on objects and spaces such as gas masks, air raid shelters and bombed-out buildings. In their struggles to cope with the fears and upheavals of wartime, with families divided and familiar landscapes lost or transformed, children reimagined and reshaped these material traces of conflict into toys, treasures and playgrounds. This study of the material worlds of wartime childhood offers a unique viewpoint into an extraordinary period in history with powerful resonances across global conflicts into the present day.
Material Cultures of Music Notation: New Perspectives on Musical Inscription (Music and Material Culture)
by Floris SchuilingMaterial Cultures of Music Notation brings together a collection of essays that explore a fundamental question in the current landscape of musicology: how can writing and reading music be understood as concrete, material practices in a wider cultural context? Drawing on interdisciplinary approaches from musicology, media studies, performance studies, and more, the chapters in this volume offer a wide array of new perspectives that foreground the materiality of music notation. From digital scores to the transmission of manuscripts in the Middle Ages, the volume deliberately disrupts boundaries of discipline, historical period, genre, and tradition, by approaching notation's materiality through four key interrelated themes: knowledge, the body, social relations, and technology. Together, the chapters capture vital new work in an essential emerging area of scholarship.
Material Cultures of Slavery and Abolition in the British Caribbean
by Christer Petley and Stephan LenikMaterial things mattered immensely to those who engaged in daily struggles over the character and future of slavery and to those who subsequently contested the meanings of freedom in the post-emancipation Caribbean. Throughout the history of slavery, objects and places were significant to different groups of people, from the opulent master class to enslaved field hands as well as to other groups, including maroons, free people of colour and missionaries, all of who shared the lived environments of Caribbean plantation colonies. By exploring the rich material world inhabited by these people, this book offers new ways of seeing history from below, of linking localised experiences with global transformations and connecting deeply personal lived realities with larger epochal events that defined the history of slavery and its abolition in the British Caribbean.This book was originally published as a special issue of Slavery & Abolition.
Material Ethics of Value: Max Scheler and Nicolai Hartmann
by E. KellyMax Scheler and Nicolai Hartmann developed ethics upon a phenomenological basis. This volume demonstrates that their contributions to a material ethics of value are complementary: by supplementing the work of one with that of the other, we obtain a comprehensive and defensible axiological and moral theory. By "phenomenology," we refer to an intuitive procedure that attempts to describe thematically the insights into essences, or the meaning-elements of judgments, that underlie and make possible our conscious awareness of a world and the evaluative judgments we make of the objects and persons we encounter in the world.
Material Hermeneutics: Reversing the Linguistic Turn (History and Philosophy of Technoscience)
by Don IhdeMaterial Hermeneutics explores the ways in which new imaging technologies and scientific instruments have changed our notions about ancient history. From the first lunar calendar to the black hole image, and from an ancient mummy in the Italian Alps to the irrigated valleys of Mesopotamia, this book demonstrates how revolutions in science have taught us far more than we imagined. Written by a leading philosopher of technology and utilizing an interdisciplinary approach, this book has implications for many fields, including philosophy, history, science, and technology. It will appeal to scholars and students of the humanities, as well as anthropologists and archaeologists.
Material Insurgency: Towards a Distributed Environmental Politics (SUNY series in New Political Science)
by Andrew M. RoseIn Material Insurgency, Andrew M. Rose examines emerging new materialist and posthuman conceptions of subjectivity and agency and explores their increasing significance for contemporary climate change environmentalism. Working at the intersection of material ecocriticism, posthuman theory, and environmental political theory, Rose critically focuses on the ways social movement organizing might effectively operate within the context of distributed agency. This concept undoes the privileging of rational human actors to suggest agency is better understood as a complex mixture of human and nonhuman forces. Rose explores various representations of distributed agency, from the pipeline politics of the Keystone XL campaign to the speculative literary fiction of Leslie Marmon Silko and Kim Stanley Robinson. Each of these cultural and literary texts provides a window into the possible constitution of a (distributed) environmental politics that does not yet exist and operates as a resource for envisioning environmental actors we cannot necessarily study empirically, because they are still only a prospect, or potential, of our imagination.
Material London, ca. 1600
by Lena Cowen OrlinBetween 1500 and 1700, London grew from a minor national capital to the largest city in Europe. The defining period of growth was the period from 1550 to 1650, the midpoint of which coincided with the end of Elizabeth I's reign and the height of Shakespeare's theatrical career.In Material London, ca. 1600, Lena Cowen Orlin and a distinguished group of social, intellectual, urban, architectural, and agrarian historians, archaeologists, cultural anthropologists, and literary critics explore the ideas, structures, and practices that distinguished London before the Great Fire, basing their investigations on the material traces in artifacts, playtexts, documents, graphic arts, and archaeological remains.In order to evoke "material London, ca. 1600," each scholar examines a different aspect of one of the great world cities at a critical moment in Western history. Several chapters give broad panoramic and authoritative views: what architectural forms characterized the built city around 1600; how the public theatre established its claim on the city; how London's citizens incorporated the new commercialism of their culture into their moral views. Other essays offer sharply focused studies: how Irish mantles were adopted as elite fashions in the hybrid culture of the court; how the city authorities clashed with the church hierarchy over the building of a small bookshop; how London figured in Ben Jonson's exploration of the role of the poet.Although all the authors situate the material world of early modern London--its objects, products, literatures, built environment, and economic practices--in its broader political and cultural contexts, provocative debates and exchanges remain both within and between the essays as to what constitutes "material London, ca. 1600."
