- Table View
- List View
Bringing Down the Mouse
by Ben MezrichCharlie Lewis goes on a roller coaster ride of risk, math, and gaming in this middle grade novel that parallels the New York Times bestselling Bringing Down the House, which inspired the movie 21 with Kevin Spacey.Charlie Lewis is a nerd. All he's ever been good at is math--and he's really good at math. So good that he's recruited by a group of kids determined to game the system at the biggest theme park in the world--and win the grand prize. Soon Charlie is caught up in the excitement and thrill of using his math skills for awesomeness...but what's at stake may be more than he's willing to risk. How far will Charlie go for a chance at the ultimate reward?
Bringing Me Back
by Beth VrabelNoah is not having a good year. His mom is in prison, he's living with his mom's boyfriend—who he's sure is just waiting until his mother's six month sentence is up to kick him out—and he's officially hated by everyone at his middle school, including his former best friend. It's Noah's fault that the entire football program got shut down after last year. One day, Noah notices a young bear at the edge of the woods with her head stuck in a bucket. A bucket that was almost certainly left outside as part of a school fundraiser to bring back the football team. As days go by, the bear is still stuck—she's wasting away and clearly getting weaker, even as she runs from anyone who tries to help. And she's always alone. Though Noah ignores the taunts at school and ignores his mother's phone calls from jail, he can't ignore the bear. Everyone else has written the bear off as a lost cause—just like they have with Noah. He makes it his mission to help her. But rescuing the bear means tackling his past—and present—head-on. Could saving the bear ultimately save Noah, too?
Bringing Up Kids When Church Lets You Down: A Guide for Parents Questioning Their Faith
by Bekah McNeel&“This book is about the various places and ways that uncertainty shows up for parents who, having left or altered the faith they once knew, now must decide what to give their kids. It&’s about church attendance, Bible memorization, school choices, and sex talks. It&’s about forging new paths in racial justice and creation care while the intractable voices in your head call you a pagan Marxist for doing so.&”After the spectacular implosion of her ministry career, Bekah McNeel was left disillusioned and without the foundation of certainty she had built her life on. But rather than leaving the Christian faith altogether, she hung out around the edges, began questioning oversimplified categories of black and white that she had been taught were sacred, and became comfortable living in gray areas while starting a new career in journalism.Then she had kids.From the moment someone asked if she was going to have her first child baptized, Bekah began to wonder if the conservative evangelical Christianity she grew up with was really something she wanted to give her children. That question only became more complicated when she had her second child months before White evangelicals carried Donald Trump to victory in the 2016 presidential election. Soon, Bekah found that other parents were asking similar questions as they broke with their fundamentalist religious upbringing and took on new values: Could they raise their kids to live with both the security of faith and the freedom of open-mindedness? To value both Scripture and social justice? To learn morality without shame?In Bringing Up Kids When Church Lets You Down, Bekah gathers voices from history, scholarship, and her own community to guide others who, like her, are on a quest to shed the false certainty and toxic perfectionism of their past to become better, healthier parents—while still providing strong spiritual foundations for their children. She writes with humor and empathy, providing wise reflections (but not glib answers!) on difficult parenting topics while reminding us that we are not alone, even when we break away from the crowd.
Brioche in the Oven
by Victoria BrownleeElla moved to Paris on a whim—and found happily ever after. But after six months of romantic bliss living with her French boyfriend, cheesemonger Serge, Ella's new life is thrown off course. An unplanned pregnancy doesn't seem too bad, until Serge unexpectedly decides to move their growing family to a goat farm in the Loire Valley, without consulting Ella. Can Ella and Serge's relationship survive their relocation to the depths of the French countryside?
Brit Wit: The Perfect Riposte for Every Social Occasion (Wit Ser.)
by Susie JonesThe great, the good, the intellectual and the downright insulting can all be found in Brit Wit. With wonderful one-liners from Churchill and Shakespeare to Victoria Wood and Eddie Izzard, Brit Wit celebrates all that makes Britain brilliant.
Britain According to Kaleb: The Wonderful World of Country Life
by Kaleb CooperAn entertaining whistle-stop tour of rural British traditions, from the bestselling author of The World According to Kaleb.Ever wondered what goes down at a Tar Barrel Festival? Don't know your wassailing from your wife carrying? Well buckle up, because Kaleb Cooper - star of hit TV show Clarkson's Farm and Sunday Times bestselling author - is here to take you on a guided tour of some of the UK's most eccentric rural traditions. In his smash-hit debut The World According to Kaleb, we learnt how Kaleb feels about everything from existentialism to comb-overs, and why he doesn't want to visit the Mediterranean. In this follow-up, Kaleb casts his focus closer to home to examine what people like to get up to in the great outdoors. You'll go gravy wrestling in Lancashire, nettle eating in Somerset, and venture to Hereford for the significant occasion that is Best Dressed Stick.Along the way Kaleb will muse upon enduring British traditions like Morris Dancing and country fairs with his trademark warmth and deadpan wit. For fans of Kaleb's unique perspective and amusing hot takes, this will be a must-read.
