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Indie Author Confidential Vol. 11: Secrets No One Will Tell You About Being an Author (Indie Author Confidential #11)
by M.L. RonnThe ground-breaking, behind-the-scenes look at a working writer continues with Vol. 11! Prolific writer M.L. Ronn (Michael La Ronn) shares his lessons learned on his journey to become a successful writer. You’ll discover writing, marketing, business, and other miscellaneous tips that you don’t hear every day. Covered in this volume: How Michael is integrating AI into his processes as a writer. Michael's goal of writing 1 million words per year. How and why Michael is getting back into short fiction. The information in this book is what writers discuss over beers at writing conferences. You may find it useful on your journey to becoming a successful writer. It just might make you more money and help you satisfy your readers, too. Are you ready to dive into the world of Indie Author Confidential? V1.0
Indie Author Confidential Vol. 1: Secrets No One Will Tell You About Being a Writer (Indie Author Confidential #1)
by M.L. RonnThis book is also available in the Indie Author Confidential Anthology series, where you can get all the books in this series in bundles. This book contains top secret knowledge that bestsellers don’t want you to know… Just kidding! The information in this book IS secret, though. Bestsellers think it’s too boring, obvious, or mundane to talk about. M.L. Ronn is the author of over 50 books of fiction and nonfiction. This book series is a diary of all the lessons he’s learning as he navigates how to master the craft of writing, marketing, and running a profitable publishing business.Most writers don’t talk about the everyday lessons they learn. Some only start talking about their success once they’ve achieved it. This book is the opposite: it’s about a writer learning how to be successful and documenting the process. Here are a few things covered in Volume 1: Sneaky copywriting tricks How to conquer sales reports How to improve Amazon Associates earnings 4 areas artificial intelligence can help writers The information in this book is what writers discuss over beers at writing conferences. You may find it useful on your journey to becoming a successful writer. It just might make you more money and help you satisfy your readers, too. V1.0
Indie Author Confidential Vol. 2: Secrets No One Will Tell You About Being a Writer (Indie Author Confidential #2)
by M.L. RonnThis book is also available in the Indie Author Confidential Anthology series, where you can get all the books in this series in bundles. The ground-breaking, behind-the-scenes look at a working writer continues with Vol. 2! Prolific writer M.L. Ronn (Michael La Ronn) shares his lessons learned on his journey to become a successful writer. You’ll discover writing, marketing, business, and other miscellaneous tips that you don’t hear every day. Covered in this volume: How Michael wrote 100,000 words in one month Why & how authors should think of their books as data Michael’s gigantic sales failure this year that cost him several hundred dollars How Michael built an artificial intelligence engine to help him with his editing The information in this book is what writers discuss over beers at writing conferences. You may find it useful on your journey to becoming a successful writer. It just might make you more money and help you satisfy your readers, too. Are you ready to dive into the world of Indie Author Confidential? V1.0
Indie Author Confidential Vol. 3: Secrets No One Will Tell You About Being a Writer (Indie Author Confidential #3)
by M.L. RonnThis book is also available in the Indie Author Confidential Anthology series, where you can get all the books in this series in bundles. The ground-breaking, behind-the-scenes look at a working writer continues with Vol. 3! Prolific writer M.L. Ronn (Michael La Ronn) shares his lessons learned on his journey to become a successful writer. You’ll discover writing, marketing, business, and other miscellaneous tips that you don’t hear every day. Covered in this volume: How Michael wrote 7 books in 90 days Michael’s new approach to marketing that made him more money this quarter Michael’s strategy for the year ahead The information in this book is what writers discuss over beers at writing conferences. You may find it useful on your journey to becoming a successful writer. It just might make you more money and help you satisfy your readers, too. Are you ready to dive into the world of Indie Author Confidential? V1.0
Indie Author Confidential Vol. 4-7: Secrets No One Will Tell You About Being a Writer (Indie Author Confidential Anthology #2)
