- Table View
- List View
Losing the Plot: Film and Feeling in the Modern Novel
by Pardis DabashiAn examination of the relationship between literature and classical Hollywood cinema reveals a profound longing for plot in modernist fiction. The modernist novel sought to escape what Virginia Woolf called the “tyranny” of plot. Yet even as twentieth-century writers pushed against the constraints of plot-driven Victorian novels, plot kept its hold on them through the influence of another medium: the cinema. Focusing on the novels of Nella Larsen, Djuna Barnes, and William Faulkner—writers known for their affinities and connections to classical Hollywood—Pardis Dabashi links the moviegoing practices of these writers to the tensions between the formal properties of their novels and the characters in them. Even when they did not feature outright happy endings, classical Hollywood films often provided satisfying formal resolutions and promoted normative social and political values. Watching these films, modernist authors were reminded of what they were leaving behind—both formally and in the name of aesthetic experimentalism—by losing the plot.
Losing the Plot: Film and Feeling in the Modern Novel
by Pardis DabashiAn examination of the relationship between literature and classical Hollywood cinema reveals a profound longing for plot in modernist fiction. The modernist novel sought to escape what Virginia Woolf called the “tyranny” of plot. Yet even as twentieth-century writers pushed against the constraints of plot-driven Victorian novels, plot kept its hold on them through the influence of another medium: the cinema. Focusing on the novels of Nella Larsen, Djuna Barnes, and William Faulkner—writers known for their affinities and connections to classical Hollywood—Pardis Dabashi links the moviegoing practices of these writers to the tensions between the formal properties of their novels and the characters in them. Even when they did not feature outright happy endings, classical Hollywood films often provided satisfying formal resolutions and promoted normative social and political values. Watching these films, modernist authors were reminded of what they were leaving behind—both formally and in the name of aesthetic experimentalism—by losing the plot.
Losing the Plot: Crime, reality and fiction in postapartheid South African writing
by Leon de KockIn Losing the Plot, well-known scholar and writer Leon de Kock offers a lively and wide-ranging analysis of postapartheid South African writing which, he contends, has morphed into a far more flexible and multifaceted entity than its predecessor. If postapartheid literature’s founding moment was the ‘transition’ to democracy, writing over the ensuing years has viewed the Mandelan project with increasing doubt. Instead, authors from all quarters are seen to be reporting, in different ways and from divergent points of view, on what is perceived to be a pathological public sphere in which the plot – the mapping and making of social betterment – appears to have been lost. The compulsion to detect forensically the actual causes of such loss of direction has resulted in the prominence of creative nonfiction. A significant adjunct in the rise of this is the new media, which sets up a ‘wounded’ space within which a ‘cult of commiseration’ compulsively and repeatedly plays out the facts of the day on people’s screens. This, De Kock argues, is reproduced in much postapartheid writing. And, although fictional forms persist in genres such as crime fiction, with their tendency to overplot, more serious fiction underplots, yielding to the imprint of real conditions to determine the narrative construction.
Losing Touch with Nature: Literature and the New Science in Sixteenth-Century England
by Mary Thomas CraneThe rise of modern science stirred up a mix of unease and exhilaration that profoundly influenced early modern English literature.During the scientific revolution, the dominant Aristotelian picture of nature, which cohered closely with common sense and ordinary perceptual experience, was completely overthrown. Although we now take for granted the ideas that the earth revolves around the sun and that seemingly solid matter is composed of tiny particles, these concepts seemed equally counterintuitive, anxiety provoking, and at odds with our ancestors’ embodied experience of the world. In Losing Touch with Nature, Mary Thomas Crane examines the complex way that the new science’s threat to intuitive Aristotelian notions of the natural world was treated and reflected in the work of Edmund Spenser, Christopher Marlowe, William Shakespeare, and other early modern writers. Crane breaks new ground by arguing that sixteenth-century ideas about the universe were actually much more sophisticated, rational, and observation-based than many literary critics have assumed. The earliest stages of the scientific revolution in England were most powerfully experienced as a divergence of intuitive science from official science, causing a schism between embodied human experience of the world and learned explanations of how the world works. This fascinating book traces the growing awareness of that epistemological gap through textbooks and natural philosophy treatises to canonical poetry and plays, presciently registering and exploring the magnitude of the human loss that accompanied the beginnings of modern science.
