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Amelia Bedelia Under the Weather (I Can Read Level 1)
by Herman ParishLearn to read with young Amelia Bedelia! The Amelia Bedelia books are great for growing the vocabularies of newly independent readers.In Amelia Bedelia Under the Weather, Amelia Bedelia wakes up feeling, well, under the weather! But with a little rest, some delicious chicken soup, and a lot of love, Amelia Bedelia is soon as right as rain! More than thirty-five million Amelia Bedelia books sold since 1963. Amelia Bedelia is feeling under the weather. While it rains cats and dogs outside, Amelia Bedelia is stuck in bed with a fever. She passes the time by learning all about weather around the world. And with a lot of rest and a big bowl of Mrs. Adams’s chicken soup, Amelia Bedelia will be back on her feet soon.A Level 1 I Can Read book featuring the childhood of America’s favorite housekeeper, Amelia Bedelia! Whether shared at home or in a classroom, the short sentences, familiar words, and simple concepts of Level One books support success for children eager to start reading on their own.
The Amen Corner: A Play (Vintage International)
by James BaldwinFrom one of the most brilliant writers of the twentieth century—a masterpiece of the modern American theater: a play about faith and family, about the gulf between black men and black women and black fathers and black sons."[Baldwin] uses words as the sea uses waves." —Langston HughesIn his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers. For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.
Amen to That!
by Ferdie AddisMany of us have never read or studied the Bible, yet people have been quoting from its pages for centuries, not knowing the origin or significance of these timeless expressions. Let there be light! Amen to That will delightfully shed clarity on how a collection of ancient stories, written in three languages over the course of a thousand years, has had such an impact on the way we speak today. Through intriguing stories and riveting tales of epic battles and acts of betrayal to miracles and beyond, you'll quickly discover the meanings behind such familiar phrases as: A drop in the bucket All things must pass As old as the hills Bite the dust Eat, drink, and be merry The powers that be Woe is me Amen to That is a wonderful look at the gripping storytelling and cultural wealth to be found in the world's best-selling book, as well as a fascinating insight into our language.
America and Americans and Selected Nonfiction
by John Steinbeck Jackson J. Benson Susan ShillinglawMore than four decades after his death, John Steinbeck remains one of the nation's most beloved authors. Yet few know of his career as a journalist who covered world events from the Great Depression to Vietnam. Now, this distinctive collection offers a portrait of the artist as citizen, deeply engaged in the world around him. In addition to the complete text of Steinbeck's last published book, America and Americans, this volume brings together for the first time more than fifty of Steinbeck's finest essays and journalistic pieces on Salinas, Sag Harbor, Arthur Miller, Woody Guthrie, the Vietnam War and more. This edition is edited by Steinbeck scholar Susan Shillinglaw and Steinbeck biographer Jackson J. Benson. .
America and the British Imaginary in Turn-of-the-Twentieth-Century Literature
by Brook MillerIn an innovative reading of fin-de-siecle cultural texts, Miller argues that British representations of America, Americans, and Anglo-American relations at the turn of the twentieth century provided an important forum for cultural distinction.
America Imagined
by Axel K�rner Nicola Miller Adam I. P. SmithThis is an exploration of how Latin America developed an alternative modernity during the early twentieth century, one that challenges the key assumptions of the Western dominant model.
America in An Arab Mirror: Images of America in Arabic Travel Literature: An Anthology
by K. Abdel-MalekThis distinguished anthology presents for the first time in English travel essays by Arabic writers who have visited America in the second half of the century. The view of America which emerges from these accounts is at once fascinating and illuminating, but never monolithic. The writers hail from a variety of viewpoints, regions, and backgrounds, so their descriptions of America differently engage and revise Arab pre-conceptions of Americans and the West. The country figures as everything from the unchanging Other, the very antithesis of the Arab self, to the seductive female, to the Other who is both praiseworthy and reprehensible.