by M.L. RonnThis collection contains Volumes 4-7 of the groundbreaking, behind-the-scenes series of a working writer’s journey! Ever wondered what bestselling authors think about on a daily basis? M.L. Ronn is the author of many books of fiction and nonfiction. This book series is a diary of all the lessons he’s learning as he navigates how to master the craft of writing, marketing, and running a profitable publishing business. Most writers don’t talk about the everyday lessons they learn because they might seem mundane, boring, or obvious. Many only start talking about their success once they’ve achieved it. This book is the exact opposite: it’s about a writer learning how to be successful and documenting the process. The ideas in this book are what writers discuss over beers at writing conferences. They’re insider ideas—you may find them interesting and useful on your journey to becoming a successful writer. V1.0
Indie Author Confidential Vol. 4: Secrets No One Will Tell You About Being a Writer (Indie Author Confidential #4)
by M.L. RonnThis book is also available in the Indie Author Confidential Anthology series, where you can get all the books in this series in bundles. The ground-breaking, behind-the-scenes look at a working writer continues with Vol. 4! Prolific writer M.L. Ronn (Michael La Ronn) shares his lessons learned on his journey to become a successful writer. You’ll discover writing, marketing, business, and other miscellaneous tips that you don’t hear every day. Covered in this volume: How Michael dictated an entire novel on an exercise bike Michael’s editing data and analytics project that reduced the errors in his books by over 30% A troubling problem ahead with book cover designers The information in this book is what writers discuss over beers at writing conferences. You may find it useful on your journey to becoming a successful writer. It just might make you more money and help you satisfy your readers, too. Are you ready to dive into the world of Indie Author Confidential? V1.0
Indie Author Confidential Vol. 5: Secrets No One Will Tell You About Being a Writer (Indie Author Confidential #5)
by M.L. RonnThis book is also available in the Indie Author Confidential Anthology series, where you can get all the books in this series in bundles. The ground-breaking, behind-the-scenes look at a working writer continues with Vol. 5! Prolific writer M.L. Ronn (Michael La Ronn) shares his lessons learned on his journey to become a successful writer. You’ll discover writing, marketing, business, and other miscellaneous tips that you don’t hear every day. Covered in this volume: Why Michael ended his podcasts The book that completely changed Michael’s life and made him a happier person How Michael produced cleaner manuscripts this quarter by automating parts of his editing process The lessons Michael learned from law school that apply to his writing career The information in this book is what writers discuss over beers at writing conferences. You may find it useful on your journey to becoming a successful writer. It just might make you more money and help you satisfy your readers, too. Are you ready to dive into the world of Indie Author Confidential? V1.0
Indie Author Confidential Vol. 6: Secrets No One Will Tell You About Being a Writer (Indie Author Confidential #6)
by M.L. RonnThis book is also available in the Indie Author Confidential Anthology series, where you can get all the books in this series in bundles. The ground-breaking, behind-the-scenes look at a working writer continues with Vol. 6! Prolific writer M.L. Ronn (Michael La Ronn) shares his lessons learned on his journey to become a successful writer. You’ll discover writing, marketing, business, and other miscellaneous tips that you don’t hear every day. Covered in this volume: How Michael is preparing for his annual Beast Mode Challenge, where he writes 10 books in 90 days Michael’s most ridiculous marketing pitch ever Why the new writing app Atticus may be a game-changer for writers Some thoughts on death and what it truly means to be a writer The information in this book is what writers discuss over beers at writing conferences. You may find it useful on your journey to becoming a successful writer. It just might make you more money and help you satisfy your readers, too. Are you ready to dive into the world of Indie Author Confidential? V1.0
Indie Author Confidential Vol. 7: Secrets No One Will Tell You About Being a Writer (Indie Author Confidential #7)