Loss and Cultural Remains in Performance
by Heather Davis-FischIn 1845, John Franklin's Northwest Passage expedition disappeared. The expedition left an archive of performative remains that entice one to consider the tension between material remains and memory and reflect on how substitution and surrogation work alongside mourning and melancholia as responses to loss.
Loss and the Literary Culture of Shakespeare’s Time (Early Modern Literature in History)
by Matthew Steggle Roslyn L. Knutson David McInnisAs early modernists with an interest in the literary culture of Shakespeare’s time, we work in a field that contains many significant losses: of texts, of contextual information, of other forms of cultural activity. No account of early modern literary culture is complete without acknowledgment of these lacunae, and although lost drama has become a topic of increasing interest in Shakespeare studies, it is important to recognize that loss is not restricted to play-texts alone. Loss and the Literary Culture of Shakespeare’s Time broadens the scope of the scholarly conversation about loss beyond drama and beyond London. It aims to develop further models and techniques for thinking about lost plays, but also of other kinds of lost early modern works, and even lost persons associated with literary and theatrical circles. Chapters examine textual corruption, oral preservation, quantitative analysis, translation, and experiments in “verbatim theater”, plus much more.
Lost and Found in Translation
by Martha J. CutterStarting with Salman Rushdie's assertion that even though something is always lost in translation, something can always be gained, Martha Cutter examines the trope of translation in twenty English-language novels and autobiographies by contemporary ethnic American writers. She argues that these works advocate a politics of language diversity--a literary and social agenda that validates the multiplicity of ethnic cultures and tongues in the United States.Cutter studies works by Asian American, Native American, African American, and Mexican American authors. She argues that translation between cultures, languages, and dialects creates a new language that, in its diversity, constitutes the true heritage of the United States. Through the metaphor of translation, Cutter demonstrates, writers such as Maxine Hong Kingston, Sherman Alexie, Toni Morrison, and Richard Rodriguez establish a place within American society for the many languages spoken by multiethnic and multicultural individuals. Cutter concludes with an analysis of contemporary debates over language policy, such as English-only legislation, the recognition of Ebonics, and the growing acceptance of bilingualism. The focus on translation by so many multiethnic writers, she contends, offers hope in our postmodern culture for a new condition in which creatively fused languages renovate the communications of the dominant society and create new kinds of identity for multicultural individuals.
Lost and Found Voices: Four Gay Male Writers in Exile
by Luc BeaudoinOne writer is stranded by the Second World War. Another flees multiple revolutions to live the rest of his life in Rio de Janeiro. Two others, public about their sexuality at home, choose self-exile. In Lost and Found Voices Luc Beaudoin offers a critical engagement with these four displaced authors: Witold Gombrowicz, Valerii Pereleshin, Abdellah Taïa, and Slava Mogutin.Not quite fitting into their respective diasporas and sharing an urge to express their queer desires, it is in their published works of literature, film, and photography that these writers locate their shifting identities and emergent queer voices. Their artistry is the basis from which Beaudoin traces their expressions of desire in language, culture, and community, offering a contextual queer reading that navigates their linguistic, cultural, artistic, and sexual self-translations and self-portrayals. Their choices are determinative: Gombrowicz masked his attraction to men in his works, keeping the truth hidden in an intimate diary; Pereleshin explored his lust in Brazilian Portuguese after being shunned by the Russian diaspora; Taïa writes in French to destabilize both the language and his status as an immigrant in France; Mogutin becomes a hardcore gay rebel in word and image to rattle assumptions about gay life.Bringing authors generally not familiar to an English-speaking readership into one volume, and including Beaudoin's own experience of living between languages, Lost and Found Voices provides provocative insights into what it means to be gay in both the past and the present.
The ‘Lost Arian History’ in Late Antique and Medieval Historiography
by Joseph J. ReidyThis book explores the writing of church history during the early Byzantine period, reconsidering the evidence for the nature and authorship of a hypothetical 'Arian' source for many surviving medieval histories of the fourth century. It considers surviving ecclesiastical histories written between the fifth and early thirteenth centuries to draw out commonalities apparently owed to this 'lost' source and discusses attempts by modern historians to reconstruct it. In doing so, it convincingly argues that this 'Arian' material likely belongs not to one work, but three: two chronicles and a martyrology. This book therefore provides a vital reassessment of fourth-century Christian historiography, as well as important insights on chronicle writing in the Middle Ages.
