- Table View
- List View
Phantasmatic Shakespeare: Imagination in the Age of Early Modern Science
by Suparna RoychoudhuryRepresentations of the mind have a central place in Shakespeare’s artistic imagination, as we see in Bottom struggling to articulate his dream, Macbeth reaching for a dagger that is not there, and Prospero humbling his enemies with spectacular illusions. Phantasmatic Shakespeare examines the intersection between early modern literature and early modern understandings of the mind’s ability to perceive and imagine. Suparna Roychoudhury argues that Shakespeare’s portrayal of the imagination participates in sixteenth-century psychological discourse and reflects also how fields of anatomy, medicine, mathematics, and natural history jolted and reshaped conceptions of mentality. Although the new sciences did not displace the older psychology of phantasms, they inflected how Renaissance natural philosophers and physicians thought and wrote about the brain’s image-making faculty. The many hallucinations, illusions, and dreams scattered throughout Shakespeare’s works exploit this epistemological ferment, deriving their complexity from the ambiguities raised by early modern science.Phantasmatic Shakespeare considers aspects of imagination that were destabilized during Shakespeare’s period—its place in the brain; its legitimacy as a form of knowledge; its pathologies; its relation to matter, light, and nature—reading these in concert with canonical works such as King Lear, Macbeth, and The Tempest. Shakespeare, Roychoudhury shows, was influenced by paradigmatic epistemic shifts of his time, and he in turn demonstrated how the mysteries of cognition could be the subject of powerful art.
Phantom Formations: Aesthetic Ideology and the "Bildungsroman"
by Marc RedfieldMarc Redfield maintains that the literary genre of the Bildungsroman brings into sharp focus the contradictions of aesthetics, and also that aesthetics exemplifies what is called ideology. He combines a wide-ranging account of the history and theory of aesthetics with close readings of novels by Goethe, George Eliot, and Gustave Flaubert. For Redfield, these fictions of character formation demonstrate the paradoxical relation between aesthetics and literature: the notion of the Bildungsroman may be expanded to apply to any text that can be figured as a subject producing itself in history, which is to say any text whatsoever. At the same time, the category may be contracted to include only a handful of novels, (or even none at all), a paradox that has led critics to denigrate the Bildungsroman as a phantom genre.
The Phantom Tollbooth (SparkNotes Literature Guide Series)
by SparkNotesThe Phantom Tollbooth (SparkNotes Literature Guide) by Norton Juster Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Phantoms of War in Contemporary German Literature, Films and Discourse: The Politics of Memory
by Anne FuchsPhantoms of War in Contemporary German Literature, Films and Discourse offers an up-to-date and comprehensive analysis of fundamental shifts in German cultural memory. Focusing on the resurgence of family stories in fiction, autobiography and in film, this study challenges the institutional boundaries of Germany's memory culture that have guided and arguably limited German identity debates. Essays on contemporary German literature are complemented by explorations of heritage films and museum discourse. Together these essays put forward a compelling theory of family narratives and a critical evaluation of generational discourse.
Phantoms on the Bookshelves
by Jacques BonnetThis enchanting study on the art of living with books considers how our personal libraries reveal our true nature: far more than just places, they are living labyrinths of our innermost feelings. The author, a lifelong accumulator of books both ancient and modern, lives in a house large enough to accommodate his many thousands of books, as well as overspill from the libraries of his friends. While his musings on the habits of collectors past and present are learned, witty and instructive, his advice on cataloguing may even save the lives of those whose books are so prodigiously piled as to be a hazard... The Phantoms on the Bookshelves ranges from classical Greece to contemporary Iceland, from Balzac and Moby Dick to Google, offering up delicious anecdotes along the way. This elegantly produced volume will be a lasting delight to specialist collectors, librarians, bibliophiles and all those who treasure books.
Phantoms on the Bookshelves
by Jacques BonnetThis enchanting study on the art of living with books considers how our personal libraries reveal our true nature: far more than just places, they are living labyrinths of our innermost feelings. The author, a lifelong accumulator of books both ancient and modern, lives in a house large enough to accommodate his many thousands of books, as well as overspill from the libraries of his friends. While his musings on the habits of collectors past and present are learned, witty and instructive, his advice on cataloguing may even save the lives of those whose books are so prodigiously piled as to be a hazard... The Phantoms on the Bookshelves ranges from classical Greece to contemporary Iceland, from Balzac and Moby Dick to Google, offering up delicious anecdotes along the way. This elegantly produced volume will be a lasting delight to specialist collectors, librarians, bibliophiles and all those who treasure books.
Phantoms on the Bookshelves
by Jacques Bonnet&“A charming book full of erudition and wit&” that explores the human impulse to accumulate books (Literary Review). Jacques Bonnet, a lifelong accumulator of books ancient and modern, lives in a house large enough to accommodate his tens of thousands of volumes, as well as some overspill from the libraries of his friends. While his musings on the habits of collectors from the earliest known libraries are learned, amusing, and instructive, his advice on cataloging may even save lives. Ranging from classical Greece to contemporary Iceland, from Balzac to Moby-Dick and Google, Phantoms on the Bookshelves is a blend of memoir, history, and love letter that will be a lasting delight for all who treasure books.
Phase Theory
by Barbara CitkoPhase Theory is the latest empirical and conceptual innovation in syntactic theory within the Chomskyan generative tradition. Adopting a cross-linguistic perspective, this book provides an introduction to Phase Theory, tracing the development of phases in minimalist syntax. It reviews both empirical and theoretical arguments in favor of phases, and examines the role phases play at the interface with semantics and phonology. Analyzing current phasehood diagnostics, it applies them in a systematic fashion to a broad range of syntactic categories, both phases and non-phases. It concludes with a discussion of some of the more contentious issues in Phase Theory, involving cross-linguistic variation with respect to phasehood and the dynamic versus static nature of phases.
PhDone: A Professional Dissertation Editor's Guide to Writing Your Doctoral Thesis and Earning Your PhD
by Dr. Allen Roda Dr. Lauren Saunders Kevin AndersonEverything you need to finally finish your doctorate Based on decades of experience working with thousands of doctoral candidates at Dissertation Editor, Dr. Allen Roda and Dr. Lauren Saunders deliver a comprehensive yet accessible guide filled with practical advice, illuminating stories, and hard-earned wisdom that will empower you to complete your dissertation and earn your degree. Breaking down the doctoral journey step-by-step, offering invaluable tips and resources along the way, PhDone is an essential tool for any doctoral candidate. Dr. Roda and Dr. Saunders demystify what a successful dissertation entails, detailing how to formulate your abstract, write your introduction, research your topic, and build a literature review. In PhDone, you&’ll also learn how to: Choose and construct your methodology (qualitative, quantitative, or mixed methods) Develop research questions, conduct research, and obtain IRB approval Properly analyze results and formulate conclusions Master the process of revising, editing, and formatting Nail your defense and earn final approval In addition to outlining the technical components of a dissertation, PhDone provides recommendations for maintaining a schedule, establishing a productive workspace, and cultivating a work-life balance—integral to a successful PhD journey. Dr. Roda and Dr. Saunders share anecdotes and guidance on the many hurdles doctoral candidates face beyond writing the dissertation itself, including how to navigate dissertation committees, the potentially challenging advisor-advisee relationship, and more. Wherever you are in your doctoral journey, Dr. Roda and Dr. Saunders offer you the tools you need to conquer academia&’s biggest challenge and get PhDone.
Phenomena: 21 Extraordinary Stories (Critical Reading Series)
by Melissa Billings Henry BillingsThe high-interest, controlled readability Critical Reading Series contains fascinating nonfiction and exercises that build reading comprehension and critical thinking skills.
Phenomenal Blackness: Black Power, Philosophy, and Theory (Thinking Literature)
by Mark Christian ThompsonThis unorthodox account of 1960s Black thought rigorously details the field’s debts to German critical theory and explores a forgotten tradition of Black singularity. Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century Black writers and thinkers, including the growing interest in German philosophy and critical theory. Mark Christian Thompson analyzes this shift in intellectual focus across the post-war decades, placing Black Power thought in a philosophical context. Prior to the 1960s, sociologically oriented thinkers such as W. E. B. Du Bois had understood Blackness as a singular set of socio-historical characteristics. In contrast, writers such as Amiri Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were drawn to notions of an African essence, an ontology of Black being. With these perspectives, literary language came to be seen as the primary social expression of Blackness. For this new way of thinking, the works of philosophers such as Adorno, Habermas, and Marcuse were a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of Black religious thought. Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of Blackness—a “Black aesthetic dimension” wherein aspirational models for Black liberation might emerge.