Britain According to Kaleb: The Wonderful World of Country Life
by Kaleb CooperAn entertaining whistle-stop tour of rural British traditions, from the bestselling author of The World According to Kaleb.Ever wondered what goes down at a Tar Barrel Festival? Don't know your wassailing from your wife carrying? Well buckle up, because Kaleb Cooper - star of hit TV show Clarkson's Farm and Sunday Times bestselling author - is here to take you on a guided tour of some of the UK's most eccentric rural traditions. In his smash-hit debut The World According to Kaleb, we learnt how Kaleb feels about everything from existentialism to comb-overs, and why he doesn't want to visit the Mediterranean. In this follow-up, Kaleb casts his focus closer to home to examine what people like to get up to in the great outdoors. You'll go gravy wrestling in Lancashire, nettle eating in Somerset, and venture to Hereford for the significant occasion that is Best Dressed Stick.Along the way Kaleb will muse upon enduring British traditions like Morris Dancing and country fairs with his trademark warmth and deadpan wit. For fans of Kaleb's unique perspective and amusing hot takes, this will be a must-read.
Britain According to Kaleb: The Wonderful World of Country Life
by Kaleb CooperAn entertaining whistle-stop tour of rural British traditions, from the bestselling author of The World According to Kaleb.Ever wondered what goes down at a Tar Barrel Festival? Don't know your wassailing from your wife carrying? Well buckle up, because Kaleb Cooper - star of hit TV show Clarkson's Farm and Sunday Times bestselling author - is here to take you on a guided tour of some of the UK's most eccentric rural traditions. In his smash-hit debut The World According to Kaleb, we learnt how Kaleb feels about everything from existentialism to comb-overs, and why he doesn't want to visit the Mediterranean. In this follow-up, Kaleb casts his focus closer to home to examine what people like to get up to in the great outdoors. You'll go gravy wrestling in Lancashire, nettle eating in Somerset, and venture to Hereford for the significant occasion that is Best Dressed Stick.Along the way Kaleb will muse upon enduring British traditions like Morris Dancing and country fairs with his trademark warmth and deadpan wit. For fans of Kaleb's unique perspective and amusing hot takes, this will be a must-listen.(P) 2023 Quercus Editions Limited
Britain According to Very British Problems: the new book from Britain's bestselling humour brand
by Rob TemplePRE-ORDER THE NEW VERY BRITISH PROBLEMS BOOK NOW!Or don't, you know, whatever you want - we don't mind.Very British Problems are what make us so, well, British. And what better place to get to the heart of these problems than, urm, Britain?Starting in Land's End and heading all the way up to John O'Groats, this A-Z tour of Britain covers everything from the national sports of apologising, queueing and bog-snorkelling to our national cuisine of chips, bread rolls and... chips in bread rolls. You'll take in sights such as Stonehenge (see the iconic prop from Spinal Tap in all its glory), Loch Ness (legend has it there is no monster) and Platform 9 ¾ (after a few hours waiting in a railway station, have your photo taken next to a brick wall) all whilst looking for somewhere decent to stop and eat your packed lunch. Britain is a maze of idiosyncrasies, loveable foibles and outright eccentricities and Rob Temple is here to reveal them in all their glory.
Britain According to Very British Problems: the new book from Britain's bestselling humour brand
by Rob TemplePRE-ORDER THE NEW VERY BRITISH PROBLEMS BOOK NOW!Or don't, you know, whatever you want - we don't mind.Very British Problems are what make us so, well, British. And what better place to get to the heart of these problems than, urm, Britain?Starting in Land's End and heading all the way up to John O'Groats, this A-Z tour of Britain covers everything from the national sports of apologising, queueing and bog-snorkelling to our national cuisine of chips, bread rolls and... chips in bread rolls. You'll take in sights such as Stonehenge (see the iconic prop from Spinal Tap in all its glory), Loch Ness (legend has it there is no monster) and Platform 9 ¾ (after a few hours waiting in a railway station, have your photo taken next to a brick wall) all whilst looking for somewhere decent to stop and eat your packed lunch. Britain is a maze of idiosyncrasies, loveable foibles and outright eccentricities and Rob Temple is here to reveal them in all their glory.
