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How To Write A Story
by Kathleen C. PhillipsExamines the basics of writing a story, from finding a title and beginning the work to completing and revising it.
How to Write Technical Reports: Understandable Structure, Good Design, Convincing Presentation
by Heike HeringHow to Write Technical Reports
How to Write Term Papers and Reports
by L. Sue BaughHow to Write Term Papers and Reports is a helpful guide to writing papers and making oral presentations. The text is arranged sequentially beginning with choosing and narrowing a topic, determining an approach, and preparing an outline. From there, the book moves through research tips and note taking to writing drafts. A special chapter is included discussing illustrations such as graphs, tables, and pictures.
How to Write the Global History of Knowledge-Making: Interaction, Circulation and the Transgression of Cultural Difference (Studies in History and Philosophy of Science #53)
by Johannes Feichtinger Anil Bhatti Cornelia HülmbauerThis multidisciplinary collection of essays provides a critical and comprehensive understanding of how knowledge has been made, moved and used, by whom and for what purpose. To explain how new knowledge emerges, this volume offers a two-fold conceptual move: challenging both the premise of insurmountable differences between confined, autarkic cultures and the linear, nation-centered approach to the spread of immutable stocks of knowledge. Rather, the conceptual focus of the book is on the circulation, amalgamation and reconfiguration of locally shaped bodies of knowledge on a broader, global scale. The authors emphasize that the histories of interaction have been made less transparent through the study of cultural representations thus distorting the view of how knowledge is actually produced.Leading scholars from a range of fields, including history, philosophy, social anthropology and comparative culture research, have contributed chapters which cover the period from the early modern age to the present day and investigate settings in Africa, Asia, and Europe. Their particular focus is on areas that have largely been neglected until now. In this work, readers from many disciplines will find new approaches to writing the global history of knowledge-making, especially historians, scholars of the history and philosophy of science, and those in culture studies.
How to Write What You Love and Make a Living at It
by Dennis E. HensleyA writers’ writer shares his secrets The author of 49 books and over 3,000 articles, Dennis Hensley shares his secrets for making it as an author. He discusses how to find a distinctive style, how to make time to write, and how to negotiate contracts. In easy-to-follow steps, the book outlines the keys to contacting agents, securing copyrights, and selling manuscripts to more than one market. Lots of people want to make it as writers. Hensley tells you how to do it — and enjoy the process.
How to Write with Flair
by Heather HollemanMy students recently confessed their addiction to the Food Network. They know more about roasting and stewing than I ever did as a college student.
How To Write Your First Novel
by Sophie KingThis revised edition takes aspiring novelists through the steps of writing a novel, from finding that initial idea, to keeping the plot going and crafting the perfect ending. With helpful exercises in each chapter you will learn how to:- Develop a brilliant idea for your first novel - Create characters that will make your novel come alive - Plot your novel so that your readers simply have to turn the page - Unravel the mysteries of viewpoint - Create realistic dialogue and settings so your readers feel they are there - Find your own voice. - Most importantly, the book includes tips and advice on how to get published. This new edition also includes a ten step guide to revision so that you can polish your novel to be the best it can be.
How To Write Your First Novel
by Sophie KingLet best-selling novelist Sophie King guide you through the whole process of writing your first novel and getting it published.This revised edition takes aspiring novelists through the steps of writing a novel, from finding that initial idea, to keeping the plot going and crafting the perfect ending. With helpful exercises in each chapter you will learn how to:- Develop a brilliant idea for your first novel - Create characters that will make your novel come alive - Plot your novel so that your readers simply have to turn the page - Unravel the mysteries of viewpoint - Create realistic dialogue and settings so your readers feel they are there - Find your own voice. - Most importantly, the book includes tips and advice on how to get published. This new edition also includes a ten step guide to revision so that you can polish your novel to be the best it can be.
