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The Lure of Communication: Sociology through Rhetoric
by Andrea LombardiniloThis book addresses the convergence of sociology, communication and rhetoric, with particular reference to the contemporary expressive and social patterns of mass communication. Using rhetoric as a meta-conceptual apparatus for the sociology of communication, this book offers an original and comprehensive critique of historical social theory alongside 20th century communication researchers. The author demonstrates the symbiotic relationship between the rhetorical structures of the media-sphere and the new narrative formats in which cultural representation merges into social and civil observation. This book will be of interest to academics and students studying sociology, communication and cultural studies.
Lure of the Arcane: The Literature of Cult and Conspiracy
by Theodore ZiolkowskiExplore 2,000 years of conspiracy in fiction.Outstanding Academic Title, ChoiceFascination with the arcane is a driving force in this comprehensive survey of conspiracy fiction. Theodore Ziolkowski traces the evolution of cults, orders, lodges, secret societies, and conspiracies through various literary manifestations—drama, romance, epic, novel, opera—down to the thrillers of the twenty-first century. Lure of the Arcane considers Euripides’s Bacchae, Andreae’s Chymical Wedding, Mozart’s The Magic Flute, and Eco’s Foucault’s Pendulum, among other seminal works. Mimicking the genre’s quest-driven narrative arc, the reader searches for the significance of conspiracy fiction and is rewarded with the author’s cogent reflections in the final chapter. After much investigation, Ziolkowski reinforces Umberto Eco’s notion that the most powerful secret, the magnetic center of conspiracy fiction, is in fact "a secret without content."
Lure of the Arcane: The Literature of Cult and Conspiracy
by Theodore ZiolkowskiA study of the depiction of cults, conspiracies, and secret societies in literature from ancient Greek and Roman mysteries to the 21st century thriller.Fascination with the arcane is a driving force in this comprehensive survey of conspiracy fiction. Theodore Ziolkowski traces the evolution of cults, orders, lodges, secret societies, and conspiracies through various literary manifestations—drama, romance, epic, novel, opera—down to the thrillers of the twenty-first century.Lure of the Arcane considers Euripides’s Bacchae, Andreae’s Chymical Wedding, Mozart’s The Magic Flute, and Eco’s Foucault’s Pendulum, among other seminal works. Mimicking the genre’s quest-driven narrative arc, the reader searches for the significance of conspiracy fiction and is rewarded with the author’s cogent reflections in the final chapter. After much investigation, Ziolkowski reinforces Umberto Eco’s notion that the most powerful secret, the magnetic center of conspiracy fiction, is in fact “a secret without content.”“Conspiracies, whether attributed to mystery cults, Freemasons, Socialists, or Rosicrucians, pervade literature from Euripides to Umberto Eco, as Theodore Ziolkowski shows in Lure of the Arcane. Ziolkowski has read everything, taking even a 3,000-page German novel in his stride, and summarizes and analyses his material fascinatingly for lesser mortals.” —Times Literary Supplement (UK)“Ziolkowski is excellently placed to attempt the construction of a genre history . . . As such, his treatment of the literature and the array of texts included is predictably masterful, moving with ease from Greek and Roman mysteries in antiquity to the Medieval representations of the Knights Templar, through the Rosicrucian manifestoes and the German Enlightenment lodge novels, to the literary depictions of secret societies of Romantic Socialism.” —Nova Religio
The Lure of Whitehead
by Nicholas Gaskill A. J. NocekOnce largely ignored, the speculative philosophy of Alfred North Whitehead has assumed a new prominence in contemporary theory across the humanities and social sciences. Philosophers and artists, literary critics and social theorists, anthropologists and computer scientists have all embraced Whitehead's thought, extending it through inquiries into the nature of life, the problem of consciousness, and the ontology of objects, as well as into experiments in education and digital media.The Lure of Whitehead offers readers not only a comprehensive introduction to Whitehead's philosophy but also a demonstration of how his work advances our emerging understanding of life in the posthuman epoch. Contributors: Jeffrey A. Bell, Southeastern Louisiana U; Nathan Brown, U of California, Davis; Peter Canning; Didier Debaise, Free U of Brussels; Roland Faber, Claremont Lincoln U; Michael Halewood, U of Essex; Graham Harman, American U in Cairo; Bruno Latour, Sciences Po Paris; Erin Manning, Concordia U, Montreal; Steven Meyer, Washington U; Luciana Parisi, U of London; Keith Robinson, U of Arkansas at Little Rock; Isabelle Stengers, Free U of Brussels; James Williams, U of Dundee.
