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Love's Labor: Essays on Women, Equality and Dependency
by Eva Feder KittayThis new edition of Eva Feder Kittay’s feminist classic, Love’s Labor, explores how theories of justice and morality must be reconfigured when intersecting with care and dependency, and the failure of policy towards women who engage in care work. The work is hailed as a major contribution to the development of an ethics of care. Where society is viewed as an association of equal and autonomous persons, the work of caring for dependents figures neither in political theory nor in social policy. While some women have made many gains, equality continues to elude many others, as in large measure, social institutions fail to take into account the dependency of childhood, illness, disability and frail old age and fail to adequately support those who care for dependents. Using a narrative of her experiences caring for her disabled daughter, Eva Feder Kittay discusses the relevance of her analysis of dependency to significant cognitive disability. She explores the significance of dependency work by analyzing John Rawls' influential liberal theory and two examples of public policy—welfare reform and family leave—to show how theory and policy fail women when they miss the centrality of dependency to issues of justice. This second edition has updated material on care workers, her adult disabled daughter and key changes in welfare reform. Using a mix of personal reflection and political argument, this new edition of a classic text will continue to be an innovative and influential contribution to the debate on searching for greater equality and justice for women. Love’s Labor has spoken to audiences around the world and has had an impact on readers from many countries and in many disciplines: philosophy, sociology, disability studies, nursing. It has been required and supplementary reading on many undergraduate courses on Ethics, Feminist Ethics, Gender and Religious Ethics, Political Theory, Bioethics and Disability Studies. It has been translated into Italian, Japanese and Korean.
Love's Labor's Lost: The 30-Minute Shakespeare
by Nick NewlinLove's Labor's Lost: The 30-Minute Shakespeare plays three action-packed scenes from this tale of King Navarre and his three lords, who have vowed to retire from women for three years. Naturally, the Princess of France and her three ladies arrive, and comedic courtship ensues.The cutting includes the ridiculous dance of the lords disguised as Russians, the hysterical "Pageant of the Nine Worthies," and a dramatic, bittersweet ending that leaves the King and the three lords laboring for love.The edition includes a preface by Nick Newlin containing helpful advice on how to put on a Shakespeare performance in a high school class with novice actors, as well as an appendix with suggestions for the specific play and recommendations for further resources.
Love's Labour's Lost: Critical Essays (Shakespeare Criticism)
by Felicia Hardison LondreThis anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Love’s Shadow
by Paul A. BovéA case for literary critics and other humanists to stop wallowing in their aestheticized helplessness and instead turn to poetry, comedy, and love.Literary criticism is an agent of despair, and its poster child is Walter Benjamin. Critics have spent decades stewing in his melancholy. What if instead we dared to love poetry? To choose comedy over Hamlet’s tragedy, romance over Benjamin’s suicide on the edge of France, of Europe, of civilization?Paul Bové challenges young lit critters to throw away their shades and let the sun shine in. Love’s Shadow is his three-step manifesto for a new literary criticism that risks sentimentality and melodrama and eschews self-consciousness. The first step is to choose poetry. There has been since the time of Plato a battle between philosophy and poetry. Philosophy has championed misogyny, while poetry has championed women, like Shakespeare’s Rosalind. Philosophy is ever so stringent; try instead the sober cheerfulness of Wallace Stevens. Bové’s second step is to choose the essay. He praises Benjamin’s great friend and sometime antagonist Theodor Adorno, who gloried in the writing of essays, not dissertations and treatises. The third step is to choose love. If you want a Baroque hero, make it Rembrandt, who brought lovers to life in his paintings.Putting aside passivity and cynicism would amount to a revolution in literary studies. Bové seeks nothing less, and he has a program for achieving it.