Britain's Best Ever Political Cartoons
by Tim BensonA rip-roaring collection of Britain's finest political satire, from Hogarth and Gillray to Martin Rowson, Steve Bell, Peter Brookes and Nicola Jennings. Between Waterloo and Brexit, cartoons have been Britain's most famous antidote to the chaos of public politics. Skewering the issues and characters that have dominated the news over three centuries, these cartoons have united those who love, and those who hate their politicians. A wild journey through the scandals that made a nation, this is the ultimate book of sketches which have stood the test of time.
Britain's Best Ever Political Cartoons
by Tim BensonA rip-roaring collection of Britain's finest political satire, from Hogarth and Gillray to Martin Rowson, Steve Bell, Peter Brookes and Nicola Jennings. Between Waterloo and Brexit, cartoons have been Britain's most famous antidote to the chaos of public politics. Skewering the issues and characters that have dominated the news over three centuries, these cartoons have united those who love, and those who hate their politicians. A wild journey through the scandals that made a nation, this is the ultimate book of sketches which have stood the test of time.
Britain's Best Political Cartoons 2020
by Tim Benson**BRITAIN'S BEST POLITICAL CARTOONS 2021 IS OUT NOW**2020 will forever be remembered as the year of coronavirus: twelve months in which we collectively forgot about Brexit, to turn our attention to the NHS, furloughs and social distancing. All of us, that is, apart from Britain's political cartoonists. Here, our finest satirists turn their eyes to Covid and much more: from the never-ending Brexit psychodrama to the Labour leadership election to the next US president. Featuring the work of Steve Bell, Peter Brookes and Nicola Jennings, Britain's Best Political Cartoons is your trusty companion to another year of turmoil, tantrums and Trump.
Britain's Best Political Cartoons 2021
by Tim BensonBringing much-needed humour to a chaotic year, this full-colour cartoon companion features the most hilarious and incisive cartoons by Steve Bell, Peter Brookes, Nicola Jennings, Morten Morland, Patrick Blower and many more of the nation's finest cartoonists.2021 is turning out to be another extraordinary year, from Covid crises and vaccine victories to lockdown learning, haddock havoc and Capitol coups. But, then, it has also been a very familiar story of Brexit blunders and Trumpian tantrums. The nation's greatest cartoonists have recorded it all with searing wit and astonishing creativity. Britain's Best Political Cartoons 2021 brings together cartoons from the nation's finest satirists, along with captions from Britain's leading cartoon expert, to tell the story of another tumultuous twelve months.
Britain's Best Political Cartoons 2022
by Tim BensonIn Britain's Best Political Cartoons 2022 the nation's finest satirists turn their eyes and their pens to the biggest, funniest and most poignant news stories of the year so far. Bringing much needed humour to a tumultuous year in politics, this companion features the work of Peter Brookes, Steve Bell, Morten Morland, Nicola Jennings, Christian Adams, Dave Brown, Brian Adcock and many more, alongside captions from Britain's leading cartoon expert. The result is a razor-sharp, witty and essential companion to another year like no other.__________________________________________________________________'A wonderful book . . . A beautiful thing to look at . . . Our brilliant cartoonists show there is still something to satirise . . . A great stocking filler.' Giles Coren'A blockbuster collection of the year's funniest political cartoons . . . [compiled by] Britain's leading authority on political cartoons . . . It made us chuckle.' Eamonn Holmes
Britain's Best Political Cartoons 2023
by Tim BensonBringing much-needed humour to another chaotic year in politics, Britain's Best Political Cartoons 2023 offers a tour of the most high-profile, notorious and absurd news stories of the year, as seen through the eyes of our nation's finest satirists. This collection features the work of Peter Brookes, Steve Bell, Morten Morland, Nicola Jennings, Christian Adams, Dave Brown, Brian Adcock and many more, alongside captions from Britain's leading cartoon expert. The result is a sharply observed, stunningly creative and side-splittingly funny guide to another year like no other. It is the perfect gift for friends, family, or just for yourself.__________________________________________________________________'A wonderful book . . . A beautiful thing to look at . . . Our brilliant cartoonists show there is still something to satirise . . . A great stocking filler.' Giles Coren'A blockbuster collection of the year's funniest political cartoons . . . [compiled by] Britain's leading authority on political cartoons . . . It made us chuckle.' Eamonn Holmes
Britain's Best Political Cartoons 2024
by Tim BensonBritain’s Best Political Cartoons 2024 offers a superbly sharp and wickedly witty record of a year of landmark landslides, Trumpian trials, Post Office revelations, and one soggy Sunak. This collection features the work of Peter Brookes, Steve Bell, Morten Morland, Nicola Jennings, Christian Adams, Dave Brown, Ella Baron and many more of the nation’s finest cartoonists, alongside captions from Britain's leading cartoon expert. It’s a magnificent record of twelve months of political pandemonium and savage satire, and the perfect gift for friends, family, or just for yourself.