Lusophone, Galician, and Hispanic Linguistics: Bridging Frames and Traditions (Routledge Studies in Hispanic and Lusophone Linguistics)
by Gabriel Rei-Doval Fernando Tejedo-HerreroLusophone, Galician, and Hispanic Linguistics: Bridging Frames and Traditions examines the existing historiographic, foundational and methodological issues surrounding Lusophone, Galician, and Hispanic linguistics The volume offers a balanced collection of original research from synchronic and diachronic perspectives. It provides a first step to assessing the present and future state of Lusophone, Galician, and Hispanic linguistics and argues for an inclusive approach to the study of these three traditions which would enhance our understanding of each. Presenting the latest research in the field, this volume is a valuable resource for scholars in Lusophone, Galician, and Hispanic linguistics.
Lust: A Dictionary for the Insatiable
by Media AdamsThe Seven Deadly Sins have sliced up the dictionary and taken what's theirs. No one vice is too greedy as each volume prides itself on having more than 500 entries. Word lovers will lust after these richly packaged volumes--and once you've collected all seven, you'll be the envy of all your friends.Lust: A Dictionary for the InsatiableOnce just isn't enough. You'll want to ogle these entries multiple times, all night long. Nouns, verbs, adverbs, adjectives, whatever their particular pleasure--or pleasures--they'll find 'em inside.
Lust, Caution
by Eileen Chang Wang Hui LingNow a major motion picture from Oscar-winning director Ang Lee (Crouching Tiger, Hidden Dragon, Brokeback Mountain): an intensely passionate story of love and espionage, set in Shanghai during World War II.In the midst of the Japanese occupation of China and Hong Kong, two lives become intertwined: Wong Chia Chi, a young student active in the resistance, and Mr. Yee, a powerful political figure who works for the Japanese occupational government. As these two move deftly between Shanghai's tea parties and secret interrogations, they become embroiled in the complicated politics of wartime -- and in a mutual attraction that may be more than what they expected. Written in lush, lavish prose, and with the tension of a political thriller, Lust, Caution brings 1940s Shanghai artfully to life even as it limns the erotic pulse of a doomed love affair.From the Trade Paperback edition.
Lust, Commerce, and Corruption: An Account of What I Have Seen and Heard, by an Edo Samurai (Translations from the Asian Classics)
by Teeuwen Mark Kate Wildman Nakai Trans. Eds. Fumiko Umezawa Anne Walthall John BreenBy 1816, Japan had recovered from the famines of the 1780s and moved beyond the political reforms of the 1790s. Despite persistent economic and social stresses, the country seemed to be approaching a new period of growth. The idea that the shogunate would not last forever was far from anyone's mind.Yet, in that year, an anonymous samurai author completed one of the most detailed critiques of Edo society known today. Writing as Buyo Inshi, "a retired gentleman of Edo," he expresses a profound despair with the state of the realm and with people's behavior and attitudes. He sees decay wherever he turns and believes the world will soon descend into war.Buyo shows a familiarity with many corners of Edo life that one might not expect in a samurai. He describes the corruption of samurai officials; the suffering of the poor in villages and cities; the operation of brothels; the dealings of blind moneylenders; the selling and buying of temple abbotships; and the dubious strategies townspeople use in the law courts. Perhaps the frankness of his account, which contains a wealth of concrete information about Edo society, made him prefer to remain anonymous.This volume contains a full translation of Buyo's often-quoted but rarely studied work by a team of specialists on Edo society. Together with extensive annotation of the translation, the volume includes an introduction that situates the text culturally and historically.
Lusting for London
by Peter MortonThis book examines the flight of young Australian writers to London in the decades before and after Federation in 1901. Peter Morton studies how their careers were shaped by shifting their country of residence, the expatriate experience, and how the loss of these expatriates affected the evolving literary culture of Australia.