How to Write Your First Novel: The Stress-Free Guide to Writing Fiction for Beginners (Author Level Up #2)
by M.L. RonnThe stress-free guide to writing your first novel like a pro! Learning how to write your first novel can be overwhelming. You have to master outlining, writing, revising, and so much more...and it can be scary if you've never done it before. While it seems daunting, writing your first novel is simple when you have someone experienced to help you through it. In this writer’s guide, prolific writer M.L. Ronn shares an easy step-by-step process of writing compelling fiction that he's perfected after writing 40+ books. Write your first novel with structured advice tailored for beginners: Learn the basic building blocks of every story and how to put them together Develop an effective outline (or learn how to write without one!) Discover winning formulas that mega-bestsellers use to write their novels Navigate your novel’s “murky middle” with 7 unorthodox strategies that will get you unstuck in no time Revise your story without fear Writing your first novel is life-changing. Download this writer’s guide, follow the step-by-step instructions, and you'll wake up one morning very soon with a finished manuscript waiting for you. V2.0
How To Write Your Life Story in Ten Easy Steps: 'what Splendid Guide To Writing The Story Of Your Life!'
by Sophie KingWriting your life story is one of the greatest gifts you can give your family. In writing it you will find yourself drawing even closer to your children and grandchildren. You will also find it an exciting and fascinating process, one that helps you to make sense of your own life. Writing your own life story is also a very good way for creative writers to find inspiration and get started in the habit of writing. This step-by-step guide will steer you through different ways of telling your life story, in ten easy steps: * HOW TO BEGIN * USING THE POWER OF MEMORY * HOW TO START YOUR RESEARCH * DIFFERENT WAYS OF STRUCTURING YOUR LIFE STORY * HOWTO MAKE YOUR LIFE STORY STAND OUT WITH PICTURES, COLOURS AND SMELLS, ETC * HOW TO PROVIDE A CONTEMPORARY FEEL TO YOUR LIFE STORY * BRINGING THE REST OF THE WORLD INTO YOUR STORY * HOWTO END YOUR LIFE STORY AND MAKE SURE THAT IT DOESN T HURT ANYONE (INCLUDING YOURSELF) * HOW TO PRESENT YOUR LIFE STORY AND GET IT PUBLISHED *STORIES TO INSPIRE YOU / Nowadays, you can publish your life story should you want to do so. For a small amount of money, you can get a few bound copies or you can publish it free on the net. Don’t miss this wonderful opportunity to write an heirloom which will last for ever.
How To Write Your Life Story in Ten Easy Steps: 'what Splendid Guide To Writing The Story Of Your Life!'
by Sophie KingWriting your life story is one of the greatest gifts you can give your family. In writing it you will find yourself drawing even closer to your children and grandchildren. You will also find it an exciting and fascinating process, one that helps you to make sense of your own life. Writing your own life story is also a very good way for creative writers to find inspiration and get started in the habit of writing. This step-by-step guide will steer you through different ways of telling your life story, in ten easy steps: * HOW TO BEGIN * USING THE POWER OF MEMORY * HOW TO START YOUR RESEARCH * DIFFERENT WAYS OF STRUCTURING YOUR LIFE STORY * HOWTO MAKE YOUR LIFE STORY STAND OUT WITH PICTURES, COLOURS AND SMELLS, ETC * HOW TO PROVIDE A CONTEMPORARY FEEL TO YOUR LIFE STORY * BRINGING THE REST OF THE WORLD INTO YOUR STORY * HOWTO END YOUR LIFE STORY AND MAKE SURE THAT IT DOESN T HURT ANYONE (INCLUDING YOURSELF) * HOW TO PRESENT YOUR LIFE STORY AND GET IT PUBLISHED *STORIES TO INSPIRE YOU / Nowadays, you can publish your life story should you want to do so. For a small amount of money, you can get a few bound copies or you can publish it free on the net. Don’t miss this wonderful opportunity to write an heirloom which will last for ever.
How to Write Your Personal or Family History: (If You Don't Do It, Who Will?)
by Katie WiebeThis is a practical-and encouraging-how-to book from a long-time teacher of personal and family history writing. Katie Funk Wiebe helps beginning memoir writers get started collecting the stories of their lives. She gives hints for recalling distant memories and tracking down family heirlooms. This is a serious but accessible resource for undertaking your personal or family history writing. In these pages, you'll find:Tips on writing,Exercises to prod the memory,And advice on looking at the broad scope of a well-lived life.As Wiebe writes, "You've been living 24 hours every day, making decisions, objecting to certain ideas, endorsing others, and interacting with family and coworkers," the author writes. "I plan to convince you that if you took time to reflect, you'd find lots of meaningful stuff going on."
How The Way We Talk Can Change The Way We Work: Seven Languages for Transformation
by Robert Kegan Lisa Laskow LaheyWhy is the gap so great between our hopes, our intentions, even our decisions-and what we are actually able to bring about? Even when we are able to make important changes-in our own lives or the groups we lead at work-why are the changes are so frequently short-lived and we are soon back to business as usual? What can we do to transform this troubling reality? In this intensely practical book, Harvard psychologists Robert Kegan and Lisa Laskow Lahey take us on a carefully guided journey designed to help us answer these very questions. And not just generally, or in the abstract. They help each of us arrive at our own particular answers that can solve the puzzling gap between what we intend and what we are able to accomplish. How the Way We Talk Can Change the Way We Work provides you with the tools to create a powerful new build-it-yourself mental technology.
How We Are Changed by War: A Study of Letters and Diaries from Colonial Conflicts to Operation Iraqi Freedom
by D.C. GillThe prolonged conflict in Iraq has shown us war’s transformative effect. Civilians rivet themselves to events happening halfway around the world, while young soldiers return home from battlefields, coping with the memories of those events. How We Are Changed by War examines our sense of ourselves through the medium of diaries and wartime correspondence, beginning with the colonists of the early seventeenth century, and ending with the diaries and letters from Iraqi war vets. The book tracks the effects of war in private writings regardless of the narrator’s historical era allowing the writers to ‘speak’ to each other across time to reveal a profound commonality of cultural experience. Finally, interpreting the narratives by how the writers conveyed the content adds a richer layer of meaning through the lenses of psychology and literary criticism, providing a model for any society to examine itself through the medium of its members’ informal writings.
How We Argue: 30 Lessons in Persuasive Communication
by Christopher TindaleThis accessible book provides a practical discussion of the main elements of argumentation as illustrated by 30 public arguments from a recent year on a wide variety of social, cultural, and scientific topics. Arguing is an important form of communication in any society and a principal way in which ideas are exposed, discussed, and modified. The real-life examples examined in this book reflect the different considerations that go into composing arguments and the range of strategies that can be chosen as vehicles for our positions. They demonstrate the roles that emotion can play along with other modes of conveying evidence, from the use of images to the use of gestures. They show the power of threats, comparisons, and consequences. What emerges is an instructive discussion that illustrates the way we argue and that shows argument, invention, and evaluation in action. This book is a stimulating read for anyone interested in argument and public discourse and can be used as a supplemental text for courses in argumentation, persuasive communication, critical thinking, composition, and informal logic.
How We Do It: Black Writers on Craft, Practice, and Skill
by Jericho Brown Darlene TaylorMore than 30 acclaimed writers—including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy—reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions. Not a traditional “how to” writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles—and even how one thinks about craft itself.An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial & error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer’s role in art, history, and culture.Contributors include Daniel Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.
How We Experience Modern Verse (Routledge Studies in Twentieth-Century Literature)
by Eric PurchasePoetry moves us. Sometimes a poem changes our life. Then we analyze it as a cultural artifact with no special connection to us. An extensive critical apparatus enables us to develop sophisticated interpretations, but we dismiss as "idiosyncratic" even life-changing experiences of poetry. We need an apparatus to unfold our experience of reading poems into a more effective relationship with the world. Modern poets in particular wrote prophetic verse for this purpose. Archetypal psychology and phenomenology describe the soul that modern poetry moves in us. Three prosodic mechanisms activate the psyche. The polyphony of accentual and quantitative versification creates depth to lure the soul. Aural images reshape the reader’s stream of consciousness. Readers follow the movement of blocks of verse across the expanse of the page with what Maurice Merleau-Ponty terms the phenomenal body. These mechanisms reach us at the collective level of consciousness and generate the power we need to solve big, collective challenges, such as race, climate change, and inequality.
How We Read the Bible: A Guide to Scripture's Style and Meaning
by Karolien Vermeulen Elizabeth R. HayesThe Bible is interpreted in a variety of ways and through a myriad of lenses. But how we interpret Scripture depends first of all on how we read it. This handbook focuses on the process of reading itself, taking a cognitive-stylistic approach grounded in recent research on language and the mind. Through accessible explanations of twelve key stylistic elements, How We Read the Bible provides all who study Scripture with the tools to understand what happens when we read and draw meaning from biblical texts. Rather than problematizing the divide between authors from the ancient world and a modern-day audience, Karolien Vermeulen and Elizabeth Hayes bridge the gap by exploring the interaction between the cues of the text and the context of the reader. With numerous examples from the Old and New Testaments and helpful suggestions for further study, How We Read the Bible can be used within any framework of biblical study—historical, theological, literary, and others—as a pathway to meeting Scripture on its own terms.
How We Speak to One Another (The Golden Greek)
by Ander Monson Craig ReinboldThe essay is rhizomatic: it builds off and shoots out conversations between us every time we read, reread, or write. When we speak back to others we amplify ourselves and get a foothold in an ongoing conversation. How We Speak to One Another collects those conversations, giving context to a genre, deepening the flexibility and vitality of its many forms.Ander Monson is the author, most recently, of Letter to a Future Lover: Marginalia, Errata, Secrets, Inscriptions, and Other Ephemera Found in Libraries (Graywolf Press). He is also the author of Vanishing Point, a finalist for the National Book Critics Circle Award, and Neck Deep and Other Predicaments.Craig Reinbold's writing has appeared in journals and magazines including the Gettysburg Review, Iowa Review, New England Review, Guernica, Gulf Coast, and Brevity. He was the managing editor of Essay Daily from 2013 to 2016.Contributors include: Ander Monson, Marcia Aldrich, Kristen Radtke, Robin Hemley, Robert Atwan, Matt Dube, Aisha Sabatini Sloan, T. Clutch Fleischmann, Rigoberto González, Kati Standefer, Julie Lauterbach-Colby, César Diaz, Emily Deprang, Lucas Mann, Danica Novgorodoff, Bonnie J. Rough, Peter Grandbois, Albert Goldbarth, Alison Hawthorne Deming, Steven Church, Bethany Maile, David Legault, Joni Tevis, John D'Agata, Meehan Crist,Thomas Mira Y Lopez, Danielle Deulen, John T. Price, Maya L. Kapoor, Chelsea Biondolillo, Megan Kimble, Brian Doyle, Nicole Walkder, Paul Lisicky, Brian Oliu, Pam Houston, Dave Mondy, Phillip Lopate, Amy Benson, Patrick Madden, Elena Passarello, Erin Zwiener, Patricia Vigderman, and Ryan Van Meter.
How We Talk: The Inner Workings of Conversation
by N. J. EnfieldAn expert guide to how conversation works, from how we know when to speak to why huh is a universal wordWe all had teachers who scolded us over the use of um, uh-huh, oh, like, and mm-hmm. But as linguist N. J. Enfield reveals in How We Talk, these "bad words" are fundamental to language.Whether we are speaking with the clerk at the store, our boss, or our spouse, language is dependent on things as commonplace as a rising tone of voice, an apparently meaningless word, or a glance--signals so small that we hardly pay them any conscious attention. Nevertheless, they are the essence of how we speak. From the traffic signals of speech to the importance of um, How We Talk revolutionizes our understanding of conversation. In the process, Enfield reveals what makes language universally--and uniquely--human.