by M.L. RonnThe ground-breaking, behind-the-scenes look at a working writer continues with Vol. 7! Prolific writer M.L. Ronn (Michael La Ronn) shares his lessons learned on his journey to become a successful writer. You’ll discover writing, marketing, business, and other miscellaneous tips that you don’t hear every day. Covered in this volume: How many books Michael wrote during his annual “Beast Mode” Challenge Lessons Michael learned from a valuable mentor in 2021 How Michael is thinking about estate planning in 2022 Major changes to the Indie Author Confidential series in 2022 and beyond The information in this book is what writers discuss over beers at writing conferences. You may find it useful on your journey to becoming a successful writer. It just might make you more money and help you satisfy your readers, too. Are you ready to dive into the world of Indie Author Confidential? V1.0
Indie Author Confidential Vol. 8-11: Secrets No One Will Tell You About Being a Writer (Indie Author Confidential Anthology #3)
by M.L. RonnThis collection contains Volumes 8-11 of the groundbreaking, behind-the-scenes series of a working writer’s journey!Ever wondered what bestselling authors think about on a daily basis?M.L. Ronn is the author of many books of fiction and nonfiction. This book series is a diary of all the lessons he’s learning as he navigates how to master the craft of writing, marketing, and running a profitable publishing business.Most writers don’t talk about the everyday lessons they learn because they might seem mundane, boring, or obvious.Many only start talking about their success once they’ve achieved it.This book is the exact opposite: it’s about a writer learning how to be successful and documenting the process.The ideas in this book are what writers discuss over beers at writing conferences. They’re insider ideas—you may find them interesting and useful on your journey to becoming a successful writer.V1.0
Indie Author Confidential Vol. 8: Secrets No One Will Tell You About Being a Writer (Indie Author Confidential #8)
by M.L. RonnThe ground-breaking, behind-the-scenes look at a working writer continues with Vol. 8! Prolific writer M.L. Ronn (Michael La Ronn) shares his lessons learned on his journey to become a successful writer. You’ll discover writing, marketing, business, and other miscellaneous tips that you don’t hear every day. Covered in this volume: A mindblowing lesson Michael learned from studying Dean Koontz How Michael became supremely organized in all areas of his writing business Learning the basics of cryptocurrencies and how they will apply to authors Lessons in estate planning for authors The information in this book is what writers discuss over beers at writing conferences. You may find it useful on your journey to becoming a successful writer. It just might make you more money and help you satisfy your readers, too. Are you ready to dive into the world of Indie Author Confidential? V1.0
Indie Author Confidential Vol. 9: Secrets No One Will Tell You About Being a Writer (Indie Author Confidential #9)
by M.L. RonnThe ground-breaking, behind-the-scenes look at a working writer continues with Vol. 9! Prolific writer M.L. Ronn (Michael La Ronn) shares his lessons learned on his journey to become a successful writer. You’ll discover writing, marketing, business, and other miscellaneous tips that you don’t hear every day. Covered in this volume: How Michael exploded his word counts even further with a voice recorder Michael’s thoughts around the problematic one-third mark of novels Experiments with book pricing Analyzing future trends that are surely coming to the indie author space The information in this book is what writers discuss over beers at writing conferences. You may find it useful on your journey to becoming a successful writer. It just might make you more money and help you satisfy your readers, too. Are you ready to dive into the world of Indie Author Confidential? V1.0
Indifference to Difference: On Queer Universalism
by Madhavi MenonIndifference to Difference organizes around Alain Badiou&’s suggestion that, in the face of increasing claims of identitarian specificity, one might consider the politics and practice of being indifferent to difference. Such a politics would be based on the superabundance of desire and its inability to settle into identity. Madhavi Menon shows that if we turn to another kind of universalism—not one that insists we are all different but one that recognizes we are all similar in our powerlessness to contain desire—then difference no longer becomes the focus of our identity.Instead, we enter the worlds of desire. Following up on ideas of sameness and difference that have animated queer theory, Menon argues that what is most queer about indifference is not that it gives us queerness as an identity but that it is able to change queerness into a resistance of ontology. Firmly committed to the detours of desire, queer universalism evades identity.This polemical book demonstrates that queerness is the condition within which we labor. Our desires are not ours to be owned; they are indifferent to our differences.
