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The ALL NEW Don't Think of an Elephant!
by George LakoffSince it became an international bestseller in 2004, Don't Think of an Elephant! has been the definitive handbook for progressives who want to articulate their goals and values to voters, understand how conservatives think and why people often vote against their best interests, and frame the political debate. Completely revised and updated to tackle today's issues, the 10th Anniversary Edition not only explains what framing is and how it works but also reveals why, after a brief stint of winning the framing wars in the 2008 elections, the Democrats have gone back to losing them, and what can be done about it. In this powerful new volume, George Lakoff delves into the issues that will dominate the midterm elections in 2014, the coming presidential elections, and beyond. He examines the current progressive and conservative frames on climate change, inequality, immigration, education, abortion, marriage, healthcare, national security, energy, and more. He explores why some issues have been difficult to frame, guides readers on how to frame complex issues without losing important context, and drives home the important differences between framing and spin. Do you think facts alone can win a debate? Do you think you know what makes a Tea Party follower tick? Do you think you understand how to communicate on key issues that can improve peoples' lives? Whether you answer yes or no, the insights in Don't Think of an Elephant! will not only surprise you, but also give you the tools you need to develop frames that work, and eradicate frames that backfire.
All of the Marvels: A Journey to the Ends of the Biggest Story Ever Told
by Douglas WolkThe first-ever full reckoning with Marvel Comics&’ interconnected, half-million-page story, a revelatory guide to the “epic of epics”—and to the past sixty years of American culture—from a beloved authority on the subject who read all 27,000+ Marvel superhero comics and lived to tell the tale. <p><p> The superhero comic books that Marvel Comics has published since 1961 are, as Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and still growing. The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing—nobody’s supposed to. <p><p> So, of course, that’s what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown. And then he made sense of it—seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk’s hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day—a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders. <p><p> As a work of cultural exegesis, this is sneakily significant, even a landmark; it’s also ludicrously fun. Wolk sees fascinating patterns—the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story’s progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way it all feeds into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it’s also a revelation for readers who don’t know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels.
All of the People, All of the Time: Strategic Communication and American Politics
by Jarol B. ManheimThis book is about the uses and abuses of political communication in contemporary American society, employing numerous anecdotes and examples and drawings upon the latest research and theories of communication and political science in America.
All of This Is True: A Novel
by Lygia Day Penaflor“Devious, delicious, and gasp-worthy.” (Kathleen Glasgow, New York Times bestselling author of Girl in Pieces)In this genre-defying page-turner from Lygia Day Peñaflor, four teens befriend their favorite novelist, only to find their deepest, darkest secrets in the pages of her next book—with devastating consequences. Miri Tan loved the book Undertow like it was a living being. So when she and her friends went to a book signing to hear the author, Fatima Ro, they concocted a plan to get close to her.Soleil Johnston wanted to be a writer herself one day. When she and her friends started hanging out with her favorite author, Fatima Ro, she couldn’t believe their luck—especially when Jonah Nicholls started hanging out with them, too. Penny Panzarella was more than the materialist party girl everyone at the Graham School thought she was—and she was willing to share all her secrets with Fatima Ro to prove it.Jonah Nicholls had more to hide than any of them. And now that Fatima’s next book is out in the world, he’s the one who is paying the price...Perfect for fans of One of Us Is Lying—and told as a series of interviews, journal entries, and even pages from the book within the book—this gripping story of a fictional scandal will keep you on the edge of your seat from beginning to end.
All of Us: The Collected Poems (Vintage Contemporaries)
by Raymond CarverThis prodigiously rich collection suggests that Raymond Carver was not only America&’s finest writer of short fiction, but also one of its most large-hearted and affecting poets. Like Carver&’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy. This complete edition brings together all the poems of Carver&’s five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual notes on individual poems; a chronology of Carver&’s life and work; and a moving introduction by Carver&’s widow, the poet Tess Gallagher.