Lustmord: Sexual Murder in Weimar Germany
by Maria TatarIn a book that confronts our society's obsession with sexual violence, Maria Tatar seeks the meaning behind one of the most disturbing images of twentieth-century Western culture: the violated female corpse. This image is so prevalent in painting, literature, film, and, most recently, in mass media, that we rarely question what is at stake in its representation. Tatar, however, challenges us to consider what is taking place--both artistically and socially--in the construction and circulation of scenes depicting sexual murder. In examining images of sexual murder (Lustmord), she produces a riveting study of how art and murder have intersected in the sexual politics of culture from Weimar Germany to the present. Tatar focuses attention on the politically turbulent Weimar Republic, often viewed as the birthplace of a transgressive avant-garde modernism, where representations of female sexual mutilation abound. Here a revealing episode in the gender politics of cultural production unfolds as male artists and writers, working in a society consumed by fear of outside threats, envision women as enemies that can be contained and mastered through transcendent artistic expression. Not only does Tatar show that male artists openly identified with real-life sexual murderers--George Grosz posed as Jack the Ripper in a photograph where his model and future wife was the target of his knife--but she also reveals the ways in which victims were disavowed and erased. Tatar first analyzes actual cases of sexual murder that aroused wide public interest in Weimar Germany. She then considers how the representation of murdered women in visual and literary works functions as a strategy for managing social and sexual anxieties, and shows how violence against women can be linked to the war trauma, to urban pathologies, and to the politics of cultural production and biological reproduction. In exploring the complex relationship between victim and agent in cases of sexual murder, Tatar explains how the roles came to be destabilized and reversed, turning the perpetrator of criminal deeds into a defenseless victim of seductive evil. Throughout the West today, the creation of similar ideological constructions still occurs in societies that have only recently begun to validate the voices of its victims. Maria Tatar's book opens up an important discussion for readers seeking to understand the forces behind sexual violence and its portrayal in the cultural media throughout this century.
Luxurious Sexualities: Textual Practice Volume 11 Issue 3
by Mary Peace Vincent QuinnLuxurious Sexualities contains some of the most path- breaking adventurous critical writing currently to be found in Britain. Focusing on eighteenth century sexuality it is intriguing, controversial and provoking. Textual Practice contains articles relating to women, popular culture, visual media, and ethnic and sexual minorities.
Luz de agosto (Alfaguara Literatura Ser.)
by William FaulknerLuz de agosto es una de las obras más representativas del premio Nobel de Literatura William Faulkner. En Luz de agosto aparecen retratados algunos de los personajes más memorables de Faulkner: la cándida e intrépida Lena Grove en busca del padre de su hijo; el reverendo Gal Hightower, atormentado por constante visiones de soldados de caballería confederados, y Joe Christmas, un misterioso vagabundo consumido por los orígenes raciales de sus antepasados. Faulkner, además de haber sido el innovador de una forma de narrar que ha influido poderosamente en las generaciones que le han continuado, fue el cronista de los más notables hechos, costumbres y personajes de su tierra. Luz de agosto es una de las obras más representativas de un hombre que, trabajando sobre la historia y haciendo campear la imaginación, logró convertirse en uno de los escritores más importantes de su siglo.
Lxs niñxs de oro de la alquimia sexual
by Tilsa Otta«Todos los orgasmos que he tenido esta semana me han permitido acceder a Dios». Los orgasmos que Cristy alcanza con su pareja son de índole divina: gracias a ellos no solo contempla a Dios, sino que se le revelan episodios del futuro. La conciencia de este «don» la obliga a formularse ciertas interrogantes: ¿cómo debe proceder?, ¿por qué ha sido elegida?, ¿cuál es la finalidad? Para responderlas, Cristy decide armar un archivo que dé cuenta de sus experiencias e investigaciones. Su vida se transforma así en un campo de trabajo experimental donde confluyen el esoterismo, la poesía, el libertinaje sexual, las drogas afrodisíacas, el feminismo, los misterios de Eleusis, el yoga, las orgías místicas y la adivinación orgásmica. Un cóctel supranatural y sicalíptico que sacude los cimientos existenciales de la protagonista. Mediante un estilo conversacional, lúdico y veloz, esta novela de Tilsa Otta apuesta por una historia en la que se impone una voz de inusitada frescura e irreverencia.