Love's Whipping Boy: Violence and Sentimentality in the American Imagination
by Elizabeth BarnesWorking to reconcile the Christian dictum to "love one's neighbor as oneself" with evidence of U. S. sociopolitical aggression, including slavery, corporal punishment of children, and Indian removal, Elizabeth Barnes focuses her attention on aggressors--rather than the weak or abused--to suggest ways of understanding paradoxical relationships between empathy, violence, and religion that took hold so strongly in nineteenth-century American culture. Looking at works by Herman Melville, Frederick Douglass, Nathaniel Hawthorne, and Louisa May Alcott, among others, Barnes shows how violence and sensibility work together to produce a more "sensitive" citizenry. Aggression becomes a site of redemptive possibility because salvation is gained when the powerful protagonist identifies with the person he harms. Barnes argues that this identification and emotional transformation come at a high price, however, as the reparative ends are bought with another's blood. Critics of nineteenth-century literature have tended to think about sentimentality and violence as opposing strategies in the work of nation-building and in the formation of U. S. national identity. Yet to understand how violence gets folded into sentimentality's egalitarian goals is to recognize, importantly, the deep entrenchment of aggression in the empathetic structures of liberal, Christian culture in the United States.
Love's Wounds: Violence and the Politics of Poetry in Early Modern Europe
by Cynthia N. NazarianLove's Wounds takes an in-depth look at the widespread language of violence and abjection in early modern European love poetry. Beginning in fourteenth-century Italy, this book shows how Petrarch established a pattern of inequality between suffering poet and exalted Beloved rooted in political parrhēsia. Sixteenth- and early seventeenth-century French and English poets reshaped his model into an idiom of extravagant brutality coded to their own historical circumstances. Cynthia N. Nazarian argues that these poets exaggerated the posture of the downtrodden lover, adapting the rhetoric of powerless desire to forge a new "countersovereignty" from within the heart of vulnerability—a potentially revolutionary position through which to challenge cultural, religious, and political authority. Creating a secular equivalent to the martyr, early modern sonneteers crafted a voice that was both critical and unstoppable because it suffered.Love’s Wounds tracks the development of the countersovereign voice from Francesco Petrarca to Maurice Scève, Joachim du Bellay, Théodore-Agrippa d’Aubigné, Edmund Spenser, and William Shakespeare. Through interdisciplinary and transnational analyses, Nazarian reads early modern sonnets as sites of contestation and collaboration and rewrites the relationship between early modern literary forms.
Loving Faster than Light: Romance and Readers in Einstein's Universe
by Katy PriceIn November 1919, newspapers around the world alerted readers to a sensational new theory of the universe: Albert Einstein’s theory of relativity. Coming at a time of social, political, and economic upheaval, Einstein’s theory quickly became a rich cultural resource with many uses beyond physical theory. Media coverage of relativity in Britain took on qualities of pastiche and parody, as serious attempts to evaluate Einstein’s theory jostled with jokes and satires linking relativity to everything from railway budgets to religion. The image of a befuddled newspaper reader attempting to explain Einstein’s theory to his companions became a set piece in the popular press. Loving Faster than Light focuses on the popular reception of relativity in Britain, demonstrating how abstract science came to be entangled with class politics, new media technology, changing sex relations, crime, cricket, and cinematography in the British imagination during the 1920s. Blending literary analysis with insights from the history of science, Katy Price reveals how cultural meanings for Einstein’s relativity were negotiated in newspapers with differing political agendas, popular science magazines, pulp fiction adventure and romance stories, detective plots, and esoteric love poetry. Loving Faster than Light is an essential read for anyone interested in popular science, the intersection of science and literature, and the social and cultural history of physics.
Loving Literature: A Cultural History
by Deidre Shauna LynchOf the many charges laid against contemporary literary scholars, one of the most common--and perhaps the most wounding--is that they simply don't love books. And while the most obvious response is that, no, actually the profession of literary studies does acknowledge and address personal attachments to literature, that answer risks obscuring a more fundamental question: Why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of "Loving Literature. " How did it come to be that professional literary scholars are expected not just to study, but to "love" literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have long played a role in the formation of private life--that the love of literature, in other words, is neither incidental to, nor inextricable from, the history of literature. Yet at the same time, there is nothing self-evident or ahistorical about our love of literature: our views of books as objects of affection have clear roots in late eighteenth-century and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, "Loving Literature" nonetheless serves as a riposte to those who use the phrase "the love of literature" as if its meaning were transparent, its essence happy and healthy. Lynch writes, "It is as if those on the side of love of literature had forgotten what literary texts themselves say about love's edginess and complexities. " With this masterly volume, Lynch restores those edges, and allows us to revel in those complexities.
