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All Things Are Too Small: Essays in Praise of Excess
by Becca RothfeldA glorious call to throw off restraint and balance in favor of excess, abandon, and disproportion, in essays ranging from such topics as mindfulness, decluttering, David Cronenberg, and consent.In her debut essay collection, “brilliant and stylish” (The Washington Post) critic Becca Rothfeld takes on one of the most sacred cows of our time: the demand that we apply the virtues of equality and democracy to culture and aesthetics. The result is a culture that is flattened and sanitized, purged of ugliness, excess, and provocation.Our embrace of minimalism has left us spiritually impoverished. We see it in our homes, where we bring in Marie Kondo to rid them of their idiosyncrasies and darknesses. We take up mindfulness to do the same thing to our heads, emptying them of the musings, thoughts, and obsessions that make us who we are. In the bedroom, a new wave of puritanism has drained sex of its unpredictability and therefore true eroticism. In our fictions, the quest for balance has given us protagonists who aspire only to excise their appetites. We have flipped our values, Rothfeld argues: while the gap between rich and poor yawns hideously wide, we strive to compensate with egalitarianism in art, erotics, and taste, where it does not belong and where it quashes wild experiments and exuberance.Lush, provocative, and bitingly funny, All Things Are Too Small is a subversive soul cry to restore imbalance, obsession, gluttony, and ravishment to all domains of our lives.
All Things Considered
by G. K. ChestertonA collection of essays dealing with various topics, such as human nature, current affairs, science and religion
All Things Shining: Reading the Western Classics to Find Meaning in a Secular Age
by Hubert Dreyfus Sean Dorrance KellyIn unrelenting flow of choices confronts us at nearly every moment of our lives, and yet our culture offers us no clear way to choose. This predicament seems inevitable, but in fact it's quite new. In medieval Europe, God's calling was a grounding force. In ancient Greece, a whole pantheon of shining gods stood ready to draw an appropriate action out of you. Like an athlete in "the zone," you were called to a harmonious attunement with the world, so absorbed in it that you couldn't make a "wrong" choice. If our culture no longer takes for granted a belief in God, can we nevertheless get in touch with the Homeric moods of wonder and gratitude, and be guided by the meanings they reveal? All Things Shining says we can.Hubert Dreyfus and Sean Dorrance Kelly illuminate some of the greatest works of the West to reveal how we have lost our passionate engagement with and responsiveness to the world. Their journey takes us from the wonder and openness of Homer's polytheism to the monotheism of Dante; from the autonomy of Kant to the multiple worlds of Melville; and, finally, to the spiritual difficulties evoked by modern authors such as David Foster Wallace and Elizabeth Gilbert.Dreyfus, a philosopher at the University of California, Berkeley, for forty years, is an original thinker who finds in the classic texts of our culture a new relevance for people's everyday lives. His lively, thought-provoking lectures have earned him a podcast audience that often reaches the iTunesU Top 40. Kelly, chair of the philosophy department at Harvard University, is an eloquent new voice whose sensitivity to the sadness of the culture--and to what remains of the wonder and gratitude that could chase it away--captures a generation adrift.Re-envisioning modern spiritual life through their examination of literature, philosophy, and religious testimony, Dreyfus and Kelly unearth ancient sources of meaning, and teach us how to rediscover the sacred, shining things that surround us every day. This book will change the way we understand our culture, our history, our sacred practices, and ourselves. It offers a new--and very old--way to celebrate and be grateful for our existence in the modern world.
“All Will Be Swept Away”: Dimensions of Elegy in the Poetry of Paul Muldoon (Routledge Studies in Contemporary Literature)
by Wit PietrzakThe book offers the first comprehensive study of Paul Muldoon’s mourning verse. Considering not only the celebrated elegies like "Yarrow," "Incantata" or "Sillyhow Stride" but also the elegiac impulse as it develops throughout Muldoon’s entire work, All Will Be Swept Away charts a large swathe of Muldoon’s poetic landscape in order to show the complexity with which he approaches the themes of death and mourning. Using archival material as well as a vast array of theoretical apparatuses, the book unveils the psychological, literary and political undertones in his poetry, all the while attending to the operations of the poetic text: its form, its music and its capacity to console, warn and censure.
