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Like Children: Black Prodigy and the Measure of the Human in America (Performance and American Cultures)
by Camille OwensA new history of manhood, race, and hierarchy in American childhoodLike Children argues that the child has been the key figure giving measure and meaning to the human in thought and culture since the early American period. Camille Owens demonstrates that white men’s power at the top of humanism’s order has depended on those at the bottom. As Owens shows, it was childhood’s modern arc—from ignorance and dependence to reason and rights—that structured white men’s power in early America: by claiming that black adults were like children, whites naturalized black subjection within the American family order. Demonstrating how Americans sharpened the child into a powerful white supremacist weapon, Owens nevertheless troubles the notion that either the child or the human have been figures of unadulterated whiteness or possess stable boundaries.Like Children recenters the history of American childhood around black children and rewrites the story of the human through their acts. Through the stories of black and disabled children spectacularized as prodigies, Owens tracks enduring white investment in black children’s power and value, and a pattern of black children performing beyond white containment. She reconstructs the extraordinary interventions and inventions of figures such as the early American poet Phillis Wheatley, the nineteenth-century pianist Tom Wiggins (Blind Tom), a child known as “Bright” Oscar Moore, and the early-twentieth century “Harlem Prodigy,” Philippa Schuyler, situating each against the racial, gendered, and developmental rubrics by which they were designated prodigious exceptions. Ultimately, Like Children displaces frames of exclusion and dehumanization to explain black children’s historical and present predicament, revealing the immense cultural significance that black children have negotiated and what they have done to reshape the human in their own acts.
Like Clockwork: Steampunk Pasts, Presents, and Futures
by Brian Croxall Rachel A. BowserOnce a small subculture, the steampunk phenomenon exploded in visibility during the first years of the twenty-first century, its influence and prominence increasing ever since. From its Victorian and literary roots to film and television, video games, music, and even fashion, this subgenre of science fiction reaches far and wide within current culture. Here Rachel A. Bowser and Brian Croxall present cutting-edge essays on steampunk: its rise in popularity, its many manifestations, and why we should pay attention. Like Clockwork offers wide-ranging perspectives on steampunk’s history and its place in contemporary culture, all while speaking to the “why” and “why now” of the genre. In her essay, Catherine Siemann draws on authors such as William Gibson and China Miéville to analyze steampunk cities; Kathryn Crowther turns to disability studies to examine the role of prosthetics within steampunk as well as the contemporary culture of access; and Diana M. Pho reviews the racial and national identities of steampunk, bringing in discussions of British chap-hop artists, African American steamfunk practitioners, and multicultural steampunk fan cultures.From disability and queerness to ethos and digital humanities, Like Clockwork explores the intriguing history of steampunk to evaluate the influence of the genre from the 1970s through the twenty-first century. Contributors: Kathryn Crowther, Perimeter College at Georgia State University; Shaun Duke, University of Florida; Stefania Forlini, University of Calgary (Canada); Lisa Hager, University of Wisconsin–Waukesha; Mike Perschon, MacEwan University in Edmonton, Alberta; Diana M. Pho; David Pike, American University; Catherine Siemann, New Jersey Institute of Technology; Joseph Weakland, Georgia Institute of Technology; Roger Whitson, Washington State University.
Like Fish in the Water (Reloaded)
by Federico López Socasau Ignacio OchoaDe los autores de From Lost to the River y Speaking in Silver, llega este libro con el que te partirás de risa. ¿Has oído hablar del fromlostiano? Esa jerga esperpéntica y humorística que seguro que has escuchado alguna vez, inventada por los autores de este libro en la primera entrega de la serie, From Lost to the River. Aquí llega, flamante y reloaded, la nueva edición de Like Fish in the Water, una divertida recopilación de términos de los que un inglés no entenderá ni flowers. Ignacio Ochoa y Federico López Socasau (Güester y Cólin) nos enseñan a hablar este divertido idioma en menos de lo que a cock sings. Una idea dedicada a todos aquellos que no han conseguido hablar inglés pero lo intentan con moral y fe de carbonero. No te comas el coconut y diviértete destrozando el inglés sin necesidad de acudir a academias ni viajar al United Kingdom. Puede que no llegues a dominar la lengua de Shakespeare, pero con este libro te sentirás Like Fish in the wáter.
