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Marie d'Agoult: The Rebel Countess
by Richard Bolster"Talented and resolutely independent, Marie d'Agoult (1805-76) was one of the most remarkable women of her time. Abandoning her privileged position in society, she eloped with her great love, the pianist and composer Franz Liszt, and later won fame as a writer under the pen name Daniel Stern. She published fiction, articles on literature, music, art and politics, and a history of the revolution of 1848, and she was an eloquent advocate for democracy, the eradication of poverty, and the emancipation of women. "Drawing on her memoirs, letters, and other unpublished writings, Richard Bolster's biography sets Marie d'Agoult's eventful life against a backdrop of dramatic political change in France."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Marigold - Book Five class 5 - NCERT - 23
by National Council of Educational Research and Training"Marigold - Book Five" by NCERT is a textbook designed for fifth-grade students studying English. The book is a compilation of diverse and engaging literary pieces, including prose, poetry, and illustrations, aiming to develop language skills and foster a love for literature. It covers a wide range of themes such as nature, moral values, folktales, and contemporary stories. Through its carefully selected texts, the book encourages students to explore different facets of the English language, enhancing their reading comprehension, vocabulary, and grammar. With its interactive exercises, thought-provoking stories, and poems, "Marigold - Book Five" serves as a comprehensive resource to inspire young learners and cultivate their appreciation for the English language and literature while facilitating a holistic learning experience.
Marina Carr and Greek Tragedy: Feminist Myths of Monstrosity (Routledge Studies in Irish Literature)
by Salomé PaulMarina Carr and Greek Tragedy examines the feminist transposition of Greek tragedy in the theatre of the contemporary Irish dramatist Marina Carr. Through a comparison of the plays based on classical drama with their ancient models, it investigates Carr’s transformation not only of the narrative but also of the form of Greek tragedy. As a religious and political institution of the 5th-century Athenian democracy, tragedy endorsed the sexist oppression of women. Indeed, the construction of female characters in Greek tragedy was entirely disconnected from the experience of womanhood lived by real women in order to embody the patriarchal values of Athenian democracy. Whether praised for their passivity or demonized for showing unnatural agency and subjectivity, women in Greek tragedy were conceived to (re)assert the supremacy of men. Carr’s theatre stands in stark opposition to such a purpose. Focusing on women’s struggle to achieve agency and subjectivity in a male-dominated world, her plays show the diversity of experiencing womanhood and sexist oppression in the Republic of Ireland, and the Western societies more generally. Yet, Carr’s enduring conversation with the classics in her theatre demonstrates the feminist willingness to alter the founding myths of Western civilisation to advocate for gender equality.
Marina Carr: Pastures of the Unknown
by Melissa SihraThis book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal origins of modern Irish drama. The creative vision of Lady Augusta Gregory underpins the analysis of Carr’s dramatic vision throughout the volume in order to re-situate the woman artist as central to Irish theatre. For Carr, ‘writing is more about the things you cannot understand than the things you can’, and her evocation of ‘pastures of the unknown’ forms the thematic through-line of this work. Lady Gregory’s plays offer an intuitive lineage with Carr which can be identified in their use of language, myth, landscape, women, the transformative power of storytelling and infinite energies of nature and the Otherworld. This book reconnects the severed bridge between Carr and Gregory in order to acknowledge a foundational status for all women in Irish theatre.
Marina Warner and the Ethics of Telling Silenced Stories
by Lisa PropstEfforts to fight back against silencing are central to social justice movements and scholarly fields such as feminist and postcolonial studies. But claiming to give voice to people who have been silenced always risks appropriating those people's stories. Lisa Propst argues that the British novelist and public intellectual Marina Warner offers some of the most provocative contemporary interventions into this dilemma. Tracing her writing from her early journalism to her novels, short stories, and studies of myths and fairy tales, Propst shows that in Warner's work, features such as stylized voices and narrative silences - tales that Warner's books hint at but never tell - question the authority of the writer to tell other people's stories. At the same time they demonstrate the power of literature to make new ethical connections between people, inviting readers to reflect on whom they are responsible to and how they are implicated in social systems that perpetuate silencing. By exploring how to combat silencing through narrative without reproducing it, Marina Warner and the Ethics of Telling Silenced Stories takes up an issue crucial not just to literature and art but to journalists, policy makers, human rights activists, and all people striving to formulate their own responses to injustice.