Indigeneity: Before And Beyond The Law (Indigenous Peoples and the Law)
by Kathleen BirrellExamining contested notions of indigeneity, and the positioning of the Indigenous subject before and beyond the law, this book focuses upon the animation of indigeneities within textual imaginaries, both literary and juridical. Engaging the philosophy of Jacques Derrida and Walter Benjamin, as well as other continental philosophy and critical legal theory, the book uniquely addresses the troubled juxtaposition of law and justice in the context of Indigenous legal claims and literary expressions, discourses of rights and recognition, postcolonialism and resistance in settler nation states, and the mutually constitutive relation between law and literature. Ultimately, the book suggests no less than a literary revolution, and the reassertion of Indigenous Law. To date, the oppressive specificity with which Indigenous peoples have been defined in international and domestic law has not been subject to the scrutiny undertaken in this book. As an interdisciplinary engagement with a variety of scholarly approaches, this book will appeal to a broad variety of legal and humanist scholars concerned with the intersections between Indigenous peoples and law, including those engaged in critical legal studies and legal philosophy, sociolegal studies, human rights and native title law.
Indigenous African Popular Music, Volume 1: Prophets and Philosophers (Pop Music, Culture and Identity)
by Abiodun Salawu Israel A. FadipeThis volume explores the nature, philosophies and genres of indigenous African popular music, focusing on how indigenous African popular music artistes are seen as prophets and philosophers, and how indigenous African popular music depicts the world. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which only be unraveled by knowledge of the myriad cultural backgrounds from which its genres originate. Indigenous African popular musicians have become repositories of indigenous cultural traditions and cosmologies.With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores the work of these pioneering artists and their protégés who are resiliently sustaining, recreating and popularising indigenous popular music in their respective African communities, and at the same time propagating the communal views about African philosophies and the temporal and spiritual worlds in which they exist.
Indigenous African Popular Music, Volume 2: Social Crusades and the Future (Pop Music, Culture and Identity)
by Abiodun Salawu Israel A. FadipeThis volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad cultural backgrounds from which its genres originate. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores how, during the colonial period and post-independence dispensation, indigenous African music genres and their artists were mainstreamed in order to tackle emerging issues, to sensitise Africans about the affairs of their respective nations and to warn African leaders who have failed and are failing African citizenry about the plight of the people. At the same time, indigenous African popular music genres have served as a beacon to the teeming African youths to express their dreams, frustrations about their environments and to represent themselves. This volume explores how, through the advent of new media technologies, indigenous African popular musicians have been working relentlessly for indigenous production, becoming champions of good governance, marginalised population, and repositories of indigenous cultural traditions and cosmologies.
Indigenous Cities: Urban Indian Fiction and the Histories of Relocation
by Laura M. FurlanIn Indigenous Cities Laura M. Furlan demonstrates that stories of the urban experience are essential to an understanding of modern Indigeneity. She situates Native identity among theories of diaspora, cosmopolitanism, and transnationalism by examining urban narratives—such as those written by Sherman Alexie, Janet Campbell Hale, Louise Erdrich, and Susan Power—along with the work of filmmakers and artists. In these stories Native peoples navigate new surroundings, find and reformulate community, and maintain and redefine Indian identity in the postrelocation era. These narratives illuminate the changing relationship between urban Indigenous peoples and their tribal nations and territories and the ways in which new cosmopolitan bonds both reshape and are interpreted by tribal identities. Though the majority of American Indigenous populations do not reside on reservations, these spaces regularly define discussions and literature about Native citizenship and identity. Meanwhile, conversations about the shift to urban settings often focus on elements of dispossession, subjectivity, and assimilation. Furlan takes a critical look at Indigenous fiction from the last three decades to present a new way of looking at urban experiences, one that explains mobility and relocation as a form of resistance. In these stories Indian bodies are not bound by state-imposed borders or confined to Indian Country as it is traditionally conceived. Furlan demonstrates that cities have always been Indian land and Indigenous peoples have always been cosmopolitan and urban.