All Wonders in One Sight: The Christ Child among the Elizabethan and Stuart Poets
by Theresa M. KenneyIn the seventeenth century many leading poets wrote poems about Christ’s infancy, though charm and sweetness were not the leading note. Because these poets were university-educated classicists – many of them also Catholic or Anglican priests – they wrote in an elevated style, with elevated language, and their concerns were deeply theological as well as poetic. In an age of religious controversy, their poems had controversial elements, and because these poems were mostly intended for private use and limited circulation, they were not generally singable hymns of public celebration of Christ’s birth. However far from dry academic pieces, these poems offer a wide variety of approaches to both their subject, the infant Jesus, and the means of presenting it. All Wonders in One Sight examines the ways in which early modern English poets understood and accomplished the poetic task of representing Christ as both Child and God. Focusing on the intellectual and theological content of the poems as well as the devotional aims of the poets, Theresa M. Kenney aims to reveal their understandings of divine immanence and the sacrament of the Eucharist.
All Write: A Student Handbook for Language & Learning
by Dave Kemper Patrick Sebranek Verne MeyerThis handbook contains a great deal of information that will help the students improve their writing and learning skills. With practice, the students will be able to find the information quickly and easily using the guides explained in the book.
Allegorical Bodies
by Daisy DeloguAllegorical Bodies begins with the paradoxical observation that at the same time as the royal administrators of late fourteenth and early fifteenth-century France excluded women from the royal succession through the codification of Salic law, writers of the period adopted the female form as the allegorical personification of France itself. Considering the role of female allegorical figures in the works of Eustache Deschamps, Christine de Pizan, and Alain Chartier, as well as in the sermons of Jean Gerson, Daisy Delogu reveals how female allegories of the Kingdom of France and the University of Paris were used to conceptualize, construct, and preserve structures of power during the tumultuous reign of the mad king Charles VI (1380-1422).An impressive examination of the intersection between gender, allegory, and political thought, Delogu's book highlights the importance of gender to the functioning of allegory and to the construction of late medieval French identity.
Allegorical Form and Theory in Hildegard of Bingen’s Books of Visions (The New Middle Ages)
by Dinah WoutersThis book analyses how the three books of visions by Hildegard of Bingen use the allegorical vision as a form of knowledge. It describes how the visionary’s use of allegory and allegorical exegesis is linked to theories of cognition, interpretation, and prophecy. It argues that the form of the allegorical vision is not just the product of a medieval symbolic mentality, but specific to Hildegard’s position and the major transformations taking place in the prescholastic intellectual milieu, such as the changing use of Scripture or the shift from traditional hermeneutics to cognitive language philosophy. The book shows that Hildegard uses traditional forms of knowledge – prophecy, the vision, monastic theology, allegorical hermeneutics – in startlingly innovative ways by combining them and by revising them for her own time.
Allegorical Readers and Cultural Revision in Ancient Alexandria
by David DawsonAllegorical readings of literary or religious texts always begin as counterreadings, starting with denial or negation, challenging the literal sense: "You have read the text this way, but I will read it differently." David Dawson insists that ancient allegory is best understood not simply as a way of reading texts, but as a way of using non-literal readings to reinterpret culture and society. Here he describes how some ancient pagan, Jewish, and Christian interpreters used allegory to endorse, revise, and subvert competing Christian and pagan world views.This reassessment of allegorical reading emphasizes socio-cultural contexts rather than purely formal literary features, opening with an analysis of the pagan use of etymology and allegory in the Hellenistic world and pagan opposition to both techniques. The remainder of the book presents three Hellenistic religious writers who each typify distinctive models of allegorical interpretation: the Jewish exegete Philo, the Christian Gnostic Valentinus, and the Christian Platonist Clement. The study engages issues in the fields of classics, history of Christianity and Hellenistic Judaism, literary criticism and theory, and more broadly, critical theory and cultural criticism.