Like, Literally, Dude: Arguing for the Good in Bad English
by Valerie Fridland&“Smart and funny—I loved it!" —Mignon Fogarty, author of New York Times bestseller Grammar Girl&’s Quick and Dirty Tips for Better WritingA lively linguistic exploration of the speech habits we love to hate—and why our &“like&”s and &“literally&”s actually make us better communicatorsParanoid about the &“ums&” and &“uhs&” that pepper your presentations? Concerned that people notice your vocal fry? Bewildered by &“hella&” or the meteoric rise of &“so&”? What if these features of our speech weren&’t a sign of cultural and linguistic degeneration, but rather, some of the most dynamic and revolutionary tools at our disposal?In Like, Literally, Dude, linguist Valerie Fridland shows how we can re-imagine these forms as exciting new linguistic frontiers rather than our culture&’s impending demise. With delightful irreverence and expertise built over two decades of research, Fridland weaves together history, psychology, science, and laugh-out-loud anecdotes to explain why we speak the way we do today, and how that impacts what our kids may be saying tomorrow. She teaches us that language is both function and fashion, and that though we often blame the young, the female, and the uneducated for its downfall, we should actually thank them for their linguistic ingenuity.By exploring the dark corners every English teacher has taught us to avoid, Like, Literally, Dude redeems our most pilloried linguistic quirks, arguing that they are fundamental to our social, professional, and romantic success—perhaps even more so than our clothing or our resumes. It explains how filled pauses benefit both speakers and listeners; how the use of &“dude&” can help people bond across social divides; why we&’re always trying to make our intensifiers ever more intense; as well as many other language tics, habits, and developments.Language change is natural, built into the language system itself, and we wouldn&’t be who we are without it. Like, Literally, Dude celebrates the dynamic, ongoing, and empowering evolution of language, and it will speak to anyone who talks, or listens, inspiring them to communicate dynamically and effectively in their daily lives.
Like Love: Essays and Conversations
by Maggie NelsonA career-spanning collection of inspiring, revelrous essays about art and artistsLike Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson’s brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson’s passion for dialogue and dissent. The range of subjects is wide—from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker—but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson’s own development, and a testament to the profound sustenance offered by art and artists.
Like Parchment in the Fire: Literature and Radicalism in the English Civil War (Literary Criticism and Cultural Theory)
by Prasanta ChakravartyThis book examines the literary, religious, and political aspects of the radical movements and various sects of the English Civil War. Featuring a chapter on John Milton, this book also addresses the legal problems that engaged the early modern radical reformers, the issue of radical religion as a negotiating tool and the limits of radical liberal thought.
Like A Pelting Rain: The Making of the Modern Mind
by Roland Cap EhlkeWhen it comes to analyzing today's culture, people talk about politics, economics, and even morals. Like a Pelting Rain: The Making of the Modern Mind goes deeper and looks at the spiritual condition of Western civilization.How we arrived at where we are is the long and complex interplay of theology and culture. Understanding the trends of the times does not necessitate accepting them. God calls upon Christians to contend for the faith. The Holy Spirit is still at work, and the Gospel remains the power of God for the salvation of all who believe!
Like Shaking Hands with God: A Conversation about Writing
by Kurt Vonnegut Jr. Lee StringerLike Shaking Hands with God details a collaborative journey on the art of writing undertaken by two distinguished writers separated by age, race, upbringing, and education, but sharing common goals and aspirations. Rarely have two writers spoken so candidly about the intersection where the lives they live meet the art they practice. That these two writers happen to be Kurt Vonnegut and Lee Stringer makes this a historic and joyous occasion.The setting was a bookstore in New York City, the date Thursday, October 1, 1998. Before a crowd of several hundred, Vonnegut and Stringer took up the challenge of writing books that would make a difference and the concomitant challenge of living from day to day. As Vonnegut said afterward, ""It was a magical evening.""A book for anyone interested in why the simple act of writing things down can be more important than the amount of memory in our computers.
