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Plays and Other Writings (Routledge Revivals)
by Arpad GonczOriginally published in 1990, this volume is a full translation from Hungarian of Men of God; 1944; The Front; Homecoming; Old People; The Child; Balance; Power; Encounter; and Persephone: Play in Two Acts.
The Plays and Poems of Nicholas Rowe, Volume I: The Early Plays (The Pickering Masters)
by Stephen Bernard Rebecca Bullard John McTagueNicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this first volume, a general introduction by Stephen Bernard and Michael Caines introduces Rowe's works and the five volumes that comprise this set. It then presents the early plays, The Ambitious Step-Mother, Tamerlane, and The Fair Penitent along with a newly written explanatory introduction by Rebecca Bullard and John McTague which precedes the full edited text. Appendices covering dedications performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.
The Plays and Poems of Nicholas Rowe, Volume II: The Middle Period Plays (The Pickering Masters)
by Michael CainesNicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this second volume the middle plays, The Biter, Ulysses, and The Royal Convert are presented, along with a newly written explanatory introduction by Michael Caines which precedes the full edited text. Appendices covering dedications, prologues and epilogues, performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.
The Plays and Poems of Nicholas Rowe, Volume III: The Late Plays (The Pickering Masters)
by Stephen Bernard Claudine Van HensbergenNicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this third volume the late plays, The Tragedy of Jane Shore and The Tragedy of the Lady Jane Grey are presented, along with a newly written explanatory introduction by Claudine van Hensbergen which precedes the full edited text. Appendices covering performance history, the related music and textual apparatus are also included. A consolidated bibliography is included with the final volume for ease of reference.
The Plays and Poems of Nicholas Rowe, Volume IV: Poems and Lucan’s Pharsalia (Books I-III) (The Pickering Masters)
by Stephen Bernard Robin SowerbyNicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this fourth volume his poetry and the first part of his translation of Lucan's Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, is presented. A newly written explanatory introduction by Stephen Bernard to the poems, and by Robin Sowerby to the Pharsalia, precedes each of full edited texts. The second part of the text and textual apparatus are included with the fifth volume of this edition. A consolidated bibliography is also included with the final volume for ease of reference.
The Plays and Poems of Nicholas Rowe, Volume V: Lucan’s Pharsalia (Books IV-X) (The Pickering Masters)
by Lucan’s PharsaliaNicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. In this final volume the second part of his translation of Lucan’s Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, is presented along with some his own original poetry. A newly written explanatory introduction to the Pharsalia by Stephen Bernard precedes the full edited text in volume IV. Appendices covering the related music and textual apparatus are also included. The edition comes with a consolidated bibliography for ease of reference.
Plays By and About Women
by Victoria Sullivan James HatchEight plays, all written in this century, in which leading women dramatists present their own pictures of their sex.
The Plays of Arthur Murphy: Volume II (Routledge Revivals)
by Richard B. SchwartzOriginally compiled and published in 1979, this volume contains six plays of Arthur Murphy: The Apprentice; The Upholsterer; The Old Maid; The Citizen; No One's Enemy but His Own; Three Weeks After Marriage.
The Plays of Beaumont and Fletcher
by Sandra ClarkThis is an analysis of sexual themes in the plays of Beaumont and Fletcher, both in the context of the Jacobean theatre and in the light of modern readings of sexuality and gender during the English Renaissance. Sandra Clark challenges commonly-held perceptions of Beaumont and Fletcher's work. The book is intended for undergraduate and graduate courses on Renaissance literature, Elizabethan and Jacobean drama, tragicomedy, gender and genre in the Renaissance.
The Plays of Colley Cibber: Volume II (Routledge Revivals)
by Rodney L. HayleyOriginally collated and published in 1980, this volume contains the plays of Colley Cibber, edited and with an introduction by Rodney L. Hayley. The book contains The Lady's Last Stake, The Rival Fools, Ximena, The Non-Juror and The Refusal.
The Plays of Eugene O'Neill: A New Assessment
by Virginia FloydVirginia Floyd draws on her extensive knowledge of the playwright Eugene O'Neill's work and of his notebooks at Yale University to examine the composition and significance of all the plays, including those unpublished. In chronological order she deals with the significance of each play, assessing its autobiographical as well as literary aspects.
