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Gorgeous Gruesome Faces: A K-pop inspired sapphic supernatural thriller

by Linda Cheng

Squid Game meets Wilder Girls in this debut sapphic supernatural thriller set in the glittering, cut-throat world of K-pop rivalry. A disgraced idol comes face-to-face with the demons of her past when the competition she enters turns out to be a deadly trap.After a shocking career-ending scandal, eighteen-year-old Sunny Lee spends her days longing for her former popstar life and cyberstalking ex-groupmate Candie. They were inseparable - before leaving tragedy and heartache in their wake. Now Candie is chasing stardom in a new K-pop competition, and Sunny can't resist joining her. Finally, they can confront their past, like what happened that horrible night their third groupmate jumped to her death. And whether the dark, otherworldly secrets they keep had something to do with it . . . But when Sunny is haunted by terrifying visions, gory injuries start happening to competitors - followed by even stranger mutilations. It's a race to survive the deadly carnage in this spellbinding sapphic thriller that will have you screaming and swooning for more.

The Gorgon and Other Beastly Tales

by Tanith Lee

Now for the first time in e-book, a collection of dark fantasy tales from a master of the genre.The Gorgon, a brilliant shocker that leads off this scintillating collection of Tanith Lee's tales, was the winner of the World Fantasy Award for best short story of the year in 1983. It is appropriate that it gives its title to these tales ranging from horror and the supernatural to science fiction, from the writer who has been justly termed "Princess Royal of Heroic Fantasy."Here you will find unforgettable encounters of men and beasts--of dragons and unicorns, cats and seals, virgins and vampires. This is truly a feast of treasures for everyone whose taste runs to a gourmet imagination.

The Gorgon's Gaze (Companions Quartet #2)

by Julia Golding

Mailins Wood is home to the last surviving gorgon, and Col's mother, the gorgon's Companion, is determined to save it from encroaching development--even to the point of endangering Col and his best friend Connie, the most powerful Companion alive.

Gormenghast (The Gormenghast Trilogy #2)

by Mervyn Peake

A young earl&’s future in a sprawling castle could be changed by a feral girl and a cunning servant in this acclaimed gothic fantasy trilogy&’s second entry. Titus Groan is seven years old, lord and heir to the crumbling castle Gormenghast. A gothic labyrinth of roofs and turrets, cloisters and corridors, stairwells and dungeons, it is also the cobwebbed kingdom of Byzantine government and age-old rituals, a world primed to implode beneath the weight of centuries of intrigue, treachery, and death. Steerpike, who began his climb across the roofs when Titus was born, is now ascending the spiral staircase to the heart of the castle, and in his wake lie imprisonment, manipulation, and murder . . .Gormenghast is the second volume in Mervyn Peake&’s widely acclaimed trilogy, but it is much more than a sequel to Titus Groan—it is an enrichment and deepening of that book. The Gormenghast Trilogy ranks as one of the twentieth century&’s most remarkable feats of imaginative writing.Praise for Gormenghast &“Gormenghast is must-read fiction, that&’s all. You&’ll finish it with a small spike of regret stabbing at your heart, and a desire to start again at page one the moment the back cover is closed. It&’s a tale to be cherished for life. This is as good as it gets.&” —Science Fiction & Fantasy Book Reviews

The Gospel of Sheba (Bibliomysteries #18)

by Lyndsay Faye

A librarian is tormented by a lethal volume of black magic. When A. Davenport Lomax&’s young daughter asks him whether spirits and faeries are real, the Edwardian librarian just pats the little darling on the head. But when a desperate man emerges from the winding passages of the library muttering about demonology, he gets Lomax&’s attention. Theodore Grange is a member of the Brotherhood of Solomon, a secret society dedicated to unraveling the mysteries of black magic, and he believes he has found a book written by the Queen of Sheba herself. Said to hold the answers to one thousand demonic mysteries, the tome will poison any man who dares read it. The next time Lomax sees him, Grange is at death&’s door. To uncover the truth about The Gospel of Sheba, Lomax agrees to accompany Grange to a meeting of the brotherhood, where he will encounter darkness that threatens his life, his family, and his soul.The Bibliomysteries are a series of short tales about deadly books, by top mystery authors.

