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Don DeLillo: The Possibility of Fiction (Routledge Transnational Perspectives on American Literature)
by Peter BoxallOne of the few available books of criticism on the topic, this monograph presents the fullest account to date of Don DeLillo's writing, situating his oeuvre within a wider analysis of the condition of contemporary fiction, and dealing with his entire work in relation to contemporary political and economic concerns for the fist time. Providing a lucid and nuanced reading of DeLillo's ambivalent engagement with American and European culture, as well as with modernism and postmodernism, and globalization and terrorism, this fascinating volume interrogates the critical and aesthetic capacities of fiction in what is an age of global capitalism and US cultural imperialism.
Don DeLillo in Context (Literature in Context)
by Jesse KavadloDon DeLillo is one of the most important novelists of the late twentieth and early twenty-first century. Yet despite DeLillo's prolific output and scholarly recognition, much of the attention has gone to his works individually, rather than collectively or thematically. This volume provides separate entries into the wide variety and categories of contexts that surround and help illuminate DeLillo's writings. Don DeLillo in Context examines how geography, biography, history, media studies, culture, philosophy, and the writing process provide critical frameworks and ways of reading and understanding DeLillo's prodigious body of work.
Don Juan
by Lord ByronByron's exuberant masterpiece tells of the adventures of Don Juan, beginning with his illicit love affair at the age of sixteen in his native Spain and his subsequent exile to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favourite of the Empress Catherine who sends him on to England. Written entirely in ottava rima stanza form, Byron's Don Juan blends high drama with earthy humour, outrageous satire of his contemporaries (in particular Wordsworth and Southey) and sharp mockery of Western societies, with England coming under particular attack.
Don Juan: Variations on a Theme (Routledge Revivals)
by John SmeedFirst published in 1990, Don Juan: Variations on a Theme explores the differing perceptions of this famous character following his first appearance on the European stage in the early seventeenth century. The book concentrates on the ways in which perceptions of Don Juan’s character have altered in response to changes in social and moral values. It examines famous Don Juan works, including those by Moliere, Byron, Pushkin, Shaw, Anouilh, and Max Frisch, and relates them to these changing views. It also looks at a variety of other plays, poems, and novels on this theme, and highlights the important role of music in Don Juan’s history. The book concludes with a consideration of Don Juan’s lasting popularity and whether it has run its course. Don Juan: Variations on a Theme will appeal to anyone with an interest in the history of Don Juan, comparative literature, and European literature.
Don Juan, Mescalito and Modern Magic: The Mythology of Inner Space (Routledge Revivals)
by Nevill DruryFirst published in 1978, Don Juan, Mescalito and Modern Magic begins with an analysis of the Castaneda material from the viewpoint of its inherently magical content. The author examines the symbiotic gestures, the magical actions and the mind-altering techniques employed by the brujo Don Juan, and then goes on to draw comparisons with two other schools of thought: the psychedelic development of the 1960s and the Western Magical Tradition. The essential aim throughout is to show that there is a basically Western shamanism which uses Western symbols and is easily accessible. The shamanistic practices of the Hermetic Order of the Golden Dawn are examined in this context. Considerable emphasis is also placed on mythological aspects associated with out-of-the-body experiences and their relevance to both the Don Juan Mescalito imagery and the Qabalistic and Tarot symbols found in Western Magic. This book will be of interest to students of religion, history and literature.
Don Quijote de las mallas y los libros gigantes
by Eduardo Losa VázquezUn ensayo sobre cine y literatura escrito con la osadía de quien sale a la calle a combatir el crimen con capa y sin poderes. <P><P>Imagine la silueta de Don Quijote proyectada en el cielo nocturno cual batseñal sobre el libro-rascacielos que abre la película de King Vidor «El manantial» y tendrá en su cabeza la imagen que sintetiza este libro, un insólito ensayo doble en el que el autor explora con rigor, ironía y sentido de la aventura el significado del libro como objeto en el cine (los libros gigantes del título) y las relaciones del inmortal personaje de Cervantes con la moderna figura del superhéroe real (ese vigilante enmascarado que, influido por la lectura de cómics, emula con mallas a sus héroes predilectos).