Loving Sylvia Plath: A Reclamation
by Emily Van DuyneA nuanced, passionate exploration of the life and work of one of the most misunderstood writers of the twentieth century. Sylvia Plath is an object of enduring cultural fascination—the troubled patron saint of confessional poetry, a writer whose genius is buried under the weight of her status as the quintessential literary sad girl. Emily Van Duyne—a superfan and scholar—radically reimagines the last years of Plath’s life, confronts her suicide and the construction of her legacy. Drawing from decades of study on Plath and her husband, Ted Hughes, the chief architect of Plath’s mythology; the life and tragic suicide of Assia Wevill, Hughes’s mistress; newly available archival materials; and a deep understanding of intimate partner violence, Van Duyne seeks to undo the silencing of Sylvia Plath and resuscitate her as the hardworking, brilliant writer she was.
Loving Writing: Techniques for the University and Beyond
by Wendy M.K. ShawThis writing textbook bridges factual, critical, and expressive modes of writing to help students develop a reflective sense of why and how to write for university, professional, and public audiences. Exploring the ways in which writing builds tools for argument both in and beyond the university, it enables students to break out of the dusty and formulaic patterns of writing that too often threaten to render academic studies irrelevant. In a playful, personal, essayistic style, it examines existing academic writing methods and develops new modes of narrative-based expression rooted in the humanities. Reflective analysis invites emerging writers to self-consciously craft convincing and impassioned writing practices using an expanded methodological toolbox. It aims to imbue academic writing with the expressive potential of artistic research by transforming existing methods of articulating analysis within a broader expressive system, developing skills more typical of creative writing, such as providing a setting, considering frame, engaging emotions, expansion, and concision. If we believe in the value of our thoughts, discoveries, and arguments, we must enable them to sing. Loving Writing can be used as a textbook for advanced or introductory college writing courses and provides innovative guidance to liberal arts students seeking to develop their writing abilities.
Lowering the Boom: Critical Studies in Film Sound
by Jay BeckAs the first collection of new work on sound and cinema in over a decade, Lowering the Boom addresses the expanding field of film sound theory and its significance in rethinking historical models of film analysis. The contributors consider the ways in which musical expression, scoring, voice-over narration, and ambient noise affect identity formation and subjectivity. Lowering the Boom also analyzes how shifting modulation of the spoken word in cinema results in variations in audience interpretation. Introducing new methods of thinking about the interaction of sound and music in films, this volume also details avant-garde film sound, which is characterized by a distinct break from the narratively based sound practices of mainstream cinema. This interdisciplinary, global approach to the theory and history of film sound opens the eyes and ears of film scholars, practitioners, and students to film's true audio-visual nature. Contributors are Jay Beck, John Belton, Clark Farmer, Paul Grainge, Tony Grajeda, David T. Johnson, Anahid Kassabian, David Laderman, James Lastra, Arnt Maasø, Matthew Malsky, Barry Mauer, Robert Miklitsch, Nancy Newman, Melissa Ragona, Petr Szczepanik, Paul Théberge, and Debra White-Stanley.
Loyalist Literature
by Robert S. AllenThis highly readable guide is more than a bibliography. Written in a narrative style, it is as well a short history of the Loyalists: who they were, why they left, where they settled, and what their legacy is.
Loyola's Acts: The Rhetoric of the Self (The New Historicism: Studies in Cultural Poetics #36)
by Marjorie O'Rourke BoyleThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
Lryak Kyuk Bgya Tseng Jok’o Di / Ri Hiamnda
by Daniel McdikkohHiamnda, the language of the Jaba people located in the central part of the Middle Belt area of Nigeria. It is spoken by a myriad of Jaba people groups who, by and large, may speak the main hiam Ham language, but may have vernacular variations of the language. Less than a decade ago, Hiamnda was on the verge of total obliteration, even though there are approximately a million of Hamnda in existence; this downturn of lingual fortunes for this language is not too far removed from the social, but vicious malady that has afflicted most, if not all, languages in the technological age, namely cultural warfare. This cultural warfare continues to leave in its wake "corpses" of dead languages; one that cease to exist either to none use or that they have been so adulterated to the point that such languages or that they have such adulteration that of necessity leads to total absorption into some of their surrounding major language or its demise. Lryak Kyuk Bgya Tseng Jok'o Di Hiamnda is a third edition of word lists that have been published in Hiamnda by me. Through the grace of God, Almighty these efforts have been paid off and been able to wrest the falling fortune of our language and to put back it back on the track of living human languages currently extant.
LSAT Reading Comprehension Passage Type Training (Powerscore Test Preparation)
by David M. Killoran - Steven G. SteinLSAT test prep
Lu Hsün and his Predecessors (Routledge Revivals)
by V. I. SemanovOriginally published in 1980, Alber’s translation of Semanov’s study aimed to contribute to the studies of Chinese literature and the knowledge of Lu Hsün’s work to an English-speaking reader. Lu Hsün was an influential democrat and humanist in early twentieth Century China and his work had a great influence on literature in China. Semanov therefore attempted to place his life and work in the context of his literary predecessors as well as commenting on his world view, his teaching and place in history. This title will be of interest to students of Asian studies and Literature.
Lu Hsun's Vision of Reality
by William A LyellThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.
Lu Xun and His Legacy
by Leo Ou-fan LeeThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
Lu Xun’s Affirmative Biopolitics: Nothingness and the Power of Self-Transcendence (Literary Criticism and Cultural Theory)
by Wenjin CuiThis book explores an extraordinary case of affirmative biopolitics through the study of Lu Xun (1881–1936), the most prominent cultural figure of modern China. Diverging from the Enlightenment-humanist framework in reference to which Lu Xun is commonly understood, it demonstrates how his thinking is defined by a naturalistic conception of culture that is best understood in the global context of what Foucault defines as the biological turn of modernity. In comparison to ontologically-grounded modern Western theories of life, it brings to light the deep connection between Lu Xun’s affirmative biopolitics and the epistemic ground of Chinese tradition―what is known as correlative thinking. Combining close readings of literary texts with a theoretical consideration of broader issues of culture, this book is an essential read for scholars and students who are interested in Lu Xun, modern Chinese intellectual history, comparative studies of Chinese and Western thought, and the question of affirmative biopolitics.
Lucan and the Sublime
by Henry J. M. DayThis is the first comprehensive study of the sublime in Lucan. Drawing upon renewed literary-critical interest in the tradition of philosophical aesthetics, Henry Day argues that the category of the sublime offers a means of moving beyond readings of Lucan's Bellum Civile in terms of the poem's political commitment or, alternatively, nihilism. Demonstrating in dialogue with theorists from Burke and Kant to Freud, Lyotard and Ankersmit the continuing vitality of Longinus' foundational treatise On the Sublime, Day charts Lucan's complex and instructive exploration of the relationship between sublimity and ethical discourses of freedom and oppression. Through the Bellum Civile's cataclysmic vision of civil war and metapoetic accounts of its own genesis, through its heated linguistic texture and proclaimed effects upon future readers and, most powerfully of all, through its representation of its twin protagonists Caesar and Pompey, Lucan's great epic emerges as a central text in the history of the sublime.
Lucan's Egyptian Civil War
by Jonathan TracyThis book explores Lucan's highly original deployment of contradictory Greco-Roman stereotypes about Egypt (utopian vs. xenophobic) as a means of reflecting on the violent tensions within his own society (conservatism vs. Caesarism). Lucan shows the two distinct facets of first-century BC Egypt, namely its ancient Pharaonic heritage and its latter-day Hellenistic culture under the Ptolemies, not only in spiritual conflict with one another (via the opposed characters of Acoreus, priest of old Memphis, and the Alexandrian courtier Pothinus) but also inextricably entangled with the corresponding factions of the Roman civil war and of Nero's Rome. Dr Tracy also connects Lucan's portrayal of Egypt and the Nile to his critical engagement with Greco-Roman discourse on natural science, particularly the Naturales Quaestiones of his uncle Seneca the Younger. Lastly, he examines Lucan's attitude toward the value of cultural diversity within the increasingly monocultural environment of the Roman Mediterranean.