Lycanthropy in German Literature (Palgrave Studies in Modern European Literature)
by Peter ArndsLycanthropy in German Literature argues that as a symbol of both power and parasitism, the human wolf of the Germanic Middle Ages is iconic to the representation of the persecution of undesirables in the German cultural imagination from the early modern age to the post-war literary scene.
Lycurgan Athens and the Making of Classical Tragedy
by Johanna HaninkThrough a series of interdisciplinary studies this book argues that the Athenians themselves invented the notion of 'classical' tragedy just a few generations after the city's defeat in the Peloponnesian War. In the third quarter of the fourth century BC, and specifically during the 'Lycurgan Era' (338-322 BC), a number of measures were taken in Athens to affirm to the Greek world that the achievement of tragedy was owed to the unique character of the city. By means of rhetoric, architecture, inscriptions, statues, archives and even legislation, the 'classical' tragedians (Aeschylus, Sophocles and Euripides) and their plays came to be presented as both the products and vital embodiments of an idealised Athenian past. This study marks the first account of Athens' invention of its own theatrical heritage and sheds new light upon the interaction between the city's literary and political history.
Lydgate's Minor Poems: The Two Nightingale Poems (A.D. 1446) (Routledge Revivals #No. 80)
by Otto GlauningFirst published in 1900, this volume includes the two versions of Lydgate’s Middle-English Nightingale poems along with glosses. A detailed scholarly introduction is provided by Otto Glauning, PhD, including analysis of the manuscripts, metre, linguistic significance and the manuscripts’ sources.
Lydia Cabrera and the Construction of an Afro-Cuban Cultural Identity
by Edna M. Rodríguez-PlateLydia Cabrera (1900-1991), an upper-class white Cuban intellectual, spent many years traveling through Cuba collecting oral histories, stories, and music from Cubans of African descent. Her work is commonly viewed as an extension of the work of her famous brother-in-law, Cuban anthropologist Fernando Ortiz, who initiated the study of Afro-Cubans and the concept of transculturation. Here, Edna Rodriguez-Mangual challenges this perspective, proposing that Cabrera's work offers an alternative to the hegemonizing national myth of Cuba articulated by Ortiz and others.Rodriguez-Mangual examines Cabrera's ethnographic essays and short stories in context. By blurring fact and fiction, anthropology and literature, Cabrera defied the scientific discourse used by other anthropologists. She wrote of Afro-Cubans not as objects but as subjects, and in her writings, whiteness, instead of blackness, is gazed upon as the "other." As Rodriguez-Mangual demonstrates, Cabrera rewrote the history of Cuba and its culture through imaginative means, calling into question the empirical basis of anthropology and placing Afro-Cuban contributions at the center of the literature that describes the Cuban nation and its national identity.
Lydia Ginzburg's Prose
by Emily Van BuskirkThe Russian writer Lydia Ginzburg (1902-90) is best known for her Notes from the Leningrad Blockade and for influential critical studies, such as On Psychological Prose, investigating the problem of literary character in French and Russian novels and memoirs. Yet she viewed her most vital work to be the extensive prose fragments, composed for the desk drawer, in which she analyzed herself and other members of the Russian intelligentsia through seven traumatic decades of Soviet history. In this book, the first full-length English-language study of the writer, Emily Van Buskirk presents Ginzburg as a figure of previously unrecognized innovation and importance in the literary landscape of the twentieth century.Based on a decade's work in Ginzburg's archives, the book discusses previously unknown manuscripts and uncovers a wealth of new information about the author's life, focusing on Ginzburg's quest for a new kind of writing adequate to her times. She writes of universal experiences--frustrated love, professional failures, remorse, aging--and explores the modern fragmentation of identity in the context of war, terror, and an oppressive state. Searching for a new concept of the self, and deeming the psychological novel (a beloved academic specialty) inadequate to express this concept, Ginzburg turned to fragmentary narratives that blur the lines between history, autobiography, and fiction.This full account of Ginzburg's writing career in many genres and emotional registers enables us not only to rethink the experience of Soviet intellectuals, but to arrive at a new understanding of writing and witnessing during a horrific century.