America Now: Short Readings From Recent Periodicals, 11th Edition
by Robert AtwanAmerica Now makes it easy for you to get brief, accessible, and thought-provoking essays into your classroom, with trustworthy, reliable pedagogy and an expert reader's knowledge of what works in the classroom. As series editor for Best American Essays, Robert Atwan constantly scours a wide range of periodicals, bringing to America Now an unrivaled focus on the best writing of today. Instructors tell us that their students want to respond to the essays in the book, and they praise the high-quality reading and writing instruction, critical thinking and reading questions, and model student essays that help them do so. Every reading in America Now is new to this edition, making it truly a book for today's composition course. And now with the new edition, you can meet students where they are: online. To package LaunchPad Solo for Readers and Writers free with America Now, use 978-1-319-01552-7.
America Now
by Robert AtwanAmerica Now makes it easy for you to bring brief, thought-provoking essays into your classroom, with reliable pedagogy and an expert reader's knowledge of what works for students. As series editor for The Best American Essays, Robert Atwan constantly scours a wide range of periodicals, bringing to America Now an unrivaled focus on today's best writing. Instructors tell us that their students want to respond to the essays in the book, and they praise the high-quality reading and writing instruction, critical thinking and reading questions, and model student essays that help them do so. Every current, professional reading in America Now is new to this edition, making it truly a book for today's composition course.
America Now
by Robert AtwanAmerica Now makes it easy for you to get brief, accessible, and thought-provoking essays into your classroom, with trustworthy, reliable pedagogy and an expert reader's knowledge of what works in the classroom. As series editor for Best American Essays, Robert Atwan constantly scours a wide range of periodicals, bringing to America Now an unrivaled focus on the best writing on today's issues. Instructors tell us that their students want to respond to the essays in the book, and they praise the high- quality reading and writing instruction, critical thinking and reading questions, and model student essays that help them do so. Every reading in America Now is new to this edition, making it truly a book for today's composition course.
America Now: Short Readings from Recent Periodicals
by Robert AtwanWith more than 50 very brief readings -- all new to this edition -- from over 40 very recent periodicals and student newspapers on 12 topics of very current interest,America Nowreflects what students are talking and writing about right now. As series editor ofThe Best American Essays, Robert Atwan constantly scours a wide range of periodicals, bringing toAmerica Nowan unrivaled awareness of the best writing on today's hottest issues -- and the editorial support students need to approach it and to create solid academic writing of their own. To make these issues especially relevant for students, Atwan also explores hundreds of campus newspapers to find the best student writing on current topics. These models by their peers from across the country show students that they, too, can share ideas through their own discussion and writing.
American 24-Karat Gold: 24 Classic American Short Stories (4th Edition)
by Yvonne Collioud SiskoThe book presents a selection of 24 classic American short stories. From popular authors such as Mark Twain, Langston Hughes, and Zora Neale Hurston, the stories included in the book become easier to understand with pro-reading questions, vocabulary exercises, and biographical headnotes.
American Abolitionism: Its Direct Political Impact from Colonial Times into Reconstruction (A Nation Divided)
by Stanley HarroldThis ambitious book provides the only systematic examination of the American abolition movement’s direct impacts on antislavery politics from colonial times to the Civil War and after. As opposed to indirect methods such as propaganda, sermons, and speeches at protest meetings, Stanley Harrold focuses on abolitionists’ political tactics—petitioning, lobbying, establishing bonds with sympathetic politicians—and on their disruptions of slavery itself.Harrold begins with the abolition movement’s relationship to politics and government in the northern American colonies and goes on to evaluate its effect in a number of crucial contexts--the U.S. Congress during the 1790s, the Missouri Compromise, the struggle over slavery in Illinois during the 1820s, and abolitionist petitioning of Congress during that same decade. He shows how the rise of "immediate" abolitionism, with its emphasis on moral suasion, did not diminish direct abolitionists’ impact on Congress during the 1830s and 1840s. The book also addresses abolitionists’ direct actions against slavery itself, aiding escaped or kidnapped slaves, which led southern politicians to demand the Fugitive Slave Law of 1850, a major flashpoint of antebellum politics. Finally, Harrold investigates the relationship between abolitionists and the Republican Party through the Civil War and Reconstruction.
