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American Vandal
by Roy MorrisUnintimidated by Old World sophistication or travel to undeveloped parts of the globe, Mark Twain spent a surprising amount of time outside the continental United States. Roy Morris, Jr. focuses on the dozen years he lived overseas and the books he wrote encouraging middle-class Americans to follow him around the world, at the dawn of mass tourism.
American Visions: The United States, 1800-1860
by Edward L. Ayers“An inspiring book.… American Visions beautifully shows how remarkably resilient dreams of a better republic remained even in the darkest of times.” —Christoph Irmscher, Wall Street Journal A revealing history of the formative period when voices of dissent and innovation defied power and created visions of America still resonant today. With so many of our histories falling into dour critique or blatant celebration, here is a welcome departure: a book that offers hope as well as honesty about the American past. The early decades of the nineteenth century saw the expansion of slavery, Native dispossession, and wars with Canada and Mexico. Mass immigration and powerful religious movements sent tremors through American society. But even as the powerful defended the status quo, others defied it: voices from the margins moved the center; eccentric visions altered the accepted wisdom, and acts of empathy questioned self-interest. Edward L. Ayers’s rich history examines the visions that moved Frederick Douglass, Margaret Fuller, the Native American activist William Apess, and others to challenge entrenched practices and beliefs. So, Lydia Maria Child condemned the racism of her fellow northerners at great personal cost. Melville and Thoreau, Joseph Smith and Samuel Morse all charted new paths for America in the realms of art, nature, belief, and technology. It was Henry David Thoreau who, speaking of John Brown, challenged a hostile crowd "Is it not possible that an individual may be right and a government wrong?" Through decades of award-winning scholarship on the Civil War, Edward L. Ayers has himself ventured beyond the interpretative status quo to recover the range of possibilities embedded in the past as it was lived. Here he turns that distinctive historical sensibility to a period when bold visionaries and critics built vigorous traditions of dissent and innovation into the foundation of the nation. Those traditions remain alive for us today.
American Voices: Culture and Community (Sixth Edition)
by Dolores Laguardia Hans P. GuthAmerican Voices: Culture and Community, Sixth Edition, is an 800 page Freshman English reader compiled and written by Dolores LaGuardia and Hans P. Guth. The authors' description of this edition reads as follows: This thematic reader addresses the diversity of American culture by featuring over 100 provocative readings and images from a broad range of authorial voices. American Voices: Culture and Community helps students read critically and develop their own voices with helpful apparatus for each reading and engaging forums and writing workshops at the end of each chapter. NEW TO THIS EDITION Over 40 New Readings. These new readings from a diverse group of authors are on such contemporary. high-interest topics as growing up between cultures. high-stakes testing for students. gay marriage, outsourcing. and terrorism. New Visual Literacy Thread. The first chapter introduces students to concepts of visual literacy and provides guides for different ways to think about visuals. Following this first chapter. each chapter begins with a visual literacy exercise. Expanded Writing Workshops. These self-contained units at the end of each chapter now feature more student writing with supportive comments. More Context for Readings. New expanded headnotes give students more contextual information for each reading, so students can think critically about purpose and audience. New "Other Voices" boxes. Throughout the book. new "Other Voices" give context and alternate views to the selections in t ie~rnfrofogy T+~es e _ s appear at the end of select readings. Now powered by eatalylst 2.0
American Voices: Literature
by Perfection LearningProvide your students a diverse set of texts, both classic and contemporary to probe relevant themes, develop literary analysis skills, and generate lively discussions. <p><p> The American Voices anthology supports common eleventh grade literature requirements and engages students using a literary lens for every selection. The Interactive Edition provides power digital tools to ensure text comprehension, build close reading skills, and increase collaboration.
American War Stories (War Culture)
by Brenda M. BoyleAmerican War Stories asks readers to contemplate what traditionally constitutes a “war story” and how that constitution obscures the normalization of militarism in American culture. The book claims the traditionally narrow scope of “war story,” as by a combatant about his wartime experience, compartmentalizes war, casting armed violence as distinct from everyday American life. Broadening “war story” beyond the specific genres of war narratives such as “war films,” “war fiction,” or “war memoirs,” American War Stories exposes how ingrained militarism is in everyday American life, a condition that challenges the very democratic principles the United States is touted as exemplifying.