The Lost Art of Handwriting: Rediscover the Beauty and Power of Penmanship
by Brenna JordanRevisit the lost art of writing with these fun prompts, worksheets, exercises—and more!—and experience the many benefits of writing by hand, including increased focus and memory, relaxation, and creative expression.Writing by hand may seem passé in the digital age, but it shouldn’t be dismissed as simply an activity for grade schoolers—it offers countless benefits that have been studied by researchers, brain neurologists, therapists, educators, and others who are invested in helping handwriting thrive in an age of advancing technology. Handwriting may be slower than typing—but this gives your brain more time to process information, and stimulates neurological connections that aid in memory, focus, and composition. The process of handwriting can also have a soothing, calming effect and can even serve as a great form of meditation. And of course, it’s a great way of expressing your individuality and personal style. The Lost Art of Handwriting explores the history of writing longhand, and reintroduces proper stroke sequences, letter forms, and techniques for evaluating and improving your handwriting. You will discover how the amazing variety of letter forms provide endless opportunities for making these alphabets your own, and how to choose alternatives that fit your preferences while keeping your writing neat, consistent, and unique to you. You’ll learn how to connect letters in cursive writing to help you write more smoothly, and with practice, more efficiently. Learn how easy it is to apply what you’ve learned into your everyday life with tips for integrating handwriting practice into already jam-packed schedules. Soon, you’ll notice a steady increase in the relaxation, value, and joy that handwriting offers to everyone who persists in putting the pen or pencil to paper.
The Lost Art of Listening: How Learning to Listen Can Improve Relationships (2nd edition)
by Michael P. NicholsNichols (psychology, College of William and Mary) provides a thoughtful guide to the art of listening, addressing the reasons why we so often fail to listen attentively to others, as well as providing strategies for getting oneself heard. Clear examples demonstrate techniques for better communication in both personal and professional relationships. Lacks an index and a bibliography. Annotation c. by Book News, Inc. , Portland, Or.
The Lost Art of Reading: Books and Resistance in a Troubled Time
by David L. UlinThe new introduction and afterword bring fresh relevance to this insightful rumination on the act of reading--as a path to critical thinking, individual and political identity, civic engagement, and resistance.The former LA Times book critic expands his short book, rich in ideas, on the consequence of reading to include the considerations of fake news, siloed information, and the connections between critical thinking as the key component of engaged citizenship and resistance. Here is the case for reading as a political act in both public and private gestures, and for the ways it enlarges the world and our frames of reference, all the while keeping us engaged.
The Lost Art of Reading: Why Books Matter in a Distracted Time
by David L. UlinReading is a revolutionary act, an act of engagement in a culture that wants us to disengage. In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesn't matter. The key is the act of reading, and it's seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the accompanying focus required to let the mind run free in a world that is not one's own. Are we willing to risk our collective interest in contemplation, nuanced thinking, and empathy? Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, to pages.
The Lost Art of the Great Speech: How to Write It, How to Deliver It
by Richard DowisThis authoritative speech-writing guide covers every essential element of a great speech, with excerpts from some of history's most memorable speeches.
The Lost Books of Jane Austen
by Janine BarchasHardcore bibliography meets Antiques Roadshow in an illustrated exploration of the role that cheap reprints played in Jane Austen's literary celebrity—and in changing the larger book world itself.Gold Winner of the 2019 Foreword INDIES Award for History by FOREWORD ReviewsIn the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of these hard-lived bargain books survive, yet they made a substantial difference to Austen's early readership. These were the books bought and read by ordinary people. Packed with nearly 100 full-color photographs of dazzling, sometimes gaudy, sometimes tasteless covers, The Lost Books of Jane Austen is a unique history of these rare and forgotten Austen volumes. Such shoddy editions, Janine Barchas argues, were instrumental in bringing Austen's work and reputation before the general public. Only by examining them can we grasp the chaotic range of Austen's popular reach among working-class readers. Informed by the author's years of unconventional book hunting, The Lost Books of Jane Austen will surprise even the most ardent Janeite with glimpses of scruffy survivors that challenge the prevailing story of the author's steady and genteel rise. Thoroughly innovative and occasionally irreverent, this book will appeal in equal measure to book historians, Austen fans, and scholars of literary celebrity.