Lying, Truthtelling, and Storytelling in Children’s and Young Adult Literature: Telling It Slant (Children's Literature and Culture)
by Anita TarrEven though we instruct our children not to lie, the truth is that lying is a fundamental part of children’s development—socially, cognitively, emotionally, morally. Lying can sometimes be more compassionate than telling the truth, even more ethical. Reading specific children’s books can instruct child readers how to be guided by an etiquette of lying, to know when to tell the truth and when to lie. Equally important, these stories can help prevent them from being prey to those liars who are intent on taking advantage of them. Becoming a critical reader requires that one learn how to lie judiciously as well as to see through others’ lies. When humans first began to speak, we began to lie. When we began to lie, we started telling stories. This is the paradox, that in order to tell truthful stories, we must be good liars. Novels about child-artists showcased here illustrate how the protagonist embraces this paradox, accepting the stigma that a writer is a liar who tells the truth. Emily Dickinson’s phrase “telling it slant” best expresses the vision of how writers for children and young adults negotiate the conundrum of both protecting child readers and teaching them to protect themselves. This volume explores the pervasiveness of lying as well as the necessity for lying in our society; the origins of lying as connected to language acquisition; the realization that storytelling is both lying and truthtelling; and the negotiations child-artists must process in order to grasp the paradox that to become storytellers they must become expert liars and lie-detectors.
Lynching: Violence, Rhetoric, and American Identity (Race, Rhetoric, and Media Series)
by Ersula J. OreWinner of the 2020 Rhetoric Society of America Book AwardWhile victims of antebellum lynchings were typically white men, postbellum lynchings became more frequent and more intense, with the victims more often black. After Reconstruction, lynchings exhibited and embodied links between violent collective action, American civic identity, and the making of the nation.Ersula J. Ore investigates lynching as a racialized practice of civic engagement, in effect an argument against black inclusion within the changing nation. Ore scrutinizes the civic roots of lynching, the relationship between lynching and white constitutionalism, and contemporary manifestations of lynching discourse and logic today. From the 1880s onward, lynchings, she finds, manifested a violent form of symbolic action that called a national public into existence, denoted citizenship, and upheld political community.Grounded in Ida B. Wells’s summation of lynching as a social contract among whites to maintain a racial order, at its core, Ore’s book speaks to racialized violence as a mode of civic engagement. Since violence enacts an argument about citizenship, Ore construes lynching and its expressions as part and parcel of America’s rhetorical tradition and political legacy.Drawing upon newspapers, official records, and memoirs, as well as critical race theory, Ore outlines the connections between what was said and written, the material practices of lynching in the past, and the forms these rhetorics and practices assume now. In doing so, she demonstrates how lynching functioned as a strategy interwoven with the formation of America’s national identity and with the nation’s need to continually restrict and redefine that identity. In addition, Ore ties black resistance to lynching, the acclaimed exhibit Without Sanctuary, recent police brutality, effigies of Barack Obama, and the killing of Trayvon Martin.
Lynd Ward’s Wordless Novels, 1929-1937: Visual Narrative, Cultural Politics, Homoeroticism (Routledge Research in American Literature and Culture)
by Grant F. ScottThis book offers the first multidisciplinary analysis of the "wordless novels" of American woodcut artist and illustrator Lynd Ward (1905-1985), who has been enormously influential in the development of the contemporary graphic novel. The study examines his six pictorial novels, each part of an evolving experiment in a new form of visual narrative that offers a keen intervention in the cultural and sexual politics of the 1930s. The novels form a discrete group – much like Beethoven’s piano sonatas or Keats’s great odes – in which Ward evolves a unique modernist style (cinematic, expressionist, futurist, realist, documentary) and grapples with significant cultural and political ideas in a moment when the American experiment and capitalism itself hung in the balance. In testing the limits of a new narrative form, Ward’s novels require a versatile critical framework as sensitive to German Expressionism and Weimar cinema as to labor politics and the new energies of proletarian homosexuality.