The American Adam: Innocence, Tragedy, and Tradition in the Nineteenth
by R.W.B. LewisIntellectual history is viewed in this book as a series of "great conversations"—dramatic dialogues in which a culture's spokesmen wrestle with the leading questions of their times. In nineteenth-century America the great argument centered about De Crèvecoeur's "new man," the American, an innocent Adam in a bright new world dissociating himself from the historic past. Mr. Lewis reveals this vital preoccupation as a pervasive, transforming ingredient of the American mind, illuminating history and theology as well as art, shaping the consciousness of lesser thinkers as fully as it shaped the giants of the age. He traces the Adamic theme in the writings of Emerson, Thoreau, Hawthorne, Melville, Henry James, and others, and in an Epilogue he exposes their continuing spirit in the works of F. Scott Fitzgerald, William Faulkner, Ralph Ellison, J. D. Salinger, and Saul Bellow.
American and British English: Divided by a Common Language?
by Paul BakerIs British English becoming more like American English? If so, why, and in what ways? This book compares examples of American and British language data from the 1930s, 1960s, 1990s and 2000s, to track the most important ways that both varieties are changing over time, and compares the extent to which they are following similar paths using a mixture of computer and human analysis. The analysis is carried out across several levels, including spelling differences (such as colour vs color), vocabulary (truck vs lorry), and a range of morphological, grammatical, semantic and pragmatic features. Baker explores the changing aspects of American and British society which help to explain the findings.
American and European Literary Imagination
by John McCormickWestern culture is composed of a subtle and complex mixture of influences: religious, philosophical, linguistic, political, social, and sociological. American culture is a particular strain, but unless European antecedents and contemporary leanings are duly noted, any resulting history is predestined to provincialism and distortion. In his account of American literature during the period 1919 to 1932, McCormick deals with the extraordinary work of artists who wrested imaginative order from a world in which the abyss was never out of sight.McCormick's volume is intended as a critical, rather than encyclopedic history of literature on both sides of the Atlantic between the end of World War I and the political and social crises that arose in the 1930s. Although he emphasizes American writers, the emergence of a vital and distinctly modern American literature is located in the cultural encounter with Europe and the rejection of national bias by the major figures of the period.McCormick deals with Gertrude Stein and the mythology of the "lost generation," the tensions and ambivalences of traditionalism and modernity in the work of Sherwood Anderson and F. Scott Fitzgerald, the effect and qualities of Hemingway's style as compared to that of Henry de Montherlant, and the provincial iconoclasm of Sinclair Lewis juxtaposed with the more telling satire of Italo Svevo. The formal innovations in the work of John Dos Passos, E.E. Cummings, and William Faulkner, the poetic revolution against cultural parochialism and genteel romanticism is given extensive consideration with regard to the work of T.S. Eliot, Ezra Pound, Wallace Stevens, William Carlos Williams, and Marianne Moore are also discussed. The concluding chapters discuss literary and social criticism and assess the influence of psychoanalysis, philosophical pragmatism, and radical historiography on the intellectual climate of the period.Teachers and students in English and American Literature, American History, and Comparative Literature, and the general reader interested in the writing of the period, may gain new insights from these valuations, devaluations, and re-evaluations.