Mariner: A Theological Voyage with Samuel Taylor Coleridge (Studies in Theology and the Arts)
by Malcolm GuiteInstead of the cross, the Albatross About my neck was hung.
Mariner: A Voyage with Samuel Taylor Coleridge
by Reverend Dr Malcolm Guite'The story of Coleridge's life does undoubtedly echo that of his poem; this is a book that provides rewarding rereadings of both' - The Sunday TimesA new biography of Samuel Taylor Coleridge, shaped and structured around the story he himself tells in his most famous poem, 'The Rime of the Ancient Mariner'. Though the 'Mariner' was written in 1797 when Coleridge was only twenty-five, it was an astonishingly prescient poem. As Coleridge himself came to realise much later, this tale - of a journey that starts in high hopes and good spirits, but leads to a profound encounter with human fallibility, darkness, alienation, loneliness and dread, before coming home to a renewal of faith and vocation - was to be the shape of his own life. In this rich new biography, academic, priest and poet Malcolm Guite draws out how with an uncanny clarity, image after image and event after event in the poem became emblems of what Coleridge was later to suffer and discover. Of course 'The Rime of the Ancient Mariner' is more than just an individual's story: it is also a profound exploration of the human condition and, as Coleridge says in his gloss, our 'loneliness and fixedness'. But the poem also offers hope, release, and recovery; and Guite also draws out the continuing relevance of Coleridge's life and writing to our own time.'Forcefully and convincingly argued' - The Telegraph
Mariner: A Voyage with Samuel Taylor Coleridge
by Reverend Dr Malcolm Guite'The story of Coleridge's life does undoubtedly echo that of his poem; this is a book that provides rewarding rereadings of both' - The Sunday TimesA new biography of Samuel Taylor Coleridge, shaped and structured around the story he himself tells in his most famous poem, 'The Rime of the Ancient Mariner'. Though the 'Mariner' was written in 1797 when Coleridge was only twenty-five, it was an astonishingly prescient poem. As Coleridge himself came to realise much later, this tale - of a journey that starts in high hopes and good spirits, but leads to a profound encounter with human fallibility, darkness, alienation, loneliness and dread, before coming home to a renewal of faith and vocation - was to be the shape of his own life. In this rich new biography, academic, priest and poet Malcolm Guite draws out how with an uncanny clarity, image after image and event after event in the poem became emblems of what Coleridge was later to suffer and discover. Of course 'The Rime of the Ancient Mariner' is more than just an individual's story: it is also a profound exploration of the human condition and, as Coleridge says in his gloss, our 'loneliness and fixedness'. But the poem also offers hope, release, and recovery; and Guite also draws out the continuing relevance of Coleridge's life and writing to our own time.'Forcefully and convincingly argued' - The Telegraph
Mario Vargas Llosa: A Collection of Critical Essays
by Charles Rossman and Alan Warren FriedmanThe Peruvian Mario Vargas Llosa has been acclaimed throughout the literary world as one of Latin America's finest writers, yet until recently little has been written about his work in English. While his work has the subject of an increasing flow of critical commentary in Spanish and his major novels have been translated into English, this is the first full-scale critical treatment of Vargas Llosa published in the English language. These articles by a number of established writers and critics appraise Vargas Llosa's individual novels as well as the body of his work. The Time of the Hero, The Green House, Conversation in The Cathedral, and Pantaleón y las visitadoras are examined in order of publication, A second group of more general essays ranges across Vargas Llosa's work and explores pervasive themes and concerns. Two pieces by José Miguel Oviedo serve as a coda. In a bilingual interview, Oviedo and Vargas Llosa discuss Vargas Llosa's novel La tía Julia y el escribidor. Oviedo concludes with a critical discussion of that novel. A Vargas Llosa chronology compiled by the editors is also included. Most of these essays originally appeared in 1977 as a special issue of Texas Studies in Literature and Language. The concluding essay by Oviedo was prepared especially for this edition.
