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Lives of Victorian Literary Figures, Part VII, Volume 3: Joseph Conrad, Henry Rider Haggard and Rudyard Kipling by their Contemporaries
by Ralph Pite Keith Carabine Tom Hubbard Lindy StiebelThis book is a collection of biographical records portraying the life of Rudyard Kipling, drawn from official biographies, memoirs, testimonies, letters, diaries, conversations, anecdotes, essays, and reviews.
Lives of Victorian Political Figures, Part I, Volume 1: Palmerston, Disraeli and Gladstone by their Contemporaries
by Michael Partridge Richard Gaunt Nancy LoPatin-LummisAims to bring alive, through the eyes of their contemporaries, three of the greatest political figures of the Victorian era - Henry, third Viscount Palmerston, Benjamin Disraeli and William Gladstone. This four-volume set draws together various documents including journals and diaries, pamphlets, correspondence, and other ephemeral literature. Volume 1 covers the political life of Lord Palmerston.
Lives of Victorian Political Figures, Part I, Volume 2: Palmerston, Disraeli and Gladstone by their Contemporaries
by Nancy LoPatin-Lummis Michael Partridge Richard GauntAims to bring alive, through the eyes of their contemporaries, three of the greatest political figures of the Victorian era - Henry, third Viscount Palmerston, Benjamin Disraeli and William Gladstone. This four-volume set draws together various documents including journals and diaries, pamphlets, correspondence, and other ephemeral literature. Volume 2 covers the political life of Benjamin Disraeli (Part I).
Lives of Victorian Political Figures, Part I, Volume 3: Palmerston, Disraeli and Gladstone by their Contemporaries
by Nancy LoPatin-Lummis Michael Partridge Richard GauntAims to bring alive, through the eyes of their contemporaries, three of the greatest political figures of the Victorian era - Henry, third Viscount Palmerston, Benjamin Disraeli and William Gladstone. This four-volume set draws together various documents including journals and diaries, pamphlets, correspondence, and other ephemeral literature. Volume 3 covers the political life of Benjamin Disraeli (Part II) and William Ewart Gladstone (Part I).
Lives of Victorian Political Figures, Part I, Volume 4: Palmerston, Disraeli and Gladstone by their Contemporaries
by Nancy LoPatin-Lummis Michael Partridge Richard GauntAims to bring alive, through the eyes of their contemporaries, three of the greatest political figures of the Victorian era - Henry, third Viscount Palmerston, Benjamin Disraeli and William Gladstone. This four-volume set draws together various documents including journals and diaries, pamphlets, correspondence, and other ephemeral literature. Volume 4 covers the political life of William Ewart Gladstone (Part II).
Lives of Victorian Political Figures, Part II, Volume 1: Daniel O'Connell, James Bronterre O'Brien, Charles Stewart Parnell and Michael Davitt by their Contemporaries
by Michael Partridge Nancy LoPatin-LummisLooks at the lives and politics of four of the key players in the independence and labour movements of the 19th century: Daniel O'Connell (1775-1847); Charles Stewart Parnell (1846-91); Michael Davitt (1846-1906); and James Bronterre O'Brien (1805-64). Volume 1 looks at the life of Daniel O’Connell.
Lives of Victorian Political Figures, Part II, Volume 2: Daniel O'Connell, James Bronterre O'Brien, Charles Stewart Parnell and Michael Davitt by their Contemporaries
by Nancy LoPatin-Lummis Michael PartridgeLooks at the lives and politics of four of the key players in the independence and labour movements of the 19th century: Daniel O'Connell (1775-1847); Charles Stewart Parnell (1846-91); Michael Davitt (1846-1906); and James Bronterre O'Brien (1805-64). Volume 2 looks at the life of Charles Stewart Parnell.
Lives of Victorian Political Figures, Part IV Vol 1: John Stuart Mill, Thomas Hill Green, William Morris and Walter Bagehot by their Contemporaries
by Nancy LoPatin-Lummis Michael Partridge David Martin William A Hay Denys P LeightonFirst published in 2009, this is a collection of carefully selected extracts from biographies, memoirs, diaries, private letters and other ephemera reveal how these key nineteenth-century figures were viewed by their contemporaries. Volume 1 covers John Stuart Mill.