American Anti-Pastoral: Brookside, New Jersey and the Garden State of Philip Roth (CERES: Rutgers Studies in History)
by Thomas GustafsonOne of the best-known novels taking place in New Jersey, Philip Roth’s 1997 American Pastoral uses the fictional hamlet of Old Rimrock, NJ as a microcosm for a nation in crisis during the cultural upheavals of the 1960s-70s. Critics have called Old Rimrock mythic, but it is based on a very real place: the small Morris county town of Brookside, New Jersey. American Anti-Pastoral reads the events in Roth’s novel in relation to the history of Brookside and its region. While Roth’s protagonist Seymour “Swede” Levov initially views Old Rimrock as an idyllic paradise within the Garden State, its real-world counterpart has a more complex past in its origins as a small industrial village, as well as a site for the politics of exclusionary zoning and a 1960s anti-war protest at its celebrated 4th of July parade. Literary historian and Brookside native Thomas Gustafson casts Roth’s canonical novel in a fresh light as he studies both Old Rimrock in comparison to Brookside and the novel in relationship to NJ literature, making a case for it as the Great New Jersey novel. For Roth fans and history buffs alike, American Anti-Pastoral peels back the myths about the bucolic Garden State countryside to reveal deep fissures along the fault-lines of race and religion in American democracy.
American Architecture and Urbanism
by Vincent ScullyA classic book authored by the foremost architectural historian in America, this fully illustrated history of American architecture and city planning is based on Vincent Scully's conviction that architecture and city planning are inseparably linked and must therefore be treated together. He defines architecture as a continuing dialogue between generations which creates an environment across time. This definitive survey extends beyond the cities themselves to the American scene as a whole, which has inspired the reasonable balanced, closed and ordered forms, and above all the probity, that he feels typifies American architecture.
American Architecture and Urbanism
by Vincent ScullyA classic book authored by the foremost architectural historian in America, this fully illustrated history of American architecture and city planning is based on Vincent Scully's conviction that architecture and city planning are inseparably linked and must therefore be treated together. He defines architecture as a continuing dialogue between generations which creates an environment across time. This definitive survey extends beyond the cities themselves to the American scene as a whole, which has inspired the reasonable balanced, closed and ordered forms, and above all the probity, that he feels typifies American architecture.
The American Art-Union: Utopia and Skepticism in the Antebellum Era
by Kimberly A. OrcuttThe first comprehensive treatment in seventy years of the American Art-Union’s remarkable rise and fallFor over a decade, the New York–based American Art-Union shaped art creation, display, and patronage nationwide. Boasting as many as 19,000 members from almost every state, its meteoric rise and its sudden and spectacular collapse still raise a crucial question: Why did such a successful and influential institution fail? The American Art-Union reveals a sprawling and fascinating account of the country’s first nationwide artistic phenomenon, creating a shared experience of visual culture, art news and criticism, and a direct experience with original works.For an annual fee of five dollars, members of the American Art-Union received an engraving after a painting by a notable US artist and the annual publication Transactions (1839–49) and later the monthly Bulletin (1848–53). Most importantly, members’ names were entered in a drawing for hundreds of original paintings and sculptures by most of the era’s best-known artists. Those artworks were displayed in its immensely popular Free Gallery. Unfortunately, the experiment was short-lived. Opposition grew, and a cascade of events led to an 1852 court case that proved to be the Art-Union’s downfall. Illuminating the workings of the American art market, this study fills a gaping lacuna in the history of nineteenth-century US art. Kimberly A. Orcutt draws from the American Art-Union’s records as well as in-depth contextual research to track the organization’s decisive impact that set the direction of the country’s paintings, sculpture, and engravings for well over a decade.Forged in cultural crosscurrents of utopianism and skepticism, the American Art-Union’s demise can be traced to its nature as an attempt to create and control the complex system that the early nineteenth-century art world represented. This study breaks the organization’s activities into their major components to offer a structural rather than chronological narrative that follows mounting tensions to their inevitable end. The institution was undone not by dramatic outward events or the character of its leadership but by the character of its utopianist plan.