All One Universe: A Collection Of Fiction And Nonfiction
by Poul Anderson“Themes of a colorful assortment of stories range from life on other planets to alternative history . . . a perfect introduction to his perennial genius.” —BooklistPoul Anderson himself has put together a retrospective collection of his recent writings, fiction and nonfiction, under the title All One Universe. This is the first major Poul Anderson collection in a decade. It encompasses all his strengths as a teller of tales and, in addition, provides a running commentary in the story notes and in the essays on other literary figures such as Rudyard Kipling, Johannes B. Jensen, and John W. Campbell, Jr., commentary that illuminates the fiction, gives personal insight into the mind of this fine writer, and provides a unifying personality for All One Universe. All One Universe, then, represents the new best of Poul Anderson. It is a rich, varied selection of quintessential science fiction as well as four essays, mostly from recent years, by one of the great science fiction writers of the century. His stories are filled with roaring energy, the soul of poetry, and dark imaginings.“A fine introduction to one of SF’s masters.” —Starlog“Fact and fiction, shaped by one of SF’s keenest minds, are mingled in this collection . . . On the whole, All One Universe is a collection which does its creator proud while delighting his fans.” —Rapport“Poul Anderson’s writings have been at a remarkably high, consistent level of quality for nearly fifty years, now. All One Universe is a book for anyone interested in either SF or in craftsmanship.” —David Drake
All Poets Welcome: The Lower East Side Poetry Scene in the 1960s
by Daniel KaneThis landmark book captures the heady excitement of the vibrant, irreverent poetry scene of New York's Lower East Side in the 1960s. Drawing from personal interviews with many of the participants, from unpublished letters, and from rare sound recordings, Daniel Kane brings together for the first time the people, political events, and poetic roots that coalesced into a highly influential community. From the poetry-reading venues of the early sixties, such as those at the Les Deux MÉgots and Le Metro coffeehouses to The Poetry Project at St. Mark's Church, a vital forum for poets to this day, Kane traces the history of this literary renaissance, showing how it was born from a culture of publicly performed poetry. The Lower East Side in the sixties proved foundational in American verse culture, a defining era for the artistic and political avant-garde. The Lower East Side's cafes, coffeehouses, and salons brought together poets of various aesthetic sensibilities, including writers associated with the so-called New York School, Beats, Black Mountain, Deep Image, San Francisco Renaissance, Umbra, and others. Kane shows that the significance for literary history of this loosely defined community of poets and artists lies in part in its reclaiming an orally centered poetic tradition, adapted specifically to open up the possibilities for an aesthetically daring, playful poetics and a politics of joy and resistance.
"All Power to the Imagination!": Art and Politics in the West German Counterculture from the Student Movement to the Greens (Modern German Culture And Literature Ser.)
by Sabine Von Dirke“All Power to the Imagination!” is a history of the counterculture’s immensely influential role in West German cultural and political life. Sabine von Dirke opens with an examination of nascent countercultural movements in West Germany during the 1950s. She then moves to a nuanced account of the student movement of the 1960s, describing its adaptation of the theories of Marcuse, Adorno, and Benjamin, then recounting its attack on “bourgeois” notions of the autonomy of art and culture. She next examines the subsequent development of a radical aesthetic and the effects of left-wing terrorism on Germany’s political climate. Later chapters focus on die tageszeitung, the ecology movement, and the rise of the Green Party. Von Dirke concludes by asking whether the evolution that this book traces—from Marxist-influenced critiques of culture and society to more diverse, less doctrinaire left-wing positions—represents progress or a betrayal of radical ideals. An ambitious study of the German left, this book is an important contribution to our understanding of postwar European history.