The Plays of George Colman the Younger: Volume 1 (Routledge Revivals)
by George ColmanOriginally composed and published in 1981, this second book makes up two volumes of the plays of George Colman the Younger. Versatile, industrious, talented, Goerge Colman the Younger (1762-1836) followed Sheridan as England's most popular playwright. He wrote not only monologues, farces, pantomimes, comic operas, and straight comedies, but also hybrid three-act anticipations of melodrama.
The Plays of George Colman the Younger: Volume 2 (Routledge Revivals)
by George ColmanOriginally composed and published in 1981, this second book makes up two volumes of the plays of George Colman the Younger. Versatile, industrious, talented, George Colman the Younger (1762-1836) followed Sheridan as England's most popular playwright. He wrote not only monologues, farces, pantomimes, comic operas, and straight comedies, but also hybrid three-act anticipations of melodrama.
The Plays of Henry Carey (Routledge Revivals)
by Samuel L. MaceyOriginally written between the years 1722 and 1743, the works of Henry Carey included in this volume were originally compiled by Samuel L. Macey for this volume in 1980. The volume includes the dramatic works of Henry Carey, Hanging and Marriage; or the Dead-Man's Wedding, and the songs, as they are sung in "Betty, or the Country-Bumpkins". They are all included here edited and with an introduction by Samuel L. Macey, as well as alongside textual notes.
The Plays of Isaac Bickerstaff: Volume III (Routledge Revivals)
by Peter A. TaschThis compilation of Isaac Bickerstaff's plays was originally compiled and published in 1981, and the plays written in the 1760s-70s. Edited and with an introduction by Peter A. Tasch, the volume contains seven plays: The Captive; He Wou'd if He Cou'd; or, An Old Fool worse than Any; The Recruiting Serjeant; 'Tis Well it's no Worse; The Brickdust-Man and Milk-Maid; The Sultan, or A Peep into the Seraglio; and The Spoil'd Child.
The Plays of James Boaden (Routledge Revivals)
by Steven CohanOriginally compiled and published in 1980, this volume contains the plays of James Broaden. Although not many critics of eighteenth-century drama mention Broaden, he loved the theatre and its world, and this love comes across in everything he wrote. This volume contains plays including the songs and chorusses of his first, Ozmynn and Daraxa, from 1793, Fountainville Forest, from 1794, and The Secret Tribunal, from 1795, as well as many others.
Plays of Our Own: An Anthology of Scripts by Deaf and Hard-of-Hearing Writers (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)
by Willy ConleyPlays of Our Own is the first anthology of its kind containing an eclectic range of plays by Deaf and hard-of-hearing writers. These writers have made major, positive contributions to world drama or Deaf theatre arts. Their topics range from those completely unrelated to deafness to those with strong Deaf-related themes such as a dreamy, headstrong girl surviving a male-dominated world in Depression-era Ireland; a famous Spanish artist losing his hearing while creating his most controversial art; a Deaf African-American woman dealing with AIDS in her family; and a Deaf peddler ridiculed and rejected by his own kind for selling ABC fingerspelling cards. The plays are varied in style – a Kabuki western, an ensemble-created variety show, a visual-gestural play with no spoken nor signed language, a cartoon tragicomedy, historical and domestic dramas, and a situation comedy. This volume contains the well-known Deaf theatre classics, My Third Eye and A Play of Our Own. At long last, directors, producers, Deaf and hearing students, professors, and researchers will be able to pick up a book of "Deaf plays" for production consideration, Deaf culture or multicultural analysis, or the simple pleasure of reading.
The Plays of Robert Browning (Routledge Revivals #No. 14)
by Thomas J. Collins Richard J. ShroyerPublished in 1988, and including all seven of Robert Browning’s dramas, Collins and Shroyer introduce this convenient and reliable reading text by discussing the plays with a history of criticism and giving insightful notes on each individual play in the book.
The Plays of William Godwin (The Pickering Masters)
by David O'ShaughnessyBest known for "Enquiry Concerning Political Justice" (1793) and "Caleb Williams" (1794), William Godwin (1756-1836) is one of the most important figures of the Romantic period. This book offers academics the chance to build a complete picture of Godwin as a writer and political figure.
The Play's the Thing: A Story about William Shakespeare
by Ruth TurkTraces the life of the famous English writer, from his childhood and schooling in Stratford-upon-Avon, through his successful career as actor and playwright in London, to his death in 1616.
