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Latin America since 1780
by Will FowlerAlthough largely sharing a common past and language, the countries in Latin America remain distinct entities with their own identities. Latin America since 1780 provides a continental-based historical narrative which stresses the common themes between countries like Mexico in North America to Argentina in the Southern Cone, while at the same time highlighting their specific national contexts. This book focuses on key events such as the Mexican-American War, the Cuban Revolution, and the overthrow of Salvador Allende's government, as well as providing short inserts on the main political protagonists such as Simon BolÃvar, Getulio Vargas and the Subcomandante Marcos. This new edition has been fully updated to include recent events and trends including Hugo Chávez's 'Bolivarian Revolution' in Venezuela, Evo Morales' electoral victory in Bolivia, and the so-called Pink Tide that has resulted in the emergence of a variety of socialist-leaning governments in the region. At the same time, the book discusses Latin America's cultural diversity, paying particular attention to the response of writers and film makers to the historical contexts covered in the book. A range of pedagogical devices and a lively prose style makes this book the ideal introduction to Latin American history.Written in an accessible style and assuming no prior knowledge, the books in this series address the specific needs of students on language courses, as well as anyone with an interest in modern history. Approaching the study of history via contemporary politics and society, each book offers a clear historical narrative and sets the country or region concerned in the context of the wider world.
Latin America since 1780
by Will FowlerLatin America since 1780 provides an accessible introductory text aimed at Spanish linguists and historians taking modules in Latin American history. It provides a compelling continental-based historical narrative supported throughout by incisive evaluation, pedagogical features, and authentic source texts in the original Spanish. This book focuses on key events such as the Wars of Independence, the Mexican, Cuban and Sandinista Revolutions, and the recent shift to the left, as well as providing short inserts on the main political protagonists such as Simon Bolívar, Getulio Vargas and Hugo Chávez. The 3rd edition has been revised in line with crucial recent political, cultural and economic developments. It offers an entirely new chapter covering the key events and issues of the 21st century, fresh topics for essays and presentations, increased attention to literary, ethnic and social culture and a new e-resource offering English translations of Spanish sources.
Latin America Writes Back: Postmodernity in the Periphery (Hispanic Issues)
by Emil VolekFirst published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Latin American and Iberian Perspectives on Literature and Medicine (Routledge Interdisciplinary Perspectives on Literature)
by Patricia Novillo-CorvalánThis is the first study to examine the representation of illness, disability, and cultural pathologies in modern and contemporary Iberian and Latin American literature. Innovative and interdisciplinary, the collection situates medicine as an important and largely overlooked discourse in these literatures, while also considering the social, political, religious, symbolic, and metaphysical dimensions underpinning illness. Investigating how Hispanic and Lusophone writers have reflected on the personal and cultural effects of illness, it raises central questions about how medical discourses, cultural pathologies, and the art of healing in general are represented. Essays pay particular attention to the ways in which these interdisciplinary dialogues chart new directions in the study of Hispanic and Lusophone cultures, and emerging disciplines such as the medical humanities. Addressing a wide range of themes and subjects including bioethics, neuroscience, psychosurgery, medical technologies, Darwinian evolution, indigenous herbal medicine, the rising genre of the pathography, and the ‘illness as metaphor’ trope, the collection engages with the discourses of cultural studies, gender studies, disability studies, comparative literature, and the medical humanities. This book enriches and stimulates scholarship in these areas by showing how much we still have to gain from interdisciplinary studies working at the intersections between the humanities and the sciences.
Latin American Digital Poetics (Palgrave Spanish and Latin American Media Studies)
by Scott Weintraub Luis Correa-DíazLatin American Digital Poetics seeks to take the pulse of emergent poetic forms whose history is entangled with the computational and its AI dreams and achievements. This study carefully and thoroughly probes the intersection between the literary, the cultural, and the scientific-technological in order to reflect on the ways that digital technology has radically reshaped and reconfigured nearly all aspects of contemporary culture. The main idea of this book, then, is simple: by way of panoramic approaches to digital poetry as well as select case studies, we seek to account for the multi-directional exchange between poetry, technology, and culture via a (primarily) pedagogical approach.