Mariposas amarillas y los señores dictadores: América Latina narra su historia
by Michi StrausfeldUna espléndida historia de América Latina a través de su literatura. Michi Strausfeld,una de las expertas en literatura latinoamericana más reconocidas del mundo,analiza en este espléndido libro las ideas y prejuicios que han atravesado a lo largo de más de quinientos años la historia del continente. Lo hace a partir de la relectura de autores de primer nivel como Gabriel García Márquez, lio Cortázar, Elena Poniatowska, Mario Vargas Llosa, Alejo Carpentier, Carlos Fuentes, Juan Carlos Onetti, Augusto Roa Bastos, Domingo F. Sarmiento, Isabel Allende, Alfredo Bryce Echenique, Darcy Ribeiro, Tomás Eloy Martínez, Juan Rulfo, Octavio Paz o Guillermo Cabrera Infante. En total, más de doscientos cincuenta escritores y escritoras dan muestra de la riqueza y el bagaje cultural único de América Latina, siempre entrelazado con su destino político. A través de poemas, relatos y novelas Strausfeld nos guía por la agitada y fascinante historia del continente al tiempo que nos deleita con una serie de semblanzas breves de los principales representantes de su literatura, que la autora conoció y trató personalmente. Descubriremos también cuán críticos son los textos contemporáneos con los hechos del pasado, con qué lucidez las grandes figuras de las letras hispanoamericanas analizaron las situaciones de sus respectivos países y cómo sus obras se han convertido en la corrección de unos manuales muchas veces falsarios. En palabras de Vargas Llosa, «la literatura cuenta la historia que la historia que escriben los historiadores no sabe ni puede contar». Así pues, Mariposas amarillas y los señores dictadores es un paseo literario por la verdadera historia del continente latinoamericano y una invitación sincera, lejos de la mirada eurocéntrica, a reabrir el diálogo entre América Latina y Europa.
Maritime Animals: Ships, Species, Stories (Animalibus)
by Kaori NagaiThis volume explores nonhuman animals’ involvement with human maritime activities in the age of sail—as well as the myriad multispecies connections formed across different geographical locations knitted together by the long history of global ship movement. Far from treating the ship as a confined space defined by the sea, Maritime Animals considers the ship’s connections to broader contexts and networks and covers a variety of locations, from the Canadian Arctic to the Pacific Islands. Each chapter focuses on the oceanic experiences of a particular species, from ship vermin, animals transported onboard as food, and animal specimens for scientific study to livestock, companion and working animals, deep-sea animals that find refuge in shipwrecks, and terrestrial animals that hunker down on flotsam and jetsam. Drawing on recent scholarship in animal studies, maritime studies, environmental humanities, and a wide range of other perspectives and storytelling approaches, Maritime Animals challenges an anthropocentric understanding of maritime history. Instead, this volume highlights the ways in which species, through their interaction with the oceans, tell stories and make histories in significant and often surprising ways.In addition to the editor, the contributors to this volume include Anna Boswell, Nancy Cushing, Lea Edgar, David Haworth, Donna Landry, Derek Lee Nelson, Jimmy Packham, Laurence Publicover, Killian Quigley, Lynette Russell, Adam Sundberg, and Thom van Dooren.
