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Greek Lyrics: More than a Hundred Poems and Poetic Fragments from the Great Age of Greek Lyric Poetry
by Richmond LattimoreA collection of more than one hundred poems and poetic fragments from the golden age of Greek Lyric poetry. In this second edition of Greek Lyrics, translator and editor Richmond Lattimore brings together a vast assortment of seventh-and sixth-century Greek lyric, elegiac, and iambic poetry. For the Greekless student or curious scholar, these translations showcase the diversity of poetic subjects in classical antiquity, which range from love poems to medical inscriptions and drinking songs. Gracefully and robustly translated by a number of top-tier translators, this volume includes poets such as Archílochus, Callínus, Semónides of Amórgos, Hippónax, Tyrtaéus, Mimnérmus, Solon, Phocýlides, Xenóphanes, Theógnis, Terpánder, Alcman, Stesíchorus, íbycus, Sappho, Alcaéus, Anácreon, Hýbrias, Praxílla, Corínna, Simónides of Ceos, Pindar, and Bacchýlides.
Greek Medical Literature and its Readers: From Hippocrates to Islam and Byzantium (Publications of the Centre for Hellenic Studies, King's College London #20)
by Petros Bouras-Vallianatos Sophia XenophontosThis volume focuses on the relationship between Greek medical texts and their audience(s), offering insights into how not only the backgrounds and skills of medical authors but also the contemporary environment affected issues of readership, methodology and mode of exposition. One of the volume’s overarching aims is to add to our understanding of the role of the reader in the contextualisation of Greek medical literature in the light of interesting case-studies from various – often radically different – periods and cultures, including the Classical (such as the Hippocratic corpus) and Roman Imperial period (for instance Galen), and the Islamic and Byzantine world. Promoting, as it does, more in-depth research into the intricacies of Greek medical writings and their diverse revival and transformation from the fifth century BC down to the fourteenth century AD, this volume will be of interest to classicists, medical historians and anyone concerned with the reception of the Greek medical tradition. Chapters 3, 6, and 9 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Greek Myth Plays
by Carol Pugliano-MartinHelp students build fluency and gain confidence as readers with the timeless tales of King Midas, Daedalus and Icarus, Echo and Narcissus, and more. This collection of short scripts features parts that are written to accommodate readers at different proficiency levels so everyone can participate. GRADES 3 5 Sold as a Single Unit Collection of short theater scripts based on favorite Greek myths. Students can read and re-read to develop understanding and fluency. Timeless tales written to accommodate readers at different levels. Includes tips for putting on the plays and related activities
Greek Mythology Explained: A Deeper Look at Classical Greek Lore and Myth
by Marios Christou David RamenahA unique retelling of Greek mythological tales featuring love, betrayal, murder and ruthless ambitions—for fans of George R. R. Martin’s Game of Thrones.Discover six classic Greek myths in this exciting retelling that paints both famous and lesser-known characters in a whole new light. Follow the likes of Odysseus, Lamia, Bellerophon, Icarus, Medusa and Artemis as their fates are revealed through bloody trials, gut-wrenching betrayals, sinister motives and broken hearts. With an accessible writing style that delves into the thoughts, feelings, desires, and motivations of every character, these mythical figures and their compelling stories will resonate with readers as they are guided through perilous and tragic adventures.Greek Mythology Explained provides an in-depth analysis of each story told as it unravels the greater themes and valuable lessons hidden within each chapter. Inside these pages, you’ll . . .Sail with Odysseus as he navigates through the straits of Messina with a terrifying monster on each side, intent only on killing him and his crew.Witness Lamia’s world turned upside down as she loses her kingdom, her children and her humanity.Journey with Bellerophon as he battles the Chimera and becomes the hero that he was destined to be.Take flight with Icarus and Daedalus as they escape their confinement and the Cretan navy.Follow Medusa as she loses faith in the gods and becomes the monster she so adamantly wished to protect her people from.Experience the love between Artemis and Orion, as well as the bitter jealousy it spawns at the core of her brother Apollo.