All Puns Blazing: The Best British Knockout Jokes
by Geoff RoweI don't like to brag but I can control a kayak brilliantly. Canoe?'Pardon' is the only French word that I know. I can only apologise.From Geoff Rowe and the Leicester Comedy Festival comes this brilliant tribute to that most British of jokes, the humble pun.Including a foreword from Dr Oliver Double and a wealth of hilarious (and occasionally groan-inducing) material from some of Britain's finest stand-up comedic talent, All Puns Blazing is a fun and fitting celebration of grassroots UK comedy.Featuring puns from:El Baldiniho - Lovdev Barpaga - Zahra Barri - Adele Cliff - Tony Cowards - Henry Dawe - Pauline Eyre - Friz Frizzle - Masai Graham - Sean Hegarty - Kevin Hudson - Leo Kearse - Colin Leggo - Nigel Lovell - Iain MacDonald - Kat Molinari - Laura Monmoth - Joseph Murphy - Graham Musk - Sean Patrick - Richard Pulsford - Paul Savage - Philip Simon - Rob Thomas - Andrew Tymms - Stevie Vegas - Chris Norton Walker - Darren Walsh - Richard Woolford - Jenan Younis
All Puns Intended: The Verbal Creation of Jean-Pierre Brisset
by Walter D. Redfern"The 19th century in France spawned numerous 'fous litteraires, one of them being Jean-Pierre Brisset (1837-1919). An individualist among individualists, he dismantled the existing French tongue, reshaping it to suit his own grandiose purposes, which were to explain afresh the development of human beings (from frogs) and of their language (from croaks). Continuous and ubiquitous punning was a unique feature of his writing. In this study, Redfern examines such themes as the nature of literary madness, the phenomenon of deadpan humour, the role of analogy, and the place of institutional religion in Brisset's creative rewriting of the creation."
All Silver and No Brass: An Irish Christmas Mumming
by Henry GlassieOn the folklore and oral history of mumming within a small community in the border area of Ireland and Ulster,this book provides insightful study of Irish folklife, and a fine presentation of mumming's memory culture.
All Sorts of Lives: Katherine Mansfield and the art of risking everything
by Claire Harman** The Sunday Times Best Literary Book of 2023**** A Waterstones Best Book of 2023**'All Sorts of Lives is a beautiful, fastidiously researched and fascinating exploration of Mansfield's life and work' A.L. KENNEDYRestless outsider, masher-up of form and convention, Katherine Mansfield’s career was short but dazzling. She was the only writer Virginia Woolf admitted being jealous of, yet by the 1950s was so undervalued that Elizabeth Bowen was moved to ask, 'Where is she – our missing contemporary?'In this inventive and intimate study, Claire Harman takes a fresh look at Mansfield’s life and achievements, through the form she did so much to revolutionise: the short story. Exploring ten pivotal works, we watch how Mansfield’s desire to grow as a writer pushed her art into unknown territory, and how illness sharpened her extraordinary vitality: ‘Would you not like to try all sorts of lives – one is so very small.’‘What a gift to the biographer, this life of adventure and sickness and sex and celebrity… Brilliant’ Sunday Times‘A searching, incisive and compulsive book. A lesson in how to read and connect and understand’ Sunjeev Sahota
All Stories Are True: History, Myth, and Trauma in the Work of John Edgar Wideman (Margaret Walker Alexander Series in African American Studies)
by Tracie Church GuzzioIn All Stories Are True, Tracie Church Guzzio provides the first full-length study of John Edgar Wideman's entire oeuvre to date. Specifically, Guzzio examines the ways in which Wideman (b. 1941) engages with three crucial themes—history, myth, and trauma—throughout his career, showing how they intertwine. Guzzio argues that, for four decades, the influential African American writer has endeavored to create a version of the African American experience that runs counter to mainstream interpretations, using history and myth to confront and then heal the trauma caused by slavery and racism. Wideman's work intentionally blurs boundaries between fiction and autobiography, myth and history, particularly as that history relates to African American experience in his hometown of Pittsburgh, Pennsylvania. The fusion of fiction, national history, and Wideman's personal life is characteristic of his style, which—due to its complexity and smudging of genre distinctions—has presented analytic difficulties for literary scholars. Despite winning the PEN/Faulkner award twice, for Sent for You Yesterday (1984) and Philadelphia Fire (1990), Wideman remains under-studied. Of particular value is Guzzio's analysis of the many ways in which Wideman alludes to his previous works. This intertextuality allows Wideman to engage his books in direct, intentional dialogue with each other through repeated characters, images, folktales, and songs. In Wideman's challenging of a monolithic view of history and presenting alternative perspectives to it, and his allowing past, present, and future time to remain fluid in the narratives, Guzzio finds an author firm in his notion that all stories and all perspectives have merit.