Britain’s Best Political Cartoons 2018
by Tim Benson____________A blockbuster collection of the year’s funniest political cartoons, featuring the work of Mac, Steve Bell, Peter Brookes and many more . . . 2018 was the year that Brexit got serious, royals got married, football got (briefly) feverish, and Trump got transformed into a giant baby blimp. In Britain’s Best Political Cartoons 2018, our very finest satirists turn their eyes and their pens to all these events and more, offering an incisive and often hilarious tour through a tumultuous twelve months.
Britain’s Best Political Cartoons 2019
by Tim BensonA hilarious companion to the year’s political turmoil, featuring the work of Martin Rowson, Steve Bell, Peter Brookes, Nicola Jennings and many more . . . 2019 was the year of Brexit, obviously. But it was also the year that Donald Trump went haywire over Huawei, Theresa May got bounced by the backstop, Boris Johnson was hoisted into high office, and the country was corralled into a chaotic Christmas election. In Britain’s Best Political Cartoons 2019, our very finest satirists skewer everything from Kremlin collusion to no-deal confusion, offering a riotous ride through the last twelve months. And did we mention Brexit?
British As A Second Language
by David BennunDavid Bennun had lived in Africa his whole life. At the age of 18 he came to Britain, the mother country. The country he had read about in Punch magazine or seen in films like Chariots of Fire. He was in for a shock. A very big shock indeed: 'I could not have been less prepared had I spent my life up to that point listening to 30-year-old broadcasts of the Light Programme.'In this timely follow-up to the critically acclaimed Tick Bite Fever, David Bennun shows us our own country through the eyes of an alien. With his brilliantly witty turn of phrase we follow his life as a student, his brushes with Bohemia, his troubles renting and buying property, his discovery of British food and his horrors at entering the world of work. From DIY to architecture, sport to alcohol, transport to music and entertainment, David Bennun brilliantly and with ruthless wit deconstructs all these subjects, many of them so dear to the British heart.
British Comedy Cinema (British Popular Cinema)
by Laraine Porter I. Q. HunterBritish comedy cinema has been a mainstay of domestic production since the beginning of the last Century and arguably the most popular and important genre in British film history. This edited volume will offer the first comprehensive account of the rich and popular history of British comedy cinema from silent slapstick and satire to contemporary romantic comedy. Using a loosely chronological approach, essays cover successive decades of the 20th and 21st Century with a combination of case studies on key personalities, production cycles and studio output along with fresh approaches to issues of class and gender representation. It will present new research on familiar comedy cycles such as the Ealing Comedies and Carry On films as well as the largely undocumented silent period along with the rise of television spin offs from the 1970s and the development of animated comedy from 1915 to the present. Films covered include: St Trinians, A Fish Called Wanda, Brassed Off, Local Hero, The Full Monty, Four Lions and In the Loop. Contributors: Melanie Bell, Alan Burton, James Chapman, Richard Dacre, Ian Hunter, James Leggott, Sharon Lockyer, Andy Medhurst, Lawrence Napper, Tim O’Sullivan, Laraine Porter, Justin Smith, Sarah Street, Peter Waymark, Paul Wells
British Nautical Melodramas, 1820–1850: Volume I
by Arnold SchmidtDuring the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres with the same sentimental moments and comic interludes of domestic melodrama mixed with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class, gender, and racial identities — have given discussions of melodrama force and momentum. The plays in included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from the original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays’ nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices — acting, audiences, staging, lighting, special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further. The appendices include maps of Britain, Europe, and the East and West Indies.
British Nautical Melodramas, 1820–1850: Volume II
by Arnold SchmidtDuring the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres with the same sentimental moments and comic interludes of domestic melodrama mixed with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class, gender, and racial identities — have given discussions of melodrama force and momentum. The plays in included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from the original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays’ nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices — acting, audiences, staging, lighting, special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further. The appendices include maps of Britain, Europe, and the East and West Indies.
British Nautical Melodramas, 1820–1850: Volume III
by Arnold SchmidtDuring the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres with the same sentimental moments and comic interludes of domestic melodrama mixed with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class, gender, and racial identities — have given discussions of melodrama force and momentum. The plays in included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from the original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays’ nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices — acting, audiences, staging, lighting, special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further. The appendices include maps of Britain, Europe, and the East and West Indies.
British TV Comedies: Cultural Concepts, Contexts And Controversies
by Jürgen Kamm Birgit NeumannThis collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact.