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All Children Read: Teaching For Literacy In Today's Diverse Classrooms (Fourth Edition)
by Charles A. Temple Donna Ogle Alan N. Crawford Penny FrepponWritten by one of the most dynamic author teams in the field of Reading and Literacy, the Fourth Edition of All Children Read continues to offer K-8 teachers the best practices for developing reading and writing in all students. The new edition integrates Common Core State Standards, deepens its exploration of Response to Intervention (RTI), looks more deeply at comprehension of informational text, and emphasizes the teaching of English Language Learners. Central to, and woven throughout, this text are the six overriding themes-the struggling reader; family/community literacy; new literacies; writing and reading connections; developmental, cultural, and linguistic diversity; and phonics/phonological awareness. This title is also available packaged with the Enhanced Pearson eText. To order the Enhanced Pearson eText packaged with a bound book, use ISBN 0133388204.
All Desire is a Desire for Being
by René GirardA new selection of foundational works from the influential philosopher who developed the theory of mimetic desireWhy do humans have such a remarkable capacity for conflict? From ancient foundational myths to the modern era, the visionary thinker Rene Girard identified the constant, competing desires at the heart of our existence - desires that we copy from others, igniting a contagious violence. This remarkable and accessible new selection of Girard's work shows him as a writer for our times, as he ranges over human imitation and rivalry, herd behaviour, scapegoating and how our violent longings play out in stories, from Shakespeare to religion. 'The explosion of social media, the resurgence of populism, and the increasing virulence of reciprocal violence all suggest that the contemporary world is becoming more and more recognizably "Girardian" in its behaviour' The New York Review of BooksEdited with an Introduction by Cynthia L. Haven
All Desires Known
by Janet MorleyA classic and indispensable resource for public worship and private devotion that speaks to people across a range of traditions - both within and beyond the church. Composed in response to the desire for worship language of worship that's inclusive of women's experience yet deeply rooted in the words, stories, and images of Scripture, they have resonated not only with women, but with all who love the Bible and who want to pray with honesty and directness. <P><P> This new edition introduces a fresh selection of material on themes of global justice, as well as a contemporary Eucharist and prayers that coincide with the Revised Common Lectionary.
All Ears: The Aesthetics of Espionage
by Peter SzendyThe world of international politics has recently been rocked by a seemingly endless series of scandals involving auditory surveillance: the NSA’s warrantless wiretapping is merely the most sensational example of what appears to be a universal practice today. What is the source of this generalized principle of eavesdropping?All Ears: The Aesthetics of Espionage traces the long history of moles from the Bible, through Jeremy Bentham’s “panacoustic” project, all the way to the intelligence-gathering network called “Echelon.” Together with this archeology of auditory surveillance, Szendy offers an engaging account of spycraft’s representations in literature (Sophocles, Shakespeare, Joyce, Kafka, Borges), opera (Monteverdi, Mozart, Berg), and film (Lang, Hitchcock, Coppola, De Palma). Following in the footsteps of Orpheus, the book proposes a new concept of “overhearing” that connects the act of spying to an excessive intensification of listening. At the heart of listening Szendy locates the ear of the Other that manifests itself as the originary division of a “split-hearing” that turns the drive for mastery and surveillance into the death drive.
The All-Encompassing Eye of Ukraine
by Maxim TarnawskyOne of the most important realist novelists of nineteenth-century Ukraine, Ivan Nechui-Levyts'kyi was caricatured and then forgotten by a generation of literary modernists who rejected his aesthetic and ideological views. In The All-Encompassing Eye of Ukraine, Maxim Tarnawsky presents a thorough and much-needed reexamination of Nechui-Levyts'kyi and his work.A solitary, modest man whose chief interest was in promoting and defending a Ukrainian identity threatened by the cultural policies of the Russian Empire, Levyts'kyi's writing described Ukraine, its people, its culture, and the forces threatening it. A satirist who attacked modernism and cosmopolitanism, he wrote in a style marked by what Tarnawsky calls non-purposeful narration - slow-paced humour built on rhetorical finesse rather than on plot or character development.A vital reconsideration of a significant Ukrainian novelist written by the foremost expert on his work, The All-Encompassing Eye of Ukraine deepens and expands our understanding of Ukraine's nineteenth-century literature.
All English Accents Matter: In Pursuit of Accent Equity, Diversity, and Inclusion (Routledge Studies in Sociolinguistics)
by Pierre Wilbert OrelusOrelus' valuable study draws on the scholarly work of sociocultural and postcolonial theorists, as well as testimonies collected from study participants, to explore accentism, the systemic form of discrimination against speakers whose accents deviate from a socially constructed norm. Orelus examines the manner in which accents are acquired and the effects of such acquisition on the learning and educational experiences of linguistically and culturally diverse students. He goes on to demonstrate the ways and the degree to which factors such as race, class, and country of origin are connected with nonstandard accent-based discrimination. Finally, this book proposes alternative ways to challenge and counter the accentism that minority groups, including linguistically and culturally diverse groups, have faced in schools and in society at large. It will be of interest to all of those concerned with linguistic/accent-based prejudice and the experience of those who face it.
All for Love
by Ved MehtaVed Mehta joined the staff of The New Yorker in the 1960s, blind since the age of four and already on his way to a career as a writer. In a series of four relationships he demanded that his lovers, like him, pretend he could see. With lyrical and stirring accuracy, Mehta revisits these love affairs today, tracing the links between his denial of his disability and the cruel transformations that each of his lovers underwent. “Poignant and occasionally hilarious.”-The New York Times Book Review. “This elegant volume remains a striking piece of insight into the nature of love.”-Publishers Weekly. “[An] excoriatingly truthful and heartbreaking account of the pursuit and loss of love. ...”-The Times of London. “A mesmerizing account ... the most arresting passages are Mehta’s mind-expanding descriptions of how he perceives the world. ”-Booklist.
All for Nothing: Hamlet's Negativity (Short Circuits)
by Andrew CutrofelloHamlet as performed by philosophers, with supporting roles played by Kant, Nietzsche, and others.A specter is haunting philosophy—the specter of Hamlet. Why is this? Wherefore? What should we do?Entering from stage left: the philosopher's Hamlet. The philosopher's Hamlet is a conceptual character, played by philosophers rather than actors. He performs not in the theater but within the space of philosophical positions. In All for Nothing, Andrew Cutrofello critically examines the performance history of this unique role. The philosopher's Hamlet personifies negativity. In Shakespeare's play, Hamlet's speech and action are characteristically negative; he is the melancholy Dane. Most would agree that he has nothing to be cheerful about. Philosophers have taken Hamlet to embody specific forms of negativity that first came into view in modernity. What the figure of the Sophist represented for Plato, Hamlet has represented for modern philosophers. Cutrofello analyzes five aspects of Hamlet's negativity: his melancholy, negative faith, nihilism, tarrying (which Cutrofello distinguishes from “delaying”), and nonexistence. Along the way, we meet Hamlet in the texts of Kant, Coleridge, Hegel, Marx, Schopenhauer, Kierkegaard, Nietzsche, Freud, Russell, Wittgenstein, Heidegger, Benjamin, Arendt, Schmitt, Lacan, Deleuze, Foucault, Derrida, Badiou, Žižek, and other philosophers. Whirling across a kingdom of infinite space, the philosopher's Hamlet is nothing if not thought-provoking.
All Frontiers Are Jealous
by L. Ron HubbardExplore this larger than life tale. American engineer Dan Courtney is surveying the route of the Sudan Railway in Africa, linking the Uganda Railway with the Anglo-Egyptian Railroad--a project that seems doomed to fail.When he finds that a young American woman has been kidnapped by the most feared tribe on the continent, the Dinkas, it lands him in an action-swept, life-or-death confrontation to save the girl. The battle with the Dinkas will determine not only the fate of the railway system, but reveal the identity of a killer stalking the girl. "...the stories' fast-moving pace is sure to keep listeners enthralled. Great fun for nostalgia buffs, recommended for tweens and up." --Library Journal
All The Fun's In How You Say A Thing: An Explanation Of Meter And Versification
by Timothy SteelePerfect for the general reader of poetry, students and teachers of literature, and aspiring poets, All the Fun’s in How You Say a Thing is a lively and comprehensive study of versification by one of our best contemporary practitioners of traditional poetic forms. Emphasizing both the coherence and the diversity of English metrical practice from Chaucer’s time to ours, Timothy Steele explains how poets harmonize the fixed units of meter with the variable flow of idiomatic speech. He examines the ways in which poets have used meter, rhyme, and stanza to communicate and enhance meaning. Steele illuminates as well many practical, theoretical, and historical issues in English prosody, without ever losing sight of the fundamental pleasures, beauties, and insights that fine poems offer us. Written lucidly, with a generous selection of helpful scansions and explanations of the metrical effects of the great poets of the English language, All the Fun’s in How You Say a Thing is not only a valuable handbook on technique; it is also a wide-ranging study of English verse and a mine of entertaining information for anyone wishing more fully to write, enjoy, understand, or teach poetry.
All Future Plunges to the Past: James Joyce in Russian Literature (NIU Series in Slavic, East European, and Eurasian Studies)
by José VergaraAll Future Plunges to the Past explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. Through contextually rich close readings, José Vergara uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing how the debates regarding the Irish writer's place in the Russian pantheon are no less settled one hundred years after Ulysses.The creative reworkings, or "translations," of Joycean themes, ideas, characters, plots, and styles made by the five writers Vergara examines speak to shifting cultural norms, understandings of intertextuality, and the polarity between Russia and the West. Vergara illuminates how Russian writers have used Joyce's ideas as a critical lens to shape, prod, and constantly redefine their own place in literary history.All Future Plunges to the Past offers one overarching approach to the general narrative of Joyce's reception in Russian literature. While each of the writers examined responded to Joyce in an individual manner, the sum of their methods reveals common concerns. This subject raises the issue of cultural values and, more importantly, how they changed throughout the twentieth century in the Soviet Union, Russian emigration, and the post-Soviet Russian environment.
All Good Books Are Catholic Books: Print Culture, Censorship, and Modernity in Twentieth-Century America
by Una M. CadeganUntil the close of the Second Vatican Council in 1965, the stance of the Roman Catholic Church toward the social, cultural, economic, and political developments of the twentieth century was largely antagonistic. Naturally opposed to secularization, skeptical of capitalist markets indifferent to questions of justice, confused and appalled by new forms of high and low culture, and resistant to the social and economic freedom of women—in all of these ways the Catholic Church set itself up as a thoroughly anti-modern institution. Yet, in and through the period from World War I to Vatican II, the Church did engage with, react to, and even accommodate various aspects of modernity. In All Good Books Are Catholic Books, Una M. Cadegan shows how the Church’s official position on literary culture developed over this crucial period.The Catholic Church in the United States maintained an Index of Prohibited Books and the National Legion of Decency (founded in 1933) lobbied Hollywood to edit or ban movies, pulp magazines, and comic books that were morally suspect. These regulations posed an obstacle for the self-understanding of Catholic American readers, writers, and scholars. But as Cadegan finds, Catholics developed a rationale by which they could both respect the laws of the Church as it sought to protect the integrity of doctrine and also engage the culture of artistic and commercial freedom in which they operated as Americans. Catholic literary figures including Flannery O’Connor and Thomas Merton are important to Cadegan’s argument, particularly as their careers and the reception of their work demonstrate shifts in the relationship between Catholicism and literary culture. Cadegan trains her attention on American critics, editors, and university professors and administrators who mediated the relationship among the Church, parishioners, and the culture at large.
All in a Word: 100 Delightful Excursions into the Uses and Abuses of Words
by Vivian CookDelve into the hidden nature of words: An irresistible mix of information, curiosity, and fun. Linguist Vivian Cook takes us on a brilliant series of excursions into the history and meaning of words: How do we learn words as a child? How are words born, and why do they die? Why do some never get spoken, and others never written? Each chapter is charmingly illustrated—and accompanied by a rich assortment of games, lists, puzzles, and quotes. From polite words to crass words, from p-c words to Shakespeare’s words, from food and wine words to jazz and drug words—the book is an exciting exploration into the abundance and variety of words.
All in All (More or Less): Rhetorical Considerations in Literature, Thought, and Experience
by Walter JostThis book reinvents aspects of the rhetorical tradition as part of a philosophical pluralism oriented to “All-in-Allness”. Its chapters unfold some of the ethical and intellectual responsibilities philosophy and rhetoric share, their commitments toward literature broadly conceived, the limited authority of their interpretations, and the kinds of judgments they issue in. Part One, drawing chiefly on Ludwig Wittgenstein and Richard McKeon, leverages a central line of argument regarding “Rationality” in the pragmatism of Robert Brandom. Part Two pivots to specific instances of the range of rhetorical argument found in surprising places and in sophisticated arrangements. The book as a whole culminates in Part Three, where the author demonstrates how “ordinary language criticism” fruitfully bears on cultural models – film, drama, novels, poetry – belonging to “American Low Modernism.”
All Is Flesh
by Hugh Hazelton Yannick RenaudAll Is Flesh collects in one volume Hugh Hazelton's English translations of Yannick Renaud's brilliant first two books of poems, Taxidermy and The Disappearance of Ideas, first published by Éditions Les Herbes rouges in Montreal.Taxidermy is a discourse on time consisting of prose poems stretched to the very limits of detachment. A completely objectified couple, alternately speaking as simply "he" or "she," strive to attain perfect control over their physical movements. Slowing them down, even stopping them, is equivalent in their minds to seizing and savouring the essence of the present and, by extension, to stopping time in their lives-an enactment of the romantic aesthetics of Keats's "Ode on a Grecian Urn." Their attempts at "holding the pose," as much for themselves as for each other, generate a tension in their voices-at once demanding, yearning and confessional-between the need for both static form and fluid movement in the choreography of their lives, which seeks to "occupy space unequivocally."The Disappearance of Ideas is a meditation on time that interrogates death and mourning, reminding us that "death remains the privilege of the living" and that "cathedrals tell us nothing more than the time on their stones." Unsentimental and intellectualized, the poems generate their radiant intensity by drawing our attention to the part of mourning that remains unresolved and inaccessible in our memories, reminding us of "what we don't know of stories." But this absence, what remains unknown of the past to us, also haunts our futures, where "actions taken only hinder what should have been," and "there is no second chance." As Baudrillard has said: "Things live only on the basis of their disappearance, and, if one wishes to interpret them with entire lucidity, one must do so as a function of their disappearance."
All Is True: The Claims and Strategies of Realist Fiction
by Lilian R. Furst"All is true," realist writers would say of their work, to which critics now respond: All is art and artifice. Offering a new approach to reading nineteenth-century realist fiction, Lilian R. Furst seeks to reconcile these contradictory claims. In doing so, she clarifies the deceptions, appropriations, intentions, and ultimately the power of literary realism.In close textual analyses of works ranging across European and American literature, including paradigmatic texts by Balzac, Flaubert, George Eliot, Zola, Henry James, and Thomas Mann, Furst shows how the handling of time, the presentation of place, and certain narrational strategies have served the realists' claim. She demonstrates how readers today, like those a hundred years ago, are convinced of the authenticity of the created illusion by such means as framing, voice, perspective, and the slippage from metonymy to metaphor. Further, Furst reveals the pains the realists took to conceal these devices, and thus to protect their claim to be employing a simple form. Taking into account both the claims and the covert strategies of these writers, All Is True puts forward an alternative to the conventional polarized reading of the realist text--which emerges here as neither strictly an imitation of an extraneous model nor simply a web of words but a brilliantly complex imbrication of the two.A major statement on one of the most enduring forms in cultural history, this book promises to alter not only our view of realist fiction but our understanding of how we read it.
All Mine!: Happiness, Ownership, and Naming in Eleventh-Century China
by Stephen OwenUnder the Song Dynasty, China experienced rapid commercial growth and monetization of the economy. In the same period, the austere ethical turn that led to neo-Confucianism was becoming increasingly prevalent in the imperial bureaucracy and literati culture. Tracing the influences of these trends in Chinese intellectual history, All Mine! explores the varied ways in which eleventh-century writers worked through the conflicting values of this new world.Stephen Owen contends that in the new money economy of the Song, writers became preoccupied with the question of whether material things can bring happiness. Key thinkers returned to this problem, weighing the conflicting influences of worldly possessions and material comfort against Confucian ideology, which locates true contentment in the Way and disdains attachment to things. In a series of essays, Owen examines the works of writers such as the prose master Ouyang Xiu, who asked whether tranquility could be found in the backwater to which he had been exiled; the poet and essayist Su Dongpo, who was put on trial for slandering the emperor; and the historian Sima Guang, whose private garden elicited reflections on private ownership. Through strikingly original readings of major eleventh-century figures, All Mine! inquires not only into the material conditions of happiness but also the broader conditions of knowledge.
All My Road Before Me: The Diary of C. S. Lewis, 1922-1927
by C. S. LewisA repackaged edition of the revered author’s diary from his early twenties—a thought-provoking work that reveals his earliest thinking about war, atheism, religion, and humanity.While serving his country in the Great War, C. S. Lewis’ the great British writer, scholar, lay theologian, broadcaster, and Christian apologist—made a pact with a close friend and fellow soldier. If one of them died, the survivor would take care of his family—a promise Lewis honored. Developing a deep friendship with his fallen friend’s mother, Jane King Moore, Lewis moved into the Moore household after the war. Returning to Oxford, the twenty-three-year old Lewis—then a staunch atheist—struggled to adapt to life in post-war England. Eager to help the tormented young man, Jane encouraged him keep a diary of his day-to-day life. Those reflections are collected in this illuminating journal. Covering five remarkable years in Lewis's life, All My Road Before Me charts the inspirations and intellectual and spiritual development of a man whose theology and writing—including Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—has had immense influence on the Christian world.
All New Dad Jokes: The perfect gift from the Instagram sensation @DadSaysJokes
by Dad Says JokesTHE BRAND-NEW BOOK FROM @DADSAYSJOKESAll New Dad Jokes is the second book from the most followed dad jokes page on Instagram, @DadSaysJokes. Now with a following of over 1 million, All New Dad Jokes provides brand new gags guaranteed to leave your friends and family laughing and groaning in equal measure.@DadSaysJokes is a community-run Instagram account with more than a million followers, inspired by the daily jokes of author Kit Chilvers' dad, Andrew. Every day, followers submit their jokes and the team picks their favourites - or Dad just drops in his own zinger! Kit, a young social networking mastermind started his career at the tender age of 14, when he created his original platform, Football.Newz, to serve audiences for the World cup 2014. He has recently added another nine platforms in different genres (of which @DadSaysJokes is one), with nine million followers and rising. This is his second book. Q: Where do naughty rainbows go?A: Prism.
All New Dad Jokes: The perfect gift from the Instagram sensation @DadSaysJokes
by Dad Says JokesALL NEW CONTENT FROM THE ORIGINAL BESTSELLERAll New Dad Jokes is the second book from the most followed dad jokes page on Instagram, @DadSaysJokes. Now with a following of over 1 million, All New Dad Jokes provides brand new gags guaranteed to leave your friends and family laughing and groaning in equal measure.@DadSaysJokes is a community-run Instagram account with more than a million followers, inspired by the daily jokes of author Kit Chilvers' dad, Andrew. Every day, followers submit their jokes and the team picks their favourites - or Dad just drops in his own zinger! Kit, a young social networking mastermind started his career at the tender age of 14, when he created his original platform, Football.Newz, to serve audiences for the World cup 2014. He has recently added another nine platforms in different genres (of which @DadSaysJokes is one), with nine million followers and rising. This is his second book. Q: Where do naughty rainbows go?A: Prism.
All of the Marvels: A Journey to the Ends of the Biggest Story Ever Told
by Douglas WolkThe first-ever full reckoning with Marvel Comics&’ interconnected, half-million-page story, a revelatory guide to the “epic of epics”—and to the past sixty years of American culture—from a beloved authority on the subject who read all 27,000+ Marvel superhero comics and lived to tell the tale. <p><p> The superhero comic books that Marvel Comics has published since 1961 are, as Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and still growing. The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing—nobody’s supposed to. <p><p> So, of course, that’s what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown. And then he made sense of it—seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk’s hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day—a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders. <p><p> As a work of cultural exegesis, this is sneakily significant, even a landmark; it’s also ludicrously fun. Wolk sees fascinating patterns—the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story’s progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way it all feeds into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it’s also a revelation for readers who don’t know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels.
All of the People, All of the Time: Strategic Communication and American Politics
by Jarol B. ManheimThis book is about the uses and abuses of political communication in contemporary American society, employing numerous anecdotes and examples and drawings upon the latest research and theories of communication and political science in America.
All of This Is True: A Novel
by Lygia Day Penaflor“Devious, delicious, and gasp-worthy.” (Kathleen Glasgow, New York Times bestselling author of Girl in Pieces)In this genre-defying page-turner from Lygia Day Peñaflor, four teens befriend their favorite novelist, only to find their deepest, darkest secrets in the pages of her next book—with devastating consequences. Miri Tan loved the book Undertow like it was a living being. So when she and her friends went to a book signing to hear the author, Fatima Ro, they concocted a plan to get close to her.Soleil Johnston wanted to be a writer herself one day. When she and her friends started hanging out with her favorite author, Fatima Ro, she couldn’t believe their luck—especially when Jonah Nicholls started hanging out with them, too. Penny Panzarella was more than the materialist party girl everyone at the Graham School thought she was—and she was willing to share all her secrets with Fatima Ro to prove it.Jonah Nicholls had more to hide than any of them. And now that Fatima’s next book is out in the world, he’s the one who is paying the price...Perfect for fans of One of Us Is Lying—and told as a series of interviews, journal entries, and even pages from the book within the book—this gripping story of a fictional scandal will keep you on the edge of your seat from beginning to end.
All of Us: The Collected Poems (Vintage Contemporaries)
by Raymond CarverThis prodigiously rich collection suggests that Raymond Carver was not only America&’s finest writer of short fiction, but also one of its most large-hearted and affecting poets. Like Carver&’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy. This complete edition brings together all the poems of Carver&’s five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual notes on individual poems; a chronology of Carver&’s life and work; and a moving introduction by Carver&’s widow, the poet Tess Gallagher.