Maritime Mobilities in Anglophone Literature and Culture (Maritime Literature and Culture)
by Alexandra Ganser Charne LaveryThis open access edited collection explores various aspects of how oceanic im/ mobilities have been framed and articulated in the literary and cultural imagination. It covers the entanglements of maritime mobility and immobility as they are articulated and problematized in selected literature and cultural forms from the early modern period to the present. In particular, it brings cultural mobility studies into conversation with the maritime and oceanic humanities. The contributors examine the interface between the traditional Eurocentric imagination of the sea as romantic and metaphorical, and the materiality of the sea as a deathbed for racialized and illegalized humans as well as non-human populations
Marivaux
by E. J. GreeneThe last thirty years have seen a renewed interest in the novels, plays, and essays of Marivaux. Each year more of his work is made available to the public in partial editions. More and better studies have appeared, superseding the old and, in the last thirty years, almost all of his plays have been performed. Today no corder of his work remains unexplored: our knowledge of his life, which had been until recently a tissue of fancy and anecdote, has been enhanced by the discovery of a few facts. This critical study of the entire body of Marviaux's writings sets out to tell whether this attention represents a securely established place for Marivaux among the great French writers, or simply a vogue. It consists of a careful analysis of the individual works, in chronological order rather than in systematic groups, as is customary, showing the development of Marivaux's thinking, and the intimate relationship among the plays, novels, and essays of any given period. A history of the reception of the works, by scholars and critics from Marivaux's time to the present, presents succinctly the historical perspective through which the modern reader may understand the long indifference to Marivaux in France and his contemporary "discovery." Professor Greene's work will be of great value to all students of the eighteenth century in France. Because of his lively interest in the theatre arts it will also be valuable for directors planning to produce the plays of Marivaux.
Mark My Words: Native Women Mapping Our Nations (First Peoples: New Directions in Indigenous Studies)
by Mishuana GoemanDominant history would have us believe that colonialism belongs to a previous era that has long come to an end. But as Native people become mobile, reservation lands become overcrowded and the state seeks to enforce means of containment, closing its borders to incoming, often indigenous, immigrants.In Mark My Words, Mishuana Goeman traces settler colonialism as an enduring form of gendered spatial violence, demonstrating how it persists in the contemporary context of neoliberal globalization. The book argues that it is vital to refocus the efforts of Native nations beyond replicating settler models of territory, jurisdiction, and race. Through an examination of twentieth-century Native women&’s poetry and prose, Goeman illuminates how these works can serve to remap settler geographies and center Native knowledges. She positions Native women as pivotal to how our nations, both tribal and nontribal, have been imagined and mapped, and how these women play an ongoing role in decolonization.In a strong and lucid voice, Goeman provides close readings of literary texts, including those of E. Pauline Johnson, Esther Belin, Joy Harjo, Leslie Marmon Silko, and Heid Erdrich. In addition, she places these works in the framework of U.S. and Canadian Indian law and policy. Her charting of women&’s struggles to define themselves and their communities reveals the significant power in all of our stories.