Indigenous Comics and Graphic Novels: Studies in Genre
by James J. DonahueIn recent years, studios like Marvel and DC have seen enormous success transforming comics into major motion pictures. At the same time, bookstores such as Barnes & Noble in the US and Indigo in Canada have made more room for comic books and graphic novels on their shelves. Yet despite the sustained popular appeal and the heightened availability of these media, Indigenous artists continue to find their work given little attention by mainstream publishers, booksellers, production houses, and academics. Nevertheless, Indigenous artists are increasingly turning to graphic narratives, with publishers like Native Realities LLC and Highwater Press carving out ever more space for Indigenous creators. In Indigenous Comics and Graphic Novels: Studies in Genre, James J. Donahue aims to interrogate and unravel the disparities of representation in the fields of comics studies and comics publishing. Donahue documents and analyzes the works of several Indigenous artists, including Theo Tso, Todd Houseman, and Arigon Starr. Through topically arranged chapters, the author explores a wide array of content produced by Indigenous creators, from superhero and science fiction comics to graphic novels and experimental narratives. While noting the importance of examining how Indigenous works are analyzed, Donahue emphasizes that the creation of artistic and critical spaces for Indigenous comics and graphic novels should be an essential concern for the comics studies field.
Indigenous Communication: A Global Perspective
by Eno AkpabioThis book explores global forms of indigenous communication and their connections with new and digital media. With fresh and original insights, the book transcends the confines of regional analysis to investigate similarities, parallels, and differences present in indigenous communication practices around the world.Through a systematic classification of these diverse methods, including music, myths, iconography, visual, institutional, and axiomatic communication, the author draws comparisons between geographically and historically disparate contexts. Indigenous Communication provides a rigorous conceptual clarification of indigenous forms of communication, both showcasing their various manifestations, and illuminating their relevance and transformative potential in the digital age.
Indigenous Cosmolectics: Kab'awil and the Making of Maya and Zapotec Literatures (Critical Indigeneities)
by Gloria Elizabeth ChacónLatin America's Indigenous writers have long labored under the limits of colonialism, but in the late twentieth and twenty-first centuries, they have constructed a literary corpus that moves them beyond those parameters. Gloria E. Chacon considers the growing number of contemporary Indigenous writers who turn to Maya and Zapotec languages alongside Spanish translations of their work to challenge the tyranny of monolingualism and cultural homogeneity. Chacon argues that these Maya and Zapotec authors reconstruct an Indigenous literary tradition rooted in an Indigenous cosmolectics, a philosophy originally grounded in pre-Columbian sacred conceptions of the cosmos, time, and place, and now expressed in creative writings. More specifically, she attends to Maya and Zapotec literary and cultural forms by theorizing kab'awil as an Indigenous philosophy. Tackling the political and literary implications of this work, Chacon argues that Indigenous writers' use of familiar genres alongside Indigenous language, use of oral traditions, and new representations of selfhood and nation all create space for expressions of cultural and political autonomy. Chacon recognizes that Indigenous writers draw from universal literary strategies but nevertheless argues that this literature is a vital center for reflecting on Indigenous ways of knowing and is a key artistic expression of decolonization.
