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A Literary History of England: Vol 1: The Middle Ages (to 1500)
by Albert C. Baugh Kemp MaloneThe paperback edition, in four volumes, of this standard work will make it readily available to students. The scope of the work makes it valuable as a work of reference, connecting one period with another and placing each author clearly in the setting of his time. Reviewing the first edition, The Times Literary Supplement commented: ‘in inclusiveness and in judgment it has few rivals of its kind’. This first volume covers The Middle Ages (to 1500) in two sections: The Old English Period (to 1100) by Kemp Malone (John Hopkins University), and The Middle English Period (1100-1500) by Albert C. Baugh (University of Pennsylvania).
The Literary History of England: Vol 3: The Restoration and Eighteenth Century (1660-1789)
by George Sherburn and Donald F. BondThe paperback edition, in four volumes, of this standard work will make it readily available to students. The scope of the work makes it valuable as a work of reference, connecting one period with another and placing each author clearly in the setting of his time. Reviewing the first edition, The Times Literary Supplement commented: ‘in inclusiveness and in judgment it has few rivals of its kind’. This third volume covers the Restoration and the Eighteenth Century (1660-1789) and is co-authored by George Sherburn and Donald F. Bond (both at the University of Chicago).
A Literary History of England Vol. 4
by Samuel C. Chew Richard D. AltickFirst published in 1959. The scope of this four volume work makes it valuable as a work of reference, connecting one period with another an placing each author clearly in the setting of his time. This is the fourth volume and includes the Nineteeth Century and after (1789-1939).
A Literary History of Greece
by Robert FlaceliereThere are several good histories of Greek literature of various shapes and sizes, but the purpose of this book is not simply to consider the literature of ancient Greece as an isolated subject, treating each of the literary modes - epic, lyric, drama, history, philosophy, and rhetoric - in terms of its own evolution. Instead, Robert Flaceliere provides a Greek history that deals with all the important works of Hellenic literature that are still of interest to contemporary readers; and he does this in chronological order with an accurate account of their historical background.Flaceliere follows the history of Greece down through the centuries as the writer records it. He describes the political atmosphere in the nation and the advances in the other arts that influenced literature. The author understands Sappho's rhapsodies; girlish love in the context of the acceptance of homosexuality in that era. He sympathizes with the unrequited passion of the penniless Archilochos. He appreciates Pindar's pacifist tendencies, Herodotus' upright insistence on truth, and Euripides' doubts about the existence of the gods. For the classical centuries, so rich in talent and genius, the author follows the successive generations systematically so as to distinguish the special features of each, what it owes to the preceding generation and how it paves the way for the next.Since this is a literary history, attention is mainly focused on the writers and their works, but by displaying these in their political, social, artistic and scientific setting, Flaceliere gives a better understanding of the production and significance of these wonderful achievements of the human spirit. Due to the wide range of material presented, "A Literary History of Greece" can be used as a reference book as well as for enjoyment reading.
A Literary History of Latin & English Poetry: Bilingual Verse Culture in Early Modern England
by Victoria MoulVictoria Moul's groundbreaking study uncovers one of the most important features of early modern English poetry: its bilingualism. The first guide to a forgotten literary landscape, this book considers the vast quantities of poetry that were written and read in both Latin and English from the sixteenth to the eighteenth century. Introducing readers to a host of new authors and drawing on hundreds of manuscript as well as print sources, it also reinterprets a series of landmarks in English poetry within a bilingual literary context. Ranging from Tottel's miscellany to the hymns of Isaac Watts, via Shakespeare, Jonson, Herbert, Marvell, Milton and Cowley, this revelatory survey shows how the forms and fashions of contemporary Latin verse informed key developments in English poetry. As the complex, highly creative interactions between the two languages are revealed, the work reshapes our understanding of what 'English' literary history means.
