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Contemporary and Classic Arguments: A Portable Anthology
by Sylvan Barnet Hugo BedauModelling an extensive range of argumentative writing at half the price, the concise Contemporary & Classic Arguments helps you engage with some of today's most pressing topics through a collection of classic essays that provide time-tested models of effective argument.
The Contemporary Anglophone Travel Novel: The Aesthetics of Self-Fashioning in the Era of Globalization (Literary Criticism and Cultural Theory)
by Stephen M. LevinThe Contemporary Anglophone Travel Novel explores the themes of alienation and displacement in a genre of post-World War II novels that portrays the pursuit of an authentic travel experience in a culturally unfamiliar place. Levin explores two questions: why does travel to an "undiscovered" place—one imagined outside the bounds of modernity—remain an enduring preoccupation in western civilization; and how does the representation of adventure travel change in the era of mass culture, when global capitalism expands at a rapid pace. The book argues that whereas travel writers between the wars romanticized their journeys overseas, travel writing after World War II takes an increasingly melancholic and nihilistic view of a commercial society in which adventure travel no longer proves capable of producing a sense of authentic selfhood. Through close analysis of specific texts and authors, the book provides a rich discussion of anglophone literature in the cultural context of the twentieth-century. It examines the capacity of popular culture for social critique, the relationship between leisure travel and postcolonial cultures, and the idealization of selfhood and authenticity in modern and postmodern culture. The study reflects the best potential of interdisciplinary scholarship, and will prove influential for anyone working in the fields of contemporary literature, cultural theory, and cross-cultural studies.
Contemporary Approaches in Literary Trauma Theory
by Michelle BalaevThis edited collection argues that trauma in literature must be read through a theoretical pluralism that allows for an understanding of trauma's variable representations that include yet move beyond the concept of trauma as pathological and unspeakable.
Contemporary Arab-American Literature: Transnational Reconfigurations of Citizenship and Belonging
by Carol Fadda-ConreyThe last couple of decades have witnessed a flourishing of Arab-American literature across multiple genres. Yet, increased interest in this literature is ironically paralleled by a prevalent bias against Arabs and Muslims that portrays their long presence in the US as a recent and unwelcome phenomenon. Spanning the 1990s to the present, Carol Fadda-Conrey takes in the sweep of literary and cultural texts by Arab-American writers in order to understand the ways in which their depictions of Arab homelands, whether actual or imagined, play a crucial role in shaping cultural articulations of US citizenship and belonging. By asserting themselves within a US framework while maintaining connections to their homelands, Arab-Americans contest the blanket representations of themselves as dictated by the US nation-state. Deploying a multidisciplinary framework at the intersection of Middle-Eastern studies, US ethnic studies, and diaspora studies, Fadda-Conrey argues for a transnational discourse that overturns the often rigid affiliations embedded in ethnic labels. Tracing the shifts in transnational perspectives, from the founders of Arab-American literature, like Gibran Kahlil Gibran and Ameen Rihani, to modern writers such as Naomi Shihab Nye, Joseph Geha, Randa Jarrar, and Suheir Hammad, Fadda-Conrey finds that contemporary Arab-American writers depict strong yet complex attachments to the US landscape. She explores how the idea of home is negotiated between immigrant parents and subsequent generations, alongside analyses of texts that work toward fostering more nuanced understandings of Arab and Muslim identities in the wake of post-9/11 anti-Arab sentiments.
Contemporary Arab Fiction: Innovation from Rama to Yalu (Routledge Studies in Middle Eastern Literatures)
by Fabio CaianiThis book introduces Western readers to some of the most significant novels written in Arabic since 1979. Despite their contribution to the development of contemporary Arabic fiction, these authors remain largely unknown to non-Arab readers. Fabio Caiani examines the work of the Moroccan Muhammad Barrada; the Egyptian Idwar al-Kharrat; the Lebanese Ilyas Khuri and the Iraqi Fu’ad al-Takarli. Their most significant novels were published between 1979 and 2002, a period during which their work reached literary maturity. They all represent pioneering literary trends compared to the novelistic form canonized in the influential early works of Naguib Mahfouz. Until now, some of their most innovative works have not been analyzed in detail – this book fills that gap. Relying on literary theory and referring to comparative examples from other literatures, this study places its findings within a wider framework, defining what is meant by innovation in the Arabic novel, and the particular socio-political context in which it appears. This book will significantly enrich the existing critical literature in English on the contemporary Arabic novel.