Lives of Victorian Political Figures, Part IV Vol 3: John Stuart Mill, Thomas Hill Green, William Morris and Walter Bagehot by their Contemporaries
by Nancy LoPatin-Lummis Michael Partridge David Martin William A Hay Denys P LeightonFirst published in 2009, this is a collection of carefully selected extracts from biographies, memoirs, diaries, private letters and other ephemera reveal how these key nineteenth-century figures were viewed by their contemporaries. Volume 3 covers Walter Bagehot.
Livestock and Literature: Reimagining Postanimal Companion Species (Palgrave Studies in Animals and Literature)
by Liza B. BauerThis book explores the past and current traces that cows, pigs, chickens, and other animals used by humans have left in Anglophone literary fiction. In times of accelerated global warming, an acute pandemic, and breakthroughs in bioengineering practices, discussions on how to rethink the relationships to these animals have become as heated as perhaps never before. Livestock and Literature examines what literature has to contribute to these debates. In particular, it draws on counter-narratives to so-called livestock animals’ commodification in selected science- and speculative fiction (SF) works from the twenty-first century. These texts imagine ‘what if’ scenarios where “livestock” practice resistance, transform into biotechnologically modified, postanimal beings, or live in close companionship to humans. Via these three points of access, the study delineates the formal and thematic strategies SF authors apply to challenge anthropocentric and speciesist thought patterns. The aim is to shed light on how these alternative storyworlds expand readers’ understanding of the lives of farmed animals; seeking insight into how literature shapes human-animal relationships beyond the page.
Living and Dying with Marcel Proust
by Christopher PrendergastA New York Times Editors’ Choice A Publisher’s Weekly Most Anticipated Book of 2022 Living and Dying with Marcel Proust is the result of a lifetime’s reading of, reflection on, and love for Proust’s masterpiece, In Search of Lost Time. One of the masterpieces of twentieth-century fiction, Proust’s In Search of Lost Time describes a unique journey, combining elements drawn from the timeless narratives of great expectations and lost illusions. In this lively and entertaining book, Christopher Prendergast traces that journey as it unfolds on an arc defined by the polarities in his title: living and dying. At once a careful contemplation Proust’s masterwork and an exploration of the rich sensory and impressionistic tapestry of a lived world, Living and Dying with Marcel Proust addresses such disparate Proustian obsessions as insomnia, food, digestion, color, addiction, memory, breath and breathing, breasts, snobbism, music, and humor. Entertaining and erudite, Prendergast’s book will surely become the companion for all readers either about to reembark on Proust’s three-million-word journey or setting out for the first time. “Splendid... Reading [it] feels like, say, seeing all of Venice in a gondola, seated beside a patient, smiling, all-knowing art historian.”—Edmund White, The New York Times Book Review
The Living and the Dead
by Toby Austin LockeThe Living and the Dead examines the boundaries between the worlds of life and death. The text draws upon philosophy, ethnography, literature and natural science to suggest that life and death are best understood not in opposition, but as continuous tendencies acting upon one another. Austin Locke argues that the failure to give nuanced consideration to the connections between the living and nonliving devalues both life and death. In doing so, he suggests that our ability to respond to the challenges of environmental degradation, technological advancement, and the dominance of economic logic depend in part on more fluid understandings of the relationship between life and death.From the Trade Paperback edition.
Living as an Author in the Romantic Period (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)
by Matthew SangsterThis book explores how authors profited from their writings in the late eighteenth and early nineteenth centuries, contending that the most tangible benefits were social, rather than financial or aesthetic. It examines authors’ interactions with publishers; the challenges of literary sociability; the vexed construction of enduring careers; the factors that prevented most aspiring writers (particularly the less privileged) from accruing significant rewards; the rhetorical professionalisation of periodicals; and the manners in which emerging paradigms and technologies catalysed a belated transformation in how literary writing was consumed and perceived.