The Gospel of Sheba (Bibliomysteries #18)

by Lyndsay Faye

A librarian is tormented by a lethal volume of black magic. When A. Davenport Lomax&’s young daughter asks him whether spirits and faeries are real, the Edwardian librarian just pats the little darling on the head. But when a desperate man emerges from the winding passages of the library muttering about demonology, he gets Lomax&’s attention. Theodore Grange is a member of the Brotherhood of Solomon, a secret society dedicated to unraveling the mysteries of black magic, and he believes he has found a book written by the Queen of Sheba herself. Said to hold the answers to one thousand demonic mysteries, the tome will poison any man who dares read it. The next time Lomax sees him, Grange is at death&’s door. To uncover the truth about The Gospel of Sheba, Lomax agrees to accompany Grange to a meeting of the brotherhood, where he will encounter darkness that threatens his life, his family, and his soul.The Bibliomysteries are a series of short tales about deadly books, by top mystery authors.

The Gospel Singer

by Harry Crews

&“Harry Crews is magnificently twisted and brutally funny.&” - Carl HiaasenA Penguin Classic Golden-haired, with the voice of an angel and a reputation as a healer, the Gospel Singer appeared on the cover of LIFE and brought thousands to their knees in Carnegie Hall. But for all his fame, he is a man in mortal torment that drives him back to his obscure and wretched hometown of Enigma, Georgia. But by the time his Cadillac pulls into Enigma, he discovers an old friend is being held at tenuous bay from a lynch mob. As Harry Crews&’s first novel unfolds, the Gospel Singer is forced to give way to his torment, and in doing so he reveals to the believers who have gathered at his feet just how little he is God&’s man, and how much he has contributed to the corruption of each of them.

The Gossamer Cord (The Daughters of England #18)

by Philippa Carr

With World War II on the horizon, a British woman risks her life to uncover the truth behind the disappearance of her twin sisterVioletta Denver and her twin sister Dorabella are inseparable—until Dorabella falls in love with Dermot Tregarland. The newlyweds settle in Dermot&’s isolated ancestral home along the Cornish coast, and Dorabella soon has a little boy. But Violetta can&’t shake the terrible foreboding she&’s felt since her sister&’s marriage. When she hears that Dorabella went swimming one morning and was swept out to sea, she refuses to believe that her beloved twin is really gone, so a grief-stricken Violetta travels to the Tregarland estate. There, against the terrible grandeur of sea-swept cliffs, Violetta learns that Dermot&’s first wife also drowned under suspicious circumstances. When death claims another victim, Violetta knows the answer lies in the history of the Tregarlands—and a haunting legacy of madness and bad blood. With the help of Jowan Jermyn, Dermot&’s neighbor, Violetta moves closer to the truth . . . and closer to a murderer whose long-awaited revenge is about to come full circle.

Gossamer Hall

by Erin Samiloglu

As evil arises from beyond the grave, a terrified group of students must suddenly fight for their survival When Juan Fuentes realizes that he can not only make objects appear out of nowhere, but also#151;somehow#151;bring the dead back to life, he unwittingly releases four ruthless 19th-century murderers from their unmarked graves. Bloodthirsty and ripe for vengeance, the villains wage their attack on the students of Gossamer Hall Frightening and suspenseful, this horror story follows the students as they fight to stay alive, and search for the only way to stop the evil undead.

The Gossamer Mage

by Julie E. Czerneda

From an Aurora Award-winning author comes a new fantasy epic in which one mage must stand against a Deathless Goddess who controls all magic.Only in Tananen do people worship a single deity: the Deathless Goddess. Only in this small, forbidden realm are there those haunted by words of no language known to woman or man. The words are Her Gift, and they summon magic.Mage scribes learn to write Her words as intentions: spells to make beasts or plants, designed to any purpose. If an intention is flawed, what the mage creates is a gossamer: a magical creature as wild and free as it is costly for the mage.For Her Gift comes at a steep price. Each successful intention ages a mage until they dare no more. But her magic demands to be used; the Deathless Goddess will take her fee, and mages will die.To end this terrible toll, the greatest mage in Tananen vows to find and destroy Her. He has yet to learn She is all that protects Tananen from what waits outside. And all that keeps magic alive.

Got Brains? (My Undead Life)

by Emma T. Graves

Tulah Jones, undercover twelve-year-old zombie, is excited to join the academic bowl team . . . until she remembers her nemesis and know-it-all Bella Gulosi is team captain! When the group goes on a weekend retreat, keeping a low profile gets even tougher and soon Tulah notices Bella is watching her like a vulture. Has the queen of mean dug up Tulah's secret, or is something graver going on? Featuring hordes of comic art and hilarious misadventures, kids will eagerly devour this tale of undead tween life.