All the Art That's Fit to Print (And Some That Wasn't): Inside The New York Times Op-Ed Page
by Jerelle KrausAll the Art That's Fit to Print reveals the true story of the world's first Op-Ed page, a public platform that—in 1970—prefigured the Internet blogosphere. Not only did the New York Times's nonstaff bylines shatter tradition, but the pictures were revolutionary. Unlike anything ever seen in a newspaper, Op-Ed art became a globally influential idiom that reached beyond narrative for metaphor and changed illustration's very purpose and potential. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. <P><P>Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury's Garry Trudeau, and why reporter Syd Schanburg-whose story was told in the movie The Killing Fields-stated that he would travel anywhere to see Kissinger hanged, as well as Kraus's tale of surviving two and a half hours alone with the dethroned peerless outlaw, Richard Nixon.All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse.Op-Ed's subject is the world, and its illustrations are created by the world's finest graphic artists. The 142 artists whose work appears in this book hail from thirty nations and five continents, and their 324 pictures-gleaned from a total of 30,000-reflect artists' common drive to communicate their creative visions and to stir our vibrant cultural-political pot.
All the Art That's Fit to Print (And Some That Wasn't): Inside The New York Times Op-Ed Page
by Jerelle KrausFrom the New York Times&’s former Op-Ed art director, the true story of the world&’s first Op-Ed page, a public platform that prefigured the blogosphere. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury&’s Garry Trudeau, and why reporter Syd Schanburg—whose story was told in the movie The Killing Fields—stated that he would travel anywhere to see Kissinger hanged, as well as Kraus&’s tale of surviving two and a half hours alone with the dethroned outlaw, Richard Nixon. All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse . . . Features 142 artists from thirty nations and five continents, and 324 pictures—gleaned from a total of 30,000—that stir our cultural-political pot. &“To discover what really goes on inside the belly of the media beast, read this book.&” —Bill Maher &“In this overflowing treasure chest of ideas, politics and cultural critiques, Kraus proves that &“art is dangerous&” and sometimes necessarily so.&” —Publishers Weekly
All the Awake Animals are Almost Asleep
by Crescent DragonwagonAn alphabet of animals prepare to go to sleep.
All the Devils Are Here: American Romanticism and Literary Influence
by David GrevenThe English literary influence on classic American novelists&’ depictions of gender, sexuality, and race With All the Devils Are Here, the literary scholar David Greven makes a signal contribution to the growing list of studies dedicated to tracing threads of literary influence. Herman Melville&’s, Nathaniel Hawthorne&’s, and James Fenimore Cooper&’s uses of Shakespeare and Milton, he finds, reflect not just an intertextual relationship between American Romanticism and the English tradition but also an ongoing engagement with gender and sexual politics. Greven limns the effect of Shakespeare&’s Much Ado about Nothing on Hawthorne&’s exploration of patriarchy, and he shows how misogyny in King Lear informed Melville&’s evocation of &“the step-mother world&” of orphaned men in Moby-Dick. Throughout, Greven focuses particularly on male authors&’ treatment of femininity, arguing that the figure of woman functions for them as a multivalent signifier for artistic expression. Ultimately, Greven demonstrates the ambitions of these writers to comment on the history of the Western tradition and the future of art from their unique positions as Americans.
