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Media Parasites in the Early Avant-Garde
by Arndt NiebischNiebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication and how they aimed at creating a media ecology based on and inspired by technologies such as the radio and the photo cell.
Media Perspectives for the 21st Century (Communication and Society)
by Stylianos PapathanassopoulosMedia Perspectives for the 21st Century brings together key international scholars to explore concepts, topics and issues concerning the communication environment in contemporary democratic societies. It combines qualitative and quantitative approaches to provide an interdisciplinary and truly global perspective that reflects the trends, theories and issues in current media and communication research. The collection raises significant questions about the study of the media by challenging approaches to major media and societal issues, and analyses in more depth the range of concerns that shape both the present and the future media landscape and the issues these can create for communication. It also investigates the main effects of technological developments on the domain of the news media and journalism. Divided into two main sections, Part I provides accounts of the role of the media in society, and deals with agendas that affect the field of communications studies. Part II goes on to examine the world of new media and offers analyses on the developments of the 21st century. Chapters deal with various dimensions of media from a number of different perspectives and socio-political contexts, covering a wide range of topics including Social Networking, Political Communication, Public Journalism, Global Infotainment and Consumer Culture. Media Perspectives for the 21st Century will be highly useful to undergraduate and postgraduate students, as well as researchers and academics, in the fields of media and communication studies, mass communication, journalism and new media.
Media Power and Hegemony in South Africa: The Myth of Independence (Routledge Explorations in Development Studies)
by Blessed NgwenyaThis book critically explores how meanings of ‘independence’ are constructed and reconfigured by public service broadcasters in the global south, with a particular focus on the South African Broadcasting Corporation (SABC). Blessed Ngwenya questions the institutional, political economy and world systems paradigms born out of coloniality which continue to influence broadcasting and media in the global south, and instead presents a radical local understanding of freedom in the present day. The author draws on detailed empirical interviews with members of staff from across the SABC, including board members, senior management, and journalists, offering an intimate insight into how the participants themselves perceive, understand, and deal with the issues and problems they face in relation to independence. Framed by a rich analysis of the historical context, this book provides readers with the theoretical and empirical toolkit needed to place the everyday experiences and needs of their subjects first, and to ultimately arrive at an accurate understanding of independence in its several senses. Contributing to growing global debates on the decolonisation of knowledge, this book is critical reading for advanced scholars and researchers of African media, culture, communication and epistemic freedom.
Media Power and its Control in Contemporary China: The Digital Regulatory Regime, National Identity, and Global Communication (IPP Studies in the Frontiers of China’s Public Policy)
by Yanling ZhuThis book takes an ethnographic approach to discuss the policy practices within China’s broadcasting industry. Exploring the gap between the contemporary policy regime and its implementation in national broadcasters and streaming services, taking into account the interplay between broadcasters, political bodies, producers and audiences, Zhu explains the contemporary role of Chinese national broadcasters in mediating the public discourse, the collective reimagining of China’s national identity, and the newly-found policy initiative of using state media as a means of nation branding. Cases investigated include China Central Television (CCTV) Documentary, China Global Television Network (CGTN), and the Shanghai Media Group (SMG), as well as co-productions made by CCTV and international media firms, including the BBC, Discovery and the Japan Broadcasting Corporation (NHK), in a book that will interest scholars of Chinese politics, media studies, and sociology.
Media Primitivism: Technological Art in Africa (The Visual Arts of Africa and its Diasporas)
by Delinda CollierIn Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.
