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Lives of Shakespearian Actors, Part II, Volume 2: Edmund Kean, Sarah Siddons and Harriet Smithson by Their Contemporaries
by Gail Marshall Tetsuo Kishi Jim Davis Lisa Freeman Peter RabyDuring the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.
Lives of Spirit: English Carmelite Self-Writing of the Early Modern Period (The Early Modern Englishwoman, 1500-1750: Contemporary Editions)
by Nicky HallettNicky Hallett has uncovered a major new source of material by and about English nuns living in exile in the Low Countries during the seventeenth and eighteenth centuries. This volume presents the women's voices in unmediated form, direct in all their vibrancy, with an extensive introduction that provides historical and cultural contexts for an understanding of the Lives, their sources and their authors. Lives of Spirit draws upon several remarkable sets of papers compiled in enclosed convents between 1619 and 1794. These documents show that religious women developed an astute system of auto/biographical practice within a protean political situation, and that, even in exile and from within enclosure, they sought to shape a distinctive contribution to devotional change within a reforming church. This volume reveals how the women's Lives challenge, as well as affirm, notions of gendered spirituality, refiguring traditions of female life-writing that extend from Catherine of Siena (1347 - 80) through the work of the Carmelite reformer, Teresa of Avila (1515 - 82), into the later modern period. The newness of the material in this book allows a radical reappraisal of the self-representation of religious women and of paradigms of life-writing in, and beyond, the early modern period. This book is of significant interest to scholars interested in early modern women's writing, female spirituality, and auto/biography more widely as a genre.
Lives of the Dead Poets: Keats, Shelley, Coleridge (Lit Z)
by Karen SwannAny reader engaging the work of Keats, Shelley, or Coleridge must confront the role biography has played in the canonization of each. Each archive is saturated with stories of the life prematurely cut off or, in Coleridge’s case, of promise wasted in indolence. One confronts reminiscences of contemporaries who describe subjects singularly unsuited to this world, as well as still stranger materials—death masks, bits of bone, locks of hair, a heart—initially preserved by circles and then circulating more widely, often in tandem with bits of the literary corpus.Especially when it centers on the early deaths of Keats and Shelley, biographical interest tends to be dismissed as a largely Victorian and sentimental phenomenon that we should by now have put behind us. And yet a line of verse by these poets can still trigger associations with biographical detail in ways that spark pathos or produce intimations of prolepsis or fatality, even for readers suspicious of such effects. Biographical fascination—the untoward and involuntary clinging of attention to the biographical subject—is thus “posthumous” in Keats’s evocative sense of the term, its life equivocally sustained beyond its period.Lives of the Dead Poets takes seriously the biographical fascination that has dogged the prematurely arrested figures of three romantic poets. Arising in tandem with a sense of the threatened end of poetry’s allotted period, biographical fascination personalizes the precariousness of poetry, binding poetry, the poet-function, and readers to an irrecuperable singularity. Reading romantic poets together with the modernity of Benjamin and Baudelaire, Swann shows how poets’ afterlives offer an opening for poetry’s survival, from its first nineteenth-century death sentences into our present.
Lives of the Great Languages: Arabic and Latin in the Medieval Mediterranean
by Karla MalletteThe story of how Latin and Arabic spread across the Mediterranean to create a cosmopolitan world of letters. In this ambitious book, Karla Mallette studies the nature and behaviors of the medieval cosmopolitan languages of learning—classical Arabic and medieval Latin—as they crossed the Mediterranean. Through anecdotes of relationships among writers, compilers, translators, commentators, and copyists, Mallette tells a complex story about the transmission of knowledge in the period before the emergence of a national language system in the late Middle Ages and early modernity. Mallette shows how the elite languages of learning and culture were only tenuously related to the languages of everyday life. These languages took years of study to master, marking the passage from intellectual childhood to maturity. In a coda to the book, Mallette speculates on the afterlife of cosmopolitan languages in the twenty-first century, the perils of monolingualism, and the ethics of language choice. The book offers insight for anyone interested in rethinking linguistic and literary tradition, the transmission of ideas, and cultural expression in an increasingly multilingual world.
Lives of the Great Romantics, Part I, Volume 1: By Their Contemporaries
by John MullanThe memoirs in this collection are written by those who had personal knowledge of Shelley, Byron and Wordsworth, or who claimed to be recording the accounts of those who had such knowledge. Each volume in this set contains facsimilies of the original memoirs.
Lives of the Great Romantics, Part I, Volume 2: Shelley, Byron And Wordsworth By Their Contemporaries (Lives Of The Great Romantics Ser.)
by John Mullan Chris Hart Peter SwaabThe memoirs in this collection are written by those who had personal knowledge of Shelley, Byron and Wordsworth, or who claimed to be recording the accounts of those who had such knowledge. Each volume in this set contains facsimilies of the original memoirs.
Lives of the Great Romantics, Part I, Volume 3: Shelley, Byron And Wordsworth By Their Contemporaries
by John Mullan Chris Hart Peter SwaabThe memoirs in this collection are written by those who had personal knowledge of Shelley, Byron and Wordsworth, or who claimed to be recording the accounts of those who had such knowledge. Each volume in this set contains facsimilies of the original memoirs.
