- Table View
- List View
Macau’s Languages in Society and Education: Planning in a Multilingual Ecology (Multilingual Education #39)
by Andrew J. MoodyThis book examines the role of English within education and society in the quickly changing city of Macau. Macau’s multilingual language ecology offers the unique opportunity to examine language planning and policy issues within a small speech community. The languages within the ecology include several Chinese varieties, such as Cantonese, Putonghua and Hokkien, European languages like Portuguese and English, and a number of Asian languages that include, among others, Burmese, Filipino languages, Japanese, Timorese, etc. As the smallest city in South China's Pearl River Delta, Macau has sought to maintain cultural and linguistic independence from its larger neighbours, and independence has been built upon an historic commitment to multilingualism and cultural plurality. As economic development and globalisation offer new opportunities to a growing middle class, the sociolinguistics of a small society constrain and influence the language policies that the territory seeks to implement. Macau's multilingual and pluralistic response to language needs within the territory echoes historical responses to similar challenges and suggests that small communities function sociolinguistically in ways that differ from larger communities.
Macbeth: A Dagger of the Mind (Shakespeare's Personalities #5)
by Harold BloomFrom the greatest Shakespeare scholar of our time, comes a portrait of Macbeth, one of William Shakespeare’s most complex and compelling anti-heroes—the final volume in a series of five short books about the great playwright’s most significant personalities: Falstaff, Cleopatra, Lear, Iago, Macbeth.From the ambitious and mad titular character to his devilish wife Lady Macbeth to the moral and noble Banquo to the mysterious Three Witches, Macbeth is one of William Shakespeare’s more brilliantly populated plays and remains among the most widely read, performed in innovative productions set in a vast array of times and locations, from Nazi Germany to Revolutionary Cuba. Macbeth is a distinguished warrior hero, who over the course of the play, transforms into a brutal, murderous villain and pays an extraordinary price for committing an evil act. A man consumed with ambition and self-doubt, Macbeth is one of Shakespeare’s most vital meditations on the dangerous corners of the human imagination. Award-winning writer and beloved professor Harold Bloom investigates Macbeth’s interiority and unthinkable actions with razor-sharp insight, agility, and compassion. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are seventeen and another when we are forty, Bloom writes about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that the book also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. Bloom is mesmerizing in the classroom, wrestling with the often tragic choices Shakespeare’s characters make. He delivers that kind of exhilarating intimacy and clarity in Macbeth, the final book in an essential series.
Macbeth (Short, Sharp Shakespeare Stories #25)
by Anna ClaybourneIs this a dagger which I see before me...?A power-hungry general, his crazed wife, three interfering witches and some terrifying ghosts... Listen on, through murder and mayhem, to discover the gripping story of Macbeth, one of Shakespeare's most famous tragedies.As well as the story, this audiobook contains information about the background to Macbeth, its major themes, language, and Shakespeare's life during the time he was writing the play. Witches and witchcraft in 16th century England are also examined, to give the context in which the play was written. The Short, Sharp Shakespeare series consists of six books that retell Shakespeare's most famous plays in modern English. Fun sound effects and atmospheric music accompany each narration, making them a great introduction to "the Bard" for children.(P) 2023 Hodder & Stoughton Limited
Macbeth: New Critical Essays (Shakespeare Criticism)
by Nick MoschovakisThis volume offers a wealth of critical analysis, supported with ample historical and bibliographical information about one of Shakespeare’s most enduringly popular and globally influential plays. Its eighteen new chapters represent a broad spectrum of current scholarly and interpretive approaches, from historicist criticism to performance theory to cultural studies. A substantial section addresses early modern themes, with attention to the protagonists and the discourses of politics, class, gender, the emotions, and the economy, along with discussions of significant ‘minor’ characters and less commonly examined textual passages. Further chapters scrutinize Macbeth’s performance, adaptation and transformation across several media—stage, film, text, and hypertext—in cultural settings ranging from early nineteenth-century England to late twentieth-century China. The editor’s extensive introduction surveys critical, theatrical, and cinematic interpretations from the late seventeenth century to the beginning of the twenty-first, while advancing a synthetic argument to explain the shifting relationship between two conflicting strains in the tragedy’s reception. Written to a level that will be both accessible to advanced undergraduates and, at the same time, useful to post-graduates and specialists in the field, this book will greatly enhance any study of Macbeth. Contributors: Rebecca Lemon, Jonathan Baldo, Rebecca Ann Bach, Julie Barmazel, Abraham Stoll, Lois Feuer, Stephen Deng, Lisa Tomaszewski, Lynne Bruckner, Michael David Fox, James Wells, Laura Engel, Stephen Buhler, Bi-qi Beatrice Lei, Kim Fedderson and J. Michael Richardson, Bruno Lessard, Pamela Mason.