A Literary History of Mississippi (Heritage of Mississippi Series)
by Lorie WatkinsWith contributions by Ted Atkinson, Robert Bray, Patsy J. Daniels, David A. Davis, Taylor Hagood, Lisa Hinrichsen, Suzanne Marrs, Greg O'Brien, Ted Ownby, Ed Piacentino, Claude Pruitt, Thomas J. Richardson, Donald M. Shaffer, Theresa M. Towner, Terrence T. Tucker, Daniel Cross Turner, Lorie Watkins, and Ellen WeinauerMississippi is a study in contradictions. One of the richest states when the Civil War began, it emerged as possibly the poorest and remains so today. Geographically diverse, the state encompasses ten distinct landform regions. As people traverse these, they discover varying accents and divergent outlooks. They find pockets of inexhaustible wealth within widespread, grinding poverty. Yet the most illiterate, disadvantaged state has produced arguably the nation's richest literary legacy. Why Mississippi?What does it mean to write in a state of such extremes? To write of racial and economic relations so contradictory and fraught as to defy any logic? Willie Morris often quoted William Faulkner as saying, "To understand the world, you must first understand a place like Mississippi." What Faulkner (or more likely Morris) posits is that Mississippi is not separate from the world. The country's fascination with Mississippi persists because the place embodies the very conflicts that plague the nation.This volume examines indigenous literature, Southwest humor, slave narratives, and the literature of the Civil War. Essays on modern and contemporary writers and the state's changing role in southern studies look at more recent literary trends, while essays on key individual authors offer more information on luminaries including Faulkner, Eudora Welty, Richard Wright, Tennessee Williams, and Margaret Walker. Finally, essays on autobiography, poetry, drama, and history span the creative breadth of Mississippi's literature. Written by literary scholars closely connected to the state, the volume offers a history suitable for all readers interested in learning more about Mississippi's great literary tradition.
The Literary History of the Igbo Novel: African Literature in African Languages (Routledge African Studies)
by Ernest N. EmenyonuThis book looks at the trends in the development of the Igbo novel from its antecedents in oral performance, through the emergence of the first published novel, Omenuko, in 1933 by Pita Nwana, to the contemporary Igbo novel. Defining "Igbo literature" as literature in Igbo language, and "Igbo novel" as a novel written in Igbo language, the author argues that oral and written literature in African indigenous languages hold an important foundational position in the history of African literature. Focusing on the contributions of Igbo writers to the development of African literature in African languages, the book examines the evolution, themes, and distinctive features of the Igbo novel, the historical circumstances of the rise of the African novel in the pre-colonial, era and their impact on the contemporary Igbo novel. This book will be of interest to scholars of African literature, literary history, and Igbo studies.
Literary History Writing, 1770–1820
by April LondonThis investigation of literary history writing between 1770 and 1820 identifies the mode's distinction from canon formation as central to its cultural vitality. Using secret history, memoir and the novel, amongst other sources, it invites a re-thinking of literary history's place in late eighteenth and early nineteenth-century print culture.
Literary Hybrids: Indeterminacy in Medieval & Modern French Narrative (Studies in Medieval History and Culture #Vol. 21)
by Erika E. HessFirst Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
The Literary Imagination from Erasmus Darwin to H.G. Wells: Science, Evolution, and Ecology
by Michael R. PageAt the close of the eighteenth century, Erasmus Darwin declared that he would 'enlist the imagination under the banner of science,' beginning, Michael Page argues, a literary narrative on questions of evolution, ecology, and technological progress that would extend from the Romantic through the Victorian periods. Examining the interchange between emerging scientific ideas-specifically evolution and ecology-new technologies, and literature in nineteenth-century Britain, Page shows how British writers from Darwin to H.G. Wells confronted the burgeoning expansion of scientific knowledge that was radically redefining human understanding and experience of the natural world, of human species, and of the self. The wide range of authors covered in Page's ambitious study permits him to explore an impressive array of topics that include the role of the Romantic era in the molding of scientific and cultural perspectives; the engagement of William Wordsworth and Percy Shelley with questions raised by contemporary science; Mary Shelley's conflicted views on the unfolding prospects of modernity; and how Victorian writers like Charles Kingsley, Samuel Butler, and W.H. Hudson responded to the implications of evolutionary theory. Page concludes with the scientific romances of H.G. Wells, to demonstrate how evolutionary fantasies reached the pinnacle of synthesis between evolutionary science and the imagination at the close of the century.