Living Books: Experiments in the Posthumanities (Leonardo)
by Janneke AdemaReimagining the scholarly book as living and collaborative--not as commodified and essentialized, but in all its dynamic materiality.In this book, Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project--not as linear, bound, and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality. Adema suggests ways to unbind the book, describing experiments in scholarly book publishing with new forms of anonymous collaborative authorship, radical open access publishing, and processual, living, and remixed publications, among other practices. She doesn't cast digital as the solution and print as the problem; the problem in scholarly publishing, she argues, is not print itself, but the way print has been commodified and essentialized. Adema explores alternative, more ethical models of authorship; constructs an alternative genealogy of openness; and examines opportunities for intervention in current cultures of knowledge production. Finally, asking why it is that we cut and bind our research together at all, she examines two book publishing projects that experiment with remix and reuse and try to rethink and reperform the book-apparatus by taking responsibility for the cuts they make.
Living by Fiction
by Annie DillardLiving by Fiction is written for--and dedicated to--people who love literature. Dealing with writers such as Nabokov, Barth, Coover, Pynchon, Borges, García Márquez, Beckett, and Calvino, Annie Dillard shows why fiction matters and how it can reveal more of the modern world and modern thinking than all the academic sciences combined. Like Joyce Cary's Art and Reality, this is a book by a writer on the issues raised by the art of literature. Readers of Pilgrim at Tinker Creek and Holy the Firm will recognize Dillard's vivid writing, her humor, and the lively way in which she tackles the urgent questions of meaning in experience itself.
Living by the Pen: Women Writers in the Eighteenth Century
by Cheryl TurnerLiving by the Pen traces the pattern of the development of women's fiction from 1696 to 1796 and offers an interpretation of its distinctive features. It focuses upon the writers rather than their works, and identifies professional novelists. Through examination of the extra-literary context, and particularly the publishing market, the book asks why and how women earned a living by the pen. Cheryl Turner has researched and lectured widely in the field of eighteenth-century women's writing.
Living Cargo: How Black Britain Performs Its Past
by Steven BlevinsOffering a wide-ranging study of contemporary literature, film, visual art, and performance by writers and artists who live and work in the United Kingdom but also maintain strong ties to postcolonial Africa and the Caribbean, Living Cargo explores how contemporary black British culture makers have engaged with the institutional archives of colonialism and the Atlantic slave trade in order to reimagine blackness in British history and to make claims for social and political redress. Steven Blevins calls this reimagining "unhousing history"--an aesthetic and political practice that animates and improvises on the institutional archive, repurposing it toward different ends and new possibilities. He discusses the work of novelists, including Caryl Phillips, Fred D'Aguiar, David Dabydeen, and Bernardine Evaristo; filmmakers Isaac Julien and Inge Blackman; performance poet Dorothea Smartt; fashion designer Ozwald Boateng; artists Hew Locke and Yinka Shonibare; and the urban redevelopment of Bristol, England, which unfolded alongside the public demand to remember the city's slave-trading past. Living Cargo argues that the colonial archive is neither static nor residual but emergent. By reassembling historical fragments and traces consolidated in the archive, these artists not only perform a kind of counter-historiography, they also imagine future worlds that might offer amends for the atrocities of the past.
Living Color: Painting, Writing, and the Bones of Seeing
by Natalie GoldbergEssays, art, and exercises with “many gems that will brighten anyone’s fearful mind,” from the author of the creativity classic Writing Down the Bones (The Taos News).Known as an author and sought-after writing teacher, Natalie Goldberg is also a painter whose work has been shown widely and included in prominent collections. In Living Color, she expounds on her own path to artistic inspiration, and reminds us that our explorations are not limited to only one form. Tailored to a new generation of readers who want to draw, paint, write, or express themselves through some other creative medium, this revised and expanded edition features thirteen of Natalie Goldberg’s engaging and encouraging essays with seventy-five of her paintings and twenty-two never-before-shared artistic exercises. A work of beauty and inspiration, Living Color speaks straight to the heart of anyone who wants to break down creative barriers or explore their creativity anew.
The Living Dead: A Study of the Vampire in Romantic Literature
by James B. TwitchellIn his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize.