Macbeth: The 30-Minute Shakespeare
by Nick NewlinPlanning a school or amateur Shakespeare production? The best way to experience the plays is to perform them, but getting started can be a challenge: The complete plays are too long and complex, while scene selections or simplified language are too limited."The 30-Minute Shakespeare" is a new series of abridgements that tell the "story" of each play from start to finish while keeping the beauty of Shakespeare's language intact. Specific stage directions and character suggestions give even inexperienced actors the tools to perform Shakespeare with confidence, understanding, and fun!This cutting of MACBETH is edited to seven key scenes, opening with the Weird Sisters predicting Macbeth's fate. Also included are Macbeth and his villainous wife plotting to murder King Duncan, the appearance of Banquo's ghost at the banquet, the Witches' unforgettable "double double toil and trouble" scene, and Lady Macbeth's riveting "out, damned spot" sleepwalk. In the finale, the entire cast recites Macbeth's poignant "tomorrow, tomorrow, and tomorrow" speech in unison.The edition also includes an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library's annual Student Shakespeare Festival.
Macbeth: Critical Essays (Shakespearean Criticism)
by S. SchoenbaumOriginally published in 1991. Collecting together commentary and critique on ‘the Scottish play’, this book showcases varied discussions of the text and the theatrical productions. From Samuel Johnson’s brief 1765 comment to the editor’s own piece on the Porter’s scene, the texts included here are popular important accounts of thoughts and scholarship on the play over the years. Some pieces address the most famous early Lady Macbeth – Mrs Siddons, while others look at a theme or specific issue such as Lady Macbeth’s children. This is a great sample of the voluminous body of work looking at the tragedy, considering its images, symbols, meanings and its challenges for the stage.
Macbeth: Modern English Version Side-by-side With Full Original Text (Shakespeare Made Easy)
by William ShakespeareHere are the books that help teach Shakespeare plays without the teacher constantly needing to explain and define Elizabethan terms, slang, and other ways of expression that are different from our own. Each play is presented with Shakespeare's original lines on each left-hand page, and a modern, easy-to-understand "translation" on the facing right-hand page. All dramas are complete, with every original Shakespearian line, and a full-length modern rendition of the text. Helpful background information that puts each play in its historical perspective. Discussion questions that teachers can use to spark student class participation, and which students can use as springboards for their own themes and term papers. Fact quizzes, sample examinations, and other features that improve student comprehension of what each play is about.
Macbeth
by William ShakespearePerhaps no other Shakespearean drama so engulfs its readers in the ruinous journey of surrender to evil as does Macbeth. A timeless tragedy about the nature of ambition, conscience, and the human heart, the play holds a profound grip on the Western imagination. [This text is listed as an example that meets Common Core Standards in English language arts in grades 9-10 at http://www.corestandards.org.]