Material Mystery: The Flesh of the World in Three Mythic Bodies
by Karmen MacKendrickMaterial Mystery considers three apparently anthropocentric myths that are central to Abrahamic religions—those of the primal human, the incarnated and possibly divine redeemer, and the resurrected body. At first glance, these stories reinforce a human-centered theology and point to a very anthropomorphic God. Taking them seriously seems to ignore the material turn in the humanities entirely, with the same sort of willful ignorance that some of our politicians show in declaring that their myths count as facts, or that the point of the rest of the world is to further human consumption. But it is possible, Karmen MacKendrick shows, to read these figures through a particular tradition that emerges from the Hebrew Bible, the tradition of Wisdom as a creative force. Wisdom texts are common across the ancient Near East. As the idea of creative Wisdom develops from antiquity into the middle ages, it gathers philosophical influences from a range of philosophical traditions. This exuberantly promiscuous impurity—intellectual, artistic, and theological—generates new interpretive possibilities. In these interpretations, each human-like figure opens up onto the world''s matter, as an interdependent part of it, and matter is thoroughly mixed with divinity. Such mythic readings complement our factual, scientific understanding of the material world, to engage wider kinds of knowing and affective attention—particularly Wisdom''s combination of care and delight.
Material Powers: Cultural Studies, History and the Material Turn (CRESC)
by Tony Bennett Patrick JoyceThis edited collection is a major contribution to the current development of a ‘material turn’ in the social sciences and humanities. It does so by exploring new understandings of how power is made up and exercised by examining the role of material infrastructures in the organization of state power and the role of material cultural practices in the organization of colonial forms of governance. A diverse range of historical examples is drawn on in illustrating these concerns – from the role of territorial engineering projects in seventeenth-century France through the development of the postal system in nineteenth-century Britain to the relations between the state and road-building in contemporary Peru, for example. The colonial contexts examined are similarly varied, ranging from the role of photographic practices in the constitution of colonial power in India and the measurement of the bodies of the colonized in French colonial practices to the part played by the relations between museums and expeditions in the organization of Australian forms of colonial rule. These specific concerns are connected to major critical re-examination of the limits of the earlier formulations of cultural materialism and the logic of the ‘cultural turn’. The collection brings together a group of key international scholars whose work has played a leading role in debates in and across the fields of history, visual culture studies, anthropology, geography, cultural studies, museum studies, and literary studies.
Material Religion in Modern Britain
by Timothy Willem Jones Lucinda Matthews-JonesA growing awareness of religious plurality and religious conflict in contemporary society has led to a search for new ways to understand religious change beyond traditional subjects of British ecclesiology. Narratives of the gradual decline of Christianity dominate this field; yet many scholars now concede that Britain's religious landscape was more varied and rich than these narratives would suggest. Material Religion in Modern Britain responds to this challenge by bringing emerging scholarship on material culture to bear on studies of religion and spirituality. The collection is the first to apply this suite of analytical methods to the traditional subjects of British religious studies and the full spectrum of religious denominations, sects, and movements that constituted Britain's multi-faith landscape in the nineteenth and twentieth centuries. The book reveals how, across this religious spectrum, objects were, and continue to be, used in the performance and production of religious faith and subjectivity. In doing so it expands our understanding of the persistence of religious belief and culture in a secularising, secularized, and post-secular society.
Material Setting and Reform Experience in English Institutions for Fallen Women, 1838-1910: Inside the ‘Homes of Mercy’ (Genders and Sexualities in History)
by Susan WoodallTracing the history of four English case studies, this book explores how, from outward appearance to interior furnishings, the material worlds of reform institutions for ‘fallen’ women reflected their moral purpose and shaped the lived experience of their inmates. Variously known as asylums, refuges, magdalens, penitentiaries, Houses or Homes of Mercy, the goal of such institutions was the moral ‘rehabilitation’ of unmarried but sexually experienced ‘fallen’ women. Largely from the working-classes, such women – some of whom had been sex workers – were represented in contradictory terms. Morally tainted and a potential threat to respectable family life, they were also worthy of pity and in need of ‘saving’ from further sin. Fuelled by rising prostitution rates, from the early decades of the nineteenth century the number of moral reform institutions for ‘fallen’ women expanded across Britain and Ireland. Through a programme of laundry, sewing work and regular religious instruction, the period of institutionalisation and moral re-education of around two years was designed to bring about a change in behaviour, readying inmates for economic self-sufficiency and re-entry into society in respectable domestic service. To achieve their goal, institutional authorities deployed an array of ritual, material, religious and disciplinary tools, with mixed results.