Allegories of Encounter: Colonial Literacy and Indian Captivities (Published by the Omohundro Institute of Early American History and Culture and the University of North Carolina Press)
by Andrew NewmanPresenting an innovative, interdisciplinary approach to colonial America's best-known literary genre, Andrew Newman analyzes depictions of reading, writing, and recollecting texts in Indian captivity narratives. While histories of literacy and colonialism have emphasized the experiences of Native Americans, as students in missionary schools or as parties to treacherous treaties, captivity narratives reveal what literacy meant to colonists among Indians. Colonial captives treasured the written word in order to distinguish themselves from their Native captors and to affiliate with their distant cultural communities. Their narratives suggest that Indians recognized this value, sometimes with benevolence: repeatedly, they presented colonists with books.In this way and others, Scriptures, saintly lives, and even Shakespeare were introduced into diverse experiences of colonial captivity. What other scholars have understood more simply as textual parallels, Newman argues instead may reflect lived allegories, the identification of one's own unfolding story with the stories of others. In an authoritative, wide-ranging study that encompasses the foundational New England narratives, accounts of martyrdom and cultural conversion in New France and Mohawk country in the 1600s, and narratives set in Cherokee territory and the Great Lakes region during the late eighteenth century, Newman opens up old tales to fresh, thought-provoking interpretations.
Allegories of Farming from Greece and Rome
by Leah KronenbergIn this book Professor Kronenberg shows that Xenophon's Oeconomicus, Varro's De Re Rustica and Virgil's Georgics are not simply works on farming but belong to a tradition of philosophical satire which uses allegory and irony to question the meaning of morality. These works metaphorically connect farming and its related arts to political life; but instead of presenting farming in its traditional guise as a positive symbol, they use it to model the deficiencies of the active life, which in turn is juxtaposed to a preferred contemplative way of life. Although these three texts are not usually treated together, this book convincingly connects them with an original and provocative interpretation of their allegorical use of farming. It also fills an important gap in our understanding of the literary influences on the Georgics by showing that it is shaped not just by its poetic predecessors but by philosophical dialogue.
Allegories of Neoliberalism: Contemporary South Asian Fictions, Capital, and Utopia
by Sarker Hasan ZayedSimultaneously a critique of Foucauldian governmentalist interpretations of neoliberalism and a historical materialist reading of contemporary South Asian fictions, Allegories of Neoliberalism is a probing analysis of literary representations of capitalism’s “forms of appearance.” This book offers critical discussions on the important works of Akhtaruzzaman Elias, Amitav Ghosh, Aravind Adiga, Arundhati Roy, H. M. Naqvi, Mohsin Hamid, Nasreen Jahan, Samrat Upadhyay, and other writers from South Asia and South Asian diaspora. It also advances a re-reading of Karl Marx’s Capital through the themes and tropes of literature—one that looks into literary representations of commoditization, monetization, class exploitation, uneven spatial relationship, financialization, and ecological devastation through the lens of the German revolutionary’s critique of capitalism.
Allegories of the Anthropocene
by Elizabeth M. DeLoughreyIn Allegories of the Anthropocene Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and literature. In these works, authors and artists use allegory as a means to understand the multiscalar complexities of the Anthropocene and to critique the violence of capitalism, militarism, and the postcolonial state. DeLoughrey examines the work of a wide range of artists and writers—including poets Kamau Brathwaite and Kathy Jetñil-Kijiner, Dominican installation artist Tony Capellán, and authors Keri Hulme and Erna Brodber—whose work addresses Caribbean plantations, irradiated Pacific atolls, global flows of waste, and allegorical representations of the ocean and the island. In examining how island writers and artists address the experience of finding themselves at the forefront of the existential threat posed by climate change, DeLoughrey demonstrates how the Anthropocene and empire are mutually constitutive and establishes the vital importance of allegorical art and literature in understanding our global environmental crisis.
Allegories of Violence: Tracing the Writings of War in Late Twentieth-Century Fiction (Literary Criticism and Cultural Theory)
by Lidia YuknavitchAllegories of Violence demilitarizes the concept of war and asks what would happen if we understood war as discursive via late 20th Century novels of war.