Macbeth, and King Richard The Third: An Essay, In Answer to Remarks on Some of The Characters of Shakespeare (Routledge Revivals)
by J.P. KembleJohn Philip Kemble was an ambitious and successful stage actor in London, perhaps most well-known for his turn as Shakespeare’s Macbeth. Kemble passionately disagreed with the posthumous work of Thomas Watley, Remarks on Some of the Characters of Shakespeare (1785), particularly Watley’s representations of some of Shakespeare’s greatest villains, Richard III and Macbeth. This title, first published in 1786 (this reprint of the second edition first published in 1970), presents Kemble’s nuanced criticisms of the characters leaving the impression that the villainies of Macbeth and Richard III are indeed similar. A historically important literary reaction, this title will be of interest to students of English literature and literary criticism.
Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun
by Clifford MasonIn 1936 Orson Welles directed a celebrated all-black production of Macbeth that was hailed as a breakthrough for African Americans in the theater. For over a century, black performers had fought for the right to perform on the American stage, going all the way back to an 1820s Shakespearean troupe that performed Richard III, Othello, and Macbeth, without relying on white patronage. "Macbeth" in Harlem tells the story of these actors and their fellow black theatrical artists, from the early nineteenth century to the dawn of the civil rights era. For the first time we see how African American performers fought to carve out a space for authentic black voices onstage, at a time when blockbuster plays like Uncle Tom’s Cabin and The Octoroon trafficked in cheap stereotypes. Though the Harlem Renaissance brought an influx of talented black writers and directors to the forefront of the American stage, they still struggled to gain recognition from an indifferent critical press. Above all, "Macbeth" in Harlem is a testament to black artistry thriving in the face of adversity. It chronicles how even as the endemic racism in American society and its theatrical establishment forced black performers to abase themselves for white audiences’ amusement, African Americans overcame those obstacles to enrich the nation’s theater in countless ways.
Macbeth (MAXNotes Literature Guides)
by Rebecca SheinbergREA's MAXnotes for William Shakespeare's Macbeth The MAXnotes offers a comprehensive summary and analysis of Macbeth and a biography of William Shakespeare. Places the events of the play in historical context and discusses each act in detail. Includes study questions and answers along with topics for papers and sample outlines.
MacDiarmid: The Terrible Crystal (Routledge Revivals)
by Alan BoldFirst published in 1983, Hugh MacDiarmid: The Terrible Crystal is a detailed introduction to the poetry of Hugh MacDiarmid. Hugh MacDiarmid’s poetry shows a persistent search for a consistent intellectual vision that reveals, in all its facets, the source of creativity recognised by the poet as ‘the terrible crystal’. This introduction to his poetry shows that MacDiarmid’s great achievement was a poetry of evolutionary idealism, that draws attention to itself by a series of culture shocks. It places MacDiarmid as a nationalist poet in an international context: a man whose unique concept of creative unity enabled him to combine the Scottish tradition with the linguistic experimentation of Joyce and Pound. Hugh MacDiarmid: The Terrible Crystal is ideal for those with an interest in the poetry of Hugh MacDiarmid, Scottish poetry, and poetry and criticism more broadly.
Machado De Assis: The Brazilian Master and His Novels
by Helen CaldwellMachado de Assis is among the most original creative minds in Brazil's rich, four-century-long literary tradition. Caldwell's critical and biographical study explores Machado's purpose, meaning, and artistic method in each of his nine novels, published between 1872 and 1908. She traces the ideas and recurrent themes, and identifies his affinities with other authors. In tracing Machado's experimentation with narrative techniques, Caldwell reveals the increasingly subtle use he made of point of view, sometimes indirect or reflected, sometimes multiple and "nested" like Chinese boxes. Caldwell shows the increasing sureness with which he individualized his characters, and how, in advance of his time, he developed action, not by realistic detail, but by the boldest use of allusion and symbol. Each novel is shown to be an artistic venture, and not in any sense a regurgitation from a sick soul as some critics have argued. IN searching out the unity of his novels, Caldwell explores the other aspects of Machado's intellectual life--as poet,journalist, playwright, conversationalist, and academician. Of particular interest is her attention to his shift away from the social criticism of his early novels into the labyrinth of individual psychology in the last five--all of which rank among the world literature. But this perceptive account never loses sight of the one element present in every piece of Machado's fiction, in eery one of his personages; that is, superlative comedy, in its whole range: wit, irony, satire, parody, burlesque, humor. Altogether, Caldwell reveals to us a writer, in essence a poet, who is still the altus prosator of Brazilian letters. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1970.