Mark Steyn's Passing Parade: Obituaries And Appreciations
by Mark Steyn...on Bob Hope: He was the first comedian to run himself as a business, and he succeeded brilliantly. Time magazine reported in 1967 that he was worth half a billion dollars. Asked about the figure, Hope said, "Anyone can do it. All you have to do is save a million dollars a year for 500 years." ...on Amin: His Excellency was borne aloft in a sedan chair balanced with some difficulty on the shoulders of four spindly Englishmen from Kampala's business community, while another humbled honky walked behind holding the parasol. When it came to the white man's burden, the British could talk the talk. But that night the 3001b Amin made them walk the walk. ...on Strom Thurmond: Strom had just cast an appreciative bipartisan eye over the petite brunette liberal extremist. Senator Boxer gave an involuntary shudder. Glancing down, I was horrified to see an unusually large lizard slithering up and down my arm. On closer inspection, it proved to be Strom's hand. Presumably he'd mistaken my dainty elbow for Barbara's, but who knows? In how many other national legislatures can a guy just wander in off the street and find himself being petted by a 97-year-old Senator? ...on the Princess of Wales: August is the "silly season" in the British press, and this year the Princess had done her bit for her media chums, embarking on a dizzying summer romance that brought an extravagant array of her lover's ex-girlfriends tumbling out of the cupboard. A good time was had by all. On the very last day of the silly season, when the Queen's subjects woke to the news that Diana was dead, it seemed in some strange way the best plot twist of all. On Katherine Graham judging from the tone of the drooling eulogies, most commentators are apparently assuming that The Washington Post's proprietress will be continuing her salons in the unseen world and that, come their own demise, they want to make sure they're at the top table with Kay, the Kennedys, Pam Harriman, and not down the declasse end near the powder room with God, Christ, St Peter and the other losers. And for This Ole House: I was wandering way up in the mountains and came across this dilapidated cabin." He was hunting in the high Sierras and had noticed a mangy, starving old hound dog hanging around an otherwise abandoned cabin. "Inside, I found an old prospector lying dead. I saw curtains, so that meant a woman had been there. I saw kids' things lin' around. And they were all gone now. The old man was alone." Most of us would just get out, some perhaps would go to the cops, but Hamblen sat down and, with the corpse lying next to him for inspiration, began to rough out a song.
Mark Thomas Presents the People's Manifesto
by Mark ThomasMark Thomas has been touring the country for months, getting audiences to come up with policies aimed at sorting out the country's political chaos and taking back the power for the people. Sick to death of bailing out bankers and subsidising MPs homes, the audience vote on the best policy of the night to be included in the brand new People's Manifesto.From the inspiring to the downright hilarious, you'll wonder why these fantastic ideas aren't part of the constitution already. For example:- All politicians will be forced to wear the names and logos of the companies sponsor that them or with whom they have financial links.- Anyone who supports ID cards is banned from having curtains. - All models have to be picked at random from the electoral register.- Anyone found guilty of homophobic hate crime has to serve their sentence in drag.- CEOs convicted of fraud will be made to dress as pirates in whatever job they get in the future.The People's Manifesto will outline 50 policies of the manifesto shouted out in bold type on a page to themselves with Mark's commentary opposite. Mark has even 'road tested' some of them - like hosting a party in an MP's second home (which clearly belongs to the taxpayer) and getting university boffins to work out a way of SAT testing MPs to rank them by value. And Mark's guerrilla antics won't end there...Power to the people is really happening.
Mark Twain
by Forrest G. RobinsonThis collection of captivating tales displays Twain's characteristic energy, imagination, and sense of fun, as well as the darkly satirical edge that marks so much of his work. His targets range from the difficulty of learning German (explored in a three-act play where two young lovers are obliged to conduct their courtship in beginning German), to the incompetence of military command (found in a sketch called "Luck" in which it is revealed that a celebrated general's most lauded battle stratagem resulted from his confusing his right hand with his left). The best-known story in this collection is "The Private History of a Campaign That Failed," one of the few pieces Twain ever wrote about his experiences in the Civil War. His friend William Dean Howells found it "immensely amusing, with such a bloody bit of heartache in it. " As Anne Bernays writes in her introduction, "unmatched in the care and handling of tone ," "The Private History of a Campaign That Failed" is "a merry tale about shattered innocence and slaughter, an antiwar manifesto that is also confession, dramatic monologue. . . and a romp that gradually turns into atrocity even as we watch. " It is a small masterpiece.
Mark Twain
by Jerome LovingMark Twain, who was often photographed with a cigar, once remarked that he came into the world looking for a light. In this new biography, published on the centennial of the writer's death, Jerome Loving focuses on Mark Twain, humorist and quipster, and sheds new light on the wit, pathos, and tragedy of the author of Adventures of Huckleberry Finn. In brisk and compelling fashion, Loving follows Twain from Hannibal to Hawaii to the Holy Land, showing how the southerner transformed himself into a westerner and finally a New Englander. This re-examination of Twain's life is informed by newly discovered archival materials that provide the most complex view of the man and writer to date.