Don Quixote: A Dramatic Adaptation (Texts and Translations #29)
by Mikhail BulgakovWhen Soviet censors approved Mikhail Bulgakov's stage adaptation of Don Quixote, they were unaware that they were sanctioning a subtle but powerful criticism of Stalinist rule. The author, whose novel The Master and Margarita would eventually bring him world renown, achieved this sleight of hand through a deft interpretation of Cervantes's knight. Bulgakov's Don Quixote fits comfortably into the nineteenth-century Russian tradition of idealistic, troubled intellectuals, but Quixote's quest becomes an allegory of the artist under the strictures of Stalin's regime. Bulgakov did not live to see the play performed: it went into production in 1940, only months after his death.The volume's introduction provides background for Bulgakov's adaptation and compares Bulgakov with Cervantes and the twentieth-century Russian work with the seventeenth-century Spanish work.
Don Quixote (SparkNotes Literature Guide Series)
by SparkNotesDon Quixote (SparkNotes Literature Guide) by Miguel de Cervantes Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster.Geared to what today's students need to know, SparkNotes provides:chapter-by-chapter analysis explanations of key themes, motifs, and symbols a review quiz and essay topics Lively and accessible, these guides are perfect for late-night studying and writing papers.
Don Quixote Among the Saracens
by Frederick A. de ArmasThe fictional Don Quixote was constantly defeated in his knightly adventures. In writing Quixote's story, however, Miguel Cervantes succeeded in a different kind of quest -- the creation of a modern novel that 'conquers' and assimilates countless literary genres. Don Quixote among the Saracens considers how Cervantes's work reflects the clash of civilizations and anxieties towards cultural pluralism that permeated Golden Age Spain.Frederick A. de Armas unravels an essential mystery of one of world literature's best known figures: why Quixote sets out to revive knight errantry, and why he comes to feel at home only among the Moorish 'Saracens,' a people whom Quixote feared at the beginning of the novel. De Armas also reveals Quixote's inner conflicts as both a Christian who vows to battle the infidel, but also a secret Saracen sympathizer. While delving into genre theory, Don Quixote among the Saracens adds a new dimension to our understandings of Spain's multicultural history.
Don Quixote’s Impossible Quest for the Absolute in Literature: Fiction, Reflection, and Negative Theology (Routledge Studies in Latin American and Iberian Literature)
by William FrankeThis book offers a reading particularly of Part II of Don Quixote, a reading that is embedded in a philosophical reflection on the revelation of religious truth in and through literature. Part II of Don Quixote is the far richer part for its meta-literary reflection on the novel itself as a genre and on life as such seen through the lens of self-reflection. The author has treated the phenomenon of modern self-reflexivity as originally theological in nature in previous publications (notably Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection, Routledge, 2021). The present endeavor expands this overall intellectual project, extending it into detailed consideration of what is recognizably another nodal great work inaugurating unprecedented forms of self-reflection in the early modern period. Reading the founding texts of literary and cultural tradition in this negative-theological key proves crucial to allowing them to release the full force of their religious vision in the present age, despite its sometimes obstinate secularity. This reading absorbs and reconciles the religious and secular readings of Miguel de Unamuno and José Ortega y Gasset, two of Spain’s outstanding philosophical luminaries. Both thinkers based their entire philosophies and their analyses of the Spanish national character and destiny on their interpretations of the Quixote. Negative theology deploys critical reason that critiques the limits of reason itself and opens toward an unfathomable (un)ground of All. Such speculative interpretation performs a synthesis of the secularizing and sacralizing tendencies that are both sublimely operative in the text of the Quixote. It thereby enables the work to emerge in the fully parodic and paradoxical vitality that other interpretations, governed by one paradigm or the other, access only partially. Rather than falling into one camp or the other, the proposed approach combines and resources both heritages, sacred and secular, in their deepest synergisms. Spanish baroque mysticism and contemporary post-secular thought are made to converge in highlighting the blessed, even sacred, donation that literature like Don Quixote preserves and transmits as our most precious and saving cultural heritage.