Machado de Assis
by K. David JacksonNovelist, poet, playwright, and short story writer Joaquim Maria Machado de Assis (1839-1908) is widely regarded as Brazil's greatest writer, although his work is still too little read outside his native country. In this first comprehensive English-language examination of Machado since Helen Caldwell's seminal 1970 study, K. David Jackson reveals Machado de Assis as an important world author, one of the inventors of literary modernism whose writings profoundly influenced some of the most celebrated authors of the twentieth century, including José Saramago, Carlos Fuentes, and Donald Barthelme. Jackson introduces a hitherto unknown Machado de Assis to readers, illuminating the remarkable life, work, and legacy of the genius whom Susan Sontag called "the greatest writer ever produced in Latin America" and whom Allen Ginsberg hailed as "another Kafka. " Philip Roth has said of him that "like Beckett, he is ironic about suffering. " And Harold Bloom has remarked of Machado that "he's funny as hell. "
Machado de Assis and Narrative Theory: Language, Imitation, Art, and Verisimilitude in the Last Six Novels (Bucknell Studies in Latin American Literature and Theory)
by Earl E. FitzThis book makes the argument that Machado de Assis, hailed as one of Latin American literature’s greatest writers, was also a major theoretician of the modern novel form. Steeped in the works of Western literature and an imaginative reader of French Symbolist poetry, Machado creates, between 1880 and 1908, a “new narrative,” one that will presage the groundbreaking theories of Swiss linguist Ferdinand de Saussure by showing how even the language of narrative cannot escape being elusive and ambiguous in terms of meaning. It is from this discovery about the nature of language as a self-referential semiotic system that Machado crafts his “new narrative.” Long celebrated in Brazil as a dazzlingly original writer, Machado has struggled to gain respect and attention outside the Luso-Brazilian ken. He is the epitome of the “outsider” or “marginal,” the iconoclastic and wildly innovative genius who hails from a culture rarely studied in the Western literary hierarchy and so consigned to the status of “eccentric.” Had the Brazilian master written not in Portuguese but English, French, or German, he would today be regarded as one of the true exemplars of the modern novel, in expression as well as in theory. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Machado de Assis, Blackness, and the Americas (SUNY series, Afro-Latinx Futures)
by Vanessa K. Valdés; Earl E. FitzConsidered a genius in his own lifetime, Joaquim Maria Machado de Assis (1839–1908) is Brazil's most canonized writer. Yet, he remains a contested and even enigmatic figure to readers in Brazil and abroad, his relative silence on slavery leaving him vulnerable to charges of aspirations to whiteness. Machado de Assis, Blackness, and the Americas reconsiders this issue by exploring how his prose fiction has been received in the United States. In seven original essays, contributors re-examine his novels and short stories, as well as photographs of the writer, in order to better understand the strategies he employed to navigate Brazil's literary scene as a man of African descent. Framed by a contextualizing introduction and an afterword in the form of a conversation between the editors, the volume speaks to and with our own historical moment and the realities of Black lives in the Americas over the course of the last two centuries.
Machado De Assis's Philosopher or Dog?: From Serial to Book Form
by Surianida SilvaThe great Brazilian writer Joaquim Maria Machado de Assis (1839-1908) published five of his nine novels as feuilletons in daily newspapers or fortnightly women's magazines. How were the structure and themes of those novels entangled with this serial-publication form? In da Silva's important new study, textual scholarship, critical theory and the history of the book are combined in order to trace this relationship. The most important case study is an extended consideration of Philosopher or Dog? (1891), the novel after which he abandoned the feuilleton. Through a comparison of the serial and book versions of Philosopher or Dog? and a thorough study of the periodical in which it appeared, the international women's magazine The Season , da Silva analyses the changes which the genre novel was undergoing at the end of the nineteenth century: the decline of the serial, and the standardisation of female press. Ana Claudia Suriani da Silva is Tutor of Portuguese at the University of Birmingham and Honorary Research Fellow at Birkbeck College, University of London.
Machiavelli in Love: Sex, Self, and Society in the Italian Renaissance
by Guido RuggieroA “provocative” study of sex and sexual identity in Renaissance Italy, explored through major literary works and historical archives (Choice).Machiavelli in Love introduces a complex concept of sex and sexual identity and their roles in the culture and politics of the Italian Renaissance. Guido Ruggiero’s study counters the consensus among historians and literary critics that there was little sense of individual identity and almost no sense of sexual identity before the modern period.Drawing from the works of major literary figures such as Boccaccio, Aretino, and Castiglione, and rereading them against archival evidence, Ruggiero examines the concept of identity via consensus realities of family, neighbors, friends, and social peers, as well as broader communities and solidarities. The author contends that Renaissance Italians understood sexual identity as a part of the human life cycle, something that changed throughout stages of youthful experimentation, marriage, adult companionship, and old age.Machiavelli’s letters and literary production reveal a fascinating construction of self that is highly reliant on sexual reputation. Ruggiero’s challenging reinterpretation of this canonical figure, as well as his unique treatment of other major works of the period, offer new approaches for reading Renaissance literature and new understandings of the way life was lived and perceived during this time.
Machiavelli in the British Isles: Two Early Modern Translations of The Prince (Anglo-Italian Renaissance Studies)
by Alessandra PetrinaMachiavelli in the British Isles reassesses the impact of Machiavelli's The Prince in sixteenth-century England and Scotland through the analysis of early English translations produced before 1640, surviving in manuscript form. This study concentrates on two of the four extant sixteenth-century versions: William Fowler's Scottish translation and the Queen's College (Oxford) English translation, which has been hitherto overlooked by scholars. Alessandra Petrina begins with an overview of the circulation and readership of Machiavelli in early modern Britain before focusing on the eight surviving manuscripts. She reconstructs each manuscript's history and the afterlife of the translations before moving to a detailed examination of two of the translations. Petrina's investigation of William Fowler's translation takes into account his biography, in order to understand the Machiavellian influence on early modern political thought. Her study of the Queen's College translation analyses the manuscript's provenance as well as technical details including writing and paper quality. Importantly, this book includes annotated editions of both translations, which compare the texts with the original Italian versions as well as French and Latin versions. With this volume Petrina has compiled an important reference source, offering easy access to little-known translations and shedding light on a community of readers and scholars who were fascinated by Machiavelli, despite political or religious opinion.
Machiavelli on War
by Christopher LynchMachiavelli on War offers a comprehensive interpretation of the philosopher-historian's treatment of war throughout his writings, from poems and memoranda drafted while he was Florence's top official for military matters to his posthumous works, The Prince and Discourses on Livy. Christopher Lynch argues that the issue of war permeates the form and content of each of Machiavelli's works, the substance of his thoughts, and his own activity as a writer, concluding that he was the first great modern philosopher because he was the first modern philosopher of war.Lynch details Machiavelli's understanding of warfare in terms of both actual armed conflict and at the intellectual level of thinkers competing on the field of knowledge and belief. Throughout Machiavelli's works, he focuses on how military commanders' knowledge of human necessities, beginning with their own, enables and requires them to mold soldiers, organizationally and politically, to best deploy them in operations attuned to political context and changing circumstances. Intellectually, leaders must shape minds, their own and others', to reject beliefs that would weaken their purpose; for Machiavelli, this meant overcoming the classical and Christian traditions in favor of a new teaching of human freedom and excellence. As Machiavelli on War makes clear, prevailing both on the battlefield and in the war of ideas demands a single-minded engagement in "reasoning about everything," beginning with oneself. For Machiavelli, Lynch shows, the successful military commander is not just an excellent leader but also an excellent human being in constant pursuit of the truth about themselves and the world.