Greek Mythology: A Traveler's Guide
by David StuttardA hands-on traveler's guide to the enthralling tales of Greek mythology, organized around the cities and landscapes where the events are set The Greek myths have a universal appeal, beyond the time and physical place in which they were created. But many are firmly rooted in specific landscapes: the city of Thebes and mountain range Cithaeron dominate the tale of Oedipus; the city of Mycenae broods over the fates of Agamemnon and Electra; while Knossos boasts the scene of Theseus' slaying of the Minotaur. Drawing on a wide range of classical sources, newly translated by the author, and illustrated with specially commissioned drawings, this book is both a useful read for those visiting the sites and a fascinating imaginative journey for the armchair traveler. The itinerary includes twenty-two locations, from Mount Olympus to Homer's Hades, recounting the myths and history associated with each site and highlighting features that visitors can still see today. Scholarly text, supported by quotes from primary sources and contemporary research, as well as the enticing stories of gods and goddesses, heroes and villains, enrich the reader's literal or simply literary experience of these sites, whose significance still resonates today.
Greek Mythology: From Aphrodite to Zeus, a Profile of Who's Who in Greek Mythology (World Mythology and Folklore)
by Liv AlbertFinally sort out who&’s who in Greek mythology—from gods, goddesses, heroes, monsters, and everyone in between!Greek mythology continues to appear in popular movies and books today but have you ever wondered about where these characters started out? Discover the origins of your favorite characters from Greek mythology with this collection of profiles to tell you who&’s who in classical lore! In Greek Mythology, you will discover the backstories of the heroes, villains, gods, and goddesses that enjoy popularity in today&’s shows and films. With comprehensive entries that outline each character&’s name, roles, related symbols, and foundational myths, you can get to know the roots of these personas and better understand the stories they inspire today. With this character-focused, handy reference, you will never be confused about Ancient Greece!
Greek Mythology: Gods and Heroes Brought to Life
by Robert GarlandThe timeless stories of Greek mythology come to life in these reimagined tales written in the voices of Zeus, Oedipus, Odysseus, and many others.Though the gods are featured prominently in Greek mythology, there is nothing sacred about it. Anyone is free to bring their own interpretation to these stories, just as Homer, Sophocles, and Euripides did centuries ago. In this volume, classicist and author Robert Garland presents nearly forty Greek legends as told by the characters themselves. Telling their stories from their own perspectives, the famous characters of Greek mythology—both gods and mortals—are given a chance to reflect on their lives and defend actions. Each story is accompanied by historical commentary, making Greek Mythology: Gods and Heroes Brought to Life an engaging and accessible way to enjoy these timeless tales.
Greek Mythology: Gods and Heroes Brought to Life
by Robert GarlandThe timeless stories of Greek mythology come to life in these reimagined tales written in the voices of Zeus, Oedipus, Odysseus, and many others.Though the gods are featured prominently in Greek mythology, there is nothing sacred about it. Anyone is free to bring their own interpretation to these stories, just as Homer, Sophocles, and Euripides did centuries ago. In this volume, classicist and author Robert Garland presents nearly forty Greek legends as told by the characters themselves. Telling their stories from their own perspectives, the famous characters of Greek mythology—both gods and mortals—are given a chance to reflect on their lives and defend actions. Each story is accompanied by historical commentary, making Greek Mythology: Gods and Heroes Brought to Life an engaging and accessible way to enjoy these timeless tales.
Greek Popular Morality in the Time of Plato and Aristotle
by K. J. DoverA book useful in understanding events of the time, such as the death of Socrates.
Greek Theatre Performance
by David WilesIn this book, David Wiles introduces ancient Greek theater to students and enthusiasts interested in knowing how the plays were performed. Theater was a ceremony bound up with fundamental activities in ancient Athenian life and Wiles explores those elements that created the theater of the time. Actors rather than writers are the book's main concern and Wiles examines how the actor used the resources of story-telling, dance, mask, song and visual action to create a large-scale event that would shape the life of the citizen community.