Gothic!: Ten Original Dark Tales

by Deborah Noyes

Drawing on dark fantasy as well as horror and wild humor, ten contemporary authors pay homage to the gothic tale in original stories of the supernatural and the surreal. A lovesick count and the ghost of his brutalized servant . . . a serial killer who defies death . . . a house with a violent mind of its own and another that holds within its peeling walls a grotesque secret. Here are witches who feast on faces, changeling rites of passage, a venerable vampire contemplating his end, and a fanged brat who drains the patience of a bumbling teenage boy. Here too are a flamboyant young novelist in search of a subject more compelling than his own eerie existence, and the daughter of a sorcerer fighting to free her lover -- and her will -- from sinister bonds. Enter the world of GOTHIC!, a celebration of the literary form made famous by such writers as Mary Shelley and Edgar Allan Poe. With scary stories by: Joan Aiken M. T. Anderson Neil Gaiman Caitlín R. Kiernan Gregory Maguire Garth Nix Celia Rees Janni Lee Simner Vivian Vande Velde Barry Yourgrau

Gothic Animals: Uncanny Otherness and the Animal With-Out (Palgrave Studies in Animals and Literature)

by Melissa Edmundson Ruth Heholt

This book begins with the assumption that the presence of non-human creatures causes an always-already uncanny rift in human assumptions about reality. Exploring the dark side of animal nature and the ‘otherness’ of animals as viewed by humans, and employing cutting-edge theory on non-human animals, eco-criticism, literary and cultural theory, this book takes the Gothic genre into new territory. After the dissemination of Darwin’s theories of evolution, nineteenth-century fiction quickly picked up on the idea of the ‘animal within’. Here, the fear explored was of an unruly, defiant, degenerate and entirely amoral animality lying (mostly) dormant within all of us. However, non-humans and humans have other sorts of encounters, too, and even before Darwin, humans have often had an uneasy relationship with animals, which, as Donna Haraway puts it, have a way of ‘looking back’ at us. In this book, the focus is not on the ‘animal within’ but rather on the animal ‘with-out’: other and entirely incomprehensible.

The Gothic Body

by Kelly Hurley

Readers familiar with Dracula and The Strange Case of Dr Jekyll and Mr Hyde may not know that dozens of equally remarkable Gothic texts were written in Great Britain at the end of the nineteenth-century. This book accounts for the resurgence of Gothic, and its immense popularity, during the British fin de siecle. Kelly Hurley explores a key scenario that haunts the genre: the loss of a unified and stable human identity, and the emergence of a chaotic and transformative 'abhuman' identity in its place. She shows that such representations of Gothic bodies are strongly indebted to those found in nineteenth-century biology and social medicine, evolutionism, criminal anthropology, and degeneration theory. Gothic is revealed as a highly productive and speculative genre, standing in opportunistic relation to nineteenth-century scientific and social theories.

Gothic Classics: The Castle of Otranto and The Old English Baron (Haunted Library Horror Classics)

by Horace Walpole Clara Reeve

Manfred, the lord of the castle of Otranto, has long lived in dread of an ancient prophecy: it's foretold that when his family line ends, the true owner of the castle will appear and claim it. In a desperate bid to keep the castle, Manfred plans to coerce a young woman named Isabella into marrying him.Isabella refuses to yield to Manfred's reprehensible plan. But once she escapes into the depths of the castle, it becomes clear that Manfred isn't the only threat. As Isabelle loses herself in the seemingly endless hallways below, voices reverberate from the walls and specters wander through the dungeons. Otranto appears to be alive, and it's seeking revenge for the sins of the past.

Gothic Hauntology: Everyday Hauntings and Epistemological Desire (Palgrave Gothic)

by Joakim Wrethed

This book provides a theoretically informed account of Gothic Hauntology. It is distinctive foremost in two ways. It shows hauntology at work in modern as well as older gothic narratives and it has a unique focus on everyday gothic as well as everyday hauntology. The chapters perform a historical circle going from Munro to Poe and then back again, offering novel readings of works by well-known authors that are contextualized under the umbrella of the theme. Anchored in a well-known topic and genre, but with a specific phenomenological framework, this book will be of interest to both students and more advanced scholars.