Media Ruins: Cambodian Postwar Media Reconstruction and the Geopolitics of Technology
by Margaret JackHow a generation of tech-savvy young Cambodians is restoring historical media artifacts from before the war—and, in the process, helping to repair the Khmer Rouge&’s cultural destruction.During the Khmer Rouge regime (1975–1979), an estimated quarter to a third of the Cambodian population perished from execution, starvation, or disease. The regime especially targeted artists and intellectuals and their work, including films, photographs, and audio recordings. In Media Ruins, Margaret Jack charts the critical role of media in the historical political landscape of Cambodia as well as in its post-conflict reconstruction and reconciliation. Along the way, Jack tells the remarkable stories of resourceful Cambodians in the decades that followed the end of the regime—those who worked to reconstruct their country&’s media infrastructure and restore their damaged cultural heritage.Jack describes the crucial role that media has played in helping the nation grapple with the traumas of its past and imagine brighter futures. She explores how tech-savvy Cambodian media creators have engaged in practices of infrastructural restitution—work that is both emotionally cathartic and politically vital. She also examines the ways these media creators have used digital tools to restore and disseminate lost media artifacts, while embracing an aesthetic of material decay as a visible reminder of loss. As these creators reconcile with the past, they are also finding ways to navigate the country&’s increasingly authoritarian media landscape. Bringing media and technology studies into conversation with trauma and memory studies, the book provides a unique, and necessary, perspective on post-conflict reconstruction.
Media Strategy and Military Operations in the 21st Century: Mediatizing the Israel Defence Forces (Contemporary Security Studies)
by Michal ShavitThis book applies the concept of mediatization to the contemporary dynamic between war, media and society, with a focus on the Israel Defence Forces (IDF). Since the beginning of the 21st century the IDF has undergone an intensive process of mediatization that has transformed the media into an interpretative grid for many of its military activities and increasingly utilized media to garner public support and construct civilian perceptions of conflict and security through media activity and strategy. This process can be divided into four distinct chronological phases in accordance with the operational challenges confronted by the IDF during this period, from the Al-Aqsa Intifada of 2000, through Israeli unilateral disengagement from Gaza in 2005, and the second Lebanon war of 2006, to the series of Gaza confrontations of 2008-2014. The work shows how the IDF’s media policy evolved from a narrow perception of its role, and separation between operational and media actions to a cohesive and coherently articulated media strategy that is increasingly intertwined with military action and operational strategy and a vital component of strategic military aims and objectives. This strategic stance has led the IDF to adopt a global media perspective using the most advanced new media platforms, designed to influence public opinion and improve national narratives, both in Israel and the international community. By applying the concept of mediatization to the Israeli case, this book fills a research lacuna and offers a new prism for the study of media-military relations in contemporary conflicts. The book will be of much interest to students of civil-military relations, strategic studies, Middle Eastern Studies, media and communication studies, sociology and IR, in general.
Media Technologies and the Digital Humanities in Medieval and Early Modern Studies
by Katharine D. Scherff Lane J. SobehradThrough a multidisciplinary collection of case studies, this book explores the effects of the digital age on medieval and early modern studies. Divided into five parts, the book examines how people, medieval and modern, engage with medieval media and technology through an exploration of the theory underpinning audience interactions with historical materials in the past and the real-world engagement of a twenty-first century audience with medieval and early modern studies through the multimodal lens of a vast digital landscape. Each case study reveals the diversity of medieval media and technology and challenges readers to consider new types of literacy competencies as scholarly, rigorous methods of engaging in pre-modern investigations of materiality. Essays in the first section engage in the examination of medieval media, mediation, and technology from a theoretical framework, while the second section explores how digitization, smart technologies, digital mapping, and the internet have shaped medieval and early modern studies today. The book will be of interest to students in undergraduate or graduate intermediate or advanced courses as well as scholars, in medieval studies, art history, architectural history, medieval history, literary history, and religious history.
Media Technology and Cultures of Memory: Mapping Indian Narratives
by Elwin Susan John Amal P. MathewsMedia Technology and Cultures of Memory studies narrative memories in India through oral, chirographic and digital cultures. It examines oral cultures of memory culled from diverse geographical and cultural landscapes of India and throws light on multiple aspects of remembering and registering the varied cultural tapestry of the country. The book also explores themes such as oral culture and memory markers; memory and its paratextual services; embodied memory practices in the cultural traditions; between myths and monuments; literary and lived experiences; print culture and memory markers; marginalized memories in hagiographies; displaying memories online; childhood trauma, memory and flashbacks; and the politics of remembering and forgetting. Rich in case studies from across India, this interdisciplinary book is a must-read for scholars and researchers of cultural studies, sociology, political science, English literature, South Asian studies, social anthropology, social history, and post-colonial studies.