Donald Barthelme (Routledge Library Editions: Modern Fiction)
by Maurice Couturier Régis DurandIn the early 1980s Donald Barthelme was widely recognized in the United States as one of the major figures in contemporary postmodernism, a key and central experimental writer. In this study, originally published in 1982, two leading critics present Donald Barthelme’s work in its most radical and innovative aspects. Their essay combines textual analysis, critical theory and cultural awareness and aims at investigating the impact of Barthelme’s fictions on the reader and at defining the type of reading experience and pleasure such fictions can produce. Included in the aspects of Donald Barthelme’s work discussed here are his use of language, his sense of comedy, his parody, his vision of the modern self as fragmented and displaced, and his relation to psychoanalysis and other forms of art.
Donald Barthelme: An Exhibition
by Jerome KlinkowitzDonald Barthelme (1931-1989) is regarded as one of the most imitated and influential American fiction writers since the early 1960s. In Donald Barthelme: An Exhibition, Jerome Klinkowitz presents both an appreciation and a comprehensive examination of the life work of this pathbreaking contemporary writer. A blend of close reading, biography, and theory, this retrospective--informed by Klinkowitz's expert command of postmodern American fiction--contributes significantly to a new understanding of Barthelme's work. Klinkowitz argues that the central piece in the Barthelme canon, and the key to his artistic method, is his widely acknowledged masterpiece, The Dead Father. In turning to this pivotal work, as well as to Barthelme's short stories and other novels, Klinkowitz explores the way in which Barthelme reinvented the tools of narration, characterization, and thematics at a time when fictive techniques were largely believed to be exhausted. Klinkowitz, who was one of the first scholars to study Barthelme's work and became its definitive bibliographer, situates Barthelme's life and work within a broad spectrum of influences and affinities. A consideration of developments in painting and sculpture, for example, as well as those of contemporaneous fiction, contribute to Klinkowitz's analysis. This astute reading will provide great insight for readers, writers, and critics of contemporary American fiction seeking explanations and justifications of Barthelme's critical importance in the literature of our times.
Donald Creighton
by Donald WrightA member of the same intellectual generation as Harold Innis, Northrop Frye, and George Grant, Donald Creighton (1902-1979) was English Canada's first great historian. The author of eleven books, including The Commercial Empire of the St. Lawrence and a two-volume biography of John A. Macdonald, Creighton wrote history as if it "had happened," he said, "the day before yesterday." And as a public intellectual, he advised the prime minister of Canada, the premier of Ontario, and - at least on one occasion - the British government.Yet he was, as Donald Wright shows, also profoundly out of step with his times. As the nation was re-imagined along bilingual and later multicultural lines in the 1960s and 1970s, Creighton defended a British definition of Canada at the same time as he began to fear that he would be remembered only "as a pessimist, a bigot, and a violent Tory partisan."Through his virtuoso research into Creighton's own voluminous papers, Wright paints a sensitive portrait of a brilliant but difficult man. Ultimately, Donald Creighton captures the twentieth-century transformation of English Canada through the life and times of one of its leading intellectuals.
Donald Trump in the Frontier Mythology (Routledge Studies in Media, Communication, and Politics)
by Olena LeipnikThis book explores the presidential image of Donald Trump as it is constructed by the media within American national mythology, precisely the frontier myth. By offering an account of three milestones in the development of the frontier mythology in its intersection with presidential imagery, the book shows how the image of Donald Trump fits into the line of "cowboy presidents," together with Theodore Roosevelt and Ronald Reagan. It also offers insights into the reasons for making Russian president Vladimir Putin a part of Trump’s story and a routinely mentioned figure in American presidential politics. Applying the means of philosophical anthropology to this topical issue at the intersection of politics and the media, this volume will appeal to those working and studying in the areas of media studies, political anthropology, American studies, and myth studies.
Donavan's Word Jar (Trophy Chapter Bks)
by Monalisa DeGross Cheryl HannaThe classic story about the power of wordsDonavan Allen doesn’t collect coins, comics, or trading cards like most kids. He collects words—big words, little words, soft words, and silly words. Whenever Donavan finds a new word, he writes it on a slip of paper and puts it in his word jar.But one day, Donavan discovers that his word jar is full. He can’t put any new words in without taking some of the old words out—and he wants to keep all his words. Donavan doesn’t know what to do, until a visit to his grandma provides him with the perfect solution.