Material World: The Six Raw Materials That Shape Modern Civilization
by Ed ConwayTHE NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE • AN ECONOMIST BEST BOOK OF THE YEAR • Sand, salt, iron, copper, oil, and lithium. These fundamental materials have created empires, razed civilizations, and fed our ingenuity and greed for thousands of years. Without them, our modern world would not exist, and the battle to control them will determine our future. • Finalist for the Financial Times and Schroders Business Book of the Year AwardThe fiber-optic cables that weave the World Wide Web, the copper veins of our electric grids, the silicon chips and lithium batteries that power our phones and cars: though it can feel like we now live in a weightless world of information—what Ed Conway calls &“the ethereal world&”—our twenty-first-century lives are still very much rooted in the material.In fact, we dug more stuff out of the earth in 2017 than in all of human history before 1950. For every ton of fossil fuels, we extract six tons of other materials, from sand to stone to wood to metal. And in Material World, Conway embarks on an epic journey across continents, cultures, and epochs to reveal the underpinnings of modern life on Earth—traveling from the sweltering depths of the deepest mine in Europe to spotless silicon chip factories in Taiwan to the eerie green pools where lithium originates.Material World is a celebration of the humans and the human networks, the miraculous processes and the little-known companies, that combine to turn raw materials into things of wonder. This is the story of human civilization from an entirely new perspective: the ground up.
Materialism
by Terry EagletonA brilliant introduction to the philosophical concept of materialism and its relevance to contemporary science and culture In this eye-opening, intellectually stimulating appreciation of a fascinating school of philosophy, Terry Eagleton makes a powerful argument that materialism is at the center of today's important scientific and cultural as well as philosophical debates. The author reveals entirely fresh ways of considering the values and beliefs of three very different materialists--Marx, Nietzsche, and Wittgenstein--drawing striking comparisons between their philosophies while reflecting on a wide array of topics, from ideology and history to language, ethics, and the aesthetic. Cogently demonstrating how it is our bodies and corporeal activity that make thought and consciousness possible, Eagleton's book is a valuable exposition on philosophic thought that strikes to the heart of how we think about ourselves and live in the world.
Materialities of Ritual in the Black Atlantic
by Akinwumi Ogundiran Paula SaundersFocusing on everyday rituals, the essays in this volume look at spheres of social action and the places throughout the Atlantic world where African-descended communities have expressed their values, ideas, beliefs, and spirituality in material terms. The contributors trace the impact of encounters with the Atlantic world on African cultural formation, how entanglement with commerce, commodification, and enslavement and with colonialism, emancipation, and self-rule manifested itself in the shaping of ritual acts such as those associated with birth, death, healing, and protection. Taken as a whole, the book offers new perspectives on what the materials of rituals can tell us about the intimate processes of cultural transformation and the dynamics of the human condition.
Materiality and Consumption in the Bronze Age Mediterranean: Materiality And Consumption In The Bronze Age Mediterranean (Routledge Studies in Archaeology #7)
by Louise SteelThe importance of cultural contacts in the East Mediterranean has long been recognized and is the focus of ongoing international research. Fieldwork in the Aegean, Egypt, Cyprus, and the Levant continues to add to our understanding of the nature of this contact and its social and economic significance, particularly to the cultures of the Aegean. Despite sophisticated discussion of the archaeological evidence, in particular on the part of Aegean and Mediterranean archaeologists, there has been little systematic attempt to incorporate anthropological perspectives on materiality and exchange into archaeological narratives of this material. This book addresses that gap and integrates anthropological discourse on contact, examining exchange systems, the gift, notions of geographical distance and power, colonization, and hybridization. Furthermore, it develops a social narrative of culture contact in the Mediterranean context, illustrating the reasons communities chose to engage in international exchange, and how this impacted the construction of identities throughout the region. While traditional archaeologies in the East Mediterranean have tended to be reductive in their approach to material culture and how it was produced, used, and exchanged, this book reviews current research on material culture, focusing on issues such as the biography of objects, inalienable possessions, and hybridization – exploring how these issues can further illuminate the material world of the communities of the Bronze Age Mediterranean.
Materiality and Subject in Marxism, (Post-)Structuralism, and Material Semiotics
by Johannes BeetzThis clear and concise book investigates the relation between materiality and the subject in Marxism, (post-)structuralism, and material semiotics. It introduces the three approaches in an accessible way and serves as an introduction to different kinds of materialism and theories of the subject. For each approach, the modalities of materiality of the respective materialism are defined and the relationship between these multiple materialities and the subject are presented as specific to the theoretical approaches discussed. Beetz argues for a non-reductionist materialism, which conceives of materiality as more than matter or matter in motion. In such a materialism the subject is seen as an effect of material conditions, relations, processes, and practices. He shows how the constitution and decentering of the subject is conceptualized in the approaches presented and highlights the role of material instances in these processes.