Contemporary Arab Thought: Cultural Critique in Comparative Perspective
by Elizabeth Suzanne KassabDuring the second half of the twentieth century, the Arab intellectual and political scene polarized between a search for totalizing doctrines—nationalist, Marxist, and religious—and radical critique. Arab thinkers were reacting to the disenchanting experience of postindependence Arab states, as well as to authoritarianism, intolerance, and failed development. They were also responding to successive defeats by Israel, humiliation, and injustice. The first book to take stock of these critical responses, this volume illuminates the relationship between cultural and political critique in the work of major Arab thinkers, and it connects Arab debates on cultural malaise, identity, and authenticity to the postcolonial issues of Latin America and Africa, revealing the shared struggles of different regions and various Arab concerns.
Contemporary Arab Women Writers: Cultural Expression in Context (Routledge Research in Postcolonial Literatures)
by Anastasia ValassopoulosThis book engages with contemporary Arab women writers from Egypt, Palestine, Lebanon and Algeria. In spite of Edward Said’s groundbreaking reappraisal of the uneven relationship between the West and the Arab world in Orientalism, there has been little postcolonial criticism of Arab writing. Anastasia Valassopoulos raises the profile of Arab women writers by examining how they negotiate contexts and experiences that have come to be identified with postcoloniality such as the preoccupation with Western feminism, political conflict and war, the social effects of non-conformity and female empowerment, and the negotiation of influential cultural discourses such as orientalism. Contemporary Arab Women Writers revitalizes theoretical concepts associated with feminism, gender studies and cultural studies, and explores how art history, popular culture, translation studies, psychoanalysis and news media all offer productive ways to associate with Arab women’s writing that work beyond a limiting socio-historical context. Discussing the writings of authors including Ahdaf Soueif, Nawal El Saadawi, Leila Sebbar, Liana Badr and Hanan Al-Shaykh, this book represents a new direction in postcolonial literary criticism that transcends constrictive monothematic approaches.
Contemporary Arab World: Literary and Linguistic Issues, Volume 2 (Contemporary Arab World. Literary and Linguistic Issues)
by Iwona KrólContemporary Arab World: Literary and Linguistic Issues, edited by Iwona Król, is the second volume of the monograph with the same title. It consists of papers written by researchers from the Arabic Department of the Institute of Oriental Studies of the Jagiellonian University in Kraków.The authors, on the base of original texts from broadly understood Arab culture, discuss a number of literary and linguistic issues. Individual chapters are of high academic level, and their subject matters are important from the scientific point of view.Monograph will find readers among specialists from various fields: Arabic and Semitic studies, Polish philology, as well as representatives of literary criticism and general linguistics.
Contemporary Art and the Church: A Conversation Between Two Worlds (Studies in Theology and the Arts)
by W. David Taylor Taylor WorleyContemporary Art and the Church
Contemporary Art and Unforgetting in Colonial Landscapes: Islands of Empire (Palgrave Macmillan Memory Studies)
by Kate McMillanThis book explores the work of artists based in the global south whose practices and methods interrogate and explore the residue of Empire. In doing so, it highlights the way that contemporary art can assist in the un-forgetting of colonial violence and oppression that has been systemically minimized. The research draws from various fields including memory studies; postcolonial and decolonial strategies of resistance; activism; theories of the global south; the intersection between colonialism and the Anthropocene, as well as practice-led research methodologies in the visual arts. Told through the author’s own perspective as an artist and examining the work of Julie Gough, Yuki Kihara, Megan Cope, Yhonnie Scarce, Lisa Reihana and Karla Dickens, the book develops a number of unique theories for configuring the relationship between art and a troubled past.