Gothic Horror: A Guide for Students and Readers

by Clive Bloom

This highly accessible anthology of Gothic writings and criticism provides an essential guide to the genre. The second edition of this critically acclaimed book has been thoroughly revised to include material from the early gothic and a fresh set of contemporary essays, with a supporting timeline and thought provoking introductory material.

The Gothic Imagination

by John C. Tibbetts

This book brings together the author's interviews with many prominent figures in fantasy, horror, and science fiction to examine the traditions and extensions of the gothic mode of storytelling over the last 200 years and its contemporary influence on film and media.

The Gothic in Contemporary British Trauma Fiction

by Ashlee Joyce

This book examines the intersection of trauma and the Gothic in six contemporary British novels: Martin Amis’s London Fields, Margaret Drabble’s The Gates of Ivory, Ian McEwan’s Atonement, Pat Barker’s Regeneration and Double Vision, and Kazuo Ishiguro’s Never Let Me Go. In these works, the Gothic functions both as an expression of societal violence at the turn of the twenty-first century and as a response to the related crisis of representation brought about by the contemporary individual’s highly mediated and spectatorial relationship to this violence. By locating these six novels within the Gothic tradition, this work argues that each text, to borrow a term from Jacques Derrida, “participates” in the Gothic in ways that both uphold the paradigm of “unspeakability” that has come to dominate much trauma fiction, as well as push its boundaries to complicate how we think of the ethical relationship between witnessing and writing trauma.

Gothic Nostalgia: The Uses of Toxic Memory in 21st Century Popular Culture (Palgrave Gothic)

by Simon Bacon Katarzyna Bronk-Bacon

This book is an original and innovative study of how Gothic nostalgia and toxic memory are used to underpin and promote the ongoing culture wars and populist politics in contemporary popular culture. The essays collected here cover topics from the spectral to the ecological, deep fakes to toxic ableism, Mary Poppins to John Wick to reveal how the use of an imaginary past to shape the present, creates truly Gothic times that we can never escape. These ‘hungry ghosts’ from the past find resonance with the Gothic which speaks equally of a past that often not only haunts the present but will not let it escape its grasp. This collection will look at the confluence between various kinds of toxic nostalgia and popular culture to suggest the ways in which contemporary populism has resurrected ideological monsters from the grave to gorge on the present and any possibility of change that the future might represent.

Gothic Romanticism: Wordsworth, Architecture, Politics, Form (Palgrave Gothic)

by Tom Duggett

Gothic Romanticism: Wordsworth, Architecture, Politics, Form offers a revisionist account of both Wordsworth and the politics of antiquarianism in the late eighteenth and early nineteenth centuries. As a historically-driven study that develops a significant critique and revision of genre- and theory-based approaches to the Gothic, it covers many key works by Wordsworth and his fellow “Lake Poets” Samuel Taylor Coleridge and Robert Southey. The second edition incorporates new materials that develop the argument in new directions opened up by changes in the field over the last decade. The book also provides a sustained reflection upon Romantic conservatism, including the political thought and lasting influence of Edmund Burke. New material places the book in wider and longer context of the political and historical forms seen developing in Wordsworth, and proposes Gothic Romanticism as the alternative line of cultural development to Victorian Medievalism.

Gothic Tales (Pushkin Press Classics)

by Marquis de Sade

8 chilling short stories that straddle the line between horror and erotica, full of passion and intrigue, from legendary 18th century Parisian aristocrat, the Marquis de Sade&“Ghouls and fiends, hapless femmes and dastardly villains; de Sade could weave a good gothic tale&” — The Herald (Glasgow)Notorious for erotic novels that use satire and social critique to challenge the aristocracy in Pre-revolutionary France, his sexual transgressive work made his name unmentionable in civilized circles. Writing about Enlightenment philosophy as much as he does about incest and adultery, de Sade&’s fiction delves deep into the darkest recesses of the human psyche and remains as relevant to our society as it was to his own.Thrumming with devious fantasies and dangerous liaisons, these gothic stories lay bare the transgressive desires of his unforgettable characters. As good behaviour gives way to wicked impulse, each finely crafted tale reveals an uncomfortable truth about human nature, from a pitch-black social comedy exposing the hypocrisies of the church to a drama-laden deep dive into adultery.Infamous for spending decades in prison and condemned by Parisian society, de Sade&’s writing provocatively challenges the morality of day, introducing through these stories a lawless locale of vice and freedom.With a provocative introduction from translator Margaret Crossland, Gothic Tales provides a tantalizing entry point, showcasing Sade&’s gift as both a moralist and a humorist through classic stories including: Eugenie de Franval The Horse-Chestnut Flower The Chastised Husband Florville and Courval The Husband who Played Priest Emilie de Tourville Room for Two The Self-Made Cuckold

Gothic Tales

by Elizabeth Gaskell

Elizabeth Gaskell's chilling Gothic tales blend the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelgänger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the stories in this volume form a stark contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.