How We Talk about Language: Exploring Citizen Sociolinguistics
by Betsy RymesThe most important challenges humans face - identity, life, death, war, peace, the fate of our planet - are manifested and debated through language. This book provides the intellectual and practical tools we need to analyse how people talk about language, how we can participate in those conversations, and what we can learn from them about both language and our society. Along the way, we learn that knowledge about language and its connection to social life is not primarily produced and spread by linguists or sociolinguists, or even language teachers, but through everyday conversations, on-line arguments, creative insults, music, art, memes, twitter-storms - any place language grabs people's attention and foments more talk. An essential new aid to the study of the relationship between language, culture and society, this book provides a vision for language inquiry by turning our gaze to everyday forms of language expertise.
How We Understand Mathematics: Conceptual Integration In The Language Of Mathematical Description (Mathematics in Mind)
by Jacek WoźnyThis volume examines mathematics as a product of the human mind and analyzes the language of "pure mathematics" from various advanced-level sources. Through analysis of the foundational texts of mathematics, it is demonstrated that math is a complex literary creation, containing objects, actors, actions, projection, prediction, planning, explanation, evaluation, roles, image schemas, metonymy, conceptual blending, and, of course, (natural) language. The book follows the narrative of mathematics in a typical order of presentation for a standard university-level algebra course, beginning with analysis of set theory and mappings and continuing along a path of increasing complexity. At each stage, primary concepts, axioms, definitions, and proofs will be examined in an effort to unfold the tell-tale traces of the basic human cognitive patterns of story and conceptual blending. This book will be of interest to mathematicians, teachers of mathematics, cognitive scientists, cognitive linguists, and anyone interested in the engaging question of how mathematics works and why it works so well.
How We Write: Writing as Creative Design
by Mike SharplesHow We Write is an accessible guide to the entire writing process, from forming ideas to formatting text. Combining new explanations of creativity with insights into writing as design, it offers a full account of the mental, physical and social aspects of writing. How We Write explores: how children learn to write the importance of reflective thinking processes of planning, composing and revising visual design of text cultural influences on writing global hypertext and the future of collaborative and on-line writing. By referring to a wealth of examples from writers such as Umberto Eco, Terry Pratchett and Ian Fleming, How We Write ultimately teaches us how to control and extend our own writing abilities. How We Write will be of value to students and teachers of language and psychology, professional and aspiring writers, and anyone interested in this familiar yet complex activity.
How We Write Now: Living with Black Feminist Theory (Black Feminism on the Edge)
by Jennifer C. NashIn How We Write Now Jennifer C. Nash examines how Black feminists use beautiful writing to allow writers and readers to stay close to the field’s central object and preoccupation: loss. She demonstrates how contemporary Black feminist writers and theorists such as Jesmyn Ward, Elizabeth Alexander, Christina Sharpe, and Natasha Trethewey mobilize their prose to ask readers to feel, undo, and reassemble themselves. These intimate invitations are more than a set of tools for decoding the social world; Black feminist prose becomes a mode of living and feeling, dreaming and being, and a distinctly affective project that treats loss as not only paradigmatic of Black life but also an aesthetic question. Through her own beautiful writing, Nash shows how Black feminism offers itself as a companion to readers to chart their own lives with and in loss, from devastating personal losses to organizing around the movement for Black lives. Charting her own losses, Nash reminds us that even as Black feminist writers get as close to loss as possible, it remains a slippery object that troubles memory and eludes capture.
How Westminster Works . . . and Why It Doesn't: The instant Sunday Times bestseller from the ultimate political insider
by Ian DuntWhy do some prime ministers manage to get things done, while others miserably fail? What is a 'special adviser' and how did they take over British political life? And why is the House of Lords more functional than most people think?Most of us have a sense that our political system doesn't seem to work, but struggle to articulate exactly why. And for good reason: our political and financial institutions are cloaked in secrecy, archaic terminology, ancient custom and impenetrable jargon. Now, expert political journalist Ian Dunt is lifting the lid on British politics to expose every aspect of the setup in a way that can be understood and challenged. From Downing Street to Whitehall, the Commons to the Lords, this book is an indispensable guide to our political system - and how we might begin to fix it.