Likenesses: Translation, Illustration, Interpretation
by Matthew ReynoldsTranslation, illustration and interpretation have at least two things in common. They all begin when sense is made in the act of reading: that is where illustrative images and explanatory words begin to form. And they all ask to be understood in relation to the works from which they have arisen: reading them is a matter of reading readings. Likenesses explores this palimpsestic realm, with examples from Dante to the contemporary sculptor Rachel Whiteread. The complexities that emerge are different from Empsonian ambiguity or de Man's unknowable infinity of signification: here, meaning dawns and fades as the hologrammic text is filled out and flattened by successive encounters. Since all literature and art is palimpsestic to some degree - Reynolds proposes - this style of interpretation can become a tactic for criticism in general. Critics need both to indulge and to distrust the metamorphic power of their interpreting imaginations. Likenesses follows on from the argument of Reynolds's The Poetry of Translation (2011), extending it through other translations and beyond them into a wide range of layered texts. Browning emerges as a key figure because his poems laminate languages, places, times and modes of utterance with such compelling energy. There are also substantial, innovative accounts of Dryden, Stubbs, Goya, Turner, Tennyson, Ungaretti and many more.
Liliana's Realms
by Adam AltmanStorms ravage the Guardian Realm, Greg is lost, Felip walks in uncharted territory, and the troupe of kids led by Liliana is in disarray. And worse still is that Liliana has little power to control any of it. How is she supposed to save the realm when she can barely save herself?
The Lily and the Thistle
by William CalinIn The Lily and the Thistle, William Calin argues for a reconsideration of the French impact on medieval and renaissance Scottish literature. Calin proposes that much of traditional, medieval, and early modern Scottish culture, thought to be native to Scotland or primarily from England, is in fact strikingly international and European. By situating Scottish works in a broad intertextual context, Calin reveals which French genres and modes were most popular in Scotland and why. The Lily and the Thistle provides appraisals of medieval narrative texts in the high courtly mode (equivalent to the French "dits amoureux"); comic, didactic, and satirical texts; and Scots romance. Special attention is accorded to texts composed originally in French such as the Arthurian "Roman de Fergus," as well as to the lyrics of Mary Queen of Scots and little known writers from the French and Scottish canons. By considering both medieval and renaissance works, Calin is able to observe shifts in taste and French influence over the centuries.
Lima y sus arenas
by Danilo MartuccelliUn texto fundamental para las ciencias sociales y para entender por qué urge un imaginario ciudadano para Lima Lima es aún un enigma por descifrar. Múltiples disciplinas han abordado sus diversas transformaciones consignando sus cambios históricos, los múltiples rostros de las migraciones y los fenómenos naturales que la han moldeado, pero la incógnita de su naturaleza social persiste como un reto a afrontar. El sociólogo Danilo Martuccelli aborda en este ensayo posibles respuestas al gran cambio de unaciudad en la que el colapso económico y urbano de la década de 1980 marcó y simbolizó un profundo cambio para los limeños. En estas páginas, Martuccelli realiza un recuento sobre sucesos decisivos en la política peruana durante el siglo XX, analiza las jerarquías culturales y prácticas sociales que aún persisten en nuestra cotidianidad, la informalidad, las diferencias populares, la ilusión de un programa reglamentador y la urgencia por un proyecto ciudadanocolectivo que involucre y reconozca a todos los habitantes de esta capital para construir una ciudadanía. Lima y sus arenas, publicado originalmente en 2015, es un texto fundamental para las ciencias sociales y para todo aquel que le interese ampliar su mirada respecto a la formación de una metrópoli donde convergen distintos orígenes, clases sociales y a la que le urge un imaginario ciudadano acorde con los nuevos tiempos.
Limbo Reapplied: On Living in Perennial Crisis and the Immanent Afterlife (Radical Theologies and Philosophies)
by Kristof K.P. VanhoutteThe observation that our world is signed by a lasting crisis is as much underwritten as it is questioned. This book offers a new and provocative thesis by taking recourse to the religious discourse of Limbo, and by investigating the temporal and spatial structures of crisis and modernity. Modernity reveals itself to be the state of perennial crisis, and we all live in an immanentized state of Limbo.