The American West (Great Minds Wit & Wisdom #Grade 2 Module 2:)
by Ann Brigham Lauren Chapalee Lorraine GriffithNIMAC-sourced textbook
The American West: Assessment Pack (Great Minds Wit & Wisdom #Grade 2 Module 2)
by Great MindsNIMAC-sourced textbook
American Women Activists and Autobiography: Rhetorical Lives (Routledge Studies in Rhetoric and Communication)
by Heather OstmanAmerican Women Activists and Autobiography examines the feminist rhetorics that emerge in six very different activists’ autobiographies, as they simultaneously tell the stories of unconventional women’s lives and manifest the authors’ arguments for social and political change, as well as provide blueprints for creating tectonic shifts in American society. Exploring self-narratives by six diverse women at the forefront of radical social change since 1900—Jane Addams, Emma Goldman, Dorothy Day, Angela Davis, Mary Crow Dog, and Betty Friedan—the author offers a breadth of perspectives to current dialogues on motherhood, essentialism, race, class, and feminism, and highlights the shifts in situated feminist rhetorics through the course of the last one hundred years. This book is a timely instructional resource for all scholars and graduate students in rhetorical studies, composition, American literature, women's studies, feminist rhetorics, and social justice.
American Women Poets in the 21st Century: Where Lyric Meets Language
by Claudia Rankine Juliana SpahrA thought-provoking mix of poetry, creative manifesto and criticism.
American Women Short Story Writers: A Collection of Critical Essays (Wellesley Studies in Critical Theory, Literary History and Culture #Vol. 1737)
by Julie BrownThis collection of original and classic essays examines the contributions that female authors have made to the short story. The introductory chapter discusses why genre critics have ignored works by women and why feminist scholars have ignored the short story genre. Subsequent chapters discuss early stories by such authors as Lydia Maria Child and Rose Terry Cooke. Others are devoted to the influences (race, class, sexual orientation, education) that have shaped women's short fiction through the years. Women's special stylistic, formal and thematic concerns are also discussed in this study. The final essay addresses the ways our contemporary creative-writing classes are stifling the voices of emerging young female authors. The collection includes an extensive five-part bibliography.
American Women's Fiction, 1790-1870: A Reference Guide (Routledge Library Editions: Women, Feminism and Literature)
by Barbara A. WhiteAn annotated bibliography on women who wrote fiction in the US during the period 1790-1870. The first part is an annotated list of sources that discuss women's fiction in the period and women authors born before 1840 who published before 1870. The second part is an alphabetical list of the approximately 325 19th century writers who meet those criteria. There are indexes by pseudonym, editor, and subject. The sources provide information not only about the individual authors but also about the history of criticism and literary politics, especially women's place in the American literary canon.
American Women’s Ghost Stories in the Gilded Age
by Dara DowneyThis book shows just how closely late nineteenth-century American women's ghost stories engaged with objects such as photographs, mourning paraphernalia, wallpaper and humble domestic furniture. Featuring uncanny tales from the big city to the small town and the empty prairie, it offers a new perspective on an old genre.
American Women's Regionalist Fiction: Mapping the Gothic (Palgrave Gothic)
by Monika Elbert Rita BodeAmerican Women’s Regionalist Fiction: Mapping the Gothic seeks to redress the monolithic vision of American Gothic by analyzing the various sectional or regional attempts to Gothicize what is most claustrophobic or peculiar about local history. Since women writers were often relegated to inferior status, it is especially compelling to look at women from the Gothic perspective. The regionalist Gothic develops along the line of difference and not unity—thus emphasizing regional peculiarities or a sense of superiority in terms of regional history, natural landscapes, immigrant customs, folk tales, or idiosyncratic ways. The essays study the uncanny or the haunting quality of “the commonplace,” as Hawthorne would have it in his introduction to The House of the Seven Gables, in regionalist Gothic fiction by a wide range of women writers between ca. 1850 and 1930. This collection seeks to examine how/if the regionalist perspective is small, limited, and stultifying and leads to Gothic moments, or whether the intersection between local and national leads to a clash that is jarring and Gothic in nature.