Lost City: Fitzgerald's New York (Studies in Major Literary Authors #15)
by Lauraleigh O'MearaFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Lost Classics
by Linda Spalding Esta Spalding Michael Ondaatje Michael RedhillAn Anchor Books Original. Seventy-four distinguished writers tell personal tales of books loved and lost-great books overlooked, under-read, out of print, stolen, scorned, extinct, or otherwise out of commission.Compiled by the editors of Brick: A Literary Magazine, Lost Classics is a reader's delight: an intriguing and entertaining collection of eulogies for lost books. As the editors have written in a joint introduction to the book, "being lovers of books, we've pulled a scent of these absences behind us our whole reading lives, telling people about books that exist only on our own shelves, or even just in our own memory." Anyone who has ever been changed by a book will find kindred spirits in the pages of Lost Classics.Each of the editors has contributed a lost book essay to this collection, including Michael Ondaatje on Sri Lankan filmmaker Tissa Abeysekara's Bringing Tony Home, a novella about a mutual era of childhood. Also included are Margaret Atwood on sex and death in the scandalous Doctor Glas, first published in Sweden in 1905; Russell Banks on the off-beat travelogue Too Late to Turn Back by Barbara Greene-the "slightly ditzy" cousin of Graham; Bill Richardson on a children's book for adults by Russell Hoban; Ronald Wright on William Golding's Pincher Martin; Caryl Phillips on Michael Mac Liammoir's account of his experiences on the set of Orson Welles's Othello, and much, much more.From the Trade Paperback edition.
The Lost Duck (Primary Phonics #Set 3 Book 9)
by Barbara W. MakarA systematic, phonics-based early reading program that includes: the most practice for every skill, decodable readers for every skill, and reinforcement materials--help struggling students succeed in the regular classroom
The Lost Fairy class 2 - MIE
by Helina Hookoomsing-Dookhee"The Lost Fairy," penned by Hélina Hookoomsing Dookhee, spins a tale about two playful fairies, Shaylee and Shayla, frolicking in the woods until they doze off in an empty bird's nest. When Shaylee awakens, she finds herself alone and sets off on a quest to find her missing sister, encountering various woodland creatures along the way. Shaylee's search involves questioning a butterfly, a rabbit, a gnome, and even a little witch, all yielding no success until a perceptive little boy helps reunite the sisters. It turns out Shayla was hiding and following Shaylee all along. The story culminates in a heartfelt moment of reconciliation as Shayla apologizes for causing worry, promising not to hide again. Through enchanting illustrations and engaging narrative, this big book not only captures the adventure of the two fairies but also imparts lessons about companionship, honesty, and the joy of reunion, making it an ideal literary tool for Grade 2 English sessions, fostering comprehension and storytelling skills among young readers.
Lost For Words: The Mangling And Manipulating Of The English Language
by John Humphrys'Greatly enjoyable' GUARDIAN'It is always exhilarating to read a book which says what so many of us think' SPECTATOR'Timely and lively' SUNDAY TELEGRAPH'Let us be very clear about this from the start: John Humphrys is a Good Thing' EVENING STANDARD* * * * * *From Today programme presenter and national treasure John Humphrys, the bestselling cry in book form for better English and an exposé of the political uses and abuses of language.From empty cliche to meaningless jargon, dangling participle to sentences without verbs, the English language is reeling. It is under attack from all sides. Politicians dupe us with deliberately evasive language. Bosses worry about impacting the bottom line while they think out of the box. Academics talk obscure mumbo jumbo. Journalists and broadcasters, who should know better, lazily collaborate. In his bestselling Lost for Words, Today presenter and national treasure John Humphrys wittily and powerfully exposes the depths to which our beautiful language has sunk and offers many examples of the most common atrocities. He also dispenses some sensible guidance on how to use simple, clear and honest language. Above all, he shows us how to be on the alert for the widespread abuse - especially by politicians - and the power of the English language.
Lost For Words: The Mangling And Manipulating Of The English Language
by John Humphrys'Greatly enjoyable' GUARDIAN'It is always exhilarating to read a book which says what so many of us think' SPECTATOR'Timely and lively' SUNDAY TELEGRAPH'Let us be very clear about this from the start: John Humphrys is a Good Thing' EVENING STANDARD* * * * * *From Today programme presenter and national treasure John Humphrys, the bestselling cry in book form for better English and an exposé of the political uses and abuses of language.From empty cliche to meaningless jargon, dangling participle to sentences without verbs, the English language is reeling. It is under attack from all sides. Politicians dupe us with deliberately evasive language. Bosses worry about impacting the bottom line while they think out of the box. Academics talk obscure mumbo jumbo. Journalists and broadcasters, who should know better, lazily collaborate. In his bestselling Lost for Words, Today presenter and national treasure John Humphrys wittily and powerfully exposes the depths to which our beautiful language has sunk and offers many examples of the most common atrocities. He also dispenses some sensible guidance on how to use simple, clear and honest language. Above all, he shows us how to be on the alert for the widespread abuse - especially by politicians - and the power of the English language.
The Lost Garden: A Novel (Modern Chinese Literature from Taiwan)
by Ang LiThe Lost Garden is an eloquent portrait of the losses incurred as we struggle to hold on to our passions. The novel begins with the family of Zhu Yinghong, whose father, Zhu Zuyan, was imprisoned in the early days of Chiang Kai-shek's rule. Zhu Zuyan spends his days luxuriating in his Lotus Garden, which he builds according to his own desires. Forever under suspicion, he indulges as much as he can in circumscribed pleasures, though they drain the family fortune. Eventually the entire household is sold, including the Lotus Garden. The novel then swings to modern-day Taipei, where Zhu Yinghong falls for Lin Xigeng, a real estate tycoon and playboy. Their cat-and-mouse courtship builds against the extravagant banquets and decadent entertainments of Taipei's wealthy businessmen. Though the two ultimately marry, their high-styled romance dulls over time, leading to a dangerous, desperate quest to reclaim the enchantment of the Lotus Garden.
Lost Gay Novels: A Reference Guide to Fifty Works from the First Half of the Twentieth Century
by Anthony SlideSearching for an introduction to the shadowy, intriguing world of early 20th century gay-themed fiction? In Lost Gay Novels, respected pop culture historian Anthony Slide resurrects fifty early 20th century American novels with gay themes or characters and discusses them in carefully researched, engaging prose. Each entry offers you a detailed discussion of plot and characters, a summary of contemporary critical reception, and biographical information on the often-obscure writer. In Lost Gay Novels, another aspect of gay life and society is, in the words the author, "uncloseted," providing you with an absorbing glimpse into the world of these nearly forgotten books. Lost Gay Novels gives you an introduction to: authors who aren't usually associated with homosexuality, including John Buchan, James M. Cain, and Rex Stout the history of gay publishing in the US and abroad gay themes in novels published between 1917 and 1950-with entries from nearly every year! the ways in which the popular culture of the time shaped the authors' attitudes toward homosexuality the difficulty of finding detailed biographical information on little-known authors If you're interested in gay studies or history, or even if you're just looking for a comprehensive guide to titles you've probably never heard of before, Lost Gay Novels will be a welcome addition to your collection. The introduction from author Slide-called by the Los Angeles Times "a one-man publishing phenomenon"-provides you with an overview to the basics of this landmark collection. Themes found in many of the titles include death, secrecy, and living a double life, and in reading the entries you will discover just why these themes are so common. As Slide says in his introduction: "The approach of the novelist toward homosexuality may not always be a positive one... but the works are important to an understanding of contemporary attitudes toward gay men and gay society." Lost Gay Novels will help you further your own understanding of the dynamic relationship between literature and culture, and you will finish the book with a greater appreciation of modern American gay fiction.
The Lost History of "Piers Plowman": The Earliest Transmission of Langland's Work (The Middle Ages Series)
by Lawrence WarnerDespite the recent outpouring of scholarship on Piers Plowman, Lawrence Warner contends, we know much less about the poem's production, transmission, and readership than one might think. When did William Langland write each of the three versions of the poem, and when did they enter wide circulation? What role did scribes and other agents play in these processes? The Lost History of "Piers Plowman" engages with these questions to bring about a fundamental shift in our understanding of the genesis and development of the Middle English poem.According to received history, the poem exists in three distinct, chronological versions, the A, B, and C texts, with most scholars agreeing that Langland completed the B text—the version most familiar to modern readers—around 1377-78. Challenging much of the prevalent wisdom about the poem, Warner argues that the received B text is not an integral poem aligned with a single author but, rather, two groups of manuscripts, each of which, because of scribal activities, takes on varying amounts of what we now call C version matter. Through close textual analysis, he reveals that the B text is a conflation of an ur-B text with a collection of passages that belong to the C version of circa 1390, demonstrating that the circulation of the C text actually predates that of the B.The Lost History of "Piers Plowman" is a groundbreaking and provocative work that establishes an entirely new paradigm for the study of one of the central works of Middle English literature. It will be of interest to scholars and students of textual studies, editorial theory, and medieval history.