Doncs jo ho veig així: Sobre la crisi econòmica i més
by Xavier Sala i MartínUna antologia dels controvertits articles periodístics de l'economista espanyol més polèmic, contestatari i, al mateix temps admirat i seguit. Provocador per alguns, visionari per d'altres. L'única cosa que Xavier Sala i Martín no suscita és indiferència. Amb rigor i senzillesa, Xavier Sala i Martín explica, tant als experts com als neòfits, les bases de l'economia i del sistema econòmic mundial. L'actual crisi financera, definida per l'autor com una de les més importants dels últims cent anys, centra gran part dels seus darrers articles periodístics recollits en aquest llibre. També ens ofereix la seva opinió sobre temes com el canvi climàtic, la situació de l'Àfrica i altres aspectes de l'actualitat mundial, amb una nova visió de l'economia que deixa de banda propostes obsoletes i planteja els grans temes amb lucidesa i originalitat.
The Donna Angelica and the British Enlightenment Poets: Six Studies from Butler to Crabbe (21st Century Perspectives on British Literature and Society)
by A.D. CousinsThe aim of the book is to propose new interpretations of poets who are among the most valued and discussed in the British Enlightenment. In fulfilling its aim, the book covers English poetry—and intellectual history—from the Restoration to the later eighteenth century. It examines how the myth of the donna angelica (the angelic lady), ancient in origin but given its best-known form within the medieval literature of fin’amor, lives on beyond the Middle Ages and the Renaissance into the Enlightenment. To be more precise, it studies how some major Augustan poets appropriate and recreate what, for convenience, can be called the donna angelica topos (or, the angelic lady motif). They do so for a great many reasons linked with quite diverse circumstances. Nevertheless, the myth’s intellectual richness, emotional intensity, and inherent ambiguities mean that it offers each of them a powerful way for articulating, interpreting, exploring refractions of eros—whether singly or diversely directed, concerned with sexuality or spirituality, informing personal or public experience. The myth has as many faces, so to speak, as does desire; it is one and yet many. Thus, the book pursues a particular fable of eros that appears in a multiplicity of texts in a multiplicity of guises. It studies how some of the most interesting poets from Dryden to Crabbe bring the angelic lady motif into modernity.
Donne’s God (Routledge Studies in Renaissance Literature and Culture)
by P.M. OliverHis contemporaries recognised John Donne (1572-1631) as a completely new kind of poet. He was, wrote one enthusiast, ‘Copernicus in Poetrie’. But in the winter of 1614-15 Donne abandoned part-time versification for full-time priestly ministry, quickly becoming one of the most popular preachers of his time. While his verse has never been short of modern admirers, his sermons have recently begun to receive their full share of serious attention. Yet there exists almost no theologically-informed criticism to assist readers with navigating, let alone appreciating, the intricacies of Donne’s religious thinking. The need for such criticism is especially urgent since many readers approach his writing today with little previous knowledge of Christian doctrine or history. This book supplies that deficiency. Starting from the assumption that theology is inevitably the product of the human imagination, a perception that is traced back to major early Christian writers (and something that Donne implicitly acknowledged), it probes the complex amalgam that constituted his ever-shifting vision of the deity. It examines his theological choices and their impact on his preaching, analysing the latter with reference to its sometimes strained relationship with Christian orthodoxy and the implications of this for any attempt to determine how far Donne may legitimately be viewed as a mouthpiece for the Jacobean and Caroline Church of England. The book argues that the unconventionality that characterises his verse is also on display in his sermons. As a result it presents Donne as a far more creative and risk-taking religious thinker than has previously been recognised, especially by those determined to see him as a paragon of conventional Christian orthodoxy.
Donne's Poetry (SparkNotes Literature Guide Series)
by SparkNotesDonne's Poetry (SparkNotes Literature Guide) by John Donne Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster.Geared to what today's students need to know, SparkNotes provides:chapter-by-chapter analysis explanations of key themes, motifs, and symbols a review quiz and essay topics Lively and accessible, these guides are perfect for late-night studying and writing papers.
Donne's Religious Writing: A Discourse of Feigned Devotion (Longman Medieval and Renaissance Library)
by P. M. OliverThis, the first book to focus solely on Donne's religious writing, also places his work in a literary context and attempts to reach a more realistic assessment of its originality than has been possible hitherto. The prose works that are examined in detail include the controversial treatises Bianthanatos and Pseudo-Martyr, the satirical Ignatius His Conclave, the much-quoted Essays and Devotions and, of course, Donne's sermons.