A Gothic Treasury of the Supernatural: Six Novels

by Henry James Bram Stoker Oscar Wilde Robert Louis Stevenson Mary Shelley Horace Walpole

A GOTHIC TREASURY OF THE SUPERNATURAL. What sends chills down our spine when we read a good horror story? Contrary to some modern trends, it is not merely how much blood is spilled or how grotesquely an alien creature or monster is portrayed. Rather, the thrill of terror comes in exploring the depths of the human soul and in discovering the capacity for evil that lies hidden there: the monsters that lurk within us are the most frightening ones of all. These six gothic masterpieces of supernatural horror and suspense provide a wealth of such terrors. The first true gothic novel appeared in 1764: Horace Walpole's The Castle of Otranto. Inspired by a dream in which Walpole saw a huge, armored hand in an ancient castle, the story contains all the elements that have become the earmarks of the gothic novel: a medieval castle, a lost heir who must prove himself in order to claim his fortune, a villain, a love interest, and various supernatural phenomena. The Castle of Otranto influenced countless literary works throughout the nineteenth century. In Geneva during the summer of 1816, Lord Byron, John Polidori, Percy Bysshe Shelley, and Mary Wollstonecraft Godwin (later Mary Shelley) amused one another by making up ghost stories. Mary Shelley's tale was the seed from which her timeless novel Frankenstein grew. Subtitled The Modern Prometheus, it is the spellbinding story of Victor Frankenstein, a doctor who plays God by creating a living being from the bodies of the dead; the tragic monster is ultimately seen as Frankenstein's alter ego. A similar theme appears in The Strange Case of Dr. Jekyll and Mr. Hyde. A doctor discovers a potion that has the power to transform him into a fiend whose deeds become more and more horrifying. Awakened by a nightmare, Robert Louis Stevenson feverishly wrote Dr. Jekyll and Mr. Hyde in three days, destroyed it, and wrote it again in another three days. In Dracula, Bram Stoker created a monstrous being founded in folklore and legend; it is a tale made the more horrifying by the enduring belief in the possible existence of real vampires. With superhuman power, the vampire Count Dracula lures victims into his clutches and drains them of life until they too join the living dead. Oscar Wilde portrays a beautiful, ever-youthful Adonis who leads a life of decadence in The Picture of Dorian Gray. As Dorian ruins and corrupts those around him, his portrait strangely alters with each new crime he commits. We follow him down this path of decay to a shattering, inevitable climax. In The Turn of the Screw, Henry James, the master of ambiguity, tells the story of a governess, her two charges, and the spiritual presence of a dead valet and a dead governess. If we cannot be sure that these ghosts are real or imagined, there is no doubt about the terror this tangled tale inspires. Complete and together in one volume, these six gothic classics of the supernatural, by great writers who are masters of the macabre, provide new insights--and heightened terrors--with each reading.

The Gothic World of Anne Rice

by Ray B. Browne Gary Hoppenstand

Directly and in considerable detail this anthology argues for the serious study of the literary oeuvre of Anne Rice, a major figure in popular literature today. This writer of gothic fiction attracts not only great general interest among readers but also much serious scholarly attention among those who recognize in her work evidence of sophisticated characterization and intricate plotting. Such readers find allusions in Rice's work to that of Horace Walpole's The Castle of Otranto, to Ann Radcliffe's gothic romances, such as The Mysteries of Udolpho, and to Bram Stoker's Dracula, as do such present-day authors as Clive Barker, Robert R. McCammon, and Stephen King. The essays in this volume assert that Rice goes far beyond the conventions of the formula to examine important contemporary social issues. Like a handful of authors working in the horror genre, Rice perceives in its otherwise predictable narrative structures a way by which a larger, more interesting cultural mythology can be developed, as the editors of this volume point out. In short, Rice may be said to search for philosophical truth, examining themes of good and evil, the influence on people and society of both nature and nurture, "the conflict and dependence of humanism and science," as one essayist states.

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