All the Good Pilgrims: Tales of the Camino de Santiago
by Robert WardRobert Ward has always enjoyed travelling, especially on foot. When he discovered the ancient pilgrimage route to Santiago in Spain, he felt compelled to walk and experience this historic road. From his first journey along the Camino de Santiago, Ward fell in love with the pace, landscape, history, art, and romance of this old pilgrimage path. Above all, however, Ward fell in love with the people of the Camino – both the welcoming Spaniards and the pilgrims who come from all over the world to find out what it means to travel five hundred miles, one step at a time. In All the Good Pilgrims, Ward returns to Spain to walk the Camino for the fifth time. He thinks he knows what he’s getting into but, as his many Camino journeys have taught him, the Camino never runs out of surprises. Each day brings new lessons, friendships, questions, memories, gifts and challenges, reminding Ward that it isn’t the pilgrim who walks the Camino – it’s the Camino that walks the pilgrim. An engaging travel narrative, All the Good Pilgrims is a personal and insightful tour of the Camino de Santiago, as Ward takes readers on a secular pilgrimage in which he reflects on his past journeys and contemplates the mysterious and enduring allure of this ancient and historic road.
All the Knowledge in the World: The Extraordinary History of the Encyclopedia
by Simon GarfieldFrom the “deliriously clever” (Boston Globe) Simon Garfield, New York Times bestselling author of Just My Type, comes the wild and fascinating story of the encyclopedia, from Ancient Greece to the present day."A brilliant book about knowledge itself.” —Deirdre Mask, author of The Address Book"Magnificent. ... A perfectly styled work of literature – at times sad, at times funny, but always full of life." —Engineering & Technology MagazineThe encyclopedia once shaped our understanding of the world. Created by thousands of scholars and the most obsessive of editors, a good set conveyed a sense of absolute wisdom on its reader. Contributions from Albert Einstein, Sigmund Freud, Orville Wright, Alfred Hitchcock, Marie Curie and Indira Gandhi helped millions of children with their homework. Adults cleared their shelves in the belief that everything that was explainable was now effortlessly accessible in their living rooms.Now these huge books gather dust and sell for almost nothing on eBay. Instead, we get our information from our phones and computers, apparently for free. What have we lost in this transition? And how did we tell the progress of our lives in the past?All the Knowledge in the World is a history and celebration of those who created the most ground-breaking and remarkable publishing phenomenon of any age. Simon Garfield, who “has a genius for being sparked to life by esoteric enthusiasm and charming readers with his delight” (The Times), guides us on an utterly delightful journey, from Ancient Greece to Wikipedia, from modest single-volumes to the 11,000-volume Chinese manuscript that was too big to print. He looks at how Encyclopedia Britannica came to dominate the industry, how it spawned hundreds of competitors, and how an army of ingenious door-to-door salesmen sold their wares to guilt-ridden parents. He reveals how encyclopedias have reflected our changing attitudes towards sexuality, race, and technology, and exposes how these ultimate bastions of trust were often riddled with errors and prejudice.With his characteristic ability to tackle the broadest of subjects in an illuminating and highly entertaining way, Simon Garfield uncovers a fascinating and important part of our shared past and wonders whether the promise of complete knowledge—that most human of ambitions—will forever be beyond our grasp.
All the Little Animals: A Bedtime Book from A-Z
by Joy Jordan-LakeFrom armadillos to zokors and everything in between, you and your littles are invited to follow along as the animals of the world go to bed. Learn about their silly routines and their super-sweet snuggles as you tuck in and kiss your own little baby bears good night.Author Joy Jordan-Lake has brought to life her great-grandmother's tradition of putting the children to bed with this gentle litany. And illustrations by bestselling illustrator Jane Chapman make this bedtime book come to life.All the Little Animals: A Bedtime Book from A-Z is perfect forboys and girls ages 4 to 8 years old and families looking for a sweet and lyrical bedtime read,children interested in exploring the different types of animals around the world,bringing the zoo to you on rainy days, andteaching littles the alphabet.Start a new family tradition with All the Little Animals.