American Audacity: In Defense Of Literary Daring
by William GiraldiOne of the most gifted literary essayists of his generation defends stylistic boldness and intellectual daring in American letters. Over the last decade William Giraldi has established himself as a charismatic and uncompromising literary essayist, “a literature-besotted Midas of prose” (Cynthia Ozick). Now, American Audacity gathers a selection of his most powerful considerations of American writers and themes—a “gorgeous fury of language and sensibility” (Walter Kirn)—including an introductory call to arms for twenty-first-century American literature, and a new appreciation of James Baldwin’s genius for nonfiction. With potent insights into the storied tradition of American letters, and written with a “commitment to the dynamism and dimensions of language,” American Audacity considers giants from the past (Herman Melville, Edgar Allan Poe, Harper Lee, Denis Johnson), some of our most well-known living critics and novelists (Harold Bloom, Stanley Fish, Katie Roiphe, Cormac McCarthy, Allan Gurganus, Elizabeth Spencer), as well as those cultural-literary themes that have concerned Giraldi as an American novelist (bestsellers, the “problem” of Catholic fiction, the art of hate mail, and his viral essay on bibliophilia). Demanding that literature be audacious, and urgent in its convictions, American Audacity is itself an act of intellectual daring, a compendium shot through with Giraldi’s “emboldened and emboldening critical voice” (Sven Birkerts). At a time when literature is threatened by ceaseless electronic bombardment, Giraldi argues that literature “must do what literature has always done: facilitate those silent spaces, remain steadfastly itself in its employment of slowness, interiority, grace, and in its marshaling of aesthetic sophistication and complexity.” American Audacity is ultimately an assertion of intelligence and discernment from a maker of “perfectly paced prose” (The New Yorker), a book that reaffirms the pleasure and wisdom of the deepest literary values.
American Autobiography after 9/11
by Megan BrownIn the wake of the 2001 terrorist attacks in the United States, American memoirists have wrestled with a wide range of anxieties in their books. They cope with financial crises, encounter difference, or confront norms of identity. Megan Brown contends that such best sellers as Cheryl Strayed’s Wild, Elizabeth Gilbert’s Eat, Pray, Love, and Tucker Max’s I Hope They Serve Beer in Hell teach readers how to navigate a confusing, changing world. This lively and theoretically grounded book analyzes twenty-first-century memoirs from Three Cups of Tea to Fun Home, emphasizing the ways in which they reinforce and circulate ideologies, becoming guides or models for living. Brown expands her inquiry beyond books to the autobiographical narratives in reality television and political speeches. She offers a persuasive explanation for the memoir boom: the genre as a response to an era of uncertainty and struggle.
American Bards Walt Whitman and Other Unlikely Candidates for National Poet
by Edward WhitleyWalt Whitman has long been regarded as the quintessential American bard, the poet who best represents all that is distinctive about life in the United States. Whitman himself encouraged this view, but he was also quick to remind his readers that he was an unlikely candidate for the office of national poet, and that his working-class upbringing and radical take on human sexuality often put him at odds with American culture. While American literary history has tended to credit Whitman with having invented the persona of the national outsider as the national bard, Edward Whitley recovers three of Whitman's contemporaries who adopted similar personae: James M. Whitfield, an African American separatist and abolitionist; Eliza R. Snow, a Mormon pioneer and women's leader; and John Rollin Ridge, a Cherokee journalist and Native-rights advocate. These three poets not only provide a counterpoint to the Whitmanian persona of the outsider bard, but they also reframe the criteria by which generations of scholars have characterized Whitman as America's poet. This effort to resituate Whitman's place in American literary history provides an innovative perspective on the most familiar poet of the United States and the culture from which he emerged. Walt Whitman has long been regarded as the quintessential American bard, the poet who best represents all that is distinctive about life in the United States. Whitman himself encouraged this view, but he was also quick to remind his readers that he was an unlikely candidate for the office of national poet, and that his working-class upbringing and radical take on human sexuality often put him at odds with American culture. While American literary history has tended to credit Whitman with having invented the persona of the national outsider as the national bard, Edward Whitley recovers three of Whitman's contemporaries who adopted similar personae: James M. Whitfield, an African American separatist and abolitionist; Eliza R. Snow, a Mormon pioneer and women's leader; and John Rollin Ridge, a Cherokee journalist and Native-rights advocate. These three poets not only provide a counterpoint to the Whitmanian persona of the outsider bard, but they also reframe the criteria by which generations of scholars have characterized Whitman as America's poet. This effort to resituate Whitman's place in American literary history provides an innovative perspective on the most familiar poet of the United States and the culture from which he emerged.