Media Theory in Japan
by Alexander Zahlten Marc SteinbergProviding an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally. Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten
Media and Communication in the Soviet Union (1917–1953): General Perspectives
by Kirill Postoutenko Alexey Tikhomirov Dmitri ZakharineThis book provides a systematic account of media and communication development in Soviet society from the October Revolution to the death of Stalin. Summarizing earlier research and drawing upon previously unpublished archival materials, it covers the main aspects of public and private interaction in the Soviet Union, from public broadcast to kitchen gossip. The first part of the volume covers visual, auditory and tactile channels, such as posters, maps and monuments. The second deals with media, featuring public gatherings, personal letters, telegraph, telephone, film and radio. The concluding part surveys major boundaries and flows structuring the Soviet communicate environment. The broad scope of contributions to this volume will be of great interest to students and researchers working on the Soviet Union, and twentieth-century media and communication more broadly.
Media and Global Civil Society
by Lina DencikA timely and critical investigation into the way media operates in a so-called global age, presenting new empirical data on key sites of news production and crucially tying these findings to ongoing debates on globalization and democracy.
Media and Impact: An Introduction to Mass Media
by Shirley BiagiTaking an industry-by-industry approach to media issues and situating these in a global context, this textbook considers the media's influence on both individuals and whole societies. A companion CD-ROM contains CNN video clips and other supplemental materials. Biagi teaches at California State University at Sacramento. Annotation ©2004 Book News, Inc. , Portland, OR (booknews. com)
Media and Nation Building in Twentieth-Century India: Life and Times of Ramananda Chatterjee
by Kalyan ChatterjeeThis book profiles twentieth-century India through the life and times of Ramananda Chatterjee – journalist, influencer, nationalist. Through a reconstruction of his history, the book highlights the oft-forgotten role of media in the making of the idea of India. It shows how early twentieth-century colonial India was a curious melee of ideas and people – a time of rising nationalism, as well as an influx of Western ideas; of unprecedented violence and compelling non-violence; of press censorship and defiant journalism. It shows how Ramananda Chatterjee navigated this world and went beyond the traditional definition of the nation as an entity with fixed boundaries to anticipate Benedict Anderson and Ernest Gellner. The volume also examines the wide reach and scope of his journals in English, Hindi and Bengali, which published the likes of Rabindranath Tagore, Subhash Bose, Abanindranath Tagore, Nandalal Bose, Ananda Coomaraswamy, the scientist J. C. Bose and Zhu Deh, the co-founder of the Chinese Red Army. He also published India in Bondage by the American Unitarian minister J. T. Sunderland, which resulted in his arrest. An intriguing behind-the-scenes look of early twentieth-century colonial India, this book will be of great interest to scholars and researchers of history, modern South Asia and media and cultural studies.
Media and Power in Post-Soviet Russia
by Ivan Ivanovich ZassourskyThis book describes the rise of independent mass media in Russia, from the loosening of censorship under Gorbachev's policy of glasnost to the proliferation of independent newspapers and the rise of media barons during the Yeltsin years. The role of the Internet, the impact of the 1998 financial crisis, the succession of Putin, and the effort to reimpose central power over privately controlled media empires mark the end of the first decade of a Russian free press. Throughout the book, there is a focus on the close intermingling of political power and media power, as the propaganda function of the press in fact never disappeared, but rather has been harnessed to multiple and conflicting ideological interests. More than a guide to the volatile Russian media scene and its players, Media and Power in Post-Soviet Russia poses questions of importance and relevance in any functioning democracy.
Media and Revolt
by Erling Sivertsen Rolf Werenskjold Kathrin FahlenbrachIn what ways have social movements attracted the attention of the mass media since the sixties? How have activists influenced public attention via visual symbols, images, and protest performances in that period? And how do mass media cover and frame specific protest issues? Drawing on contributions from media scholars, historians, and sociologists, this volume explores the dynamic interplay between social movements, activists, and mass media from the 1960s to the present. It introduces the most relevant theoretical approaches to such issues and offers a variety of case studies ranging from print media, film, and television to Internet and social media.