All the Lives We Ever Lived: Seeking Solace in Virginia Woolf
by Katharine SmythA wise, lyrical memoir about the power of literature to help us read our own lives—and see clearly the people we love most. Katharine Smyth was a student at Oxford when she first read Virginia Woolf’s modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death—a calamity that claimed her favorite person—she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Smyth’s story moves between the New England of her childhood and Woolf’s Cornish shores and Bloomsbury squares, exploring universal questions about family, loss, and homecoming. Through her inventive, highly personal reading of To the Lighthouse, and her artful adaptation of its groundbreaking structure, Smyth guides us toward a new vision of Woolf’s most demanding and rewarding novel—and crafts an elegant reminder of literature’s ability to clarify and console. Braiding memoir, literary criticism, and biography, All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author.
All the News That’s Fit to Click: How Metrics Are Transforming the Work of Journalists
by Caitlin PetreFrom the New York Times to Gawker, a behind-the-scenes look at how performance analytics are transforming journalism today—and how they might remake other professions tomorrowJournalists today are inundated with data about which stories attract the most clicks, likes, comments, and shares. These metrics influence what stories are written, how news is promoted, and even which journalists get hired and fired. Do metrics make journalists more accountable to the public? Or are these data tools the contemporary equivalent of a stopwatch wielded by a factory boss, worsening newsroom working conditions and journalism quality? In All the News That's Fit to Click, Caitlin Petre takes readers behind the scenes at the New York Times, Gawker, and the prominent news analytics company Chartbeat to explore how performance metrics are transforming the work of journalism.Petre describes how digital metrics are a powerful but insidious new form of managerial surveillance and discipline. Real-time analytics tools are designed to win the trust and loyalty of wary journalists by mimicking key features of addictive games, including immersive displays, instant feedback, and constantly updated “scores” and rankings. Many journalists get hooked on metrics—and pressure themselves to work ever harder to boost their numbers.Yet this is not a simple story of managerial domination. Contrary to the typical perception of metrics as inevitably disempowering, Petre shows how some journalists leverage metrics to their advantage, using them to advocate for their professional worth and autonomy.An eye-opening account of data-driven journalism, All the News That's Fit to Click is also an important preview of how the metrics revolution may transform other professions.
All the President's Men (Bloomsbury Film Classics Ser.)
by Bob Woodward Carl Bernstein50th Anniversary Edition—With a new foreword on what Watergate means today. &“The work that brought down a presidency...perhaps the most influential piece of journalism in history&” (Time)—from the #1 New York Times bestselling authors of The Final Days. The most devastating political detective story of the century: two Washington Post reporters, whose brilliant, Pulitzer Prize-winning investigation smashed the Watergate scandal wide open, tell the behind-the-scenes drama the way it really happened. One of Time magazine&’s All-Time 100 Best Nonfiction Books, this is the book that changed America. Published just months before President Nixon&’s resignation, All the President&’s Men revealed the full scope of the scandal and introduced for the first time the mysterious &“Deep Throat.&” Beginning with the story of a simple burglary at Democratic headquarters and then continuing through headline after headline, Bernstein and Woodward deliver a riveting firsthand account of their reporting. Their explosive reports won a Pulitzer Prize for The Washington Post, toppled the president, and have since inspired generations of reporters. All the President&’s Men is a riveting detective story, capturing the exhilarating rush of the biggest presidential scandal in US history as it unfolded in real time.
All the Strange Hours: The Excavation of a Life
by Loren C. EiseleyEiseley focuses not on the facts and linear details of his life but on how his ideas were formed and developed on class, identity, human tendencies, and relationships between humans and animals.
'All the World's a Stage': Dramatic Sensibility in Mary Shelley's Novels (Studies in Major Literary Authors)
by Charlene BunnellThis book examines the often tragic and nearly always disabling metaphor of thetheatrum mundi, world-as-stage, as it plays itself out in the characters of Mary Shelley's novels.