Contemporary Asylum Narratives
by Agnes WoolleyContemporary Asylum Narratives marks a transition from traditional modes of diasporic belonging to the need for identifications that encompass the statelessness of refugees and asylum seekers. This book explores representations of asylum seekers and refugees in twenty-first century literature, film and theatre.
Contemporary Black British Playwrights
by Lynette GoddardThis book examines the socio-political and theatrical conditions that heralded the shift from the margins to the mainstream for black British Writers, through analysis of the social issues portrayed in plays by Kwame Kwei-Armah, debbie tucker green, Roy Williams, and Bola Agbaje.
Contemporary British Children's Fiction and Cosmopolitanism (Children's Literature and Culture)
by Fiona McCullochThis book visits contemporary British children’s and young adult (YA) fiction alongside cosmopolitanism, exploring the notion of the nation within the context of globalization, transnationalism and citizenship. By resisting globalization’s dehumanizing conflation, cosmopolitanism offers an ethical, humanitarian, and political outlook of convivial planetary community. In its pedagogical responsibility towards readers who will become future citizens, contemporary children’s and YA fiction seeks to interrogate and dismantle modes of difference and instead provide aspirational models of empathetic world citizenship. McCulloch discusses texts such as J.K. Rowling’s Harry Potter series, Jackie Kay’s Strawgirl, Theresa Breslin’s Divided City, Gillian Cross’s Where I Belong, Kerry Drewery’s A Brighter Fear, Saci Lloyd’s Momentum, and Julie Bertagna’s Exodus trilogy. This book addresses ways in which children’s and YA fiction imagines not only the nation but the world beyond, seeking to disrupt binary divisions through a cosmopolitical outlook. The writers discussed envision British society’s position and role within a global arena of wide-ranging topical issues, including global conflicts, gender, racial politics, ecology, and climate change. Contemporary children’s fiction has matured by depicting characters who face uncertainty just as the world itself experiences an uncertain future of global risks, such as environmental threats and terrorism. The volume will be of significant interest to the fields of children’s literature, YA fiction, contemporary fiction, cosmopolitanism, ecofeminism, gender theory, and British and Scottish literature.
Contemporary British Fiction and the Cultural Politics of Disenfranchisement
by Alexander BeaumontDuring the 1980s, urban space became an important battleground in a confrontation between left and right over the meaning of freedom. While Thatcherism sought to harness the power of the free market to rationalise and reform the inner cities, the response of the 'cultural' left was to celebrate the emancipatory potential of flexible identities and expressive practices associated with urban subcultures. However, through close readings of eight contemporary authors, this book argues that a problematic consequence of the left's experiment with freedom was to elevate exclusion to the status of a political principle and to close down the space of politics itself. It explores how, in less than two decades, the coexistence of flexible cultural identities and urban space has become a virtual impossibility in British fiction. And it suggests that, today, the British novel is frequently marked by structures of failed utopianism, frustrated or incomplete experiments and even withdrawal and quietism, all of which are a consequence of the left's celebration of a cultural politics of disenfranchisement.
Contemporary British Literature and Urban Space
by Kim DuffLooking at writers such as Will Self, Hani Kureishi, JG Ballard, and Iain Sinclair, Kim Duff's new book examines contemporary British literature and its depiction of the city after the time of Thatcher and mass privatization. This lively study is an important and engaging work for students and scholars alike.
Contemporary British Novelists (Routledge Key Guides)
by Nick RennisonFeaturing a broad range of contemporary British novelists from Iain Banks to Jeanette Winterson, Louis de Bernieres to Irvine Welsh and Salman Rushdie, this book offers an excellent introductory guide to the contemporary literary scene. Each entry includes concise biographical information on each of the key novelists and analysis of their major works and themes. Fully cross-referenced and containing extensive guides to further reading, Fifty Contemporary British Novelists is the ideal guide to modern British fiction for both the student and the contemporary fiction buff alike.
