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The Lost World of the Torah: Law as Covenant and Wisdom in Ancient Context (The Lost World Series #Volume 6)
by John H. Walton J. Harvey WaltonOur handling of what we call biblical law veers between controversy and neglect. On the one hand, controversy arises when Old Testament laws seem either odd beyond comprehension (not eating lobster) or positively reprehensible (executing children). On the other, neglect results when we consider the law obsolete, no longer carrying any normative power (tassels on clothing, making sacrifices). Even readers who do attempt to make use of the Old Testament "law" often find it either irrelevant, hopelessly laden with "thou shalt nots," or simply so confusing that they throw up their hands in despair. Despite these extremes, people continue to propose moral principles from these laws as "the biblical view" and to garner proof texts to resolve issues that arise in society. The result is that both Christians and skeptics regularly abuse the Torah, and its true message often lies unheard. Walton and Walton offer in The Lost World of the Torah a restorative vision of the ancient genre of instruction for wisdom that makes up a significant portion of the Old Testament. In the ancient Near East, order was achieved through the wisdom of those who governed society. The objective of torah was to teach the Israelites to be wise about the kind of order needed to receive the blessings of God’s favor and presence within the context of the covenant. Here readers will find fresh insight on this fundamental genre of the Old Testament canon.
Lothario's Corpse: Libertine Drama and the Long-Running Restoration, 1700-1832 (Transits: Literature, Thought & Culture 1650-1850)
by Daniel GustafsonLothario’s Corpse unearths a performance history, on and off the stage, of Restoration libertine drama in Britain’s eighteenth and early nineteenth centuries. While standard theater histories emphasize libertine drama’s gradual disappearance from the nation’s acting repertory following the dispersal of Stuart rule in 1688, Daniel Gustafson traces its persistent appeal for writers and performers wrestling with the powers of the emergent liberal subject and the tensions of that subject with sovereign absolutism. With its radical, absolutist characters and its scenarios of aristocratic license, Restoration libertine drama became a critical force with which to engage in debates about the liberty-loving British subject’s relation to key forms of liberal power and about the troubling allure of lawless sovereign power that lingers at the heart of the liberal imagination. Weaving together readings of a set of literary texts, theater anecdotes, political writings, and performances, Gustafson illustrates how the corpse of the Restoration stage libertine is revived in the period’s debates about liberty, sovereign desire, and the subject’s relation to modern forms of social control. Ultimately, Lothario’s Corpse suggests the “long-running” nature of Restoration theatrical culture, its revived and revised performances vital to what makes post-1688 Britain modern. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Loud and Clear: Classroom Activities on Public Speaking
by Gita IyengarLoud and Clear: Classroom Activities on Public Speaking is resource book for teachers. It aims to cultivate the art of effective communication by making use of well known activities such as elocution, extempore, debates, quizzes and group discussions.
The Loud Book!
by Deborah Underwood Renata LiwskaBANG!CRACKLE!BOO!Just like there are lots of quiets, there are also lots of louds:Good louds(HOORAY!)and bad louds(CRASH!) And louds that make you feel like you arethe center of attention (BURP!).The Loud Book compiles all these kid-friendly noisesfrom morning to night,in a way that is sure to make readersCHEER!
Loud & Clear: 5 Steps to Say What You Mean and Get What You Want
by Karen BergHow to be heard through the noise: “A must read for today’s busy, 24/7 professional who needs to communicate both thoughtfully and instantaneously.” —Mark Herman, EVP, Booz Allen HamiltonLoud & Clear is an essential guide to the effective communication skills that help you get what you want. Whoever you need to get a message through to—an employer, team, committee, staffer, neighbor, teacher, student, or spouse—this book will show you how to get their attention by:• Using your head. Before you even think about opening your mouth, you need to think long and hard about the person you want to influence and how to say what you want.• Connecting with your listener(s). How to establish chemistry and intimacy with your listeners—from an individual to a stadium-sized audience—to make them want to listen to you.• Keeping their interest. Why “soft” communication, such as storytelling and picture-painting, are important devices, and how to use them effectively. Plus, how to avoid the dreaded “drone factor.”• Saying it right. Speech and body language techniques make a lasting impression.• Anticipating and overcoming the negatives. How to recognize disaster before it strikes, and handle it when it does.Each chapter also features a topic-specific “plan of attack,” plus client stories, checklists, worksheets, and quizzes. It can be hard to get through in today’s noisy world—but for those trying to get a raise, motivate a team, organize a group, or just get better customer service, these proven methods help you say what you mean to get what you want.
Louder Than Bombs: A Life with Music, War, and Peace
by Ed VulliamyPart memoir, part reportage, Louder Than Bombs is a story of music from the front lines. Ed Vulliamy, a decorated war correspondent and journalist, offers a testimony of his lifelong passion for music. Vulliamy’s reporting has taken him around the world to cover the Bosnian war, the fall of the Berlin Wall and collapse of Communism, the Iraq wars of 1991 and 2003 onward, narco violence in Mexico, and more, places where he confronted stories of violence, suffering, and injustice. Through it all, Vulliamy has turned to music not only as a reprieve but also as a means to understand and express the complicated emotions that follow. Describing the artists, songs, and concerts that most influenced him, Vulliamy brings together the two largest threads of his life—music and war. Louder Than Bombs covers some of the most important musical milestones of the past fifty years, from Jimi Hendrix playing “Machine Gun” at the Isle of Wight Festival in 1970 to the Bataclan in Paris under siege in 2015. Vulliamy was present for many of these historic moments, and with him as our guide, we see them afresh, along the way meeting musicians like B. B. King, Graham Nash, Patti Smith, Daniel Barenboim, Gustavo Dudamel, and Bob Dylan. Vulliamy peppers the book with short vignettes—which he dubs 7" singles—recounting some of his happiest memories from a lifetime with music. Whether he’s working as an extra in the Vienna State Opera’s production of Aida, buying blues records in Chicago, or drinking coffee with Joan Baez, music is never far from his mind. As Vulliamy discovers, when horror is unspeakable, when words seem to fail us, we can turn to music for expression and comfort, or for rage and pain. Poignant and sensitively told, Louder Than Bombs is an unforgettable record of a life bursting with music.
The Loudons and the Gardening Press: A Victorian Cultural Industry (The Nineteenth Century Series)
by Sarah DewisThrough close readings of individual serials and books and archival work on the publication history of the Gardener’s Magazine (1826-44) Sarah Dewis examines the significant contributions John and Jane Webb Loudon made to the gardening press and democratic discourse. Vilified during their lifetimes by some sections of the press, the Loudons were key players in the democratization of print media and the development of the printed image. Both offered women readers a cultural alternative to the predominantly literary and classical culture of the educated English elite. In addition, they were innovatory in emphasizing the value of scientific knowledge and the acquisition of taste as a means of eroding class difference. As well as the Gardener’s Magazine, Dewis focuses on the lavish eight-volume Arboretum et Fruticetum Britannicum (1838), an encyclopaedia of trees and shrubs, and On the Laying Out, Planting, and Managing of Cemeteries (1843), arguing that John Loudon was a radical activist who reconfigured gardens in the public sphere as a landscape of enlightenment and as a means of social cohesion. Her book is important in placing the Loudons’ publications in the context of the history of the book, media history, garden history, urban social history, history of education, nineteenth-century radicalism and women’s journalism.
Louis Althusser (Routledge Critical Thinkers)
by Luke FerretterBest known for his theories of ideology and its impact on politics and culture, Louis Althusser revolutionized Marxist theory. His writing changed the face of literary and cultural studies, and continues to influence political modes of criticism such as feminism, postcolonialism and queer theory. Beginning with an introduction to the context of Marxist theory, this book goes on to explain: * how Althusser interpreted and developed Marx’s work * the political implications of reading * ideology and its significance for culture and criticism * Althusser’s aesthetic criticism of literature, theatre and art. Placing Althusser’s key ideas in the context of earlier Marxist thought, as well as tracing their development and impact, Luke Ferretter presents a wide-ranging yet accessible guide, ideal for those new to the work of this influential critical thinker.
Louis de Bernières: The Essential Guide (Vintage Living Texts #7)
by Jonathan Noakes Margaret ReynoldsIn Vintage Living Texts teachers and students will find the essential guide to the works of Louis de Bernières. Vintage Living Texts is unique in that it offers an in-depth interview with Louis de Bernières, relating specifically to the texts under discussion.This guide will deal with de Bernières' themes, genre and narrative technique, and a close reading of the texts will be accompanied with likely exam questions, and contexts and comparisons - as well as providing a rich source of ideas for intelligent and inventive ways of approaching the novels.Also included in this guide are detailed reading plans for all four novels, questions for essays and discussion, contextual material, suggested texts for complimentary and comparative reading, extracts from reviews, a biography, a bibliography and a glossary of literary terms.
Louis Ginzberg's Legends of the Jews: Ancient Jewish Folk Literature Reconsidered (Raphael Patai Series in Jewish Folklore and Anthropology)
by Galit Hasan-Rokem Ithamar GruenwaldAt the beginning of the twentieth century, many perceived American Jewry to be in a state of crisis as traditions of faith faced modern sensibilities. Published beginning in 1909, Rabbi and Professor Louis Ginzberg's seven-volume The Legends of the Jews appeared at this crucial time and offered a landmark synthesis of aggadah from classical Rabbinic literature and ancient folk legends from a number of cultures. It remains a hugely influential work of scholarship from a man who shaped American Conservative Judaism. In Louis Ginzberg's Legends of the Jews: Ancient Jewish Folk Literature Reconsidered, editors Galit Hasan-Rokem and Ithamar Gruenwald present a range of reflections on the Legends, inspired by two plenary sessions devoted to its centennial at the Fifteenth Congress of the World Association of Jewish Studies in August 2009. In order to provide readers with the broadest possible view of Ginzberg's colossal project and its repercussions in contemporary scholarship, the editors gathered leading scholars to address it from a variety of historical, philological, philosophical, and methodological perspectives. Contributors give special regard to the academic expertise and professional identity of the author of the Legends as a folklore scholar and include discussions on the folkloristic underpinnings of The Legends of the Jews. They also investigate, each according to her or his disciplinary framework, the uniqueness, strengths, and weakness of the project. An introduction by Rebecca Schorsch and a preface by Galit Hasan-Rokem further highlight the folk narrative aspects of the work in addition to the articles themselves. The present volume makes clear the historical and scholarly context of Ginzberg's milestone work as well as the methodological and theoretical issues that emerge from studying it and other forms of aggadic literature. Scholars of Jewish folklore as well as of Talmudic-Midrashic literature will find this volume to be invaluable reading.
Louis Sébastien Mercier: Revolution and Reform in Eighteenth-Century Paris (Transits: Literature, Thought & Culture, 1650-1850)
by Michael J. MulryanFrench playwright, novelist, activist, and journalist Louis Sébastien Mercier (1740–1814) passionately captured scenes of social injustice in pre-Revolutionary Paris in his prolific oeuvre but today remains an understudied writer. In this penetrating study—the first in English devoted to Mercier in decades—Michael Mulryan explores his unpublished writings and urban chronicles, Tableau de Paris (1781–88) and Le Nouveau Paris (1798), in which he identified the city as a microcosm of national societal problems, detailed the conditions of the laboring poor, encouraged educational reform, and confronted universal social ills. Mercier’s rich writings speak powerfully to the sociopolitical problems that continue to afflict us as political leaders manipulate public debate and encourage absolutist thinking, deepening social divides. An outcast for his polemical views during his lifetime, Mercier has been called the founder of modern urban discourse, and his work a precursor to investigative journalism. This sensitive study returns him to his rightful place among Enlightenment thinkers.
Louisa May Alcott and the Textual Child: A Critical Theory Approach (Critical Approaches to Children's Literature)
by Kristina WestThis book examines constructions of childhood in the works of Louisa May Alcott. While Little Women continues to gain popular and critical attention, Alcott’s wider works for children have largely been consigned to history. This book therefore investigates Alcott’s lesser-known children’s texts to reconsider critical assumptions about childhood in her works and in literature more widely. Kristina West investigates the trend towards reading Alcott’s life into her works; readings of gender and sexuality, race, disability, and class; the sentimental domestic; portrayals of Transcendentalism and American education; and adaptations of these works. Analyzing Alcott as a writer for twenty-first-century children, West considers Alcott’s place in the children’s canon and how new media and fan fiction impact readings of her works today.
Louisa Stuart Costello
by Clare Broome SaundersLouisa Stuart Costello (1799-1870) was a popular and critically acclaimed poet, novelist, travel writer, historian, biographer, artist, and medieval scholar, whose long life spanned the nineteenth century. Her wide ranging choice of genre demonstrates her skill as a writer and artist, and her acute understanding of contemporary reading trends and publishing markets. Exploring how Costello writes, what she writes, and when she writes it, provides a rich source of information about literary history, and the career of a professional woman writer in the nineteenth century. Louisa Stuart Costello: A Nineteenth-century Writing Life provides a wealth of extracts from her diverse writings, with reader responses from critics and peers, examples of her illustrations, and literary and historical contexts.
Louisa Waterford and John Ruskin: 'For You Have Not Falsely Praised'
by Caroline Ings-ChambersLouisa Waterford (1818-91), modest, retiring, of good family, renowned for her beauty, and with extraordinary grace, was the embodiment of a Victorian ideal of womanhood. But like the age itself, her life was filled with contrasts and paradoxes. She had been born with artistic gifts, and became a satellite of the Pre-Raphaelite Brotherhood, though she had no formal training. Then, at the height of John Ruskin's intellectual power and success as a critic, she asked him to accept her as an art student, and he accepted. Their correspondence- often harshly critical, never, as Waterford put it, falsely praising - lies at the heart of this book. These are letters which open a spectrum of discussion on the cultural, gender and social issues of the period. Both Waterford and Ruskin engaged in tireless philanthropic work for diverse causes, crossing social boundaries with subtle determination, and both responded to a sense of duty as well as an artistic vocation. But, as Ings-Chambers shows, their correspondence was more than a dialogue about society: it helped to make Waterford the artist she became.
Louisiana Creole Literature: A Historical Study
by Catharine Savage BrosmanLouisiana Creole Literature is a broad-ranging critical reading of belles lettres—in both French and English—connected to and generally produced by the distinctive Louisiana Creole peoples, chiefly in the southeastern part of the state. The book covers primarily the nineteenth and twentieth centuries, the flourishing period during which the term Creole had broad and contested cultural reference in Louisiana. The study consists in part of literary history and biography. When available and appropriate, each discussion—arranged chronologically—provides pertinent personal information on authors, as well as publishing facts. Readers will find also summaries and evaluation of key texts, some virtually unknown, others of difficult access. Brosman illuminates the biographies and works of Kate Chopin, Lafcadio Hearn, George Washington Cable, Grace King, and Adolphe Duhart, among others. In addition, she challenges views that appear to be skewed regarding canon formation. The book places emphasis on poetry and fiction, reaching from early nineteenth-century writing through the twentieth century to selected works by poets still writing in the early twenty-first century. A few plays are treated also, especially by Victor Séjour. Louisiana Creole Literature examines at length the writings of important Francophone figures, and certain Anglophone novelists likewise receive extended treatment. Since much of nineteenth-century Louisiana literature was transnational, the book considers Creole-based works which appeared in Paris as well as those published locally.
Louisiana Culture from the Colonial Era to Katrina (Southern Literary Studies)
by John LoweIn 1803, President Thomas Jefferson acquired 828,000 square miles of French territory in what became known as the Louisiana Purchase. Although today Louisiana makes up only a small portion of this immense territory, this exceptional state embraces a larger-than-life history and a cultural blend unlike any other in the nation. Louisiana Culture from the Colonial Era to Katrina, a collection of fourteen essays compiled and edited by John Lowe, captures all of the flavor and richness of the state's heritage, illuminating how Louisiana, despite its differences from the rest of the United States, is a microcosm of key national concerns -- including regionalism, race, politics, immigration, global connections, folklore, musical traditions, ethnicity, and hybridity. Divided into five parts, the volume opens with an examination of Louisiana's origins, with pieces on Native Americans, French and German explorers, and slavery. Two very different but complementary essays follow with investigations into the ongoing attempts to define Creoles and creolization. No collection on Louisiana would be complete without attention to its remarkable literary traditions, and several contributors offer tantalizing readings of some of the Pelican State's most distinguished writers -- a dazzling array of artists any state would be proud to claim. The volume also includes pieces on a couple of eccentric mythologies distinct to Louisiana and explorations of Louisiana's unique musical heritage.Throughout, the international slate of contributors explores the idea of place, particularly the concept of Louisiana as the center of the Caribbean wheel, where Cajuns, Creoles, Cubans, Haitians, Jamaicans, and others are part of a New World configuration, connected by their linguistic identity, landscape and climate, religion, and French and Spanish heritage. A poignant conclusion considers the devastating impact of Hurricanes Katrina and Rita and what the storms mean for Louisiana's cultural future. A rich portrait of Louisiana culture, this volume stands as a reminder of why that culture must be preserved.
Louisiana Holt Elements of Literature: Fifth Course, Essentials of American Literature
by Cynthia A. Arceneaux Al Desmarais Julie M. T. ChanNIMAC-sourced textbook
Louisiana McDougal Littell Literature [Grade 10]
by Arthur N. Applebee Jim Burke Douglas Carnine Yvette Jackson Robert T. Jiménez Judith A. Langer Robert J. Marzano Donna M. Ogle Carol Booth Olson Carol Ann Tomlinson Mary Lou Mccloskey Lydia Stack Janet Allen et al.NIMAC-sourced textbook
Louisiana Poets: A Literary Guide
by Catharine Savage Brosman Olivia McNeely PassLouisiana has long been recognized for its production of talented writers, and its poets in particular have shined. From the early poetry of the state to the work crafted in the present day, Louisiana has nurtured and exported a rich and diverse poetic tradition. In Louisiana Poets: A Literary Guide authors Catharine Savage Brosman and Olivia McNeely Pass assess the achievements of Louisiana poets from the past hundred years who, Brosman and Pass assert, deserve both public notice and careful critical examination.Louisiana Poets presents the careers and works of writers whose verse is closely connected to the peoples, history, and landscapes of Louisiana or whose upbringing or artistic development occurred in the state. Brosman and Pass chose poets based on the scope, abundance, and excellence of their work; their critical reception; and the local and national standing of the writer and work. The book treats a wide range of forty poets—from national bestsellers to local celebrities—detailing their histories and output.Intended to be of broad interest and easy to consult, Louisiana Poets showcases the corpus of Louisiana poetry alongside its current profile. Brosman and Pass have created a guide that provides a way for readers to discover, savor, and celebrate poets who have been inspired in and by the Pelican State.
Louisiana Reading Street [Grade 6]
by Peter Afflerbach Camille Blachowicz Candy Dawson Boyd Wendy Cheyney Connie Juel Edward Kame'Enui Donald Leu Jeanne Paratore P. David Pearson Sam Sebesta Deborah Simmons Sharon Vaughn Susan Watts-Taffe Karen Kring WixsonNIMAC-sourced textbook
Lovable Racists, Magical Negroes, and White Messiahs
by David Ikard T. Denean Sharpley-WhitingIn this incredibly timely book, David Ikard dismantles popular white supremacist tropes, which effectively devalue black life and trivialize black oppression. Lovable Racists, Magical Negroes, and White Messiahs investigates the tenacity and cultural capital of white redemption narratives in literature and popular media from Uncle Tom’s Cabin to The Help. In the book, Ikard explodes the fiction of a postracial society while awakening us to the sobering reality that we must continue to fight for racial equality or risk losing the hard-fought gains of the Civil Rights movement. Through his close reading of novels, films, journalism, and political campaigns, he analyzes willful white blindness and attendant master narratives of white redemption—arguing powerfully that he who controls the master narrative controls the perception of reality. The book sounds the alarm about seemingly innocuous tropes of white redemption that abound in our society and generate the notion that blacks are perpetually indebted to whites for liberating, civilizing, and enlightening them. In Lovable Racists, Magical Negroes, and White Messiahs, Ikard expertly and unflinchingly gives us a necessary critical historical intervention.