Literary Impostors: Canadian Autofiction of the Early Twentieth Century
by Rosmarin HeidenreichIn the first half of the twentieth century, a number of Canadian authors were revealed to have faked the identities that made them famous. What is extraordinary about these writers is that they actually "became," in everyday life, characters they had themselves invented. Many of their works were simultaneously fictional and autobiographical, reflecting the duality of their identities. In Literary Impostors, Rosmarin Heidenreich tells the intriguing stories, both the "true" and the fabricated versions, of six Canadian authors who obliterated their pasts and re-invented themselves: Grey Owl was in fact an Englishman named Archie Belaney; Will James, the cowboy writer from the American West, was the Quebec-born francophone Ernest Dufault; the prairie novelist Frederick Philip Grove turned out to be the German writer and translator Felix Paul Greve. Chief Buffalo Child Long Lance, Onoto Watanna, and Sui Sin Far were the chosen identities of three mixed-race writers whose given names were, respectively, Sylvester Long, Winnifred Eaton, and Edith Eaton. Heidenreich argues that their imposture, in some cases not discovered until long after their deaths, was not fraudulent in the usual sense: these writers forged new identities to become who they felt they really were. In an age of proliferating cyber-identities and controversial claims to ancestry, Literary Impostors raises timely questions involving race, migrancy, and gender to illustrate the porousness of the line that is often drawn between an author's biography and the fiction he or she produces.
Literary Indians: Aesthetics and Encounter in American Literature to 1920
by Angela CalcaterraAlthough cross-cultural encounter is often considered an economic or political matter, beauty, taste, and artistry were central to cultural exchange and political negotiation in early and nineteenth-century America. Part of a new wave of scholarship in early American studies that contextualizes American writing in Indigenous space, Literary Indians highlights the significance of Indigenous aesthetic practices to American literary production. Countering the prevailing notion of the "literary Indian" as a construct of the white American literary imagination, Angela Calcaterra reveals how Native people's pre-existing and evolving aesthetic practices influenced Anglo-American writing in precise ways. Indigenous aesthetics helped to establish borders and foster alliances that pushed against Anglo-American settlement practices and contributed to the discursive, divided, unfinished aspects of American letters. Focusing on tribal histories and Indigenous artistry, Calcaterra locates surprising connections and important distinctions between Native and Anglo-American literary aesthetics in a new history of early American encounter, identity, literature, and culture.
Literary Industries: Chasing a Vanishing West
by Hubert Howe BancroftAn autobiography of the bookseller, library collector, man of letters, and historian of the American West edited by his great-great granddaughter. A bookseller in San Francisco during the gold rush, Hubert Howe Bancroft (1832–1918) rose to become the man who would define the early history of California and the West. Creating what he called a &“history factory,&” he assembled a vast library of over sixty thousand books, maps, letters, and documents; hired scribes to copy material in private hands; employed interviewers to capture the memories of early Spanish and Mexican settlers; and published multiple volumes sold throughout the country by his subscription agents. In 1890 he published an eight-hundred-page autobiography, aptly entitled Literary Industries. Literary Industries sparkles with the exuberance of nineteenth-century California and introduces us to a man of great complexity and wit. Edited for the modern reader and yet relating the history of the West as it was taking place—and as it was being recorded—Kim Bancroft&’s edition of Literary Industries is a joy to read.
Literary Influence and African-American Writers: Collected Essays (Wellesley Studies in Critical Theory, Literary History and Culture #Vol. 10)
by Tracy MishkinFirst published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Literary Information in China: A History
by Chen, Jack W.; Detwyler, Anatoly; Liu, Xiao; M. B. Nugent, Christopher; Rusk, Bruce“Information” has become a core concept across the disciplines, yet it is still often seen as a unique feature of the Western world that became central only in the digital age. In this book, leading experts turn to China’s textual tradition to show the significance of information for reconceptualizing the work of literary history, from its beginnings to the present moment.Contributors trace the organization of literary information across China’s three millennia of history, examining the forms and practices of information management that have evolved alongside the increasing scale and complexity of textual production. They reimagine literary history as information processing, detailing the many kinds of storage, encoding, sorting, and transmission that constitute and feed back into China’s long and ever-growing cultural tradition. The volume features state-of-the-field essays on all major forms of literary information management, from graphs to internet literature, and from commentaries to literary museums and archives. By shifting focus from individual works and their authors to the informatic schemata of literature, it identifies three scales of information management—the word, the document, and the collection—and surveys the forms that operate at each level, such as the dictionary, the anthology, and the library.Literary Information in China is a groundbreaking work that provides a systematic and innovative reassessment of literary history with implications that extend beyond the particular Chinese context, revealing how informatic practices shape literary tradition.
Literary Integrity And Political Action: The Public Argument Of James T. Farrell
by Kathleen FarrellThis book is about the story of James T. Farrell's role in the debate over the relationship between literature and politics during the 1930s. It is useful for American literary and intellectual history, American Left, and rhetoric and communication scholars interested in political controversy. .