American World Literature: An Introduction (Textxet: Studies In Comparative Literature Ser. #47)
by Paul GilesA scholarly review of American world literature from early times to the postmodernist era American World Literature: An Introduction explores how the subject of American Literature has evolved from a national into a global phenomenon. As the author, Paul Giles – a noted expert on the topic – explains, today American Literature is understood as engaging with the wider world rather than merely with local or national circumstances. The book offers an examination of these changing conceptions of representation in both a critical and an historical context. The author examines how the perception of American culture has changed significantly over time and how this has been an object of widespread social and political debate. From examples of early American literature to postmodernism, the book charts ways in which the academic subject areas of American Literature and World Literature have converged – and diverged – over the past generations. Written for students of American literature at both undergraduate and postgraduate levels and in all areas of historical specialization, American World Literature offers an authoritative guide to global phenomena of American World literature and how this subject has undergone crucial changes in perception over the past thirty years.
American Writers and the Approach of World War II, 1935-1941
by Ichiro TakayoshiIchiro Takayoshi's book argues that World War II transformed American literary culture. From the mid-1930s to the American entry into World War II in 1941, preeminent figures from Ernest Hemingway to Reinhold Neibuhr responded to the turn of the public's interest from the economic depression at home to the menace of totalitarian systems abroad by producing novels, short stories, plays, poems, and cultural criticism in which they prophesied the coming of a second world war and explored how America could prepare for it. The variety of competing answers offered a rich legacy of idioms, symbols, and standard arguments that was destined to license America's promotion of its values and interests around the world for the rest of the twentieth century. Ambitious in scope and addressing an enormous range of writers, thinkers, and artists, this book is the first to establish the outlines of American culture during this pivotal period.
American Writers and the Picturesque Tour: The Search for National Identity, 1790-1860 (Garland Studies in 19th Century American Literature #Vol. 7)
by Beth L. LueckExplores a beloved genreEven before the age of the Romantics, travel literature was a favorite genre of English and American writers and readers. After the War of 1812, Americans' passion for scenic beauty inspired them to take the picturesque tour of America as well as going to Europe for the requisite Grand Tour. The written American version of the popular British tour in various guidebooks helped shape the literature of the new nation as nearly every major writer of the first half of the 19th century contributed to it from Poe, who provided several comic pieces, and Irving to Thoreau, for whom the tour symbolized moral and spiritual growth, and Margaret Fuller.Offers new perspectivesAmerican writers adapted the picturesque to express their nationalistic sentiments; picturesque discourse offered a flexible series of conventions that enable writers to celebrate the places, people, and legends that set America apart. This volume demonstrates the vital role of this genre in the formation of national literary taste and national culture and offers fresh and exciting perspectives on the topic. Includes index. Also includes maps.
Américanas, Autocracy, and Autobiographical Innovation: Overwriting the Dictator (Routledge Auto/Biography Studies)
by Lisa Ortiz-VilarelleOverwriting the Dictator is literary study of life writing and dictatorship in Americas. Its focus is women who have attempted to rewrite, or overwrite, discourses of womanhood and nationalism in the dictatorships of their nations of origin. The project covers five 20th century autocratic governments: the totalitarianism of Rafael Trujillo’s regime in the Dominican Republic, the dynasty of the Somoza family in Nicaragua, the charismatic, yet polemical impact of Juan and Eva Perón on the proletariat of Argentina, the controversial rule of Fidel Castro following Cuba’s 1959 revolution, and Augusto Pinochet’s coup d'état that transformed Chile into a police state. Each chapter traces emerging patterns of experimentation with autobiographical form and determines how specific autocratic methods of control suppress certain methods of self-representation and enable others. The book foregrounds ways in which women’s self-representation produces a counter-narrative that critiques and undermines dictatorial power with the depiction of women as self-aware, resisting subjects engaged in repositioning their gendered narratives of national identity.
The Americanization of the British Press, 1830s–1914
by Joel H. WienerThe first book to compare and contrast the rise of mass circulation press in Britain and America. It provides insights into the origins of tabloid journalism and explores a range of cross-cultural and literary issues, tracing the history of key newspapers and the careers of influential journalists such as Bennett, Russell, Harmsworth and Pulitzer.