Love Affair in the Garden of Milton: Loss, Poetry, and the Meaning of Unbelief
by Susannah B. MintzLove Affair in the Garden of Milton interweaves the private story of a marriage coming apart with readings of John Milton’s poetry and prose. Connected essays chart the chaos of loss and the discovery of how a writer can inhabit our emotional as well as our intellectual selves. Inflected by the principles of mindfulness, Susannah B. Mintz’s memoir explores how we reconstruct ourselves and find our way back to meaning in the aftermath of trauma.Formally inventive and engaging dynamic philosophical ideas, Love Affair in the Garden of Milton raises questions of forgiveness, desire, identity, grief, and the counterintuitive relevance of literary tradition. This lyric memoir offers readers a sense of partnership, with the author and Milton as companionable guides through the wilds of love and loss.
Love against Substitution: Seventeenth-Century English Literature and the Meaning of Marriage (Cultural Memory in the Present)
by Eric B. SongAre we unique as individuals, or are we replaceable? Seventeenth-century English literature pursues these questions through depictions of marriage. The writings studied in this book elevate a love between two individuals who deem each other to be unique to the point of being irreplaceable, and this vocabulary allows writers to put affective pressure on the meaning of marriage as Pauline theology defines it. Stubbornly individual, love threatens to short-circuit marriage's function in directing intimate feelings toward a communal experience of Christ's love. The literary project of testing the meaning of marriage proved to be urgent work throughout the seventeenth century. Monarchy itself was put on trial in this century, and so was the usefulness of marriage in linking Christian belief with the legitimacy of hereditary succession. Starting at the end of the sixteenth century with Edmund Spenser, and then exploring works by William Shakespeare, William Davenant, John Milton, Lucy Hutchinson, and Aphra Behn, Eric Song offers a new account of how notions of unique personhood became embedded in a literary way of thinking and feeling about marriage.
Love American Style: Divorce and the American Novel, 1881-1976 (Literary Criticism and Cultural Theory)
by Kimberly FreemanA popular subject in sociology and cultural studies, divorce has until recently been overlooked by literary critics. Spanning nearly a century during which the divorce rate skyrocketed, Love American Style traces the treatment of divorce in the American novel. This book draws upon popular, sociological, political and architectural history to illustrate how divorce reflects conflicting ideologies and notions of American identity. Focusing primarily on work by William Dean Howells, Edith Wharton, Mary McCarthy and John Updike, Kimberly Freeman delineates a system of tropes particular to divorce in American novels, such as the association of divorce with the West and modernity, the dismantling of the home, and the disruption of the boundary between the public and the private. These tropes suggest a literary tradition of love, marriage and divorce that is central to twentieth century American fiction. Offering an explanation for both the treatment of divorce in the American novel as well as its predominance in American culture, this book should appeal to scholars of American literature and popular culture, or anyone interested in how divorce has become so 'American'.
Love, Amy: The Selected Letters of Amy Clampitt
by Amy ClampittThis extraordinary collection of letters sheds light on one of the most important postwar American poets and on a creative woman's life from the 1950s onward. Amy Clampitt was an American original, a literary woman from a Quaker family in rural Iowa who came to New York after college and lived in Manhattan for almost forty years before she found success (or before it found her) at the age of 63 with the publication of The Kingfisher. Her letters from 1950 until her death in 1994 are a testimony to her fiercely independent spirit and her quest for various kinds of truth-religious, spiritual, political, and artistic.Written in clear, limpid prose, Clampitt's letters illuminate the habits of imagination she would later use to such effect in her poetry. She offers, with wit and intelligence, an intimate and personal portrait of life as an independent woman recently arrived in New York City. She recounts her struggle to find a place for herself in the world of literature as well as the excitement of living in Manhattan. In other letters she describes a religious conversion (and then a gradual religious disillusionment) and her work as a political activist. Clampitt also reveals her passionate interest in and fascination with the world around her. She conveys her delight in a variety of day-to-day experiences and sights, reporting on trips to Europe, the books she has read, and her walks in nature. After struggling as a novelist, Clampitt turned to poetry in her fifties and was eventually published in the New Yorker. In the last decade of her life she appeared like a meteor on the national literary scene, lionized and honored. In letters to Helen Vendler, Mary Jo Salter, and others, she discusses her poetry as well as her surprise at her newfound success and the long overdue satisfaction she obviously felt, along with gratitude, for her recognition.