Literary Interventions in the Campaign Biography
by Michael J. BlouinLiterary Interventions in the Campaign Biography considers campaign biographies written by major authors including Nathaniel Hawthorne, William Dean Howells, Lew Wallace, Jacob Riis, and Rose Wilder Lane. Whereas a number of cultural historians have previously considered campaign biographies to be marginal or isolated from the fictional output of these figures, this volume revisits the biographies in order to understand better how they inform, and are informed by, seismic shifts in the literary landscape. The book illuminates the intersection of American literature and politics while charting how the Presidency has developed in the public imagination. In so doing, it poses questions of increasing significance about how we understand the office as well as its occupants today.
Literary into Cultural Studies
by Antony EasthopeModern Literary study was founded on an opposition between the canon and its other , popular culture. The theory wars of the 1970s and the 1980s and, in particular, the advent of structuralist and post structuralist theory, transformed this relationship. With `the death of literature', the distinction between high and popular culture was no longer tenable, and the field of inquiry shifted from literary into cultural studies. Anthony Easthope argues that this new discipline must find a methodological consensus for its analysis of canonical and popular texts. Through a detailed criticism of competing theories (British cultural studies, New Historicism, cultural materialism) he shows how this new study should - and should not be done. Easthope's exploration of the problems, possibilities and politics of this new discipline includes an original reassessment of the question of literary value. By contrasting Conrad's Heart of Darkness with Burrough's Tarzan of the Apes, Easthope demonstrates how textuality sustains the opposition between high and popular culture darkness.
Literary Journalism: A New Collection Of The Best American Nonfiction
by Norman Sims Mark KramerSome of the best and most original prose in America today is being written by literary journalists. Memoirs and personal essays, profiles, science and nature reportage, travel writing -- literary journalists are working in all of these forms with artful styles and fresh approaches. In Literary Journalism, editors Norman Sims and Mark Kramer have collected the finest examples of literary journalism from both the masters of the genre who have been working for decades and the new voices freshly arrived on the national scene. The fifteen essays gathered here include: -- John McPhee's account of the battle between army engineers and the lower Mississippi River -- Susan Orlean's brilliant portrait of the private, imaginative world of a ten-year-old boy -- Tracy Kidder's moving description of life in a nursing home -- Ted Conover's wild journey in an African truck convoy while investigating the spread of AIDS -- Richard Preston's bright piece about two shy Russian mathematicians who live in Manhattan and search for order in a random universe -- Joseph Mitchell's classic essay on the rivermen of Edgewater, New Jersey -- And nine more fascinating pieces of the nation's best new writing In the last decade this unique form of writing has grown exuberantly -- and now, in Literary Journalism, we celebrate fifteen of our most dazzling writers as they work with great vitality and astonishing variety.
Literary Journalism and Social Justice
by Robert Alexander Willa McDonaldThis book examines the prominent place a commitment to social justice and equity has occupied in the global history of literary journalism. With international case studies, it explores and theorizes the way literary journalists have addressed inequality and its consequences in their practice. In the process, this volume focuses on the critical attitude the writers of this genre bring to their stories, the immersive reporting they use to gain detailed and intimate knowledge of their subjects, and the array of innovative rhetorical strategies through which they represent those encounters. The contributors explain how these strategies encourage readers to respond to injustices of class, race, indigeneity, gender, mobility, and access to knowledge. Together, they make the case that, throughout its history, literary journalism has proven uniquely well adapted to fusing facts with feeling in a way which makes it a compelling force for social change.
Literary Journalism Goes Inside Prison: Just Sentences (Routledge Research in Journalism)
by David Swick Richard Lance KeebleLiterary Journalism Goes Inside Prison: Just Sentences opens up a new exploration of literary journalism – immersive, long-form journalism so beautifully written that it can stand as literature – in the first anthology to examine literary journalism and prison. In this book, a wide range of compelling subjects are considered. These include Nelson Mandela and other prisoners of apartheid; the made-in-prison podcast Ear Hustle; women’s experiences of life behind bars; Behrouz Boochani’s 2018 bestseller No Friend but the Mountains; George Orwell’s artful writing on incarceration; Pete Earley’s immersion into the largest prison in the United States, The Hot House; Arthur Koestler and the Spanish Civil War; Ted Conover’s year as a prison guard in Newjack: Guarding Sing Sing and (most originally) Bruce Springsteen’s execution narrative Nebraska. This volume will benefit anyone who writes, studies or teaches any form of narrative nonfiction. Eleven international scholars articulate what makes the work they are analysing so exceptional. At the same time, they offer insights on a diverse range of vital topics. These include journalism ethics, journalism and trauma, media history, cultural studies, criminology and social justice.