Liminal Lives: Imagining the Human at the Frontiers of Biomedicine
by Susan Merrill SquierEmbryo adoptions, stem cells capable of transforming into any cell in the human body, intra- and inter-species organ transplantation--these and other biomedical advances have unsettled ideas of what it means to be human, of when life begins and ends. In the first study to consider the cultural impact of the medical transformation of the entire human life span, Susan Merrill Squier argues that fiction--particularly science fiction--serves as a space where worries about ethically and socially charged scientific procedures are worked through. Indeed, she demonstrates that in many instances fiction has anticipated and paved the way for far-reaching biomedical changes. Squier uses the anthropological concept of liminality--the state of being on the threshold of change, no longer one thing yet not quite another--to explore how, from the early twentieth century forward, fiction and science together have altered not only the concept of the human being but the contours of human life. Drawing on archival materials of twentieth-century biology; little-known works of fiction and science fiction; and twentieth- and twenty-first century U. S. and U. K. government reports by the National Institutes of Health, the Parliamentary Advisory Group on the Ethics of Xenotransplantation, and the President's Council on Bioethics, she examines a number of biomedical changes as each was portrayed by scientists, social scientists, and authors of fiction and poetry. Among the scientific developments she considers are the cultured cell, the hybrid embryo, the engineered intrauterine fetus, the child treated with human growth hormone, the process of organ transplantation, and the elderly person rejuvenated by hormone replacement therapy or other artificial means. Squier shows that in the midst of new phenomena such as these, literature helps us imagine new ways of living. It allows us to reflect on the possibilities and perils of our liminal lives.
Liminality and the Short Story: Boundary Crossings in American, Canadian, and British Writing (Routledge Interdisciplinary Perspectives on Literature)
by Jochen Achilles Ina BergmannThis book is a study of the short story, one of the widest taught genres in English literature, from an innovative methodological perspective. Both liminality and the short story are well-researched phenomena, but the combination of both is not frequent. This book discusses the relevance of the concept of liminality for the short story genre and for short story cycles, emphasizing theoretical perspectives, methodological relevance and applicability. Liminality as a concept of demarcation and mediation between different processual stages, spatial complexes, and inner states is of obvious importance in an age of global mobility, digital networking, and interethnic transnationality. Over the last decade, many symposia, exhibitions, art, and publications have been produced which thematize liminality, covering a wide range of disciplines including literary, geographical, psychological and ethnicity studies. Liminal structuring is an essential aspect of the aesthetic composition of short stories and the cultural messages they convey. On account of its very brevity and episodic structure, the generic liminality of the short story privileges the depiction of transitional situations and fleeting moments of crisis or decision. It also addresses the moral transgressions, heterotopic orders, and forms of ambivalent self-reflection negotiated within the short story's confines. This innovative collection focuses on both the liminality of the short story and on liminality in the short story.
Liminality, Hybridity, and American Women's Literature: Thresholds In Women's Writing
by Leslie Allison Rickie-Ann Legleitner Kristin Allukian Kristin J. JacobsonThis book highlights the multiplicity of American women’s writing related to liminality and hybridity from its beginnings to the contemporary moment. Often informed by notions of crossing, intersectionality, transition, and transformation, these concepts as they appear in American women’s writing contest as well as perpetuate exclusionary practices involving class, ethnicity, gender, race, religion, and sex, among other variables. The collection’s introduction, three unit introductions, fourteen individual essays, and afterward facilitate a process of encounters, engagements, and conversations within, between, among, and across the rich polyphony that constitutes the creative acts of American women writers. The contributors offer fresh perspectives on canonical writers as well as introduce readers to new authors. As a whole, the collection demonstrates American women’s writing is “threshold writing,” or writing that occupies a liminal, hybrid space that both delimits borders and offers enticing openings.
The Liminality of Fairies: Readings in Late Medieval English and Scottish Romance
by Piotr SpyraExamining the fairies of medieval romance as liminal beings, this book draws on anthropological and philosophical studies of liminality to combine folkloristic insights into the nature of fairies with close readings of selected romance texts. Tracing different meanings and manifestations of liminality in Sir Gawain and the Green Knight, Sir Orfeo, Sir Launfal, Thomas of Erceldoune and Robert Henryson’s Orpheus and Eurydice, the volume offers a comprehensive theory of liminality rooted in structuralist anthropology and poststructuralist theory. Arguing that romance fairies both embody and represent the liminal, The Liminality of Fairies posits and answers fundamental theoretical questions about the limits of representation and the relationship between romance hermeneutics and criticism. The interdisciplinary nature of the argument will appeal not just to medievalists and literary critics but also to anthropologists, folklorists as well as scholars working within the fields of cultural history and contemporary literary theory.