A Latin American Existentialist Ethos: Modern Mexican Literature and Philosophy (SUNY series in Latin American and Iberian Thought and Culture)
by Stephanie MerrimWith their emphasis on freedom and engagement, European existentialisms offered Latin Americans transformative frameworks for thinking and writing about their own locales. In taking up these frameworks, Latin Americans endowed them with a distinctive ethos, a turn towards questions of identity and ethics. Stephanie Merrim situates major literary and philosophical works—by the existentialist Grupo Hiperión, Rosario Castellanos, Octavio Paz, José Revueltas, Juan Rulfo, and Rodolfo Usigli—within this dynamic context. Collectively, their writings manifest an existentialist ethos attuned to the matters most alive and pressing in their specific situations—matters linked to gender, Indigeneity, the Mexican Revolution, and post-Revolution politics. That each of these writers orchestrates a unique center of gravity renders Mexican existentialist literature an always shifting, always passionate adventure. A Latin American Existentialist Ethos takes readers on this adventure, conveying the passions of its subjects lucidly and vibrantly. It is at once a detailed portrait of twentieth-century Mexican existentialism and an expansive look at Latin American literary existentialism in relation—and opposition—to its European counterparts.
Latin American Fiction
by Philip SwansonThat account is based on an acceptance that the rise of the Latin American New Novel and the Boom of the 1960s (which brought to international attention writers such as Gabriel Garda Marquez and Mario Vargas Llosa) represent, in literary- historical terms, the most significant developments ever in Latin American writing. However, the New Novel did not grow out of or remain in a histor¬ical vacuum (literary or political). The character of Latin American narrative was in many ways shaped by the experiences of colonialism and independence, the relationship - perceived as both positive and negative - with Europe, and the tensions surrounding modernization and the consolidation of national identities. Thus the evolution of Latin American fiction will be examined first in the context of devel¬opments in the nineteenth and early twentieth centuries. It will also be considered in terms of what happened after the Boom, a period of both refinement of and reaction against the New Novel. Moreover, the discussion will be extended to include Hispanic fiction from the US.
Latin American Gothic in Literature and Culture (Routledge Interdisciplinary Perspectives on Literature)
by Sandra Casanova-Vizcaíno Inés OrdizThis book explores the Gothic mode as it appears in the literature, visual arts, and culture of different areas of Latin America. Focusing on works from authors in Mexico, Central America, the Caribbean, the Andes, Brazil, and the Southern Cone, the essays in this volume illuminate the existence of native representations of the Gothic, while also exploring the presence of universal archetypes of terror and horror. Through the analysis of global and local Gothic topics and themes, they evaluate the reality of a multifaceted territory marked by a shifting colonial and postcolonial relationship with Europe and the United States. The book asks questions such as: Is there such a thing as "Latin American Gothic" in the same sense that there is an "American Gothic" and "British Gothic"? What are the main elements that particularly characterize Latin American Gothic? How does Latin American Gothic function in the context of globalization? What do these elements represent in relation to specific national literatures? What is the relationship between the Gothic and the Postcolonial? What can Gothic criticism bring to the study of Latin American cultural manifestations and, conversely, what can these offer the Gothic? The analysis performed here reflects a body of criticism that understands the Gothic as a global phenomenon with specific manifestations in particular territories while also acknowledging the effects of "Globalgothic" on a transnational and transcultural level. Thus, the volume seeks to open new spaces and areas of scholarly research and academic discussion both regionally and globally with the presentation of a solid analysis of Latin American texts and other cultural phenomena which are manifestly related to the Gothic world.
Latin American Literature: Symptoms, Risks and Strategies of Poststructuralist Criticism (Studies In Latin American Literature And Culture)
by Bernard McGuirkCritical theory meets Latin American fiction in this bold and challenging analysis of literature and literary criticism through post-structuralist analysis. Focusing on Latin American literary and critical production from the 1890s to the 1990s, Bernard McGuirk highlights the confrontation between theory, politics and literature. The range of literatures discussed is extensive, including writings from Argentina, Brazil, Chile, Guatemala, Mexico, Nicaragua and Peru. The symptomatic differences between and within cultures are illuminated by analysis of texts by such authors as: César Vallejo Jorges Luis Borges Rubén Darío Pablo Neruda Julio Cortázar João Guimarães Rosa Susana Thénon Carlos Fuentes Bernard McGuirk holds the Chair of Romance Literatures and Literary Theory at the University of Nottingham. He is currently President of the Association of Hispanists of Great Britain and Ireland.
Latin American Literature at the Millennium: Local Lives, Global Spaces (Bucknell Studies in Latin American Literature and Theory)
by Cecily RaynorLatin American Literature at the Millennium analyzes literary constructions of locality from the early 1990s to the mid-2010s. In this astute study, Raynor reads work by Roberto Bolaño, Valeria Luiselli, Luiz Ruffato, Bernardo Carvalho, João Gilberto Noll, and Wilson Bueno to reveal representations of the human experience that unsettle conventionally understood links between locality and geographical place. The book raises vital considerations for understanding the region’s transition into the twenty-first century, and for evaluating Latin American authors’ representations of everyday place and modes of belonging. It further examines relevant theory on globalization and historical context, discussing the political and economic forces at work in Latin America’s engagement with global processes. Across chapters, Raynor traces localizing techniques in canonical works as well as understudied and peripheral texts, deftly exploring the “local” as a plural concept constructed through language, memory, and attachment to place.
Latin American Literature in Transition 1800–1870: Volume 2 (Latin American Literature in Transition)
by Ana Peluffo Ronald BriggsLatin American Literature in Transition 1800-1870 uses affect as an analytical tool to uncover the countervailing forces that shaped Latin American literatures and cultures during the first six decades of the nineteenth century. Chapters provide perspectives on colonial violence and its representation, on the development of the national idea, on communities within and beyond the nation, and on the intersectional development of subjectivity during and after processes of cultural and political independence. This volume includes interdisciplinary approaches to nineteenth-century Latin American cultures that range from visual and art history to historiography to comparative literature and the study of literary and popular print culture. This book engages with the complex and sometimes counterintuitive relationship between felt ideas of community and the political changes that shaped these affective networks and communities.
Latin American Literature in Transition 1870–1930 (Latin American Literature in Transition)
by Fernando Degiovanni Javier UriarteLatin American Literature in Transition 1870-1930 examines how the circulation of goods, people, and ideas permeated every aspect of the continent's cultural production at the end of the nineteenth century. It analyzes the ways in which rapidly transforming technological and labour conditions contributed to forging new intellectual networks, exploring innovative forms of knowledge, and reimagining the material and immaterial worlds. This volume shows the new directions in turn-of-the-century scholarship that developed over the last two decades by investigating how the experience of capitalism produced an array of works that deal with primitive accumulation, transnational crossings, and an emerging technological and material reality in diverse geographies and a variety of cultural forms. Essays provide a novel understanding of the period as they discuss the ways in which particular commodities, intellectual networks, popular uprisings, materialities, and non-metropolitan locations redefined cultural production at a time when the place of Latin America in global affairs was significantly transformed.
Latin American Literature in Transition 1930–1980: Volume 4 (Latin American Literature in Transition)
by Amanda Holmes Par KumaraswamiLatin American Literature in Transition 1930-1980 explores the literary landscape of the mid-twentieth-century and the texts that were produced during that period. It takes four core areas of thematic and conceptual focus – solidarity, aesthetics and innovation, war, revolution and dictatorship, metropolis and ruins – and employs them to explore the complexity, heterogeneity and hybridity of form, genre, subject matter and discipline that characterised literature from the period. In doing so, it uncovers the points of transition, connection, contradiction, and tension that shaped the work of many canonical and non-canonical authors. It illuminates the conversations between genres, literary movements, disciplines and modes of representation that underpin writing form this period. Lastly, by focusing on canon and beyond, the volume visibilizes the aesthetics, poetics, politics, and social projects of writing, incorporating established writers, but also writers whose work is yet to be examined in all its complexity.
Latin American Literature in Transition 1980–2018: Volume 5 (Latin American Literature in Transition)
by Mónica Szurmuk Debra A. CastilloHow do we address the idea of the literary now at the end of the second decade in the 21st century? Many traditional categories obscure or overlook significant contemporary forms of cultural production. This volume looks at literature and culture in general in this hinge period. Latin American Literature in Transition 1980-2018 examines the ways literary culture complicates national or area studies understandings of cultural production. Topics point to fresh, intersectional understandings of cultural practice, while keeping in mind the ongoing stakes in a struggle over material and intangible cultural and political borders that are being reinforced in formidable ways.
Latin American Literature in Transition Pre-1492–1800 (Latin American Literature in Transition)
by Rocío Quispe-Agnoli Amber BrianThe year 1492 invokes many instances of transition in a variety of ways that intersected, overlapped, and shaped the emergence of Latin America. For the diverse Native inhabitants of the Americas as well as the people of Europe, Africa, and Asia who crossed the Atlantic and Pacific as part of the early-modern global movements, their lived experiences were defined by transitions. The Iberian territories from approximately 1492-1800 extended from what is now the US Southwest to Tierra del Fuego, and from the Iberian coasts to the Philippines and China. Built around six thematic areas that underline key processes that shaped the colonial period and its legacies – space, body, belief systems, literacies, languages, and identities – this innovative volume goes beyond the traditional European understanding of the lettered canon. It examines a range of texts including books published in Europe and the New World and manuscripts stored in repositories around the globe that represent poetry, prose, judicial proceedings, sermons, letters, grammars, and dictionaries.
A Latin American Music Reader: Views from the South
by Javier F Leon Helena SimonettJavier F. León and Helena Simonett curate a collection of essential writings from the last twenty-five years of Latin American music studies. Chosen as representative, outstanding, and influential in the field, each article appears in English translation. A detailed new introduction by León and Simonett both surveys and contextualizes the history of Latin American ethnomusicology, opening the door for readers energized by the musical forms brought and nurtured by immigrants from throughout Latin America. Contributors: Marina Alonso Bolaños, José Jorge de Carvalho, Maria Ignêz Cruz Mello, Gonzalo Camacho DÃaz, Claudio F. DÃaz, Rodrigo Cantos Savelli Gomes, Juan Pablo González, Javier F. León, Rubén López Cano, Angela Lühning, Jorge MartÃnez Ulloa, Julio MendÃvil, Carlos Miñana Blasco, Raúl R. Romero, Iñigo Sánchez Fuarros, Carlos Sandroni, Carolina SantamarÃa Delgado, Helena Simonett, Rodrigo Torres Alvarado, and Alejandro Vera.
Latin American Neo-Baroque: Senses of Distortion
by Pablo BalerPablo Baler studies the ruptures and continuities linking the de-centered dynamics of the 17thcentury to the logic of instability that permeates 20th century visual and literary production in Latin America. Bringing philosophy, literary interpretation, art criticism, and a poetic approach to the history of ideas, Baler offers a new perspective from which to understand the uncanny phenomenon of baroque distortion. This interdisciplinary inquiry not only leads to a more specific formulation regarding the singularity of the reappropriations of the baroque in Spanish America, but also allows for a more comprehensive assessment of its historical reach in the broader context of the representational crisis of modernity.
Latin American Science Fiction
by M. Elizabeth Ginway J. Andrew BrownCombining work by critics from Latin America, the USA, and Europe, Latin American Science Fiction: Theory and Practice is the first anthology of articles in English to examine science fiction in all of Latin America, from Mexico and the Caribbean to Brazil and the Southern Cone. Using a variety of sophisticated theoretical approaches, the book explores not merely the development of a science fiction tradition in the region, but more importantly, the intricate ways in which this tradition has engaged with the most important cultural and literary debates of recent year.
The Latin American Short Story at its Limits: Fragmentation, Hybridity and Intermediality
by Lucy BellThe Latin American short story has often been viewed in terms of its relation to orality, tradition and myth. But this desire to celebrate the difference of Latin American culture unwittingly contributes to its exoticization, failing to do justice to its richness, complexity and contemporaneity. By re-reading and re-viewing the short stories of Juan Rulfo, Julio Cortazar and Augusto Monterroso, Bell reveals the hybridity of this genre. It is at once rooted in traditional narrative and fragmented by modern experience; its residual qualities are revived through emergent forms. Crucially, its oral and mythical characteristics are compounded with the formal traits of modern, emerging media: photography, cinema, telephony, journalism, and cartoon art.
Latin American Sport Media: The Making Of A Political History of Sport
by Bernardo Buarque de Hollanda Luiz Guilherme BurlamaquiThis book provides an historical overview of the formation of sports media in Latin America and its role in the construction of the political history of Latin American sport. The sports press was a privileged observer of the development of modern sports, but it was also a key factor in the making of professional sports in Latin America. Most of the literature on sport in Latin America treats the sports press as an historical source, rarely taking it as an object of study in itself. However, the development of sports in the region is connected to national and state-building processes and the role of media narratives is crucial to understanding how sports participate in those processes. Spanning the globalization of football in the late nineteenth century to the shift promoted by television in the 1970s, the chapters survey the historical development of sports media in Latin America. Representing ten countries, the contributors follow a framework that presents the press not as a passive narrator of the sports phenomenon, but as a social agent of the sports field. This book is of use to those interested in the history of sports and the media, and it will be a good resource for undergraduates taking courses on Sports History, Latin American History, Sports Management, and Journalism and Communication.
Latin American Technopoetics: Scientific Explorations in New Media (New Hispanisms: Cultural and Literary Studies)
by Scott WeintraubLatin American Technopoetics: Scientific Explorations in New Media analyzes the ways in which poetry and multimedia installations by six prominent poets and artists engage, and in turn are engaged by, scientific discourses. In its innovative readings of contemporary digital media works, Latin American Technopoetics is the first book to investigate the powerful dialogue between recent techno-cultural phenomena, literature, and various scientific fields. This cutting-edge analysis of poetic and artistic experimentation—robots that compose and recite poetry, algorithms that create visualizations of poetic language or of the connections between everyday language and scientific terminology, arrays of multi-dimensional poetic spaces, and telematic and transgenic art—makes a strong case for the increasing viability of a scientific poetics currently gaining prominence in Latin American literary and media studies, digital humanities, and science and technology studies.
Latin American Women Dramatists: Theater, Texts, and Theories
by Catherine Larson and Margarita Vargas&“This thoughtfully crafted . . . insightful and informative [anthology] elucidates an overlooked, essential component of the Latin American literary canon&” (Choice).Latin American Women Dramatists sheds much-needed light on the significant contributions made by these pioneering authors during the last half of the twentieth century. Contributors discuss fifteen works of Latin-American playwrights, delineate the artistic lives of women dramatists from countries as diverse as Argentina, Brazil, Chile, Mexico, Puerto Rico, and Venezuela. Looking at these writers and their work from political, historical, and feminist perspectives, this anthology also underscores the problems inherent in writing under repressive governments.&“The book highlights the many possibilities of the innovative work of these dramatists, and this will, it is to be hoped, help the editors to achieve one of their other key goals: productions of the plays in English.&” —Times Literary Supplement, UK
Latin American Women Writers: An Encyclopedia
by Mar Eva Paulino BuenoLatin American Women Writers: An Encyclopedia presents the lives and critical works of over 170 women writers in Latin America between the sixteenth and twentieth centuries. This features thematic entries as well as biographies of female writers whose works were originally published in Spanish or Portuguese, and who have had an impact on literary, political, and social studies.Focusing on drama, poetry, and fiction, this work includes authors who have published at least three literary texts that have had a significant impact on Latin American literature and culture. Each entry is followed by extensive bibliographic references, including primary and secondary sources.Coverage consists of critical appreciation and analysis of the writers' works. Brief biographical data is included, but the main focus is on the meanings and contexts of the works as well as their cultural and political impact. In addition to author entries, other themes are explored, such as humor in contemporary Latin American fiction, lesbian literature in Latin America, magic, realism, or mother images in Latin American literature. The aim is to provide a unique, thorough, scholarly survey of women writers and their works in Latin America. This Encyclopedia will be of interest to both to the student of literature as well as to any reader interested in understanding more about Latin American culture, literature, and how women have represented gender and national issues throughout the centuries.
Latin American Writers and the Rise of Hollywood Cinema (Routledge Studies in Twentieth-Century Literature)
by Jason BorgeThis book analyzes the initial engagement with Hollywood by key Latin American writers and intellectuals during the first few decades of the 20th century. The film metropolis presented an ambiguous, multivalent sign for established figures like Horacio Quiroga, Alejo Carpentier and Mário de Andrade, as well as less renowned writers like the Mexican Carlos Noriega Hope, the Chilean Vera Zouroff and the Cuban Guillermo Villarronda. Hollywood’s arrival on the scene placed such writers in a bind, as many felt compelled to emulate the "artistry" of a medium dominated by a nation posing a symbolic affront to Latin American cultural and linguistic autonomy as well as the region’s geopolitical sovereignty. The film industry thus occupied a crucial site of conflict and reconciliation between aesthetics and politics.
Latin America's New Historical Novel
by Seymour MentonBeginning with the 1979 publication of Alejo Carpentier's El arpa y la sombra, the New Historical Novel has become the dominant genre within Latin American fiction. In this at-times tongue-in-cheek postmodern study, Seymour Menton explores why the New Historical Novel has achieved such popularity and offers discerning readings of numerous works. Menton argues persuasively that the proximity of the Columbus Quincentennial triggered the rise of the New Historical Novel. After defining the historical novel in general, he identifies the distinguishing features of the New Historical Novel. Individual chapters delve deeply into such major works as Mario Vargas Llosa's La guerra del fin del mundo, Abel Posse's Los perros del paraíso, Gabriel García Márquez's El general en su laberinto, and Carlos Fuentes' La campaña. A chapter on the Jewish Latin American novel focuses on several works that deserve greater recognition, such as Pedro Orgambide's Aventuras de Edmund Ziller en tierras del Nuevo Mundo, Moacyr Scliar's A estranha nação de Rafael Mendes, and Angelina Muñiz's Tierra adentro.