Indigenous Cultural Translation: A Thick Description of Seediq Bale (Routledge Advances in Translation and Interpreting Studies)
by Darryl SterkIndigenous Cultural Translation is about the process that made it possible to film the 2011 Taiwanese blockbuster Seediq Bale in Seediq, an endangered indigenous language. Seediq Bale celebrates the headhunters who rebelled against or collaborated with the Japanese colonizers at or around a hill station called Musha starting on October 27, 1930, while this book celebrates the grandchildren of headhunters, rebels, and collaborators who translated the Mandarin-language screenplay into Seediq in central Taiwan nearly eighty years later. As a "thick description" of Seediq Bale, this book describes the translation process in detail, showing how the screenwriter included Mandarin translations of Seediq texts recorded during the Japanese era in his screenplay, and then how the Seediq translators backtranslated these texts into Seediq, changing them significantly. It argues that the translators made significant changes to these texts according to the consensus about traditional Seediq culture they have been building in modern Taiwan, and that this same consensus informs the interpretation of the Musha Incident and of Seediq culture that they articulated in their Mandarin-Seediq translation of the screenplay as a whole. The argument more generally is that in building cultural consensus, indigenous peoples like the Seediq are "translating" their traditions into alternative modernities in settler states around the world.
Indigenous Feminist Narratives I/We: Wo(men) of an(Other) Way
by Isabel DulfanoThis book analyzes the literary representation of Indigenous women in Latin American letters from colonization to the twentieth century, arguing that contemporary theorization of Indigenous feminism deconstructs denigratory imagery and offers a (re)signification, (re)semantization and reinvigoration of what it means to be an Indigenous woman.
Indigenous Knowledge and Material Histories: The Example of Rubber (Elements in Environmental Humanities)
by Jens SoentgenThis Element deals with stories told about substances and ways to analyse them through an Environmental Humanitie's perspective. It then takes up rubber as an example and its many stories. It is shown that the common notions of rubber history, which assume that rubber only became a useful material through a miraculous operation called vulcanization, that is attributed to the US-American Charles Goodyear, are false. In contrast, it is shown that rubber and many important rubber products are inventions of Indigenous peoples of South America, made durable by a process that can be called organic vulcanization. It is with that invention, that the story of rubber starts. Without it, rubber would not exist, neither in the Americas nor elsewhere. Finally, it is shown that Indigenous rubber products also offer some ecological advantages over industrially manufactured ones.
Indigenous Language Revitalization in the Americas
by Serafín M. Coronel-Molina Teresa L. McCartyFocusing on the Americas – home to 40 to 50 million Indigenous people – this book explores the history and current state of Indigenous language revitalization across this vast region. Complementary chapters on the USA and Canada, and Latin America and the Caribbean, offer a panoramic view while tracing nuanced trajectories of "top down" (official) and "bottom up" (grass roots) language planning and policy initiatives. Authored by leading Indigenous and non-Indigenous scholars, the book is organized around seven overarching themes: Policy and Politics; Processes of Language Shift and Revitalization; The Home-School-Community Interface; Local and Global Perspectives; Linguistic Human Rights; Revitalization Programs and Impacts; New Domains for Indigenous Languages Providing a comprehensive, hemisphere-wide scholarly and practical source, this singular collection simultaneously fills a gap in the language revitalization literature and contributes to Indigenous language revitalization efforts.
Indigenous Multilingualism at Warruwi: Cultivating Linguistic Diversity in an Australian Community (Routledge Studies in Linguistic Anthropology)
by Ruth SingerThis book is an exploration of the role of language at Warruwi Community, a remote Indigenous settlement in northern Australia. It explores how language use and people’s ideas about language are embedded in contemporary Indigenous life there. Using an ethnographic approach, the book examines what language at Warruwi means in the context of the history of the community, ongoing social and political changes and the continuing importance of ancestral traditions. Children growing up at Warruwi still learn to speak many small Indigenous languages. This is remarkable not just in the Australian context, where many Indigenous languages are no longer spoken, but around the world as this kind of multilingualism in small languages persists only in a few remaining pockets. The way that people use many languages in their daily life at Warruwi reveals how high levels of linguistic diversity can be maintained in a small community. This detailed study of the creation of linguistic diversity is relevant to sociolinguistics, linguistic typology, historical linguistics and evolutionary linguistics. More generally, this book is for linguists, anthropologists and anyone with an interest in contemporary Australian Indigenous lives.