Contemporary Capitalism, Crisis, and the Politics of Fiction: Literature Beyond Fordism (Routledge Studies in Contemporary Literature)
by Roberto del Valle AlcaláContemporary Capitalism, Crisis, and the Politics of Fiction: Literature Beyond Fordism proposes a fresh approach to contemporary fictional engagements with the idea of crisis in capitalism and its various social and economic manifestations. The book investigates how late-twentieth and twenty-first-century Anglophone fiction has imagined, interpreted, and in most cases resisted, the collapse of the socio-economic structures built after the Second World War and their replacement with a presumably immaterial order of finance-led economic development. Through a series of detailed readings of the words of authors Martin Amis, Hari Kunzru, Don DeLillo, Zia Haider Rahman, John Lanchester, Paul Murray and Zadie Smith among others, this study sheds light on the embattled and decidedly unstable nature of contemporary capitalism.
Contemporary Caribbean Women's Poetry: Making Style (Routledge Research in Postcolonial Literatures)
by Denise deCaires NarainContemporary Caribbean Women's Poetry provides detailed readings of individual poems by women poets whose work has not yet received the sustained critical attention it deserves. These readings are contextualized both within Caribbean cultural debates and postcolonial and feminist critical discourses in a lively and engaged way; revisiting nationalist debates as well as topical issues about the performance of gendered and raced identities within poetic discourse. Newly available in paperback, this book is groundbreaking reading for all those interested in postcolonialism, Gender Studies, Caribbean Studies and contemporary poetry.
Contemporary Challenges in Mediatisation Research (Routledge Studies in Media Theory and Practice)
by Katarzyna Kopecka-PiechThis book focuses on key challenges related to conducting research on mediatisation, presenting the most current theoretical, empirical, and methodological challenges and problems, addressing ignored and less frequently discussed topics, critical and controversial themes, and defining niches and directions of development in mediatisation. With a focus on the under-representation of certain topics and aspects, as well as methodological, technological, and ethical dilemmas, the chapters consider the main critical objections formulated against mediatisation studies and exchange critical positions. Moving beyond areas of common focus – culture, sport, and religion – to emerging areas of study such as fashion, the military, business, and the environment, the book then offers a critical assessment of the transformation of fields and the relevance of new and dynamic (meta)processes including datafication, counter-mediatisation, and platformisation. Charting new paths of development in mediatisation, this book will be of interest to scholars and students of mediatisation, media studies, media literacy, communication studies, and research methods.
Contemporary Chinese Fiction Writers: Biography, Bibliography, and Critical Assessment
by Laifong LeungIn the years since the death of Mao Zedong, interest in Chinese writers and Chinese literature has risen significantly in the West. In 2000, Gao Xingjian became the first Chinese writer to receive the Nobel Prize for Literature followed by Mo Yan in 2012, and writers such as Ha Jin and Da Sijie have also become well known in the West. Despite this progress, the vast majority of Chinese writers remain largely unknown outside of China. This book introduces the lives and works of eighty contemporary Chinese writers, and focuses on writers from the "Rightist" generation (Bai Hua, Gao Xiaosheng, Liu Shaotang), writers of the Red Guard generation (Li Rui, Wang Anyi), Post-Cultural Revolution Writers, as well as others. Unlike earlier works, it provides detailed, often first-hand, biographical information on this wide range of writers, including their career trajectories, major themes and artistic characteristics. In addition to this, each entry includes a critical presentation and evaluation of the writer’s major works, a selected bibliography of publications that includes works in Chinese, works translated into English, and critical articles and books available in English. Offering a valuable contribution to the field of contemporary Chinese literature by making detailed information about Chinese writers more accessible, this book will be of interest to students and scholars Chinese Literature, Contemporary Literature and Chinese Studies.