Phenomenal Blackness: Black Power, Philosophy, and Theory (Thinking Literature)
by Mark Christian ThompsonThis unorthodox account of 1960s Black thought rigorously details the field’s debts to German critical theory and explores a forgotten tradition of Black singularity. Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century Black writers and thinkers, including the growing interest in German philosophy and critical theory. Mark Christian Thompson analyzes this shift in intellectual focus across the post-war decades, placing Black Power thought in a philosophical context. Prior to the 1960s, sociologically oriented thinkers such as W. E. B. Du Bois had understood Blackness as a singular set of socio-historical characteristics. In contrast, writers such as Amiri Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were drawn to notions of an African essence, an ontology of Black being. With these perspectives, literary language came to be seen as the primary social expression of Blackness. For this new way of thinking, the works of philosophers such as Adorno, Habermas, and Marcuse were a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of Black religious thought. Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of Blackness—a “Black aesthetic dimension” wherein aspirational models for Black liberation might emerge.
Phenomenal Blackness: Black Power, Philosophy, and Theory (Thinking Literature)
by Mark Christian ThompsonThis unorthodox account of 1960s Black thought rigorously details the field’s debts to German critical theory and explores a forgotten tradition of Black singularity. Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century Black writers and thinkers, including the growing interest in German philosophy and critical theory. Mark Christian Thompson analyzes this shift in intellectual focus across the post-war decades, placing Black Power thought in a philosophical context. Prior to the 1960s, sociologically oriented thinkers such as W. E. B. Du Bois had understood Blackness as a singular set of socio-historical characteristics. In contrast, writers such as Amiri Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were drawn to notions of an African essence, an ontology of Black being. With these perspectives, literary language came to be seen as the primary social expression of Blackness. For this new way of thinking, the works of philosophers such as Adorno, Habermas, and Marcuse were a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of Black religious thought. Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of Blackness—a “Black aesthetic dimension” wherein aspirational models for Black liberation might emerge.
Phenomenology and the Late Twentieth-Century American Long Poem (Modern and Contemporary Poetry and Poetics)
by Matthew CarberyPhenomenology and the Late Twentieth-Century American Long Poem reads major figures including Charles Olson, Lyn Hejinian, Nathaniel Mackey, Susan Howe and Rachel Blau DuPlessis within a new approach to the long poem tradition. Through a series of contextualised close readings, it explores the ways in which American poets developed their poetic forms by engaging with a variety of European phenomenologists, including Hannah Arendt, Maurice Merleau-Ponty, Martin Heidegger, Emmanuel Levinas and Jacques Derrida. Consolidating recent materials on the role of Continental Philosophy in American poetics, this book explores the theoretical and historical contexts in which avant-garde poets have developed radically new methods of making poems long. Matthew Carbery offers a timely commentary on a number of major works of American poetry whilst providing ground-breaking research into the wider philosophical context of late twentieth-century poetic experimentation.
Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites of Disimagination
by Nicoletta IsarPhenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites Of Disimagination brings together scholars from art history and image theory, literary studies and philosophy. Chapters of this volume engage with the overarching theme of imagination as a pulsatile force embedded in words, images, and all imaginative modes of instantiation of the work of art in their elemental aspects, expressed in visual arts, and literature, as well as bodily schemata of choreographic and musical performances. The papers employ contrasting and complementing methods from literary studies and image theory, especially phenomenology and new materialism, such as G. Bachelard and M. Merleau-Ponty, G. Bataille, J. Kristeva, P. Lacoue-Labarthe and J. Sallis, G. Didi-Huberman, H. Belting and A. Warburg, J. Bennett and Jason M. Wirth, as well as performance studies. Chapters in this volume inquire into the imaginative forces that disrupt and disinhibit the traditional habits ofimagination to create pulsatile imaginaries, i.e., a dynamic process of “emergence-resurgence” of image manifested in the act of creation and in perception. This process does not properly imply a destruction of image, but rather a withdrawal of image from the realm of representation to give way to new images and new imaginative experiences. The newly coined term “rite of disimagination” points out to this operation, consecutively implying imagining and disimaging that both denies, as well as validates image – it valorizes matter. The affirmation of the materiality of image is “the re-incarnation of image.”
The Phenomenology of Autobiography: Making it Real (Routledge Interdisciplinary Perspectives on Literature)
by Arnaud SchmittTaking a fresh look at the state of autobiography as a genre, The Phenomenology of Autobiography: Making it Real takes a deep dive into the experience of the reader. Dr. Schmitt argues that current trends in the field of life writing have taken the focus away from the text and the initial purpose of autobiography as a means for the author to communicate with a reader and narrate an experience. The study puts autobiography back into a communicational context, and putting forth the notion that one of the reasons why life writing can so often be aesthetically unsatisfactory, or difficult to distinguish from novels, is because it should not be considered as a literary genre, but as a modality with radically different rules and means of evaluation. In other words, not only is autobiography radically different from fiction due to its referentiality, but, first and foremost, it should be read differently.
Phenomenology of Community Activism: Muslim Civil Society Organisations in Australia (Islamic Studies Series)
by Nora AmathThe Phenomenology of Community Activism explores how MCSOs have responded to the challenges of the Australian socio-political context, the perceived impact of these experiences, and how Islam is manifested within the contexts of these experiences. In contrast to much publicised jihadist and radical groups, MCSOs are far more representative of Muslim communities and integral to the long-term position of Islam in Australia. This book offers researchers, policy makers and those engaged in community development a rich understanding of Muslim community building, engagement and agency."This book reveals what will be surprising to some that there are many and varied MCSOs in Australia, that in many ways they are similar to other civil society organisations, serve similar purposes and encounter similar issues. This is a very important datum to stand against the prejudices about Muslims and their organisations."—Professor Emeritus Gary Bouma, Emeritus Professor of Sociology at Monash University, UNESCO Chair in Intercultural and Interreligious Relations-Asia Pacific. Islamic Studies Series - Volume 19
The Phenomenon of Anne Frank (Jewish Literature and Culture)
by Jeannette K. Ringold David BarnouwWhile Anne Frank was in hiding during the German Occupation of the Netherlands, she wrote what has become the world's most famous diary. But how could an unknown Jewish girl from Amsterdam be transformed into an international icon? Renowned Dutch scholar David Barnouw investigates the facts and controversies that surround the global phenomenon of Anne Frank. Barnouw highlights the ways in which Frank's life and ultimate fate have been represented, interpreted, and exploited. He follows the evolution of her diary into a book (with translations into nearly 60 languages and editions that added previously unknown material), an American play, and a movie. As he asks, "Who owns Anne Frank?" Barnouw follows her emergence as a global phenomenon and what this means for her historical persona as well as for her legacy as a symbol of the Holocaust.
Phenotropic Interaction: Improving Interfaces with Computing with Words and Perceptions (Fuzzy Management Methods)
by Moreno ColomboSuccessful interaction between humans and artificial systems allows for combining the advantages of all actors in solving problems. However, interaction is often demanding for people, as it builds on artificial concepts, such as strict protocols.This book presents the new paradigm of 'phenotropic' interaction, which aims to improve the naturalness of the interaction thanks to bio-inspired approaches. These include methods for understanding and reasoning with human perceptions expressed as natural language, fundamental to support the artificial system to better understand people's real desires and needs. Methods for improving the theories of computing with words and perceptions are developed in this book and applied to concrete use cases in prototypes enhancing the exchange of information with virtual assistants and smart city ecosystems. The presented use cases serve not only as examples of the application of the phenotropic interaction principles but also to verify their effective impact on communication.
Phi-features and the Modular Architecture of Language
by Milan RezacThis monograph investigates the modular architecture of language through the nature of "uninterpretable" phi-features: person, number, gender, and Case. It provides new tools and evidence for the modular architecture of the human language faculty, a foundational topic of linguistic research. At the same time it develops a new theory for one of the core issues posed by the Minimalist Program: the relationship of syntax to its interfaces and the nature of uninterpretable features. The work sets out to establish a new cross-linguistic phenomenon to study the foregoing, person-governed last-resort repairs, which provides new insights into the nature of ergative/accusative Case and of Case licensing itself. This is the first monograph that explicitly addresses the syntactic vs. morphological status of uninterpretable phi-features and their relationship to interface systems in a similar way, drawing on person-based interactions among arguments as key data-base.
Philanthropic Discourse in Anglo-American Literature, 1850–1920 (Philanthropic and Nonprofit Studies)
by Frank Q. Christianson and Leslee Thorne-Murphy“Offers . . . a clearer insight into the scope and function of philanthropy in political and private life and the impacts that women writers and activists had.” —Edith Wharton ReviewFrom the mid-nineteenth century until the rise of the modern welfare state in the early twentieth century, Anglo-American philanthropic giving gained an unprecedented measure of cultural authority as it changed in kind and degree. Civil society took on the responsibility for confronting the adverse effects of industrialism, and transnational discussions of poverty, urbanization, and women’s work, and sympathy provided a means of understanding and debating social reform. While philanthropic institutions left a transactional record of money and materials, philanthropic discourse yielded a rich corpus of writing that represented, rationalized, and shaped these rapidly industrializing societies, drawing on and informing other modernizing discourses including religion, economics, and social science.Showing the fundamentally transatlantic nature of this discourse from 1850 to 1920, the authors gather a wide variety of literary sources that crossed national and colonial borders within the Anglo-American range of influence. Through manifestos, fundraising tracts, novels, letters, and pamphlets, they piece together the intellectual world where philanthropists reasoned through their efforts and redefined the public sector.
Philanthropy and Early Twentieth-Century British Literature (Among the Victorians and Modernists)
by Milena Radeva-CostelloPhilanthropy and Early Twentieth-Century British Literature explores the relationship between British literature and philanthropy at the end of the nineteenth and early twentieth centuries, examining the works of E. M. Forster, Rebecca West, W. B. Yeats, Roger Fry, Wyndham Lewis, Virginia Woolf, and Vita Sackville-West. This book considers how writers in the modernist period drew on the liberal welfare reforms, the adoption of scientific methods in charity, the Cambridge tradition of public service, the Irish nationalist movement, and the influence of the Victorian woman philanthropist in order to advocate for an individualist art, revolutionize their aesthetics, redefine ideals of hospitality and beneficence, and affirm the national, social, and economic liberation of the modern subject. Contrary to popular interpretations presenting modernism as a break with Victorian values, Dr. Radeva-Costello argues philanthropic engagements are at the heart of early twentieth-century literature. The writers discussed in this book had a sophisticated knowledge of the philanthropy debates and of their power to transform twentieth-century notions about how to govern, how to conceive of national, class, and gender boundaries, and how to market the work of the professional artist in the real world. In keeping with the strong archival and historicizing approach of the "New Modernist Studies" of recent years, this book also analyses the rich contextual detail of early modernist magazines, contemporary and archival periodicals, and government publications.
Philanthropy And The National Park Service
by Jacqueline Vaughn Hanna J. CortnerAs the National Park Service prepares for its centennial in 2016, this book provides an in-depth analysis of the role of philanthropy in national parks, with a focus on non-profit organizations known as friends groups and cooperating associations. Providing a historical review of partnerships through the lifetime of the NPS, up to a contemporary analysis of the legal and organizational framework under which non-profit philanthropic partners operate, Jacqueline Vaughn and Hanna J. Cortner explore the challenges the National Park Service faces in dealing with non-profit partners. Based on personal interviews with more than 50 non-profit leaders and National Park Service staff, financial data, and comprehensive site visits, Vaughn and Cortner offer a unique and informative view of the landscape in which philanthropy groups succeed - and sometimes fail.
Philanthropy and the Arts
by Jennifer Radbourne Kenneth WatkinsPhilanthropy and the Arts documents an emerging model of philanthropy that moves beyond the fundraising process to capture the essence of philanthropy in the intrinsic values held by donors, benefactors and philanthropic leaders. These values are the same as those that the arts bring to society, so the act of philanthropy itself embodies a commitment to ensuring the arts deliver for Australia a better community in which to live. Philanthropy and the Arts contains stories of successful philanthropy in the arts and acknowledges the relevant research in fundraising and philanthropy, translating this into the tools required for effective practice. While focusing on The Australian Ballet in particular, it has application across all art forms and arts companies and the non-profit sector more broadly.