Lynda Barry: Girlhood through the Looking Glass (Great Comics Artists Series)
by Susan E. KirtleyBest known for her long-running comic strip Ernie Pook's Comeek, illustrated fiction (Cruddy, The Good Times Are Killing Me), and graphic novels (One! Hundred! Demons!), the art of Lynda Barry (b. 1956) has branched out to incorporate plays, paintings, radio commentary, and lectures. With a combination of simple, raw drawings and mature, eloquent text, Barry's oeuvre blurs the boundaries between fiction and memoir, comics and literary fiction, and fantasy and reality. Her recent volumes What It Is (2008) and Picture This (2010) fuse autobiography, teaching guide, sketchbook, and cartooning into coherent visions. In Lynda Barry: Girlhood through the Looking Glass, author Susan E. Kirtley examines the artist's career and contributions to the field of comic art and beyond. The study specifically concentrates on Barry's recurring focus on figures of young girls, in a variety of mediums and genres. Barry follows the image of the girl through several lenses—from text-based novels to the hybrid blending of text and image in comic art, to art shows and coloring books. In tracing Barry's aesthetic and intellectual development, Kirtley reveals Barry's work to be groundbreaking in its understanding of femininity and feminism.
Lynzsea Sky: An American True Story
by Michael RozekLynzsea Sky, a twenty-something college student, tells the author her heartbreaking, disturbing, and culture-challenging life story. She speaks at first hesitantly, then with increasing clarity about sex, drugs, family life, education, tattoos, homelessness, her dreams of becoming a filmmaker, her brother's time in prison, and her mother's struggle with mental illness.<P><P>The book is just the conversation; the absence of anything else makes this a groundbreaking new form of nonfiction. The lean prose is void of stylistic hijinks, drawing the reader in without drawing attention to the writer.The author's first book is part of a planned series called American True Stories, all of which will be similarly dialogue based. Michael Rozek's work illuminates real American lives and gives a voice to people who often are overlooked by the mainstream media.Michael Rozek has written more than two thousand articles for various national magazines including Rolling Stone, Esquire, Sports Illustrated, and The Village Voice in a career spanning nearly forty years. He walked away from a lucrative free-lance career to publish the popular Rozek's Newsletter in the 1990s in response to the "fast food" journalism he saw increasingly creeping into American magazines. For more than a decade, Rozek and his wife Charlotte have struggled with homelessness and poverty, yet Rozek continues to talk to and write about everyday Americans with empathy and insight. This is his first book.
Lyric (The New Critical Idiom)
by Scott BrewsterThe term ‘lyric’ has evolved, been revised, redefined and contested over the centuries. In this fascinating introduction, Scott Brewster: traces the history of the term from its classical origins through the early modern, Romantic and Victorian periods and up to the twenty-first century demonstrates the influence of lyric on poetic practice, literature, music and other popular cultural forms uses three aspects -- the lyric ‘self’, love and desire and the relationship between lyric, poetry and performance -- as focal points for further discussion not only charts the history of lyric theory and practice but re-examines assumptions about the lyric form in the context of recent theoretical accounts of poetic discourse. Offering clarity and structure to this often intense and emotive field, Lyric offers essential insights for students of literature, performance, music and cultural studies.
Lyric Apocalypse: Milton, Marvell, and the Nature of Events
by Ryan NetzleyWhat’s new about the apocalypse? Revelation does not allow us to look back after the end and enumerate pivotal turning points. It happens in an immediate encounter with the transformatively new. John Milton’s and Andrew Marvell’s lyrics attempt to render the experience of such an apocalyptic change in the present. In this respect they take seriously the Reformation’s insistence that eschatology is a historical phenomenon. Yet these poets are also reacting to the Regicide, and, as a result, their works explore very modern questions about the nature of events, what it means for a significant historical occasion to happen. Lyric Apocalypse argues that Milton’s and Marvell’s lyrics challenge any retrospective understanding of events, including one built on a theory of revolution. Instead, these poems show that there is no “after” to the apocalypse, that if we are going to talk about change, we should do so in the present, when there is still time to do something about it. For both of these poets, lyric becomes a way to imagine an apocalyptic event that would be both hopeful and new.