Americanon: An Unexpected U.S. History in Thirteen Bestselling Books
by Jess McHugh&“An elegant, meticulously-researched and eminently readable history of the books that define us as Americans. For history buffs and book-lovers alike, McHugh offers us a precious gift.&”—Jake Halpern, Pulitzer Prize Winner and New York Times Bestselling author &“With her usual eye for detail and knack for smart storytelling, Jess McHugh takes a savvy and sensitive look at the 'secret origins' of the books that made and defined us…. You won't want to miss a one moment of it.&”—Brian Jay Jones, author of Becoming Dr. Seuss and the New York Times Bestselling Jim HensonThe true, fascinating, and remarkable history of thirteen books that defined a nation. Surprising and delightfully engrossing, Americanon explores the true history of thirteen of the nation&’s most popular books. Overlooked for centuries, our simple dictionaries, spellers, almanacs, and how-to manuals are the unexamined touchstones for American cultures and customs. These books sold tens of millions of copies and set out specific archetypes for the ideal American, from the self-made entrepreneur to the humble farmer. Benjamin Franklin&’s Autobiography, How to Win Friends and Influence People, Webster's Dictionary, Emily Post&’s Etiquette: Americanon looks at how these ubiquitous books have updated and reemphasized potent American ideals—about meritocracy, patriotism, or individualism—at crucial moments in history. Old favorites like the Old Farmer&’s Almanac and Betty Crocker&’s Picture Cook Book are seen in this new way—not just as popular books but as foundational texts that shaped our understanding of the American story. Taken together, these books help us understand how their authors, most of them part of a powerful minority, attempted to construct meaning for the majority. Their beliefs and quirks—as well as personal interests, prejudices, and often strange personalities—informed the values and habits of millions of Americans, woven into our cultural DNA over generations of reading and dog-earing. Yet their influence remains uninvestigated. Until now. What better way to understand a people than to look at the books they consumed most, the ones they returned to repeatedly, with questions about everything from spelling to social mobility to sex? This fresh and engaging book is American history as you&’ve never encountered it before.
Americans in British Literature, 1770–1832: A Breed Apart
by Christopher FlynnAmerican independence was inevitable by 1780, but British writers spent the several decades following the American Revolution transforming their former colonists into something other than estranged British subjects. Christopher Flynn's engaging and timely book systematically examines for the first time the ways in which British writers depicted America and Americans in the decades immediately following the revolutionary war. Flynn documents the evolution of what he regards as an essentially anthropological, if also in some ways familial, interest in the former colonies and their citizens on the part of British writers. Whether Americans are idealized as the embodiments of sincerity and virtue or anathematized as intolerable and ungrateful louts, Flynn argues that the intervals between the acts of observing and writing, and between writing and reading, have the effect of distancing Britain and America temporally as well as geographically. Flynn examines a range of canonical and noncanonical works-sentimental novels of the 1780s and 1790s, prose and poetry by Wollstonecraft, Blake, Coleridge, and Wordsworth; and novels and travel accounts by Smollett, Lennox, Frances Trollope, and Basil Hall. Together, they offer a complex and revealing portrait of Americans as a breed apart, which still resonates today.
Americans on Fiction, 1776-1900 Volume 1
by Peter RawlingsA collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.
Americans on Fiction, 1776-1900 Volume 2
by Peter RawlingsA collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.
Americans on Fiction, 1776-1900 Volume 3
by Peter RawlingsA collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.
Americans on Shakespeare, 1776-1914 (Routledge Revivals)
by Peter RawlingsPublished in 1999. Shakespeare is ‘the great author of America’ declared James Fenimore Cooper in 1828. The ambiguous resonance of this claim is fully borne out in this collection of writings on Shakespeare by over forty prominent Americans, spanning the period between the War of independence and the outbreak of the First World War. Featured writers include: Ralph Waldo Emerson, Edgar Allen Poe, Herman Melville, Nathaniel Hawthorne, Abraham Lincoln, Walt Whitman and Mark Twain. The essays, many of which are reprinted here for the first time, are arranged in chronological order and provide a fascinating conspectus of American attitudes to Shakespeare, from Revolutionary and Transcendentalist approaches through to the influential interventions of professional American critics in the early twentieth century. The extraordinary and bizarre contribution to the Shakespeare debut by Delia Bacon is exemplified by the inclusion of her 1856 article which is reprinted in its entirety. Americans on Shakespeare charts the emergence of an American literary tradition, and the gradual appropriation of Shakespeare as part of the American search for cultural identity; an identity whose domination is set to continue into the twenty-first century.