Allegory: The Theory of a Symbolic Mode
by Angus FletcherAnyone who has ever said one thing and meant another has spoken in the mode of allegory. The allegorical expression of ideas pervades literature, art, music, religion, politics, business, and advertising. But how does allegory really work and how should we understand it? For more than forty years, Angus Fletcher's classic book has provided an answer that is still unsurpassed for its comprehensiveness, brilliance, and eloquence. With a preface by Harold Bloom and a substantial new afterword by the author, this edition reintroduces this essential text to a new generation of students and scholars of literature and art.Allegory puts forward a basic theory of allegory as a symbolic mode, shows how it expresses fundamental emotional and cognitive drives, and relates it to a wide variety of aesthetic devices. Revealing the immense richness of the allegorical tradition, the book demonstrates how allegory works in literature and art, as well as everyday speech, sales pitches, and religious and political appeals.In his new afterword, Fletcher documents the rise of a disturbing new type of allegory--allegory without ideas.
Allegory (The Critical Idiom Reissued #13)
by John MacQueenFirst published in 1970, this book examines the use of allegory in religious, philosophical and literary texts. It traces the development of the device over time from the Classical period through to the early modern and modern periods, demonstrating its evolution from the transmission of myths and religious beliefs to a literary device.
Allegory: Allegory And Literature Of The City (The New Critical Idiom)
by Jeremy TamblingIndispensable to an understanding of Medieval and Renaissance texts and a topic of controversy for the Romantic poets, allegory remains a site for debate and controversy in the twenty-first-century. In this useful guide, Jeremy Tambling: presents a concise history of allegory, providing numerous examples from Medieval forms to the present day considers the relationship between allegory and symbolism analyses the use of allegory in modernist debate and deconstruction, looking at critics such as Walter Benjamin and Paul de Man provides a full glossary of technical terms and suggestions for further reading. Allegory offers an accessible, clear introduction to the history and use of this complex literary device. It is the ideal tool for all those seeking a greater understanding of texts that make use of allegory and of the significance of allegorical thinking to literature.
Allegory and Ideology
by Fredric JamesonFredric Jameson takes on the allegorical formWorks do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context.
Allegory in Enlightenment Britain: Literary Abominations
by Jason J. GulyaThis Palgrave Pivot argues for the significance of allegory in Enlightenment writing. While eighteenth-century allegory has often been dismissed as an inadequate form, both in its time and in later scholarship, this short book reveals how Enlightenment writers adapted allegory to the cultural changes of the time. It examines how these writers analyzed earlier allegories with scientific precision and broke up allegory into parts to combine it with other genres. These experimentations in allegory reflected the effects of empiricism, secularization and a modern aesthetic that were transforming Enlightenment culture. Using a broad range of examples – including classics of the genre, eighteenth-century texts and periodicals – this book argues that the eighteenth century helped make allegory the flexible, protean literary form it is today.
The Allegory of Love
by C. S. LewisThe Allegory of Love is a study in medieval tradition--the rise of both the sentiment called "Courtly Love" and of the allegorical method--from eleventh-century Languedoc through sixteenth-century England. C. S. Lewis devotes considerable attention to The Romance of the Rose and The Faerie Queene, and to such poets as Geoffrey Chaucer, John Gower, and Thomas Usk.
The Allegory of Love in the Early Renaissance: Francesco Colonna’s Hypnerotomachia Poliphili and its European Context (Anglo-Italian Renaissance Studies)
by James Calum O’NeillDescribed as ‘the most beautiful book ever printed’ previous research has focused on the printing history of the Hypnerotomachia and its copious literary sources. This monograph critically engages with the narrative of the Hypnerotomachia and with Poliphilo as a character within this narrative, placing it within its European literary context. Using narratological analysis, it examines the journey of Poliphilo and the series of symbolic, allegorical, and metaphorical experiences narrated by him that are indicative of his metamorphosing interiority. It analyses the relationship between Poliphilo and his external surroundings in sequences of the narrative pertaining to thresholds; the symbolic architectural, topographical, and garden forms and spaces; and Poliphilo’s transforming interior passions including his love of antiquarianism, language, and Polia, the latter of which leads to his elegiac description of lovesickness, besides examinations of numerosophical symbolism in number, form, and proportion of the architectural descriptions and how they relate to the narrative.