Lives of the Great Romantics, Part II, Volume 1
by John Mullan Ralph Pite Fiona Robertson Jenny WallaceIn this second collection of biographical accounts of Romantic writers, the characters of Keats, Coleridge and Scott are recalled by their contemporaries, offering insights into their lives and writings, as well as into the art of 19th-century biography.
Lives of the Great Romantics, Part II, Volume 2: Keats, Coleridge And Scott By Their Contemporaries (Lives Of The Great Romantics Ser.)
by John Mullan Ralph Pite Fiona Robertson Jenny WallaceIn this second collection of biographical accounts of Romantic writers, the characters of Keats, Coleridge and Scott are recalled by their contemporaries, offering insights into their lives and writings, as well as into the art of 19th-century biography.
Lives of the Great Romantics, Part II, Volume 3: By Their Contemporaries (Lives Of The Great Romantics Ser.)
by Fiona RobertsonIn this second collection of biographical accounts of Romantic writers, the characters of Keats, Coleridge and Scott are recalled by their contemporaries, offering insights into their lives and writings, as well as into the art of 19th-century biography.
Lives of the Great Romantics, Part III, Volume 1: Godwin, Wollstonecraft And Mary Shelley By Their Contemporaries
by Pamela ClemitThis volume sheds light on contemporary perception of William Godwin, Mary Wollstonecraft and Mary Shelley, a biographically and intellectually compelling literary family of the Romantic period. The writings reveal the personalities of the subjects, and the motives and agendas of the biographers.
Lives of the Great Romantics, Part III, Volume 2: Godwin, Wollstonecraft And Mary Shelley By Their Contemporaries
by Harriet Devine Jump Pamela Clemit Betty T Bennett John MullanThis volume sheds light on contemporary perception of William Godwin, Mary Wollstonecraft and Mary Shelley, a biographically and intellectually compelling literary family of the Romantic period. The writings reveal the personalities of the subjects, and the motives and agendas of the biographers.
Lives of the Great Romantics, Part III, Volume 3
by Harriet Devine Jump Pamela Clemit Betty T Bennett John MullanThis volume sheds light on contemporary perception of William Godwin, Mary Wollstonecraft and Mary Shelley, a biographically and intellectually compelling literary family of the Romantic period. The writings reveal the personalities of the subjects, and the motives and agendas of the biographers.
Lives of the Later Caesars
by Anthony BirleyOne of the most controversial of all works to survive from ancient Rome, the Augustan History is our main source of information about the Roman emperors from 117 to 284 AD. Written in the late fourth century by an anonymous author, it is an enigmatic combination of truth, invention and humour. This volume contains the first half of the History, and includes biographies of every emperor from Hadrian to Heliogabalus - among them the godlike Marcus Antonius and his grotesquely corrupt son Commodus. The History contains many fictitious (but highly entertaining) anecdotes about the depravity of the emperors, as the author blends historical fact and faked documents to present our most complete - albeit unreliable - account of the later Roman Caesars.
Lives of the Most Remarkable Criminals - who have been condemned and executed for murder, the highway, housebreaking, street robberies, coining or other offences: Previously published 1735 and 1927 (Key Writings On Subcultures, 1535-1727 Ser. #Vol. 3)
by Arthur L. HaywardLives of the Most Remarkable Criminals was originally published in three volumes and sold by John Osborn on Paternoster Row. The volumes recount the lives, crimes and executions of eighteenth century lawbreakers. By '[setting] forth the entertainments of vice in their proper colours', the volumes were intended to provide a moral banister and reminder that, far from treading a glamorous road of pleasure, the path taken by a criminal was in fact a highway to the gallows. The original prefaces to the books, and the tales themselves, also provide invaluable insights into the history of Crown Law at the time, the grounds on which it was founded, the methods by which it prosecuted, and the judgements inflicted on criminals accordingly. This is a reprint of Arthur L. Hayward's 1927 reissue of the three volumes in one.
Lives of the Novelists: A History of Fiction in 294 Lives
by John SutherlandArranged in chronological order the novelist's lives are opinionated, informative, frequently funny and often shocking. Professor Sutherland's authors come from all over the world; their writings illustrate every kind of fiction from gothic, penny dreadfuls and pornography to fantasy, romance and high literature. The book shows the changing forms of the genre, and how the aspirations of authors to divert and sometimes to educate their readers has in some respects radically changed over the centuries, and in others - such as their interest in sex and relationships - remained remarkably constant.