Don't Be Afraid of the Bullets: An Accidental War Correspondent in Yemen
by Laura KasinofLaura Kasinof studied Arabic in college and moved to Yemen a few years later--after a friend at a late-night party in Washington, DC, recommended the country as a good place to work as a freelance journalist. When she first moved to the capital city of Sanaa in 2009, she was the only American reporter based in the country. She quickly fell in love with Yemen’s people and culture, and even found herself the star of a local TV soap opera. When antigovernment protests broke out in Yemen in 2011, part of the revolts sweeping the Arab world at the time, she contacted the New York Times to see if she could cover the rapidly unfolding events for the newspaper. Laura never planned to be a war correspondent, but found herself in the middle of brutal government attacks on peaceful protesters. As foreign reporters were rounded up and shipped out of the country, Laura managed to elude the authorities but found herself increasingly isolated--and even more determined to report on what she saw. With a new foreword by the author about what has happened in Yemen since the book’s initial publication, Don’t Be Afraid of the Bullets is a fascinating and important debut by a talented young journalist.
Don't Believe a Word: The Surprising Truth About Language
by David ShariatmadariA linguist’s entertaining and highly informed guide to what languages are and how they function. Think you know language? Think again. There are languages that change when your mother-in-law is present. The language you speak could make you more prone to accidents. Swear words are produced in a special part of your brain. Over the past few decades, we have reached new frontiers of linguistic knowledge. Linguists can now explain how and why language changes, describe its structures, and map its activity in the brain. But despite these advances, much of what people believe about language is based on folklore, instinct, or hearsay. We imagine a word’s origin is it’s “true” meaning, that foreign languages are full of “untranslatable” words, or that grammatical mistakes undermine English. In Don’t Believe A Word, linguist David Shariatmadari takes us on a mind-boggling journey through the science of language, urging us to abandon our prejudices in a bid to uncover the (far more interesting) truth about what we do with words. Exploding nine widely held myths about language while introducing us to some of the fundamental insights of modern linguistics, Shariatmadari is an energetic guide to the beauty and quirkiness of humanity’s greatest achievement.
Don't Believe A Word: The Surprising Truth About Language
by David Shariatmadari***'Wonderful. You finish the book more alive than ever to the enduring mystery and miracle of that thing that makes us most human' STEPHEN FRY'Most popular books on language dumb down; Shariatmadari's smartens things up, and is all the more entertaining for it' THE SUNDAY TIMES, a Book of the Year'A meaty, rewarding and necessary read' GUARDIAN'Fascinating and thought-provoking . . . crammed with weird and wonderful facts . . . for anyone who delights in linguistics it's a richly rewarding read' MAIL ON SUNDAY ***- A word's origin doesn't tell you what it means today- There are languages that change when your mother-in-law is present- The language you speak could make you more prone to accidents- There's a special part of the brain that produces swear wordsTaking us on a mind-boggling journey through the science of language, linguist David Shariatmadari uncovers the truth about what we do with words, exploding nine widely-held myths about language while introducing us to some of the fundamental insights of modern linguistics.
Don't Believe A Word: The Surprising Truth About Language
by David Shariatmadari***'Wonderful. You finish the book more alive than ever to the enduring mystery and miracle of that thing that makes us most human' STEPHEN FRY'Most popular books on language dumb down; Shariatmadari's smartens things up, and is all the more entertaining for it' THE SUNDAY TIMES, a Book of the Year'A meaty, rewarding and necessary read' GUARDIAN'Fascinating and thought-provoking . . . crammed with weird and wonderful facts . . . for anyone who delights in linguistics it's a richly rewarding read' MAIL ON SUNDAY ***- A word's origin doesn't tell you what it means today- There are languages that change when your mother-in-law is present- The language you speak could make you more prone to accidents- There's a special part of the brain that produces swear wordsTaking us on a mind-boggling journey through the science of language, linguist David Shariatmadari uncovers the truth about what we do with words, exploding nine widely-held myths about language while introducing us to some of the fundamental insights of modern linguistics.
Don't Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England
by Jack ZipesFirst published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.