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Lorca After Life
by Noel ValisA reflection on Federico García Lorca’s life, his haunting death, and the fame that reinvigorated the marvelous in the modern world “A galaxy of critical insights into the cultural shock waves circling and crisscrossing Lorca’s execution and his unknown resting place, there is not a single book on Lorca like this one.”—Andrés Zamora, Vanderbilt University There is something fundamentally unfinished about the life and work of Federico García Lorca (1898–1936), and not simply because his life ended abruptly. Noël Valis reveals how this quality gives shape to the ways in which he has been continuously re-imagined since his death. Lorca’s execution at the start of the Spanish Civil War was not only horrific but transformative, setting in motion many of the poet’s afterlives. He is intimately tied to both an individual and a collective identity, as the people’s poet, a gay icon, and fabled member of a dead poets’ society. The specter of his violent death continues to haunt everything connected to Lorca, fueling the desire to fill in the gaps in the poet’s biography.
Lorca in English: A History of Manipulation through Translation (Routledge Interdisciplinary Perspectives on Literature)
by Andrew Samuel WalshLorca in English examines the evolution of translations of Federico García Lorca into English as a case of rewriting and manipulation through politically and ideologically motivated translation. As new translations of Federico García Lorca continue to appear in the English-speaking world and his literary reputation continues to be rewritten through these successive re-translations, this book explores the reasons for this constant desire to rewrite Lorca since the time of his murder right into the 21st century. From his representation as the quintessential Spanish Republican martyr, to his adoption through translation by the Beat Generation, to his elevation to iconic status within the Queer Studies movement, this volume analyzes the reasons for this evolution and examines the current direction into which this canonical author is heading in the English-speaking world.
Lorca in Tune with Falla
by Nelson R. OrringerFederico García Lorca (1889-1936) is widely regarded as the greatest Spanish poet of the twentieth century; Manuel de Falla (1876-1946) is Spain's most performed composer of the same period. The two were very different - Lorca was gay, liberal, and a member of the avant garde, while Falla was a devout Catholic - yet they had a profound mutual influence. The two developed an intimate friendship, which ended when Lorca was shot by Nationalist forces at the beginning of the Spanish Civil War.Lorca in Tune with Falla is the first book to trace Lorca's impact on Falla's music, and Falla's influence on Lorca's writings. Nelson R. Orringer explores the music underlying Poem of Deep Song, Gypsy Ballads, and Lament for Ignacio Sánchez Mejías, bringing out the analogous sounds and ideas that emerge in the active, ongoing connection between the artworks of both creators. The book emphasizes how this harmony increases knowledge and appreciation of both artists.
Lorca & Jimenez: Selected Poems
by Robert BlyA unique gathering of poems by two great twentieth-century poets, with the original Spanish versions and powerful English translations on facing pages. In a new preface, editor and translator Robert Bly explores what the poems reveal today about politics, the spirit, and the purpose of art.
Lorca’s Legacy: Essays in Interpretation (Routledge Studies in Twentieth-Century Literature)
by Jonathan MayhewIn Lorca’s Legacy, Jonathan Mayhew explores multiple aspects of the creative and critical afterlife of Federico García Lorca, the most internationally recognized Spanish poet and playwright of the twentieth century. Lorca is an iconic and charismatic figure who has evoked the admiration and fascination of musicians, poets, painters, and playwrights across the world since his tragic assassination by right-wing forces in 1936, at the onset of the Spanish Civil War. This volume ranges widely, discussing his influence on American theater, his much-debated lecture on the duende, his delayed encounter with queer theory, his influence on contemporary Spanish poetry, and other relevant topics. The critical literature on Lorca is vast, and original contributions are comparatively rare, but Mayhew has found a way to shed fresh light on his legacy by looking with a critical eye at the creative transformations of his life and work, both in Spain and abroad. Lorca’s Legacy celebrates the wealth of material inspired by Lorca, bringing to bear a sophisticated, theoretically informed critical perspective. This book will be of enormous interest to anyone interested in the international projection of Spanish literature, or anyone who has felt the fascination of Lorca’s duende.
Lord Alfred Tennyson: The Critical Heritage
by John D. JumpFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Lord Byron: The Critical Heritage (Critical Heritage Ser.)
by Andrew RutherfordThe Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material themselves.
Lord Byron and Madame de Staël: Born for Opposition (Routledge Revivals)
by Joanne WilkesPublished in 1999. Lord Byron and Madam de Stael made a great impression on Europe in the throes of the Napoleonic Wars, through their personalities, the versions of themselves which they projected through their works, and their literary engagement with contemporary life. However, the strong links between them have never before been explored in detail. This pioneering study looks at their personal relations, from their verbal sparring in Regency society, through the friendship which developed in Switzerland after Byron left England in 1816, to Byron’s tributes to Mme de Stael after her death. It concentrates on their literary links, both direct responses to each other’s works, and the copious evidence of shared concerns. The study deals with their treatment of gender, their grappling with the possibilities for heroic endeavour, their engagement with the social and political situations of Britain, France and Italy, and their conceptions of the role of the writer. Although Byron will need no introduction, Mme de Stael’s standing as a French romantic writer of the first rank is made plain by the strong impact of her writings on the English Poet.
Lord Byron and Scandalous Celebrity
by Clara TuiteThe Regency period in general, and the aristocrat-poet Lord Byron in particular, were notorious for scandal, but the historical circumstances of this phenomenon have yet to be properly analysed. Lord Byron and Scandalous Celebrity explores Byron's celebrity persona in the literary, social, political and historical contexts of Regency Britain and post-Napoleonic Europe that produced it. Clara Tuite argues that the Byronic enigma that so compelled contemporary audiences - and provoked such controversy with its spectacular Romantic Satanism - can be understood by means of 'scandalous celebrity', a new form of ambivalent fame that mediates between notoriety and traditional forms of heroic renown. Examining Byron alongside contemporary figures including Caroline Lamb, Stendhal, Napoleon Bonaparte and Lord Castlereagh, Tuite illuminates the central role played by Byron in the literary, political and sexual scandals that mark the Regency as a vital period of social transition and emergent celebrity culture.
Lord Byron at Harrow School: Speaking Out, Talking Back, Acting Up, Bowing Out
by Paul ElledgeThe first book-length scholarly examination of the four critically formative years of Byron's public school experience, 1801-1805How did Byron become "Byron"? In Lord Byron at Harrow School: Speaking Out, Talking Back, Acting Up, Bowing Out, Paul Elledge locates one origin of the poet's personae in the dramatic recitations young Byron performed at Harrow School. This is the first book-length scholarly examination of the four critically formative years of Byron's public school experience, 1801 to 1805, when Harrow enjoyed high subscription and fame under Dr. Joseph Drury, headmaster. Finding its genesis in the boy's intrepid appearance on three Speech Day programs, the book argues that Byron's early performances addressed anxieties, conflicts, rivalries, and ambitions that were instrumental in shaping the poet's character, career, and verse.Elledge carefully examines the historical and biographical contexts to Byron's Harrow performances, showing their relevance to Byron's physical and psychic landscapes at the time—his connections to his mother and half-sister, his headmasters and tutors, his Harrow intimates and rivals, his lameness, his London theatrical spectatorship. Byron's performances in the characters of King Latinus from the Aeneid, Zanga the Moor from Edward Young's The Revenge, and King Lear provide an opportunity to examine his early experiments with self-presentation: as Elledge argues, these performances are "auditions or trials of performative and autotherapeutic strategies, subsequently refined and polished in the mature verse." Throughout, Elledge reads the boy for the sake of reading the poet; he shows how young Byron's introduction to theatricality at Harrow School prepared him to make a confident and spectacular debut on Europe's cultural stage."His selection of texts for declaiming—the discourse of two kings and a show-stealing, scene-chewing villain—participates in a larger pattern of deliberate self-fashioning that began at least as early as Byron's Harrow years and evolved into the elaborate mode and vogue of self-representation that partially, with his hefty patronage, helped to define the era. To discern his initial experiments with identity formation, to watch his auditions, his inaugural performances of "Byron"—in the provincial run, so to speak, before his London premiere—to track the emergence of these constructs from a confluence of wondrous adolescent energies is to understand anew why and how enduringly certain events and relationships wrote themselves into the text that Byron famously became."—from the Prologue
Lord Byron - Wilson Knight V1: The Evidence Of Asterisks (Routledge Library Editions: Lord Byron Ser. #6)
by Wilson KnightFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Lord Byron's Don Juan (Modern Critical Interpretations)
by Harold BloomEssays on Don Juan by George M. Ridenour, Jerome J. McGann, Peter J. Manning, Michael G. Cooke, Candace Tate, and Andrew M. Cooper.
Lord Byron's Marriage: The Evidence of Asterisks (Routledge Library Editions: Lord Byron #6)
by G. Wilson KnightFirst published in 1957. This title explores the brief marriage of Lord Byron and his wife Annabella Millbanke, and the scandal that surrounded their relationship. The exact reason for their separation and eventual divorce was never confirmed, but G. Wilson Knight uses Byron’s poetry, letters and other published works to develop and expand the theories of other literary critics. This title will be of interest to students of literature.
The Lord Chandos Letter and Other Writings: And Other Writings
by John Banville Hugo Von Hofmannsthal Joel RotenberHugo von Hoffmannsthal made his mark as a poet, as a playwright, and as the librettist for Richard Strauss's greatest operas, but he was no less accomplished as a writer of short, strangely evocative prose works. The atmospheric stories and sketches collected here--fin-de-siècle fairy tales from the Vienna of Klimt and Freud, a number of them never before translated into English--propel the reader into a shadowy world of uncanny fates and secret desires. An aristocrat from Paris in the plague years shares a single night of passion with an unknown woman; a cavalry sergeant meets his double on the battlefield; an orphaned man withdraws from the world with his four servants, each of whom has a mysterious power over his destiny.The most influential of all of Hofmannsthal's writings is the title story, a fictional letter to the English philosopher Francis Bacon in which Lord Chandos explains why he is no longer able to write. The "Letter" not only symbolized Hofmannsthal's own turn away from poetry, it captured the psychological crisis of faith and language which was to define the twentieth century.
Lord Jim (Routledge Library Editions: Modern Fiction #2)
by John BatchelorPublished in 1900, Conrad’s Lord Jim can in many ways be seen as the first ‘modern’ novel. This important full study of the book, originally published in 1988, emphasizes the outstanding historical and artistic significance of Conrad’s masterpiece. John Batchelor pursues the ways in which Conrad dramatizes with unprecedented fidelity a relationship between friends and also explores what for Conrad is clearly a central truth about the human condition, namely the inalienable loneliness of man. The book provides a full discussion of the biographical and literary contexts of the novel, making use of the original manuscript and tracing the literary influences and sources of Conrad’s writing. It also considers the novel’s technical innovations, including Conrad’s ‘impressionism’ and its method of dramatization. Further chapters are devoted to a detailed commentary on the text and the book concludes with a study of the novel’s critical reception since its first publication. This volume will be essential reading for all students of literature and particularly for those with an interest in Conrad’s place in the development of modern fiction.
Lord Jim
by Joseph Conrad Thomas C. MoserLord Jim explores moral and psychological questions with a subtlety and complexity unknown in novels of adventure.
Lord of the Flies (MAXNotes Literature Guides)
by Walter FreemanREA's MAXnotes for William Golding's Lord of the Flies MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.
Lord Rochester in the Restoration World
by Augustine, Matthew C. and Zwicker, Steven N. Matthew C. Augustine Steven N. ZwickerJohn Wilmot, second Earl of Rochester (1647–1680), the notorious and brilliant libertine poet of King Charles II's court, has long been considered an embodiment of the Restoration era. This interdisciplinary collection of essays by leading scholars focuses new attention on, and brings fresh perspectives to, the writings of Lord Rochester. Particular consideration is given to the political force and social identity of Rochester's work, to the worlds - courtly and theatrical, urban and suburban - from which Rochester's poetry emerged and which it discloses, and not least to the unsettling aesthetic power of Rochester's writing. The singularity of Rochester's voice - his 'matchless wit' - has been widely recognised; this book encourages the continued appreciation of all the ways in which Rochester reveals the layered and promiscuous character of literary projects throughout the whole of a brilliant, abrasive, and miscellaneous age.
Lord Strange's Men and Their Plays
by Prof. Lawrence Manley Prof. Sally-Beth MacLeanIn this major contribution to theater history and cultural studies, authors Lawrence Manley and Sally-Beth MacLean paint a lively portrait of Lord Strange's Men, a daring company of players that dominated the London stage for a brief period in the late Elizabethan era. During their short theatrical reign, Lord Strange's Men helped to define the dramaturgy of the era, performing the works of William Shakespeare, Christopher Marlowe, Thomas Kyd, and others in a distinctive and spectacular style, exploring innovative new modes of impersonation while intentionally courting political and religious controversy.
Lords and Towns in Medieval Europe: The European Historic Towns Atlas Project
by Howard B. Clarke Anngret SimmsThis volume is based on possibly the biggest single Europe-wide project in urban history. In 1955 the International Commission for the History of Towns established the European historic towns atlas project in accordance with a common scheme in order to encourage comparative urban studies. Although advances in urban archaeology since the 1960s have highlighted the problematic relationship between the oldest extant town plan and the actual origins of a town, the large-scale cadastral maps as they have been made available by the European historic towns atlas project are still necessary if we want to understand the evolution of the physical form of our towns. By 2014 the project consisted of over 500 individual publications from over 18 different countries across Europe. Each atlas comprises at least a core-map at the scale of 1:2500, analytical maps and an explanatory text. The time has come to use this enormous database that has been compiled over the last 40 years. This volume, itself based on a conference related to this topic that was held in the Royal Irish Academy in Dublin in 2006, takes up this challenge. The focus of the volume is on the question of how seigneurial power influenced the creation of towns in medieval Europe and of how this process in turn influenced urban form. Part I of the volume addresses two major issues: the history of the use of town plans in urban research and the methodological challenges of comparative urban history. Parts II and III constitute the core of the book focusing on the dynamic relationship between lordship and town planning in the core area of medieval Europe and on the periphery. In Part IV the symbolic meaning of town plans for medieval people is discussed. Part V consists of critical contributions by an archaeologist, an art historian and an historical geographer. By presenting case studies by leading researchers from different European countries, this volume combines findings that were hitherto not available in English. A comparison of the English and German bibliographies, attached to this volume, reveals some interesting insights as to how the focus of research shifted over time. The book also shows how work on urban topography integrates the approaches of the historian, archaeologist and historical geographer. The narrative of medieval urbanization becomes enriched and the volume is a genuine contribution to European studies.
Lorenzo di Filippo Strozzi and Niccolo Machiavelli
by William J. LandonBy 1520, Niccolò Machiavelli's life in Florence was steadily improving: he had achieved a degree of literary fame, and, following his removal from the Florentine Chancery by the Medici family, he had managed to gain their respect and patronage. But there is one figure whose substantial contributions to Machiavelli's restoration has been hitherto neglected - Lorenzo di Filippo Strozzi (1482-1549), a younger and fabulously wealthy Florentine nobleman. As manuscript evidence suggests, Strozzi brought Machiavelli into his patronage network and aided many of his post-1520 achievements.This book is the first English biography of Strozzi, as well as the first examination of the patron-client relationship that developed between the two men. William J. Landon reveals Strozzi's influence on Machiavelli through wide-ranging textual investigations, and especially through Strozzi's Pistola fatta per la peste - a work that survives as a Machiavelli autograph, and for which Landon has provided the first ever complete English translation and critical edition.
Lorine Niedecker
by Margot PetersLorine Niedecker (1903–70) was a poet of extraordinary talent whose life and work were long enveloped in obscurity. After her death in 1970, poet Basil Bunting wrote that she was “the most interesting woman poet America has yet produced . . . only beginning to be appreciated when she died.” Her poverty and arduous family life, the isolated home in Wisconsin that provided rich imagery for her work, and her unusual acquaintances have all contributed to Niedecker’s enigmatic reputation. Margot Peters brings Lorine Niedecker’s life out of the shadows in this first full biography of the poet. She depicts Niedecker’s watery world on Blackhawk Island (near Fort Atkinson, Wisconsin), where she was born and spent most of her life. A brief college career cut short by family obligations and an equally brief marriage were followed in 1931 by the start of a life-changing correspondence and complicated thirty-five-year friendship with modernist poet Louis Zukofsky, who connected Niedecker to a literary lifeline of distant poets and magazines. Supporting herself by turns as a hospital scrubwoman and proofreader for a dairy journal, Niedecker made a late marriage to an industrial painter, which gave her time to write and publish her work in the final decades of her life. During her lifetime, Niedecker’s poetry was praised by a relatively small literary circle, including Zukofsky, William Carlos Williams, Robert Creeley, Denise Levetov, and Allen Ginsberg. Since her death much more of her surviving writings have been published, including a comprehensive edition of collected works and two volumes of correspondence. Through Margot Peters’s compelling biography, readers will discover Lorine Niedecker as a poet of spare and brilliant verse and a woman whose talent and grit carried her through periods of desperation and despair.
Los castellanos del Perú: historia, variación y contacto lingüístico (Routledge Studies in Hispanic and Lusophone Linguistics)
by Luis Andrade Ciudad y Sandro Sessarego, eds.Este libro reúne contribuciones de destacados investigadores de la lingüística hispánica para ofrecer un panorama integral de los castellanos del Perú, incluidos algunos que han sido tradicionalmente objeto de discriminación, como el castellano andino, el amazónico y el afroperuano. Los capítulos se concentran en diferentes variedades habladas en el Perú desde distintos enfoques teóricos y metodológicos, atendiendo a su formación, su contexto social e histórico y los fenómenos de contacto que las caracterizan. De este modo, aunque el volumen tiene un foco regional muy específico, los problemas que aborda son de interés y relevancia para el estudio de otras variedades del español, para el tratamiento de otros problemas derivados del contacto lingüístico y para la dialectología e historia de los castellanos latinoamericanos en general. Escrito en castellano, este volumen será de interés para estudiantes graduados en lingüística hispánica e investigadores dedicados a la dialectología, la sociolingüística y la lingüística del contacto.
Los Milagros (Libros De Bolsillo Ser.)
by C. S. Lewis¿En realidad suceden milagros?"El milagro principal del que hablan los cristianos es la Encarnación. Ellos dicen que Dios se hizo Hombre. Cualquier otro milagro sucedió en preparación para esto, o es un resultado de esto."Este es el punto clave de Los Milagros, obra en la cual C. S. Lewis nos muestra que un cristiano debe no sólo aceptar sino también regocijarse de los milagros como testimonios de la participación de Dios en la creación. Utilizando su característico calor, lucidez e ingenio, Lewis desafía a los racionalistas y a los cínicos por su falta de imaginación, y ofrece una poética y alegre afirmación que los milagros sí ocurren en nuestras vidas cotidianas.
Loser Sons: Politics and Authority
by Avital RonellThere are sons who grow up unhappily believing that no matter what they do, they cannot please their fathers. Often unable to shed their sense of lifelong failure, either they give up and suffer in a permanent sulk, or they try with all their might to prove they are worth something after all. These are the "loser sons," a group of historical men as varied as President George W. Bush, Osama bin Laden, and Mohammed Atta. Their names quickly illustrate that not only are their problems serious, but they also make serious problems for others, expanding to whole nations. When God is conceived and inculcated as an angry and impossible-to-please father, the problems can last for generations. In Loser Sons, Avital Ronell draws on current philosophy, literary history, and political events to confront the grim fact that divested boys become terrifying men. This would be old news if the problem didn't recur so often with such disastrous consequences. Looking beyond our current moment, she interrogates the problems of authority, paternal fantasy, and childhood as they have been explored and exemplified by Franz Kafka, Goethe's Faust, Benjamin Franklin, Jean-François Lyotard, Hannah Arendt, Alexandre Kojève, and Immanuel Kant. Brilliantly weaving these threads into a polyvocal discourse, Ronell shows how, with their arrays of powerful symbols, ideologies of all sorts perpetuate the theme that while childhood represents innocence, adulthood entails responsible cruelty. The need for suffering--preferably somebody else's--has become a widespread assumption, not only justifying abuses of authority, but justifying authority itself. Shockingly honest, Loser Sons recognizes that focusing on the spectacular catastrophes of modernity might make writer and reader feel they're engaged in something important, while in fact what they are engaged in is still only spectacle. To understand the implications of her insights, Ronell addresses them directly to her readers, challenging them to think through their own notions of authority and their responses to it.