Greek Tragedies II: Tbe Libation Bearers • Electra • Iphigenia in Tauris, Electra, The Trojan Women
by Sophocles Aeschylus EuripidesGreek Tragedies, Volume II contains Aeschylus’s “The Libation Bearers,” translated by Richmond Lattimore; Sophocles’s “Electra,” translated by David Grene; Euripides’s “Iphigenia among the Taurians,” translated by Anne Carson; Euripides’s “Electra,” translated by Emily Townsend Vermeule; and Euripides’s “The Trojan Women,” translated by Richmond Lattimore. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
Greek Tragedies III: Aeschylus: The Eumenides; Sophocles: Philoctetes, Oedipus at Colonus; Euripides: The Bacchae, Alcestis (The Complete Greek Tragedies)
by Sophocles Aeschylus EuripidesThis anthology collects some of the most important plays by Ancient Greek tragedians, in updated translations with new introductions.Greek Tragedies, Volume III presents some of the finest and most fundamental works of Western dramatic literature. It draws together plays of Aeschylus, Sophocles, and Euripides from Chicago’s acclaimed nine-volume series, Complete Greek Tragedies. This third edition updates the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which they are famous. New introductions for each play provide essential information about the production histories and the stories themselves.This volume contains Aeschylus’s “The Eumenides,” translated by Richmond Lattimore; Sophocles’s “Philoctetes,” translated by David Grene; Sophocles’s “Oedipus at Colonus,” translated by Robert Fitzgerald; Euripides’s “The Bacchae,” translated by William Arrowsmith; and Euripides’s “Alecestis,” translated by Richmond Lattimore.
Greek Tragedy (Routledge Classics Ser.)
by H. D. KittoThis classic work not only records developments in the form and style of Greek drama, it also analyses the reasons for these changes. It provides illuminating answers to questions that have confronted generations of students, such as:* why did Aeschylus introduce the second actor?* why did Sophocles develop character drawing?* why are some of Euripides' plots so bad and others so good?Greek Tragedy is neither a history nor a handbook, but a penetrating work of criticism which all students of literature will find suggestive and stimulating.
Greek Tragedy (Routledge Revivals)
by Gilbert NorwoodGreek Tragedy (1928) is an attempt to cover the whole field of Greek tragedy. It provides facts and importantly provides a scholarly review of Greek tragedy in the English language. It gives prominence to dramatic structure and the scansion of the lyrics. It follows the working of each playwright’s mind, to realise what he meant his work to ‘feel like’.
Greek Tragedy and the Contemporary Actor
by Zachary Dunbar Stephe HarropThis book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski’s (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.
Greek Tragedy and the Emotions: An Introductory Study (Routledge Revivals)
by W. B. StanfordAccording to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies of the precise dynamics of emotion in the Athenian theatre. In Greek Tragedy and the Emotions, first published in 1993, W.B. Stanford reviews the evidence for ‘emotionalism’ – as the great Attic playwrights presented it, as the actors and choruses expressed it, and as their audiences reacted to it. Sociological aspects of the issue are considered, and the whole range of emotions, not just ‘pity and fear’, is discussed. The aural, visual and stylistic methods of inciting emotion are analysed, and Aeschylus’ Oresteia is examined exclusively in terms of the emotions that it exploits. Finally, Stanford’s conclusions are contrasted with the accepted theories of tragic ‘catharsis’. Greek terms are transliterated and all quotations are in translation, so Greek Tragedy and the Emotions will appeal particularly to those unfamiliar with Classical Greek.
Greek Tragedy and the Modern World (Routledge Revivals)
by Leo AylenFirst published in 1964, Greek Tragedy and the Modern World begins with the question what is Tragedy? Most discussion assumes some essence of Tragedy in certain plays at certain periods, and discussion today centres on whether it is possible, or desirable, for contemporary plays to attend to this essence. There is considerable agreement about what this essence of Tragedy is. But when we examine closely the works of Aeschylus, Sophocles and Euripides we find that none of the important aspects of this essence of Tragedy applied to them. Greek tragedies are not Tragedy. Yet if we read or perform them, we do discover a special attitude to life which they present.By examining each of the works of the three Greek masters in turn the author has tried to define what this attitude to life consists of. He then turns his attention to dramatists who have attempted with varying degrees of success, to present aspects of this attitude in contemporary terms: Buchner, Ibsen, Strindberg, Miller, Cocteau, Gide, Giraudoux, Anouilh, Sartre, Ghéon and Eliot. He pays particular attention to such key concepts as ‘myth’ and discusses the various forms of poetic language used by these writers. The author assumes that one cannot criticise literature, still less drama, except in terms of a complete view of life and goes on to examine the claims of different philosophical systems and methods to provide this. He believes that such a view is both possible and desirable in our time and indeed a necessary prerequisite for the emergence of modern tragedy. This is a must read for scholars and researchers of Greek literature, theatre studies and literature in general.