Playtexts: Ludics in Contemporary Literature (Stages)
by Warren Motte Jr.“Not hubris but the ever self-renewing impulse to play calls new worlds into being.”—Nietzsche Parents and politicians have always taken play seriously. Its formative powers, its focus, its energy, and its ability to signify other things have drawn the attention of writers from Plato and Schiller to Wittgenstein, Nabokov, and Eco. The ease with which an election becomes perceived as a race, a political crisis as a football game, or an argument as a tennis match readily proves how much play means to contemporary life. Just how play confers meaning, however, is best revealed in literature, where meaning is perpetually at stake. “At stake” itself, the risk of a gamble, is only one intersection between play and life. Playtexts reveals numerous junctures where literary playfulness—seemingly so diverting and irrelevant—instead opens the most profound questions about creativity, community, value, and belief. How do authors play with their words and readers? Can literature proceed at all unless a reader is willing and able to play? No moralizing monologue, Playtexts is all for exuberance and creative surge: Breton’s construction of an antinovel, Gombrowicz’s struggle with adult formalities, Nabokov’s swats at the humorless, Sarrazin’s seductive notes, Eco’s recasting of spy and detective fiction, Reyes’s carnal metaphorics.
The Playwright's Guidebook: An Insightful Primer On The Art Of Dramatic Writing
by Stuart SpencerA concise guide to playwriting to awaken creativity, from a playwright who has taught the subject for over a decade.“If you want to be a playwright, here’s your bible.” —David Lindsay-Abaire, author of Fuddy Meers and Wonder of the WorldDuring the more than ten years that Sturt Spencer has taught playwriting, he has struggled to find an effective handbook for his courses. Although most of the currently popular guides contain useful ideas, they all suffer from the same problems: poor organizations; quirky, idiosyncratic advice; and abstract theorizing on the nature of art. As a result, they fail to offer any concrete information or useful guidelines on how to construct a well-written play. Moreover, few of these books are actually written by working playwrights. Out of frustration, Spencer wrote his own. The result, The Playwright’s Guidebook, is a concise and engaging handbook full of the kind of wisdom that comes naturally with experience. Spencer presents a coherent way of thinking about playwriting that addresses the important principles of structure, includes insightful writing exercises that build upon one another, explores the creative process, and troubleshoots recurrent problems that playwrights actually face.“The Playwright’s Guidebook is indispensable. Clearly and thoroughly, Mr. Spencer—a playwright himself—leads all playwrights (not only the beginner) through the travails of creation and the jungle of production.” —Edward Albee“Eureka! A clearly written, well-structured, intelligent how-to book about playwriting. Like the good teacher and good writer that he is, Stuart Spencer guides rather than browbeats. Should be next to the laptop of any aspiring, or working, playwright.” —Warren Leight, author of Side Man
The Playwright's Process: Learning the Craft from Today's Leading Dramatists
by Buzz MclaughlinThis guide aims to teach the reader the craft of writing and producing stage drama. The book covers such topics as script format, arranging readings, contacting agents, and getting a full production. How to build a good plot, and producing a piece that will work on stage are also examined.
The Playwright's Voice
by David SavranThis new volume of interviews with contemporary playwrights attests to the fact the dramatic art is alive and well in America and celebrates the art and talent of fifteen of the theatre's most important artists. In extensive interviews, they discuss their work, influences and their craft and how the art form relates to our cultural heritage, as well as the state of theatre-its-meaning and purposes as we approach the 21st Century. David Savran lays out their remarkable achievements and provides telling insights to their work in his substantial introductions to each interview.Interviews with: Edward AlbeeJon Robin BaitzPhilip Kan GotandaHolly HughesTony KushnerTerrence McNallySuzan-Lori ParksJosé RiveraNtozake ShangeNicky SilverAnna Deavere SmithPaula VogelWendy WassersteinMac Wellman and George C. Wolfe.
Playwriting: Writing, Producing And Selling Your Play
by Louis E. CatronA practical guidebook for effective playwriting! This imaginative and enthusiastic book is designed especially for those having the desire to create, to entertain, and to express their emotions and ideas. It features a practical, down-to-earth emphasis on craft and structure rather than on theory as its step-by-step approach shows just what’s involved in creating a stageworthy play. Coverage includes basic considerations such as plot and character development, theme and dialogue as well as production and publication considerations. Outstanding features: offers concrete writing guidelines; includes exercises that get the reader going and inspirational anecdotes; presents excerpts from such classics as Macbeth, The Glass Menagerie, and The Dumb Waiter that help the student grasp key concepts; lists plays to read for instruction; includes valuable information not usually found in comparable collections.