Media and Sovereignty: The Global Information Revolution and Its Challenge to State Power
by Monroe E. PriceHonorable Mention for the 2002 Communication Policy Research Award presented by The Donald McGannon Communication Research Center. Media have been central to government efforts to reinforce sovereignty and define national identity, but globalization is fundamentally altering media practices, institutions, and content. More than the activities of large conglomerates, globalization entails competition among states as well as private entities to dominate the world's consciousness. Changes in formal and informal rules, in addition to technological innovation, affect the growth and survival or decline of governments. In Media and Sovereignty, Monroe Price focuses on emerging foreign policies that govern media in a world where war has information as well as military fronts. Price asks how the state, in the face of institutional and technological change, controls the forms of information reaching its citizens. He also provides a framework for analyzing the techniques used by states to influence populations in other states. Price draws on an international array of examples of regulation of media for political ends, including "self-regulation," media regulation in conflict zones, the control of harmful and illegal content, and the use of foreign aid to alter media in target societies.
Media and the Affective Life of Slavery
by Allison PageHow media shapes our actions and feelings about race Amid fervent conversations about antiracism and police violence, Media and the Affective Life of Slavery delivers vital new ideas about how our feelings about race are governed and normalized by our media landscape. Allison Page examines U.S. media from the 1960s to today, analyzing how media culture instructs viewers to act and feel in accordance with new racial norms created for an era supposedly defined by an end to legal racism.From the classic television miniseries Roots to the edutainment video game Mission 2: Flight to Freedom and the popular website slaveryfootprint.org, Media and the Affective Life of Slavery provides an in-depth look at the capitalist and cultural artifacts that teach the U.S. public about slavery. Page theorizes media not only as a system of representation but also as a technology of citizenship and subjectivity, wherein race is seen as a problem to be solved. Ultimately, she argues that visual culture works through emotion, a powerful lever for shaping and managing racialized subjectivity. Media and the Affective Life of Slavery delivers compelling, provocative material and includes a wealth of archival research into such realms as news, entertainment, television, curricula, video games, and digital apps, providing new and innovative scholarship where none currently exists.
Media and the American Mind
by Daniel J. CzitromIn a fascinating and comprehensive intellectual history of modern communication in America, Daniel Czitrom examines the continuing contradictions between the progressive possibilities that new communications technologies offer and their use as instruments of domination and exploitation.
Media and the Cold War in the 1980s: Between Star Wars and Glasnost (Palgrave Studies in the History of the Media)
by Martin Klimke Rolf Werenskjold Henrik G. BastiansenThe Cold War was a media phenomenon. It was a daily cultural political struggle for the hearts and minds of ordinary people—and for government leaders, a struggle to undermine their enemies’ ability to control the domestic public sphere. This collection examines how this struggle played out on screen, radio, and in print from the late 1970s through the early 1990s, a time when breaking news stories such as Ronald Reagan’s “Star Wars” program and Mikhail Gorbachev’s policy of glasnost captured the world’s attention. Ranging from the United States to the Soviet Union and China, these essays cover photojournalism on both sides of the Iron Curtain, Polish punk, Norwegian film, Soviet magazines, and more, concluding with a contribution from Stuart Franklin, one of the creators of the iconic “Tank Man” image during the Tiananmen Square protests. By investigating an array of media actors and networks, as well as narrative and visual frames on a local and transnational level, this volume lays the groundwork for writing media into the history of the late Cold War.