Literary Journalism in Colonial Australia (Palgrave Studies in Literary Journalism)
by Willa McDonaldThis book traces the beginnings of literary (narrative) journalism in Australia. It contributes to evolving international definitions of the form, while providing a glimpse into Australia’s early press history and development as a nation. The book comprises two parts. The first examines the forerunners of literary journalism before and during the establishment of a free press, including the letters, diaries and journals of the early colonists, as well as sketches published in the first magazines and newspapers. The book asks if these were “reporting” when there was no thriving press until well into the 19th century -- many were written by women and convicts whose voices otherwise went unheard. The second part examines the first expressions of literary journalism in forms more recognisable today, covering topics as varied as homelessness in Melbourne, the Queensland trade in Pacific Islander labour, and Australia’s involvement in overseas wars, particularly the Boer War. The resulting cultural history reveals important milestones in the development of Australia’s press and literature, while demonstrating the concerns unveiled in colonial literary journalism still resonate in Australia in the 21st century.
The Literary Journalist as a Naturalist (Palgrave Studies in Literary Journalism)
by Pablo CalviThis book is a scholarly anthology that proposes a deep discussion about the multiple ways in which narrative journalism has portrayed nature, human interactions with nature, the global actions and the consequences of activities that have either attempted to explore it, exploit it, harness it, dominate it, and protect it. This essay collection offers an academic framework for literary journalistic narratives about nature and includes the study of long form journalism originated in different corners of the world, all exploring human-non human-nature interactions in all their power, finitude, peril and urgency.
Literary Labyrinths in Franco-Era Barcelona: Narrating Memory and Place (New Hispanisms: Cultural and Literary Studies)
by Colleen P. CulletonBringing together works by Salvador Espriu, Juan Goytisolo, Mercè Rodoreda, Esther Tusquets, and Juan Marsa that portray memory as a disorienting narrative enterprise, Colleen Culleton argues that the source of this disorientation is the material reality of life in Barcelona in the immediate post-Civil War years. Barcelona was the object of harsh persecution in the first years of the Franco regime that included the erasure of marks of Catalan identity and cultural history from the urban landscape and made Barcelona a moving target for memory. The literature and film she examines show characters struggling to produce narratives of the remembered past that immediately conflict with the dominant version of Spain's historical narrative formulated to legitimize the Civil War. Culleton suggests the trope of the laberinto, used as an image or device in all five of the works she considers and translated into English as both maze and labyrinth, opens up a space that enables readers to take vulnerability to outside interference into account as an inseparable part of remembrance. While the narratives all have maze-like qualities involving a high level of reader participation and choice, the exigencies of the labyrinth with its unicursal demands for patience, perseverance, and faith always prevail. Thus do the Francoist narrative and social structure in the end resurface and reassert themselves over the narrating character's perspective.
Literary Landscapes: Charting the Worlds of Classic Literature (Literary Worlds Series)
by John SutherlandThe anticipated follow-up to the book lovers' favorite, Literary Wonderlands, LITERARY LANDSCAPES delves deep into the geography, location, and terrain of our best-loved literary works and looks at how setting and environmental attributes influence storytelling, character, and our emotional response as readers. Fully illustrated with hundreds of full-color images throughout. Some stories couldn't happen just anywhere. As is the case with all great literature, the setting, scenery, and landscape are as central to the tale as any character, and just as easily recognized. LITERARY LANDSCAPES brings together more than 50 literary worlds and examines how their description is intrinsic to the stories that unfold within their borders. Follow Leopold Bloom's footsteps around Dublin. Hear the music of the Mississippi River steamboats that set the score for Huckleberry Finn. Experience the rugged bleakness of New Foundland in Annie Proulx's The Shipping News or the soft Neapolitan breezes in My Brilliant Friend. The landscapes of enduring fictional characters and literary legends are vividly brought to life, evoking all the sights and sounds of the original works. LITERARY LANDSCAPES will transport you to the fictions greatest lands and allow you to connect to the story and the author's intent in a whole new way.