Mark Twain (Routledge Library Editions: The American Novel #16)
by I. M. WalkerOriginally published in 1970. Mark Twain is generally known as a children’s writer. This serious and appreciative introduction by I. M. Walker shows that he is in fact a great writer who produced mature and developed literature. The study of his works is divided into five sections: the comic narrator; techniques of humour; character portrayal; style and description; and irony and satire.
Mark Twain among the Indians and Other Indigenous Peoples
by Kerry DriscollMark Twain among the Indians and Other Indigenous Peoples is the first book-length study of the writer’s evolving views regarding the aboriginal inhabitants of North America and the Southern Hemisphere, and his deeply conflicted representations of them in fiction, newspaper sketches, and speeches. Using a wide range of archival materials—including previously unexamined marginalia in books from Clemens’s personal library—Driscoll charts the development of the writer’s ethnocentric attitudes about Indians and savagery in relation to the various geographic and social milieus of communities he inhabited at key periods in his life, from antebellum Hannibal, Missouri, and the Sierra Nevada mining camps of the 1860s to the progressive urban enclave of Hartford’s Nook Farm. The book also examines the impact of Clemens’s 1895–96 world lecture tour, when he traveled to Australia and New Zealand and learned firsthand about the dispossession and mistreatment of native peoples under British colonial rule. This groundbreaking work of cultural studies offers fresh readings of canonical texts such as The Adventures of Tom Sawyer, A Connecticut Yankee in King Arthur’s Court, Roughing It, and Following the Equator, as well as a number of Twain’s shorter works.
Mark Twain as Critic
by Sydney J. KrauseOriginally published in 1967. Mark Twain's literary criticism is a significant branch of his writing that is relatively less explored and appreciated than his other writing. Sydney Krause analyzes the full range of Twain's criticism, much of which has lain neglected in notebooks, letters, marginalia, and autobiographical dictations. This body of work demonstrates that, in addition to being an acute critic given to close reading, Twain thought enough of his criticism to present much of it in an enveloping literary form. In his early criticism Twain used the mask of an ignorant fool (or Muggins), while in his later criticism he used the mask of a world-weary malcontent (or Grumbler). The resulting cross fire from extremes of innocence and experience proved effective against a wide range of literary targets. The Muggins dealt mainly with theater, journalism, oratory, and popular poetry; the grumbler with such writers as Goldsmith, Cooper, Scott, and Hare. Much of this criticism was an outgrowth of Twain's romanticism and therefore has importance for the history of American realism. Mark Twain's criticism was not wholly depreciatory, however. He liked Macaulay, Howells, Howe, Zola, and Wilbrandt, for example, because he found in some of their works the realization of history as an immediate presence. The evidence presented in this book challenges the view that Twain was not a serious student of the craft of writing; he possessed the combination of sensitivity and judgment that all great critics have.
Mark Twain in China
by Selina Lai-HendersonMark Twain (Samuel Langhorne Clemens, 1835-1910) has had an intriguing relationship with China that is not as widely known as it should be. Although he never visited the country, he played a significant role in speaking for the Chinese people both at home and abroad. After his death, his Chinese adventures did not come to an end, for his body of works continued to travel through China in translation throughout the twentieth century. Were Twain alive today, he would be elated to know that he is widely studied and admired there, and that Adventures of Huckleberry Finn alone has gone through no less than ninety different Chinese translations, traversing China, Taiwan, and Hong Kong. Looking at Twain in various Chinese contexts--his response to events involving the American Chinese community and to the Chinese across the Pacific, his posthumous journey through translation, and China's reception of the author and his work, Mark Twain in China points to the repercussions of Twain in a global theater. It highlights the cultural specificity of concepts such as "race," "nation," and "empire," and helps us rethink their alternative legacies in countries with dramatically different racial and cultural dynamics from the United States.