The Living Eye
by Jean Starobinski Arthur GoldhammerThis volume is a translation of selections of L'Oeil vivant (1961 and 70). Harvard Studies in Comparative Literature
The Living from the Dead: Disaffirming Biopolitics (RSA Series in Transdisciplinary Rhetoric)
by Stuart J. MurrayIn a society that aims above all to safeguard life, how might we reckon with ethical responsibility when we are complicit in sacrificial economies that produce and tolerate death as a necessity of life?Arguing that biopower can be fully exposed only through an analysis of those whom society has “let die,” Stuart J. Murray employs a series of transdisciplinary case studies to uncover the structural and rhetorical conditions through which biopower works. These case studies include the concept of “sacrifice” in the “war” against COVID-19, where emergent cultures of pandemic “resistance” are explored alongside suicide bombings and military suicides; the California mass hunger strikes of 2013; legal cases involving “preventable” and “untimely” childhood deaths, exposing the irreconcilable claims of anti-vaxxers and Indigenous peoples; and the videorecording of the death of a disabled Black man. Murray demonstrates that active resistance to biopower inevitably reproduces tropes of “making live” and “letting die.” His counter to this fact is a critical stance of disaffirmation, one in which death disrupts the politics of life itself.A philosophically nuanced critique of biopower, The Living from the Dead is a meditation on life, death, power, language, and control in the twenty-first century. It will appeal to students and scholars of rhetoric, philosophy, and critical theory.
The Living Image: Shakespearean Essays
by T. R. HennFirst published in 1972. The imagery of field sports - of hawking, hunting, shooting and fishing - and the associated imagery of warfare are a striking feature in Shakespeare's plays. The Living Image examines the nature of this imagery, considering it first in the light of the practices and techniques of Elizabethan field sports and weaponry and then its broader metaphoric significance in relation to the themes of the plays. The contemporary associations of the imagery - the inferences of female sexuality and waywardness from hawking imagery, for example, and the ideals of nobility and courage attached to images of hunting and war are all discussed.
Living in Harmony: Nature Writing by Women in Canada
by Andrea Pinto Lebowitz20 Canadian women write about Origins, Explorations, Home, Encounters, Place, Gardens, For the Future, and On the Form.
Living in the Future: Sovereignty and Internationalism in the Canterbury Tales
by Susan NakleyNationalism, like medieval romance literature, recasts history as a mythologized and seamless image of reality. Living in the Future analyzes how the anachronistic nationalist fantasies in Geoffrey Chaucer’s Canterbury Tales create a false sense of England’s historical continuity that in turn legitimized contemporary political ambitions. This book spells out the legacy of the Tales that still resonates throughout English literature, exploring the idea of England in the medieval literary imagination as well as critiquing more recent centuries’ conceptions of Chaucer’s nationalism. Chaucer uses two extant national ideals, sovereignty and domesticity, to introduce the concept of an English nation into the contemporary popular imagination and reinvent an idealized England as a hallowed homeland. For nationalist thinkers, sovereignty governs communities with linguistic, historical, cultural, and religious affinities. Chaucerian sovereignty appears primarily in romantic and household contexts that function as microcosms of the nation, reflecting a pseudo-familial love between sovereign and subjects and relying on a sense of shared ownership and judgment. This notion also has deep affinities with popular and political theories flourishing throughout Europe. Chaucer’s internationalism, matched with his artistic use of the vernacular and skillful distortions of both time and space, frames a discrete sovereign English nation within its diverse interconnected world. As it opens up significant new points of resonance between postcolonial theories and medieval ideas of nationhood, Living in the Future marks an important contribution to medieval literary studies. It will be essential for scholars of Middle English literature, literary history, literary political and postcolonial theory, and literary transnationalism.
Living Journalism: Principles & Practices for an Essential Profession
by Rich MartinFor journalism to survive and flourish, it needs journalists who understand its importance to society, believe in and are committed to its core values, and can put those values into action. This goal is at the heart of Living Journalism, a highly readable, practical book where readers will learn the core values and principles needed to produce work that informs and enlightens an increasingly mobile and participatory audience. The advice and stories of professionals throughout the book allow veteran reporters to serve as mentors to today's journalists.