American Bloomsbury
by Susan CheeverEven the most devoted readers of nineteenth-century American literature often assume that the men and women behind the masterpieces were as dull and staid as the era's static daguerreotypes. Susan Cheever's latest work, however, brings new life to the well-known literary personages who produced such cherished works as The Scarlet Letter, Moby-Dick, Walden, and Little Women. Rendering in full color the tumultuous, often scandalous lives of these volatile and vulnerable geniuses, Cheever's dynamic narrative reminds us that, while these literary heroes now seem secure of their spots in the canon, they were once considered avant-garde, bohemian types, at odds with the establishment. These remarkable men and women were so improbably concentrated in placid Concord, Massachusetts, that Henry James referred to the town as the "biggest little place in America." Among the host of luminaries who floated in and out of Concord's "American Bloomsbury" as satellites of the venerable intellect and prodigious fortune of Ralph Waldo Emerson were Henry David Thoreau -- perpetual second to his mentor in both love and career; Louisa May Alcott -- dreamy girl and ambitious spinster; Nathaniel Hawthorne -- dilettante and cad; and Margaret Fuller -- glamorous editor and foreign correspondent. Perhaps inevitably, given the smallness of the place and the idiosyncrasies of its residents, the members of the prestigious circle became both intellectually and romantically entangled: Thoreau serenaded an infatuated Louisa on his flute. Vying with Hawthorne for Fuller's attention, Emerson wrote the fiery feminist love letters while she resided (yards away from his wife) in his guest room. Herman Melville was, according to some, ultimately driven mad by his consuming and unrequited affection for Hawthorne. Far from typically Victorian, this group of intellectuals, like their British Bloomsbury counterparts to whom the title refers, not only questioned established literary forms, but also resisted old moral and social strictures. Thoreau, of course, famously retreated to a plot of land on Walden Pond to escape capitalism, pick berries, and ponder nature. More shocking was the group's ambivalence toward the institution of marriage. Inclined to bend the rules of its bonds, many of its members spent time at the notorious commune, Brook Farm, and because liberal theories could not entirely guarantee against jealousy, the tension of real or imagined infidelities was always near the surface. Susan Cheever reacquaints us with the sexy, subversive side of Concord's nineteenth-century intellectuals, restoring in three dimensions the literary personalities whose work is at the heart of our national history and cultural identity.
American Borders: Inclusion and Exclusion in US Culture (American Literature Readings in the 21st Century)
by Paula Barba Guerrero Mónica Fernández JiménezAmerican Borders: Inclusion and Exclusion in US Culture provides an overview of American culture produced in a range of contexts, from the founding of the nation to the age of globalization and neoliberalism, in order to understand the diverse literary landscapes of the United States from a twenty-first century perspective. The authors confront American exceptionalism, discourses on freedom and democracy, and US foundational narratives by reassessing the literary canon and exploring ethnic literature, culture, and film with a focus on identity and exclusion. Their contributions envision different manifestations of conviviality and estrangement and deconstruct neoliberal slogans, analyzing hospitable inclusion in relation to national history and ideologies. By looking at representations of foreignness and conditional belonging in literature and film from different ethnic traditions, the volume fleshes out a new border dialectic that conveys the heterogeneity of American boundaries beyond the opposition inside/outside.