Media and the Government of Populations: Communication, Technology And Power (Palgrave Studies in the History of the Media)
by Peter Williams Philip Dearman Cathy GreenfieldThis book deals with the social, cultural and especially political significance of media by shifting from the usual focus on the public sphere and publics and paying attention to populations. It describes key moments where populations of different sorts have been subject to formative and diverse projects of governing, in which communication has been key. It brings together governmentality studies with the study of media practices and communication technologies. Chapters consider print culture and the new political technology of individuals; digital economies as places where populations are formed, known and managed as productive resources; workplaces, schools, clinics and homes as sites of governmental objectives; and how to appropriately link communication technologies and practices with politics. Through these chapters Philip Dearman, Cathy Greenfield and Peter Williams demonstrate the value of considering communication in terms of the government of populations.
Media and the Mind: Art, Science, and Notebooks as Paper Machines, 1700-1830
by Matthew Daniel EddyA beautifully illustrated argument that reveals notebooks as extraordinary paper machines that transformed knowledge on the page and in the mind. We often think of reason as a fixed entity, as a definitive body of facts that do not change over time. But during the Enlightenment, reason also was seen as a process, as a set of skills enacted on a daily basis. How, why, and where were these skills learned? Concentrating on Scottish students living during the long eighteenth century, this book argues that notebooks were paper machines and that notekeeping was a capability-building exercise that enabled young notekeepers to mobilize everyday handwritten and printed forms of material and visual media in a way that empowered them to judge and enact the enlightened principles they encountered in the classroom. Covering a rich selection of material ranging from simple scribbles to intricate watercolor diagrams, the book reinterprets John Locke’s comparison of the mind to a blank piece of paper, the tabula rasa. Although one of the most recognizable metaphors of the British Enlightenment, scholars seldom consider why it was so successful for those who used it. Each chapter uses one core notekeeping skill to reveal the fascinating world of material culture that enabled students in the arts, sciences, and humanities to transform the tabula rasa metaphor into a dynamic cognitive model. Starting in the home, moving to schools, and ending with universities, the book reconstructs the relationship between media and the mind from the bottom up. It reveals that the cognitive skills required to make and use notebooks were not simply aids to reason; rather, they were part of reason itself.
Media and the Politics of Arctic Climate Change
by Miyase Christensen Annika E. Nilsson Nina WormbsCombining multidisciplinary perspectives and new research, this volume goes beyond broad discussions of the impacts of climate change and reflects on the current and historical mediations and narratives that are part of creating this new social and scientific reality.
Media in China: Consumption, Content and Crisis (Media, Culture And Social Change In Asia Ser.)
by Michael Keane Stephanie Hemelryk Donald Yin HongMultinational media companies increasingly look to China as a highly important market for the future, but with what degree of confidence should they do so? Media in China is about a new kind of revolution in China - a revolution in which rapidly commercializing media industries confront slow-changing power relations between political, social and economic spheres. This interdisciplinary collection draws on the expertise of industry professionals, academic experts and cultural critics. It offers a variety of perspectives on audio-visual industries in the world's largest media market. In particular, the contributors examine television, film, music, commercial and political advertising, and new media such as the internet and multimedia. These essays explore evolving audience demographies, new patterns of media reception in regional centres, and the gradual internationalization of media content and foreign investment in China's broadcasting industries. This book will of use to students and professionals involved in media and communication, as well as anyone interested in contemporary China.
Media in New Turkey: The Origins of an Authoritarian Neoliberal State (The Geopolitics of Information)
by Bilge YesilIn Media in New Turkey, Bilge Yesil unlocks the complexities surrounding and penetrating today's Turkish media. Yesil focuses on a convergence of global and domestic forces that range from the 1980 military coup to globalization's inroads and the recent resurgence of political Islam. Her analysis foregrounds how these and other forces become intertwined, and she uses Turkey's media to unpack the ever-more-complex relationships. Yesil confronts essential questions regarding: the role of the state and military in building the structures that shaped Turkey's media system; media adaptations to ever-shifting contours of political and economic power; how the far-flung economic interests of media conglomerates leave them vulnerable to state pressure; and the ways Turkey's politicized judiciary criminalizes certain speech. Drawing on local knowledge and a wealth of Turkish sources, Yesil provides an engrossing look at the fault lines carved by authoritarianism, tradition, neoliberal reform, and globalization within Turkey's increasingly far-reaching media.