Greek Tragedy in Action
by Oliver TaplinOliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances.Professor Taplin explores nine plays, including Aeschylus' agamemnon and Sophocles' Oedipus the King. The details of theatrical techniques and stage directions, used by playwrights to highlight key moments, are drawn out and related to the meaning of each play as a whole. With extensive translated quotations, the essential unity of action and speech in Greek tragedy is demonstrated.Now firmly established as a classic text, Greek Tragedy in Action is even more relevant today, when performances of Greek tragedies and plays inspired by them have had such an extraordinary revival around the world.
Greek Tragedy in Vergil's "Aeneid"
by Vassiliki PanoussiThis is the first systematic study of the importance of Greek tragedy as a fundamental 'intertext' for Vergil's Aeneid. Vassiliki Panoussi argues that the epic's representation of ritual acts, especially sacrifice, mourning, marriage, and maenadic rites, mobilises a connection to tragedy. The tragic-ritual model offers a fresh look into the political and cultural function of the Aeneid, expanding our awareness of the poem's scope, particularly in relation to gender, and presenting new readings of celebrated episodes, such as Anchises' games, Amata's maenadic rites, Dido's suicide, and the killing of Turnus. She interprets the Aeneid as a work that reflects the dynamic nature of Augustan ideology, contributing to the redefinition of civic discourse and national identity. In her rich study, readers will find a unique exploration of the complex relationship between Greek tragedy and Vergil's Aeneid and a stimulating discussion of problems of gender, power, and ideology in ancient Rome.
Greek Tragedy into Film (Routledge Library Editions: Film and Literature)
by Kenneth MacKinnonIf Greek tragedy is sometimes regarded as a form long dead and buried, both theatre producers and film directors seem slow to accept its interment. Originally published in 1986, this book reflects the renewed interest in questions of staging the Greek plays, to give a comprehensive account and critical analysis of all the important versions of Greek tragedy made on film. From the 1927 footage of the re-enactment of Aeschylus’ Prometheus in Chains at the Delphi Festival organised by Angelos Sikelianos to Pasolini’s Notes for an African Oresteia, the study encompasses the version of Oedipus by Tyrone Guthrie, Tzavellas’s Antigone (with Irene Papas), Michael Cacoyannis’s series which included Electra, The Trojan Women, and Iphigeneia, Pasolini’s Oedipus and Medea (with Maria Callas), Miklos Jancso’s Elektreia, Dassim’s Phaedra and others. Many interesting questions are raised by the transference of a highly stylised form such as Greek tragedy to what is often claimed to be the ‘realistic’ medium of film. What becomes clear is that the heroic myths retain with ease the power to move the audiences in very different milieux through often strikingly different means. The book may be read as an adjunct to viewing of the films, but enough synopsis is given to make its arguments accessible to those familiar only with the classical texts, or with neither version.
Greek Tragic Style
by R. B. RutherfordGreek tragedy is widely read and performed, but outside the commentary tradition detailed study of the poetic style and language of Aeschylus, Sophocles and Euripides has been relatively neglected. This book seeks to fill that gap by providing an account of the poetics of the tragic genre. The author describes the varied handling of spoken dialogue and of lyric song; major topics such as vocabulary, rhetoric and imagery are considered in detail and illustrated from a broad range of plays. The contribution of the chorus to the dramas is also discussed. Characterisation, irony and generalising statements are treated in separate chapters and these topics are illuminated by comparisons which show not only what is shared by the three major dramatists but also what distinguishes their practice. The book sheds light both on the genre as a whole and on many particular passages.