Lucas Malet, Dissident Pilgrim: Critical Essays (Among the Victorians and Modernists)
by Jane Ford Alexandra GrayPopular novelist, female aesthete, Victorian radical and proto-modernist, Lucas Malet (Mary St. Leger Harrison, 1852-1931) was one of the most successful writers of her day, yet few of her remarkable novels remain in print. Malet was a daughter of the ‘broad church’ priest and well-known Victorian author Charles Kingsley; her sister Rose, uncle, Henry Kingsley and her cousin Mary Henrietta Kingsley were also published authors. Malet was part of a creative dynasty from which she drew inspiration but against which she rebelled both in her personal life and her published work. This collection brings together for the first time a selection of scholarly essays on Malet’s life and writing, foregrounding her contributions to nineteenth- and twentieth-century discourses surrounding disability, psychology, religion, sexuality, the New Woman, and decadent, aesthetic and modernist cultural movements. The essays contained in this volume explore Malet’s authorial experience—from both within the mainstream of the British literary tradition and, curiously, from outside it—supplementing and nuancing current debates about fin-de-siècle women’s writing. The collection asks the question ‘who was Lucas Malet?’ and ‘how—despite its popularity—did her courageous, unique and fascinating writing disappear from view for so long?’
Luce Irigaray: Philosophy in the Feminine (Wiley Blackwell Readers Ser.)
by Margaret WhitfordFirst published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.
Luce Irigaray and Premodern Culture: Thresholds of History (Routledge Studies in Renaissance Literature and Culture)
by Elizabeth D. Harvey Theresa KrierThe essays in this groundbreaking collection stage conversations between the thought of the controversial feminist philosopher, linguist and psychoanalyst Luce Irigaray and premodern writers, ranging from Empedocles and Homer, to Shakespeare, Spenser and Donne. They explore both the pre-Enlightenment roots of Luce Irigaray's thought, and the impact that her writings have had on our understanding of ancient, medieval and Renaissance culture. Luce Irigaray has been a major figure in Anglo-American literary theory, philosophy and gender studies ever since her germinal works, Speculum of the Other Woman and This Sex Which Is Not One, were published in English translation in 1985. This collection is the first sustained examination of Irigaray's crucial relationship to premodern discourses underpinning Western culture, and of the transformative effect she has had on scholars working in pre-Enlightenment periods. Like Irigaray herself, the essays work at the intersections of gender, theory, historicism and language. This collection offers powerful ways of understanding premodern texts through Irigaray's theories that allow us to imagine our past and present relationship to economics, science, psychoanalysis, gender, ethics and social communities in new ways.
Lucian and His Roman Voices: Cultural Exchanges and Conflicts in the Late Roman Empire (Routledge Monographs in Classical Studies #19)
by Eleni BoziaLucian and His Roman Voices examines cultural exchanges, political propaganda, and religious conflicts in the Early Roman Empire through the eyes of Lucian, his contemporary Roman authors, and Christian Apologists. Offering a multi-faceted analysis of the Lucianic corpus, this book explores how Lucian, a Syrian who wrote in Greek and who became a Roman citizen, was affected by the socio-political climate of his time, reacted to it, and how he ‘corresponded’ with the Roman intelligentsia. In the process, this unique volume raises questions such as: What did the title ‘Roman citizen’ mean to native Romans and to others? How were language and literature politicized, and how did they become a means of social propaganda? This study reveals Lucian’s recondite historical and authorial personas and the ways in which his literary activity portrayed second-century reality from the perspectives of the Romans, Greeks, pagans, Christians, and citizens of the Roman Empire