Lives of the Sonnet, 1787–1895: Genre, Gender and Criticism (The\nineteenth Century Ser.)
by Marianne Van RemoortelIn a series of representative case studies, Marianne Van Remoortel traces the development of the sonnet during intense moments of change and stability, continuity and conflict, from the early Romantic period to the end of the nineteenth century. Paying particular attention to the role of the popular press, which served as a venue of innovation and as a site of recruitment for aspiring authors, Van Remoortel redefines the scope of the genre, including the ways in which its development is intricately related to issues of gender. Among her subjects are the Della Cruscans and their primary critic William Gifford, the young Samuel Taylor Coleridge and his circle, Elizabeth Barrett Browning's Sonnets from the Portuguese, George Meredith's Modern Love, Dante Gabriel Rossetti's House of Life and Augusta Webster's Mother and Daughter. As women became a force to be reckoned with among the reading public and the writing community, the term 'sonnet' often operated as a satirical label that was not restricted to poetry adhering to the strict formalities of the genre. Van Remoortel's study, in its attentiveness to the sonnet's feminization during the late eighteenth century, offers important insights into the ways in which changing attitudes about gender and genre shaped critics' interpretations of the reception histories of nineteenth-century sonnet sequences.
Lives of the Writers: Comedies, Tragedies (and What the Neighbors Thought)
by Kathleen Krull Kathryn HewittShakespeare wrote with a feather quill and ink; Emily Dickinson wrote with a fountain pen; Isaac Bashevis Singer wrote on a Yiddish typewriter. But what did such writers do when they weren't writing? What did Jane Austen eat for breakfast? What could make Mark Twain throw his shirts out the window? Why would Zora Neale Hurston punch a fellow elevator passenger? Lives of the Writers tells all that and more.
The Lives of Transgender People
by Genny Beemyn Susan RankinResponding to a critical need for greater perspectives on transgender life in the United States, Genny Beemyn and Susan (Sue) Rankin apply their extensive expertise to a groundbreaking survey-one of the largest ever conducted in the U.S.-on gender development and identity-making among transsexual women, transsexual men, crossdressers, and genderqueer individuals. With nearly 3,500 participants, the survey is remarkably diverse, and with more than 400 follow-up interviews, the data offers limitless opportunities for research and interpretation.Beemyn and Rankin track the formation of gender identity across individuals and groups, beginning in childhood and marking the "touchstones" that led participants to identify as transgender. They explore when and how participants noted a feeling of difference because of their gender, the issues that caused them to feel uncertain about their gender identities, the factors that encouraged them to embrace a transgender identity, and the steps they have taken to meet other transgender individuals. Beemyn and Rankin's findings expose the kinds of discrimination and harassment experienced by participants in the U.S. and the psychological toll of living in secrecy and fear. They discover that despite increasing recognition by the public of transgender individuals and a growing rights movement, these populations continue to face bias, violence, and social and economic disenfranchisement. Grounded in empirical data yet rich with human testimony, The Lives of Transgender People adds uncommon depth to the literature on this subject and introduces fresh pathways for future research.
Lives of Victorian Literary Figures, Part I, Volume 1: George Eliot, Charles Dickens and Alfred, Lord Tennyson by their Contemporaries
by Gail Marshall Ralph Pite Corinna RussellCollected here are the biographies which revealed aspects of their subjects that the more favourable "official" accounts tended to hide. The life of the author of each text is described, and their relation to the writers they portray is sketched in.
Lives of Victorian Literary Figures, Part I, Volume 2: George Eliot, Charles Dickens and Alfred, Lord Tennyson by their Contemporaries
by Ralph Pite Gail Marshall Corinna RussellCollected here are the biographies which revealed aspects of their subjects that the more favourable "official" accounts tended to hide. The life of the author of each text is described, and their relation to the writers they portray is sketched in.
Lives of Victorian Literary Figures, Part II, Volume 1: The Brownings (Lives of Victorian Literary Figures)
by Simon AveryThe three volumes that comprise this set are facsimile reproductions of contemporary biographical material. They include letters, memoirs, poems and articles on three outstanding Victorian literary partnerships. These are the Brownings, Brontes and the Rossettis.
Lives of Victorian Literary Figures, Part II, Volume 2: The Brontës
by Marianna KambaniThe three volumes that comprise this set are facsimile reproductions of contemporary biographical material. They include letters, memoirs, poems and articles on three outstanding Victorian literary partnerships. These are the Brownings, Brontes and the Rossettis.
Lives of Victorian Literary Figures, Part II, Volume 3: The Rossettis
by Hester JonesThe three volumes that comprise this set are facsimile reproductions of contemporary biographical material. They include letters, memoirs, poems and articles on three outstanding Victorian literary partnerships. These are the Brownings, Brontes and the Rossettis.
Lives of Victorian Literary Figures, Part III, Volume 1: Elizabeth Gaskell, the Carlyles and John Ruskin
by Valerie Sanders Aileen Christianson Simon Grimble Sheila A Mcintosh Ralph PiteElizabeth Gaskell, like her contemporary Emily Bronte, was from the north of England, though based in Lancashire and Cheshire rather than Yorkshire. Her first novel, Mary Barton (1848) was set in the north and was unusually realistic in its depiction of Manchester working-class life. Ruskin grew up in suburban London; in later life, he settled in the Lake District . Thomas and Jane Welsh Carlyle moved in the opposite direction - from rural Scotland to London's Cheyne Walk. This title focuses on writers for whom 'the centre' was a pressing concern. The three volumes that comprise a set are facsimile reproductions of contemporary biographical material. They include letters, memoirs, poems and articles on three outstanding Victorian literary persons: John Ruskin, Elzabeth Gaskell and the Carlyles.