Greek and Latin Letters in Late Antiquity: The Christianisation of a Literary Form
by Bronwen Neil Pauline AllenThis is the first general book on Greek and Latin letter-writing in Late Antiquity (400300–600 CE). Allen and Neil examine early Christian Greek and Latin literary letters, their nature and function and the mechanics of their production and dissemination. They examine the exchange of Episcopal, monastic and imperial letters between men, and the gifts that accompanied them, and the rarer phenomenon of letter exchanges with imperial and aristocratic women. They also look at the transmission of letter-collections and what they can tell us about friendships and other social networks between the powerful elites who were the literary letter-writers of the fourth to sixth centuries. The volume gives a broad context to late-antique literary letter-writing in Greek and Latin in its various manifestations: political, ecclesiastical, practical and social. In the process, the differences between 'pagan' and Christian letter-writing are shown to be not as great as has previously been supposed.
Greek and Latin Roots of Medical and Scientific Terminologies
by Todd A. CurtisNew edition of an established, well-regarded, and evidence-based resource on the subject of renal nursing Greek and Latin Roots of Medical and Scientific Terminologies explains the Greek and Latin origins of the roots, prefixes, and suffixes of terms used in “med-speak,” the specialized language of medicine, science, and healthcare. By presenting medical terms in their historical context, this innovative textbook discusses relevant aspects of ancient Greek and Roman medical theories and practices while teaching students to apply principles of word analysis, synthesis, and pronunciation. Clear and accessible chapters—organized around the modern categories of body systems—contain thorough explanations of ancient medico-scientific culture, etymological notes, images, tables of vocabulary, and a range of exercises designed to increase student comprehension and retention. Divided into two units, the text first introduces the historical background of ancient Greek medicine and describes the principles of analyzing, constructing, pronouncing, and spelling medical terms. It then discusses Latin and Greek grammar and modern nomenclature in medicine, natural sciences, chemistry, and pharmacy. The second unit teaches the Greek and Latin prefixes, suffixes, roots, eponyms, and loan words relevant to the systems of the body: integumentary, musculoskeletal, circulatory, respiratory, nervous, endocrine, digestive, urinary and reproductive systems. Allowing instructors to teach medical terminology as a true classical civilizations course, this unique volume: Features the history of ancient Greek medicine and explains the ancient Greek and Latin origins of medical terms and how they came to have their current meaning Covers the loan words, eponyms, and the components of basic medico-scientific terms, providing topical tables of commonly used prefixes, suffixes, and roots Includes a list of common abbreviations and symbols used in medico-scientific writing Teaches abbreviated Latin grammatical paradigms necessary for anatomical taxonomy Uses a programmed learning approach that features numerous activities and exercises, including analyzing and constructing terms, interpreting passages from medical notes and scientific journals, and identification and spelling questions Linking medical terms to the history, literature, and mythology of ancient culture, Greek and Latin Roots of Medical and Scientific Terminologies is an ideal introductory textbook for college-level medical terminology courses, particularly those taught by Classicists.
Greek and Latin Roots: Teaching Vocabulary to Improve Reading Comprehension
by Trisha CallellaMany students are good "decoders"--they know how to read a word by sounding out its parts. But often their comprehension of the word's meaning isn't as strong. All of the research in the area of comprehension agrees that a strong vocabulary is the foundation for reading comprehension. In fact, vocabulary is the foundation of all areas of literacy--listening, speaking, reading, and writing.
Greek for the Rest of Us Laminated Sheet: Learn Greek to Study the New Testament
by William D. MounceThe Greek for the Rest of Us Laminated Sheet is a handy, at-a-glance study aid, ideal for last minute review, a quick overview of grammar, or as an aid in Bible study. The laminated sheet is a companion resource for Greek for the Rest of Us, Third Edition (sold separately) by William Mounce and is a critical part of acquainting readers with the essentials of the language and deepening their understanding of God's Word.When used in conjunction with Greek for the Rest of Us, Third Edition this laminated study sheet will help readers:Read and pronounce Greek wordsLearn the fundamentals of the Greek noun and verb systemConduct effective Greek word studiesLearn the basics of Greek exegesis for biblical interpretationUnderstand why translations are differentRead better commentariesBe comfortable using reverse and traditional interlinearsUnderstand the information displayed by biblical software