Allegory Studies: Contemporary Perspectives (Warwick Series in the Humanities)
by Vladimir BrljakAllegory Studies: Contemporary Perspectives collects some of the most compelling current work in allegory studies, by an international team of researchers in a range of disciplines and specializations in the humanities and cognitive sciences. The volume tracks the subject across established disciplinary, cultural, and period-based divides, from its shadowy origins to its uncertain future, and from the rich variety of its cultural and artistic manifestations to its deep cognitive roots. Allegory is everything we already know it to be: a mode of literary and artistic composition, and a religious as well as secular interpretive practice. As the volume attests, however, it is much more than that—much more than a sum of its parts. Collectively, the phenomena we now subsume under this term comprise a dynamic cultural force which has left a deep imprint on our history, whose full impact we are only beginning to comprehend, and which therefore demands precisely such dedicated cross-disciplinary examination as this book seeks to provide.
Allen and Greenough's New Latin Grammar
by James B Greenough G. L. Kittredge Benj. L. D'Ooge A. A. Howard J. H. AllenA venerable resource for more than a century, Allen and Greenough's New Latin Grammar is still regarded by students and teachers as the finest Latin reference grammar available. Concise, comprehensive, and well organized, it is unrivaled in depth and clarity, placing a wealth of advice on usage, vocabulary, diction, composition, and syntax within easy reach of Latin scholars at all levels. This sourcebook's three-part treatment starts with words and forms, covering parts of speech, declensions, and conjugations. The second part, syntax, explores cases, moods, and tenses. The concluding section offers information on archaic usages, Latin verse, and prose composition, among other subjects. Extensive appendixes feature a glossary of terms and indexes. Students of history, religion, and literature will find lasting value in this modestly priced edition of a classic guide to Latin.
Allgemeinbildung deutsche Literatur für Dummies (Für Dummies)
by Ulrich Kirstein Tina RauschGanz oben in der Liste der Themen, die zur Allgemeinbildung zählen, steht die deutsche Literatur, die Literatur aus dem Land der Dichter und Denker. Dieses Buch gibt Ihnen einen Überblick über die Gattungen Prosa, Lyrik und Drama und leitet Sie durch die Epochen. Minnesang, Aufklärung, Klassik, Romantik, Realismus und Naturalismus, klassische Moderne und zeitgenössische Literatur bleiben dabei nicht abstrakte Begriffe. Die Autoren geben Einblick in die Werke und erzählen vom Leben der Schriftsteller, deren Freundschaften und Feindschaften, deren Kampf um Anerkennung und deren Reaktion auf unbarmherzige Kritik. Und alle, die den ganz schnellen Überblick bekommen wollen, finden hier Listen mit zehn Schriftstellern, die man kennen sollte, zehn Schriftstellerinnen, die man kennen sollte, und mit zehn Schreibenden, die zu Unrecht vergessen wurden.
Allgemeinbildung: Die 100 besten Bücher der deutschsprachigen Literatur für Dummies (Für Dummies)
by Ulrich Kirstein Tina RauschIn zehn Kapiteln stellen die Autoren jeweils zehn Meisterwerke der deutschen Literatur vor - nicht chronologisch sortiert, sondern thematisch gebündelt. In den ausgewählten Büchern geht es um Humor und Melancholie, Liebe und Schmerz, Gesellschaft und Familien, Abenteuer und Spannung, Krieg und Frieden, Hin und Weg, Freund und Feind, Künstler und Helden, Stadt und Land, Fantasie und Wahn. Stöbern Sie durch die Kapitel, finden Sie Ihre Meisterwerke von Grimmelshausen bis Juli Zeh, von Adelbert von Chamisso bis Feridun Zaimoglu und genießen Sie die schier unendliche Vielfalt der deutschsprachigen Literatur.