Machiavellian Encounters in Tudor and Stuart England: Literary and Political Influences from the Reformation to the Restoration (Anglo-Italian Renaissance Studies)
by Alessandro ArienzoTaking into consideration the political and literary issues hanging upon the circulation of Machiavelli's works in England, this volume highlights how topics and ideas stemming from Machiavelli's books - including but not limited to the Prince - strongly influenced the contemporary political debate. The first section discusses early reactions to Machiavelli's works, focusing on authors such as Reginald Pole and William Thomas, depicting their complex interaction with Machiavelli. In section two, different features of Machiavelli's reading in Tudor literary and political culture are discussed, moving well beyond the traditional image of the tyrant or of the evil Machiavel. Machiavelli's historiography and republicanism and their influences on Tudor culture are discussed with reference to topical authors such as Walter Raleigh, Alberico Gentili, Philip Sidney; his role in contemporary dramatic writing, especially as concerns Christopher Marlowe and William Shakespeare, is taken into consideration. The last section explores Machiavelli's influence on English political culture in the seventeenth century, focusing on reason of state and political prudence, and discussing writers such as Henry Parker, Marchamont Nedham, James Harrington, Thomas Hobbes and Anthony Ascham. Overall, contributors put Machiavelli's image in sixteenth- and seventeenth-century England into perspective, analyzing his role within courtly and prudential politics, and the importance of his ideological proposal in the tradition of republicanism and parliamentarianism.
Machine and Metaphor: The Ethics of Language in American Realism (Literary Criticism and Cultural Theory)
by Jennifer C. CookAmerican literary realism burgeoned during a period of tremendous technological innovation. Because the realists evinced not only a fascination with this new technology but also an ethos that seems to align itself with science, many have paired the two fields rather unproblematically. But this book demonstrates that many realist writers, from Mark Twain to Stephen Crane, Charles W. Chesnutt to Edith Wharton, felt a great deal of anxiety about the advent of new technologies – precisely at the crucial intersection of ethics and language. For these writers, the communication revolution was a troubling phenomenon, not only because of the ways in which the new machines had changed and increased the circulation of language but, more pointedly, because of the ways in which language itself had effectively become a machine: a vehicle perpetuating some of society’s most pernicious clichés and stereotypes – particularly stereotypes of race – in unthinking iteration. This work takes a close look at how the realists tried to forge an ethical position between the two poles of science and sentimentality, attempting to create an alternative mode of speech that, avoiding the trap of codifying iteration, could enable ethical action.
Machine Learning and Knowledge Discovery in Databases: European Conference, ECML PKDD 2022, Grenoble, France, September 19–23, 2022, Proceedings, Part II (Lecture Notes in Computer Science #13714)
by Massih-Reza Amini Stéphane Canu Asja Fischer Tias Guns Petra Kralj Novak Grigorios TsoumakasThe multi-volume set LNAI 13713 until 13718 constitutes the refereed proceedings of the European Conference on Machine Learning and Knowledge Discovery in Databases, ECML PKDD 2022, which took place in Grenoble, France, in September 2022.The 236 full papers presented in these proceedings were carefully reviewed and selected from a total of 1060 submissions. In addition, the proceedings include 17 Demo Track contributions. The volumes are organized in topical sections as follows: Part I: Clustering and dimensionality reduction; anomaly detection; interpretability and explainability; ranking and recommender systems; transfer and multitask learning; Part II: Networks and graphs; knowledge graphs; social network analysis; graph neural networks; natural language processing and text mining; conversational systems; Part III: Deep learning; robust and adversarial machine learning; generative models; computer vision; meta-learning, neural architecture search; Part IV: Reinforcement learning; multi-agent reinforcement learning; bandits and online learning; active and semi-supervised learning; private and federated learning; . Part V: Supervised learning; probabilistic inference; optimal transport; optimization; quantum, hardware; sustainability; Part VI: Time series; financial machine learning; applications; applications: transportation; demo track.