The Contemporary Chinese Historical Drama: Four Studies
by Rudolf G. WagnerChina's "Great Leap Forward" of 1958-1961 was a time of official rejoicing over the achievements of Communism, but it was also a time of immense suffering. Growing dissent among intellectuals stimulated creativity as writers sought to express both their hope for the success of the revolution and their dissatisfaction with the Party leadership and policies. But the uneasy political climate and the state's control over literature prevented writers from directly addressing the compelling problems of the time. Rather, they resorted to a variety of sophisticated and time-honored forms for airing their grievances, including the historical drama. Rudolf Wagner examines three of these plays written and performed between 1958 and 1963 in an effort to decode their hidden political and cultural meanings. He also provides a broad survey of the politics of the historical drama in China, suggesting further avenues of inquiry into the relationship between literature and the state. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
Contemporary Chinese Novels in Translation since 1978: Literary Voices from the Periphery (ISSN)
by Yun WuThis book aims to complement the traditional focus of translation studies, which has primarily centered on translating English into other languages. It presents a comprehensive analysis of the reverse translation trajectory, exploring the movement of Chinese literature into the core English literary domain.The book aims to explore the ideological and sociological dynamics that underlie the translation of contemporary Chinese novels. This is achieved through an examination of the translation selection process, translation paratexts, and the roles of translation agents. Case studies are employed to illustrate specific linguistic, literary, and cultural challenges within translation. It dissects the cultural and literary implications of translating genres such as women's writing, science fiction, and Internet literature. The argument presented is that the translation of peripheral literature is indispensable in shaping global literature. Beyond its literary implications, the book identifies the political significance inherent in such reverse translation endeavors. It suggests that the translation of Chinese literature holds notable political interest for the Chinese government, which aims to reshape China's image and bolster the nation's soft power through literary translation.This work will be an essential read to students and scholars of translation studies, comparative literature, and Chinese studies.
Contemporary Colonialities in Mexico and Beyond (LATINOAMERICANA)
by Kathleen Myers Beth Boyd Pablo García Loaeza Cara Kinnally Alejandro Mejías-LópezContemporary Colonialities in Mexico and Beyond explores the changing dynamic of coloniality by focusing on how modern cultural products connect to the foundational structures of colonialism. The book examines how these structures have perpetuated discourses of racial, ethnic, gender, and social exclusion rooted in Mexico’s history. Given the intimate relationship between coloniality and modernity, the volume addresses three central questions: How does the Mexican colonial history influence the definition of Mexico from within and outside its borders? What issues rooted in coloniality recur over time and space? And finally, how do cultural products provide a concrete and tangible way of studying coloniality, its history, and its evolution? The book analyses how literary works, movies, television series, and social media posts reconfigure colonial difference and spatialization. Supported by careful historical and cultural contextualization, these analyses will allow readers to appreciate contemporary Mexico vis-à-vis culture and borderland issues in the United States and debates on imperial memory in Spain. Ultimately, Contemporary Colonialities in Mexico and Beyond presents a handbook for readers looking to learn more about coloniality as a pervasive part of global interactions today.
The Contemporary Comic Book Superhero (Routledge Research in Cultural and Media Studies)
by Angela NdalianisOver the last several decades, comic book superheroes have multiplied and, in the process, become more complicated. In this cutting edge anthology an international roster of contributors offer original research and writing on the contemporary comic book superhero, with occasional journeys into the film and television variation. As superheroes and their stories have grown with the audiences that consume them, their formulas, conventions, and narrative worlds have altered to follow suit, injecting new, unpredictable and more challenging characterizations that engage ravenous readers who increasingly demand more.
Contemporary Comics Storytelling (Frontiers of Narrative)
by Karin KukkonenWhat if fairy-tale characters lived in New York City? What if a superhero knew he was a fictional character? What if you could dispense your own justice with one hundred untraceable bullets? These are the questions asked and answered in the course of the challenging storytelling in Fables, Tom Strong, and 100 Bullets, the three twenty-first-century comics series that Karin Kukkonen considers in depth in her exploration of how and why the storytelling in comics is more than merely entertaining.Applying a cognitive approach to reading comics in all their narrative richness and intricacy, Contemporary Comics Storytelling opens an intriguing perspective on how these works engage the legacy of postmodernism—its subversion, self-reflexivity, and moral contingency. Its three case studies trace how contemporary comics tie into deep traditions of visual and verbal storytelling, how they reevaluate their own status as fiction, and how the fictional minds of their characters generate complex ethical thought experiments. At a time when the medium is taken more and more seriously as intricate and compelling literary art, this book lays the groundwork for an analysis of the ways in which comics challenge and engage readers&’ minds. It brings together comics studies with narratology and literary criticism and, in so doing, provides a new set of tools for evaluating the graphic novel as an emergent literary form.