The Limit of the Useful
by Georges BatailleThe first English-language translation of an essential, early work key to understanding the French philosopher's later thought.In the decade prior to the publication of Inner Experience (L&’expérience intérieure), the twentieth-century French philosopher Georges Bataille produced a nascent masterwork containing some of his most original and extensive reflections on a range of subjects. With thoughts on ritual sacrifice and military conquest, the nature of laughter, and the mechanisms of capitalism, The Limit of the Useful, as Bataille had planned to title the work, illuminates the philosopher&’s later corpus, yet it remained unfinished and unpublished in his lifetime, and untranslated until now. This is the first English-language translation of what Cory Austin Knudson and Tomas Elliott argue is one of Bataille&’s most structurally consistent works. Paired with draft essays and plans for The Accursed Share, along with over a hundred pages of appendixes and notes, the volume distinctively elaborates Bataille&’s thought. The Limit of the Useful spans a decade of rich intellectual ferment in Bataille&’s life as he first formulated his challenge to capitalism, engaging with concepts and ideas in ways not seen in his other published works. The volume bridges the gap between Bataille&’s surrealist literary writings and later scientific pretensions, drawing attention to, and filling in, an overlooked lacuna in his oeuvre.
Limited Access: Transport Metaphors and Realism in the British Novel, 1740–1860
by Kyoko TakanashiA recurrent trope in eighteenth- and nineteenth-century British fiction compares reading to traveling and asserts that the pleasures of novel-reading are similar to the joys of a carriage journey. Kyoko Takanashi points to how these narratives also, however, draw attention to the limits of access often experienced in travel, and she demonstrates the ways in which the realist novel, too, is marked by issues of access both symbolic and material.Limited Access draws on media studies and the history of books and reading to bring to life a history of realism concerned with the inclusivity of readers. Examining works by Henry Fielding, Laurence Sterne, Walter Scott, Charles Dickens, William Makepeace Thackeray, and George Eliot, Takanashi shows how novelists employed metaphors of transport to constantly reassess what readers could and could not access. She gives serious attention to marginalized readers figured within the text, highlighting their importance and how writers were concerned about the "limited access" of readers to their novels. Discussions of transport allowed novelists to think about mediation, and, as this study shows, these concerns about access became part of the rise of the novel and the history of realism in a way that literary history has not yet recognized.
Limited Shakespeare: The Reason of Finitude (Routledge Studies in Shakespeare)
by Julián Jiménez HeffernanShakespeare’s poetic-dramatic worlds are inescapably limited. There is always, in his poems and plays, a force (a contingent drive, a pre-textual undertow, a rational-critical momentum, an ironic stance, the deflections of error) coercing plot and meaning to their end. By examining the work of limits in the sonnets and in five of his plays, this book seeks not only to highlight the poet’s steadfast commitment to critical rationality. It also aims to plead a case of hermeneutic continence. Present-day appraisals of Shakespeare’s world-making and meaning-projecting potential are often overruled by a neo-romantic and phenomenological celebration of plenty. This pre-critical tendency unwittingly obtains epistemic legitimation from philosophical quarters inspired by Alain Badiou’s derisive rejection of "the pathos of finitude". But finitude is much more than a modish, neo-existentialist, watchword. It is what is left of ontology when reason is done. And cool reason was already at work before Kant. In accounting for the way in which Shakespeare places limits to life (Romeo and Juliet), to experience (The Tempest), to love (the Sonnets), to time (Macbeth), to the world (Hamlet) and to knowledge (Othello), Limited Shakespeare: The Reason of Finitude aims to underscore the deeply mediated dimension of Shakespearean experience, always over-determined by the twin forces of contingency and textual determinism, and his meta-rational and virtually ironic taste for irrational, accidental, and error-driven limits (bonds, bounds, deaths).
The Limited Vision of the News Gurus
by Dean StarkmanDean Starkman takes on what has become a dominant perspective on the future of news in the digital age as personified by three well known media thinkers — Jay Rosen, Clay Shirky, and Jeff Jarvis — who have dominated the "future of news" debate. Starkman makes a powerful case that the perspective that these three represent, despite their many useful insights, is in the end corrosive to public-service journalism.
Los límites de la interpretación
by Umberto EcoUn libro audaz y renovador que señala un hito decisivo en la labor crítica de Umberto Eco. En este libro Umberto Eco se convierte en su propio objeto de estudio y analista de sí mismo. Acompañado de Dante, Leopardi y Joyce,e interpretando a los principales hermeneutas de sus obras, Eco replantea cuatro grandes problemas de la semiótica moderna: los «límites de la interpretación», el excesivo dispendio de «energía interpretativa», «los criterios de economía de lectura» y un ataque polémico a la «práctica de la deconstrucción». Trata así de restablecer el equilibrio entre la «intención del lector» y «la intención del autor», al tiempo que demuestra que el principio de la semiosis ilimitada no puede consistir en una derivación incontrolable del sentido. Si bien las interpretaciones de un texto pueden ser infinitas, no todas son buenas, y aunque no sabemos cuáles son las mejores, sí es posible determinar las que resultan totalmente inaceptables. Reseña:«Un sabio que sabía todas las cosas simulando que las ignoraba para seguir estudiando.»Juan Cruz, El País
Limiting Resources: Market-Led Reform and the Transformation of Public Goods (G - Reference, Information and Interdisciplinary Subjects)
by LaDawn HaglundThe provision of public goods such as education, electricity, health, sanitation, and water used to be regarded as primarily the responsibility of governments, but in the 1980s privatization of such services spread and reliance on market mechanisms instead of governments became common in many parts of the world, including developing countries. The record of the past twenty-five years of market-led development, however, has not been encouraging. Not only has it failed to improve public services significantly, but it has also undermined democratic institutions and processes, reproduced authoritarian relations of power, and suppressed alternatives made possible by an increasing global acceptance of the importance of economic and social rights. In Limiting Resources, LaDawn Haglund seeks an understanding of public goods that can better serve the needs of people in developing countries today.Haglund critiques the narrow conception of public goods used in economics, which tends to limit the range of resources considered “public,” and proposes an expanded conception drawing from multiple disciplines that incorporates issues of justice, inclusion, and sustainability. She then uses case studies of electricity and water provision in Central America to illuminate the conditions for success and the causes of failure in constructing adequate mechanisms for the supply of public goods. She follows with an analysis of political conflicts over privatization that reveals how neoliberal policies have made effective state action difficult. The book concludes with suggestions for ways in which this reformulated conception of public goods can be applied to promote justice, sustainability, and economic and social rights in developing countries.
Limits and Languages in Contemporary Irish Women's Poetry (New Directions in Irish and Irish American Literature)
by Daniela TheinováLimits and Languages in Contemporary Irish Women’s Poetry examines the transactions between the two main languages of Irish literature, English and Irish, and their formative role in contemporary poetry by Irish women. Daniela Theinová explores the works of well-known poets such as Eavan Boland, Eiléan Ní Chuilleanáin, Nuala Ní Dhomhnaill, Biddy Jenkinson and Medbh McGuckian, combining for the first time a critical analysis of the language issue with a focus on the historical marginality of women in the Irish literary tradition. Acutely alert to the textures of individual poems even as she reads these against broader critical-theoretical horizons, Theinová engages directly with texts in both Irish and English. By highlighting these writers’ uneasy poetic and linguistic identity, and by introducing into this wider context some more recent poets—including Vona Groarke, Caitríona O’Reilly, Sinéad Morrissey, Ailbhe Darcy and Aifric Mac Aodha—this book proposes a fundamental critical reconsideration of major late-twentieth-century Irish women poets, and, by extension, the nation’s canon.
The Limits of Autobiography: Trauma and Testimony
by Leigh GilmoreIn The Limits of Autobiography, Leigh Gilmore analyzes texts that depict trauma by combining elements of autobiography, fiction, biography, history, and theory in ways that challenge the constraints of autobiography. Astute and compelling readings of works by Michel Foucault, Louis Althusser, Dorothy Allison, Mikal Gilmore, Jamaica Kincaid, and Jeanette Winterson explore how each poses the questions "How have I lived?" and "How will I live?" in relation to the social and psychic forms within which trauma emerges. First published in 2001, this new edition of one of the foundational texts in trauma studies includes a new preface by the author that assesses the gravitational pull between life writing and trauma in the twenty-first century, a tension that continues to produce innovative and artful means of confronting kinship, violence, and self-representation.